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Jilloo
Jilloo was an Indian Hindi language film actress born in 1905 in Bombay, India as Zuleka Ebrahain. She acted in numerous Hindi films including ''Mother India'' and ''Mughal-e-Azam'', the two biggest commercial and critical successes of the 1950s. She portrayed the role of the mother-in-law of Radha, the protagonist of ''Mother India'', and the mother of Anarkali, in ''Mughal-e-Azam''. She also acted in several other films, including '' Madhosh'' and ''Alam Ara'', India's first talkie film. As a young actress, she was credited as Jilloobai, Jillo, Jilloo, Zillu, Zilloo or Zilloobai. Later in her career she became known for portraying the role of mother in various movies earning her the name Jilloo Maa (mother in Hindi). Filmography *1960: ''Mughal-E-Azam'' – Anarkali's mother *1957: ''Mother India'' – Sundar Chachi *1951: '' Madhosh'' – Soni's mother *1951: '' Sanam'' – Jogin's mother *1950: '' Magroor'' – Manohar's mother *1950: ''Sabak'' *1945: ''Tadbir'' *1945: ''Na ...
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Sanam (1951 Film)
''Sanam'' is a 1951 Bollywood romantic film directed by Nandlal Jaswantlal, who also directed the classic Anarkali. It starred Dev Anand, and his co-star was Suraiya, who also recorded the playback singing for the film. Meena Kumari acted in the film in a supporting role, where she played the role of Suraiya's best friend. The film was an average at the box office, which was attributed to Suraiya's fading stardom in the early 1950s, and Madhubala's and Nargis' simultaneous rise as the top female stars. Story ''Sanam'' is a romantic comedy, where Yogen (Dev Anand), a poor educated young man, who is unemployed, comes across Sadhana (Suraiya) and Rani ( Meena Kumari) in a chance encounter in a book shop. He was there to request the shopkeeper for a job, which the latter turns down and shows him the door. While exiting, Yogen notices the handbag of Sadhna, absentmindedly left behind by her and returns it. She is impressed by his honesty, when he declines her offer of a large wad o ...
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Magroor (1950 Film)
''Magroor'' () is a 1950 Indian Hindi-language romance film produced by J.B.H. Wadia and directed by cinematographer R.D. Mathur. Sajjad Hussain, Bulo C. Rani and Ram Punjwani were the film's music directors. Prominent songs from the film include "Toot Gaya", sung by Mohammed Rafi, Shamshad Begum and Rajkumari Dubey, and "Sitamgar Kiya Vaar", sung by Geeta Dutt. Plot The film opens with Chandni ( Nigar Sultana), an independent, rich and carefree girl taking her cat Mini for drives in the country. On one such drive the cat jumps out and while in chasing her cat down Chandni meets and quarrels with a young farmer ( Rehman). Chandni lives with her intimidating Chachi ( Durga Khote), who wants her to settle down with her childhood friend Moti ( Paidi Jairaj). Chandni, who isn't ready to marry Moti, confesses the same to him. happy to go along with Chachi’s wishes, but Chandni wants more out of marriage—she wants love, and not just the friendship kind. Moti agrees to hel ...
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Tadbir
''Tadbir '' () is a 1945 Indian Hindi language film. It was the fifth-highest-grossing Indian film of 1945. The film was directed by Jayant Desai under his Jayan Desai Productions banner and had music composed by Lal Mohammed, with lyrics written by Swami Ramanand Saraswati. The film starred K. L. Saigal, Suraiya, Mubarak, Jillobai, Rehana and Shashi Kapoor. Cast * K. L. Saigal as Kanhaiyalal * Suraiya Suraiya Jamal Sheikh (15 June 1929 – 31 January 2004), mononymously known as Suraiya, was an Indian actress and playback singer who worked in Hindi films. She is regarded as one of the greatest and finest actresses in the history of Indian c ... as Saguna * Mubarak as Jwalaprasad * Jilloo * Rehana * Rewashankar Marwadi * Raja Rani * Shashiraj * Ameena * Shalini * Gharpure * Raja Joshi References External links * 1945 films 1940s Hindi-language films 1940s Indian films Indian drama films 1945 drama films Indian black-and-white films Films directed by ...
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Alam Ara
''Alam Ara'' () is a 1931 Indian Hindustani-language historical fantasy film directed and produced by Ardeshir Irani. It revolves around a king and his two wives, Navbahaar and Dilbahaar, who are childless; soon, a ''fakir'' (Wazir Muhammad Khan) tells the king that the former wife will give birth to a boy, later named Qamar ( Master Vithal), but the child will die following his 18th birthday if Navbahaar cannot find the necklace he asks for. Meanwhile, the king finds out that Dilbahaar falls for the ''senapati'' Adil ( Prithviraj Kapoor), leading the king to arrest him and evicts his pregnant wife, who later gives birth to Alam Ara ( Zubeida). Irani was inspired to make ''Alam Ara'' after watching the 1929 American part-talkie ''Show Boat''. The story was adapted from the Bombay-based dramatist Joseph David's play of the same name. Made on a budget of , principal photography was handled by Adi M. Irani within four months in Bombay. Because the studio was located near a railw ...
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Mother India
''Mother India'' is a 1957 Indian epic drama film, directed by Mehboob Khan and starring Nargis, Sunil Dutt, Rajendra Kumar and Raaj Kumar. A remake of Khan's earlier film '' Aurat'' (1940), it is the story of a poverty-stricken village woman named Radha (Nargis), who in the absence of her husband, struggles to raise her sons and survive against a cunning money-lender amidst many troubles. The title of the film was chosen to counter American author Katherine Mayo's 1927 polemical book '' Mother India'', which vilified Indian culture. ''Mother India'' metaphorically represents India as a nation in the aftermath of its independence in 1947, and alludes to a strong sense of Indian nationalism and nation-building. Allusions to Hindu mythology are abundant in the film, and its lead character has been seen as a metonymic representation of an Indian woman who reflects high moral values and the concept of what it means to be a mother to society through self-sacrifice. While so ...
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Mughal-e-Azam
''Mughal-e-Azam'' () is a 1960 Indian Epic film, epic historical drama film produced and directed by K. Asif. Starring Prithviraj Kapoor, Dilip Kumar, Madhubala, and Durga Khote, it follows the love affair between Mughal Empire, Mughal Prince Salim (who went on to become Emperor Jahangir) and Anarkali, a court dancer. Salim's father, Emperor Akbar, disapproves of the relationship, which leads to a war between father and son. The development of ''Mughal-e-Azam'' began in 1944, when Asif read a 1922 play called ''Anarkali,'' by the playwright Imtiaz Ali Taj, which is set in the reign of Emperor Akbar (1556–1605). Production was plagued by delays and financial uncertainty. Before its principal photography began in the early 1950s, the project had lost a financier and undergone a complete change of cast. ''Mughal-e-Azam'' cost more to produce than any previous Cinema of India, Indian motion picture; the budget for a single song sequence exceeded that typical for an entire f ...
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Madhosh (1951 Film)
''Madhosh'' () is a 1951 Bollywood film. The story was loosely based on Romeo and Juliet. Cast * Manhar Desai as Raya * Meena Kumari as Soni * Usha Kiran as Raina * Rajan as Anand * Kuldeep Akhtar as Rambhaji, Raya's father * Mubarak as Bhujba or Bhujwa, Soni's father * Jilloo Maa (as Jiloo) as Soni's mother and Bhujba's wife * S. Nazir as Shakriya * Habib Sandow as Pahadji * Shivdutt as Vamia * Bismillah (as Bismilla) as Narayan * Ramakrishna as Panditji (as Ram Krishan) * Goldstein as Police Superintendent Music All film songs were written by lyricist Raja Mehdi Ali Khan and music composed by Madan Mohan Madanamohana () is an epithet of the Hindu deity Krishna. It translates as, "he whose charm (''mohana'') bewilders even the god of love ('' madana'')". The epithet describes the powerful nature of the attraction for the deity from his devotees, e .... References External links * 1951 films Films scored by Madan Mohan 1950s Hindi- ...
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Mughal-E-Azam
''Mughal-e-Azam'' () is a 1960 Indian Epic film, epic historical drama film produced and directed by K. Asif. Starring Prithviraj Kapoor, Dilip Kumar, Madhubala, and Durga Khote, it follows the love affair between Mughal Empire, Mughal Prince Salim (who went on to become Emperor Jahangir) and Anarkali, a court dancer. Salim's father, Emperor Akbar, disapproves of the relationship, which leads to a war between father and son. The development of ''Mughal-e-Azam'' began in 1944, when Asif read a 1922 play called ''Anarkali,'' by the playwright Imtiaz Ali Taj, which is set in the reign of Emperor Akbar (1556–1605). Production was plagued by delays and financial uncertainty. Before its principal photography began in the early 1950s, the project had lost a financier and undergone a complete change of cast. ''Mughal-e-Azam'' cost more to produce than any previous Cinema of India, Indian motion picture; the budget for a single song sequence exceeded that typical for an entire f ...
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Gaali
''Gaali'' is a Bollywood film. It was released in 1944. A social film, its theme dealt with injustice to women. The music was by Sajjad Hussain with lyrics by Pandit Indra. It starred Karan Dewan, Nirmala, Manjula, and Yakub. Cast The cast of the film: * Karan Dewan * Nirmala * Yakub Yakub, Yaqub, Yaqoob, Yaqoub, Yacoub, Yakoub or Yaâkub (, also transliterated in other ways; ''Yakob,'' as commonly westernized) is a male given name. It is the Arabic version of Jacob and James. The Arabic form ''Ya'qūb/Ya'kūb'' may be direct ... * Kanhaiyalal * Sunalini Devi * Jilloo References External links * 1944 films 1940s Hindi-language films 1940s Indian films Indian black-and-white films {{1940s-Hindi-film-stub ...
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Indian People
Indian people or Indians are the Indian nationality law, citizens and nationals of the India, Republic of India or people who trace their ancestry to India. While the demonym "Indian" applies to people originating from the present-day India, it was also used as the identifying term for people originating from what is now Bangladeshi diaspora, Bangladesh and Pakistani diaspora, Pakistan prior to the Partition of India in 1947. In 2022, the population of India stood at 1.4 billion people, of various Indian ethnic groups, ethnic groups. According to United Nations forecasts, India overtook China as the world's List of countries and dependencies by population, most populous country by the end of April 2023, containing 17.50 percent of the global population. In addition to the Indian population, the Non-resident Indian and Overseas Citizen of India, Indian overseas diaspora also boasts large numbers, particularly in former British Empire, British colonies due to the historical ...
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Hindi Film
Hindi cinema, popularly known as Bollywood and formerly as Bombay cinema, is primarily produced in Mumbai. The popular term Bollywood is a portmanteau of "Bombay" (former name of Mumbai) and " Hollywood". The industry, producing films in the Hindi language, is a part of the larger Indian cinema industry, which also includes South Indian cinema and other smaller film industries. The term 'Bollywood', often mistakenly used to refer to Indian cinema as a whole, only refers to Hindi-language films, with Indian cinema being an umbrella term that includes all the film industries in the country, each offering films in diverse languages and styles. In 2017, Indian cinema produced 1,986 feature films, of which the largest number, 364, have been in Hindi. In 2022, Hindi cinema represented 33% of box office revenue, followed by Telugu and Tamil representing 20% and 16% respectively. Mumbai is one of the largest centres for film production in the world. Hindi films sold an estimat ...
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Actress
An actor (masculine/gender-neutral), or actress (feminine), is a person who portrays a character in a production. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), literally "one who answers".''Hypokrites'' (related to our word for Hypocrisy, hypocrite) also means, less often, "to answer" the Tragedy, tragic Greek chorus, chorus. See Weimann (1978, 2); see also Csapo and Slater, who offer translations of classical source material using the term ''hypocrisis'' (acting) (1994, 257, 265–267). The actor's interpretation of a rolethe art of acting pertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role", which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art. Formerly, in an ...
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