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Jeopardy (album)
''Jeopardy'' is the debut studio album by the English post-punk band the Sound. It was released in November 1980 through the record label Korova. The album fared poorly commercially, only reaching No. 23 in New Zealand, but received critical acclaim. One single, "Heyday", was released from the album. Background Following their 1979 EP ''Physical World'', the band started work on a full-length album. Impressed by the rough mixes, Korova signed the group. ''Jeopardy'' was recorded inexpensively at Elephant Studios in London, and was produced by the Sound themselves and Nick Robbins. Adrian Janes, ex-member of the Outsiders along with Sound frontman Adrian Borland and Bob Lawrence, contributed writing to two tracks, despite not being a member of the Sound. Regarding the album, drummer Michael Dudley said: I felt I had really achieved something in my life. I couldn't wait to hand out copies to family and friends ..It was the most fun to record and the biggest challenge to wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Sound (band)
The Sound were an English post-punk band, formed in South London in 1979 and dissolved in 1988. They were fronted by Adrian Borland, and evolved from his previous band, the Outsiders. While never commercially successful, the Sound have long been championed by critics. Background Beginnings The Sound were formed in South London in 1979 from the remnants of the punk band the Outsiders. The original lineup of the Sound consisted of Adrian Borland (vocals, guitar) and Graham Bailey (bass guitar), both ex-Outsiders, along with Mike Dudley (drums) and woodwinds player Bi Marshall (born Benita Biltoo). While not a member, ex-Outsider Adrian Janes would contribute ideas and co-write lyrics to the Sound's music. Borland and Bailey also made up the band Second Layer, formed around the same time as the Sound. The Sound made their debut with the EP ''Physical World'' in 1979, released on manager Stephen Budd's Tortch label. It was favourably received by ''NME'' and received airpl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as ''Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival '' Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dead Can Dance
Dead Can Dance are a British-Australian band founded in Melbourne in 1981 by Brendan Perry and Lisa Gerrard, before relocating to London the following year. The Australian music historian Ian McFarlane described Dead Can Dance's style as "constructed soundscapes of mesmerising grandeur and solemn beauty; Music of Africa, African polyrhythms, Celtic music, Gaelic folk, Gregorian chant, Middle Eastern music, mantras, and art rock." Having temporarily disbanded in 1998, they reunited in 2005 for a world tour, and again in 2011 to release and tour the album ''Anastasis (album), Anastasis''. They released their most recent album, ''Dionysus (album), Dionysus'', in 2018, and toured Europe in 2022. Career Formation and early years Dead Can Dance were formed in Melbourne, Australia, in August 1981 with Paul Erikson on bass guitar, Lisa Gerrard (ex-Microfilm) on vocals and percussion, Simon Monroe (The Scavengers, Marching Girls) on drums and Brendan Perry (also of Marching Girls) on vo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brendan Perry
Brendan Michael Perry (born 30 June 1959) is a British singer and multi-instrumentalist best known for his work as half of the duo Dead Can Dance with Lisa Gerrard. Early life Perry was born in Whitechapel, London, England, UK, in 1959 to a mother from Cavan, Ireland,Brendan Perry: Biography . AllMusic. Retrieved 15 April 2018. and a father from London. He was raised and schooled in the East End of London until his family moved to Auckland, New Zealand, in 1973. Having received no formal musical education, Perry began to play the guitar at St Paul's College, Auckland, St Paul's College, the Catholic school he attended in Ponsonby, New Zealand, Ponsonby. After failing to become a primary school teacher and join the civil service, Perry worked at a series of jobs until joining the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trouser Press
''Trouser Press'' was a rock and roll magazine started in New York in 1974 as a mimeographed fanzine by editor/publisher Ira Robbins, fellow fan of the Who, Dave Schulps, and Karen Rose under the name "Trans-Oceanic Trouser Press" (a reference to a song by the Bonzo Dog Doo-Dah Band and an acronymic play on the British TV show ''Top of the Pops)''. Publication of the magazine ceased in 1984. The unexpired portion of mail subscriptions was completed by ''Rolling Stone'' sister publication ''Record'', which itself folded in 1985. ''Trouser Press'' has continued to exist in various formats. History The magazine's original scope was British bands and artists (early issues featured the slogan "America's Only British Rock Magazine"). Initial issues contained occasional interviews with major artists like Brian Eno and Robert Fripp and extensive record reviews. After 14 issues, the title was shortened to simply ''Trouser Press'', and it gradually transformed into a professional magazin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devon Powers
Devon Powers (born 1977 or 1978) is an American communication studies professor, author, and former music journalist. Biography Powers was born in 1977 or 1978. Her father, Lee R. Powers, is an engineer and her mother, Mandy Powers, is a nurse. In 2007 she married lawyer David Bennion. Powers is African American. In 1999, she earned a Bachelor of Arts degree in English and women's studies from Oberlin College and, in 2008, a Ph.D. in media studies from New York University. Between 2001 and 2004, she worked as a freelance music journalist, largely writing for ''PopMatters''. , she is a professor of communication and media at the University of Michigan. Her research interests include consumer culture (historical and contemporary) and shifts in cultural intermediation, circulation and promotion. She has written two books, ''Writing the Record: The Village Voice and the Birth of Rock Criticism'' (2013) and ''On Trend: The Business of Forecasting the Future'' (2019) and, with Me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
PopMatters
''PopMatters'' is an international online magazine of cultural criticism that covers aspects of popular culture. ''PopMatters'' publishes reviews, interviews, and essays on cultural products and expressions in areas such as music, television, films, books, video games, comics, sports Sport is a physical activity or game, often competitive and organized, that maintains or improves physical ability and skills. Sport may provide enjoyment to participants and entertainment to spectators. The number of participants in ..., theater, visual arts, travel, and the Internet. History ''PopMatters'' was founded by Sarah Zupko, who had previously established the cultural studies academic resource site PopCultures. ''PopMatters'' launched in late 1999 as a sister site providing original essays, reviews and criticism of various media products. Over time, the site went from a weekly publication schedule to a five-day-a-week magazine format, expanding into regular review ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uncut (magazine)
''Uncut'' is a monthly magazine based in London. It is available across the English-speaking world, and focuses on music, but also includes film and books sections. A DVD magazine under the ''Uncut'' brand was published quarterly from 2005 to 2006. The magazine was acquired in 2019 by Singaporean music company BandLab Technologies, and was published by NME Networks from December 2021 to August 2023, when the brand was sold to Kelsey Media. ''Uncut'' (main magazine) ''Uncut'' was launched in May 1997 by IPC as "a monthly magazine aimed at 25- to 45-year-old men that focuses on music and movies", edited by Allan Jones (former editor of '' Melody Maker''). Jones has stated that " e idea for Uncut came from my own disenchantment about what I was doing with ''Melody Maker''. There was a publishing initiative to make the audience younger; I was getting older and they wanted to take the readers further away from me", specifically referring to the then dominant Britpop genre. Accordi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smash Hits
''Smash Hits'' was a British music magazine aimed at young adults, originally published by EMAP. It ran from 1978 to 2006, and, after initially appearing monthly, was issued fortnightly during most of that time. The name survived as a brand for a spin-off digital television channel, which was later renamed Box Hits, and website. A digital radio station was also available but closed on 5 August 2013. Overview ''Smash Hits'' featured the lyrics of latest hits and interviews with big names in music. It was initially published monthly, then went fortnightly. The style of the magazine was initially serious, but from the mid-1980s became increasingly irreverent. Its interviewing technique was novel at the time and, rather than looking up to the big names, it often made fun of them, asking strange questions rather than talking about their music. Created by journalist Nick Logan, the title was launched in 1978 and appeared monthly for its first few issues. He based the idea on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Mirror
''Record Mirror'' was a British weekly music newspaper published between 1954 and 1991, aimed at pop fans and record collectors. Launched two years after ''New Musical Express'', it never attained the circulation of its rival. The first UK Albums Chart, UK album chart was published in ''Record Mirror'' in 1956, and during the 1980s it was the only consumer music paper to carry the official UK Singles Chart, UK singles and UK albums charts used by the BBC for BBC Radio 1, Radio 1 and ''Top of the Pops'', as well as the USA's ''Billboard (magazine), Billboard'' charts. The title ceased to be a stand-alone publication in April 1991 when UBM plc, United Newspapers closed or sold most of their consumer magazines, including ''Record Mirror'' and its sister music magazine ''Sounds (magazine), Sounds'', to concentrate on trade papers like ''Music Week''. In 2010, Giovanni Di Stefano (fraudster), Giovanni di Stefano bought the name ''Record Mirror'' and relaunched it as an online music go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melody Maker
''Melody Maker'' was a British weekly music magazine, one of the world's earliest music weeklies; according to its publisher, IPC Media, the earliest. In January 2001, it was merged into "long-standing rival" (and IPC Media sister publication) ''New Musical Express''. 1920s–1940s It was founded in 1926 by Leicester-born composer and publisher Lawrence Wright as the house magazine for his music publishing business, often promoting his own songs. Two months later it had become a full scale magazine, more generally aimed at dance band musicians, under the title ''The Melody Maker and British Metronome''. It was published monthly from the basement of 19 Denmark Street in LondonPeter Watts. ''Denmark Street: London's Street of Sound'' (2023), pp. 30-31 (soon relocating to 93 Long Acre), and the first editor was the drummer and dance-band leader Edgar Jackson (1895-1967). Jackson instigated a jazz column, which gained in credibility once it was taken over by Spike Hughes in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In The City (The Jam Song)
"In the City" is the debut single by English band the Jam from their album of the same title. It was released on 29 April 1977 and reached No. 40 on the UK Singles Chart in May 1977, making it their first Top 40 single and the beginning of their streak of 18 consecutive Top 40 singles. While the album was not particularly successful in the UK Albums Chart, the song was the UK's first introduction to The Jam, and was characteristic of Paul Weller's youth anthems—mod-influenced celebrations of British youth—that dominated the band's early output. In May 2002, Polydor Records decided to commemorate the 25th anniversary of The Jam by re-releasing their debut single in its original packaging, in its 7" vinyl record format and at its original price of 75 pence. The limited pressing sold out immediately, and the song made the Top 40 one more time, peaking at No. 36; higher than it did in its original release and two subsequent reissues. Only one single (" Freakin' Out" by Grah ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
