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Jeanne Barbillion
Jeanne Marie Louise Barbillion (12 October 1895 – 8 August 1992) was a French pianist, violinist, and composer. Life Born in Paris, Barbillion attended the Schola Cantorum de Paris from the age of 8. She was a pupil of Vincent d'Indy (who nicknamed her "the Chameleon") who gave her orchestration lessons, and Berthe Duranton. In the late 1910s, she performed as a violinist with Vincent d'Indy in pieces by Nicola Porpora, Franz Schubert and Vincent d'Indy.. In the 1920s, she created the Barbillion Quartet, in collaboration with Denise Vidaillet, Edwige Bergeron, Madeleine Portier, and Marcel Vernet.. She composed and created several of her works for her quartet, (''La tristesse de Pan'', 13 March 1926) for example). In the 1940s, Barbillion taught chamber music at the . In 1972, she took part in a day in homage to Charles Fourier, for whom she composed a ''Hymne sylvestre'' for mixed choir and mezzo-soprano, ''Scènes champêtres'' for piano four hands, and ''En forêt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schola Cantorum De Paris
The Schola Cantorum de Paris is a private conservatory in Paris. It was founded in 1894 by Charles Bordes, Alexandre Guilmant and Vincent d'Indy as a counterbalance to the Paris Conservatoire's emphasis on opera. History La Schola was founded in 1894 and opened on 15 October 1896 as a rival to the Paris Conservatoire. Alexandre Guilmant, an organist at the Conservatoire, was the director of the Schola before d'Indy took over. D'Indy set the curriculum, which fostered the study of late Baroque and early Classical works, Gregorian chant, and Renaissance polyphony. According to the ''Oxford Companion to Music'', "A solid grounding in technique was encouraged, rather than originality, and the only graduates who could stand comparison with the best Conservatoire students were Magnard, Roussel, Déodat de Séverac, and Pierre de Bréville." The school was originally located in Montparnasse; in 1900 it moved to its present site, a former convent in the '' Quartier Latin''. No ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincent D'Indy
Paul Marie Théodore Vincent d'Indy (; 27 March 18512 December 1931) was a French composer and teacher. His influence as a teacher, in particular, was considerable. He was a co-founder of the Schola Cantorum de Paris and also taught at the Paris Conservatoire. His students included Albéric Magnard, Albert Roussel, Arthur Honegger, Darius Milhaud, and Erik Satie, as well as Cole Porter. D'Indy studied under composer César Franck, and was strongly influenced by Franck's admiration for German music. At a time when nationalist feelings were high in both countries (circa the Franco-Prussian War of 1871), this brought Franck into conflict with other musicians who wished to separate French music from German influence. Life Paul Marie Théodore Vincent d'Indy was born in Paris into an aristocratic family of royalist and Catholic persuasion. He had piano lessons from an early age from his paternal grandmother, who passed him on to Antoine François Marmontel and Louis Diémer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicola Porpora
Nicola (or Niccolò) Antonio Porpora (17 August 16863 March 1768) was an Italian composer and teacher of singing of the Baroque era, whose most famous singing students were the castrati Farinelli and Caffarelli. Other students included composers Matteo Capranica and Joseph Haydn. Biography Porpora was born in Naples. He graduated from the music conservatory Poveri di Gesù Cristo of his native city, where the civic opera scene was dominated by Alessandro Scarlatti. Porpora's first opera, ''Agrippina,'' was successfully performed at the Neapolitan court in 1708. His second, ''Berenice'', was performed at Rome. In a long career, he followed these up by many further operas, supported as ''maestro di cappella'' in the households of aristocratic patrons, such as the commander of military forces at Naples, prince Philip of Hesse-Darmstadt, or of the Portuguese ambassador at Rome, for composing operas alone did not yet make a viable career. However, his enduring fame rests chiefly u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Schubert
Franz Peter Schubert (; 31 January 179719 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast ''oeuvre'', including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. His major works include " Erlkönig" (D. 328), the Piano Quintet in A major, D. 667 (''Trout Quintet''), the Symphony No. 8 in B minor, D. 759 (''Unfinished Symphony''), the "Great" Symphony No. 9 in C major, D. 944, the String Quintet (D. 956), the three last piano sonatas (D. 958–960), the opera '' Fierrabras'' (D. 796), the incidental music to the play '' Rosamunde'' (D. 797), and the song cycles '' Die schöne Müllerin'' (D. 795) and ''Winterreise'' (D. 911). Born in the Himmelpfortgrund suburb of Vienna, Schubert showed uncommon gifts for music from an early age. His father gave him his first v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ordre Des Palmes Académiques
A suite, in Western classical music and jazz, is an ordered set of instrumental or orchestral/concert band pieces. It originated in the late 14th century as a pairing of dance tunes and grew in scope to comprise up to five dances, sometimes with a prelude, by the early 17th century. The separate movements were often thematically and tonally linked. The term can also be used to refer to similar forms in other musical traditions, such as the Turkish fasıl and the Arab nuubaat. In the Baroque era, the suite was an important musical form, also known as ''Suite de danses'', ''Ordre'' (the term favored by François Couperin), '' Partita'', or ''Ouverture'' (after the theatrical "overture" which often included a series of dances) as with the orchestral suites of Christoph Graupner, Telemann and J.S. Bach. During the 18th century, the suite fell out of favour as a cyclical form, giving way to the symphony, sonata and concerto. It was revived in the later 19th century, but in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mixed Choir
A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of voices or instruments in a polychoral composition. In typical 18th century to 21st century oratorios and masses, 'chorus' o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's '' La Cenerentola'', and Rosina in Rossini's '' Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ondes Martenot
The ondes Martenot ( ; , "Martenot waves") or ondes musicales ("musical waves") is an early electronic musical instrument. It is played with a keyboard or by moving a ring along a wire, creating "wavering" sounds similar to a theremin. A player of the ondes Martenot is called an ondist. The ondes Martenot was invented in 1928 by the French inventor Maurice Martenot. Martenot was inspired by the accidental overlaps of tones between military radio oscillators, and wanted to create an instrument with the expressiveness of the cello. The ondes Martenot is used in more than 100 orchestral compositions. The French composer Olivier Messiaen used it in pieces such as his 1949 symphony '' Turangalîla-Symphonie,'' and his sister-in-law Jeanne Loriod was a celebrated player of the instrument. It appears in numerous film and television soundtracks, particularly science fiction and horror films. Jonny Greenwood of the English rock band Radiohead is credited with bringing the ondes to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin Concerto (Beethoven)
The Violin Concerto in D major, Op. 61, was written by Ludwig van Beethoven in 1806. Its first performance by Franz Clement was unsuccessful and for some decades the work languished in obscurity, until revived in 1844 by the then 12-year-old violinist Joseph Joachim with the orchestra of the London Philharmonic Society conducted by Felix Mendelssohn. Joachim would later claim it to be the "greatest" German violin concerto. Since then it has become one of the best-known and regularly performed violin concertos. Genesis Beethoven had previously written a number of pieces for violin and orchestra. At some point in 1790–2, before his musical maturity, he began a Violin Concerto in C, of which only a fragment of the first movement survives. Whether the work, or even the first movement, had ever been completed is not known. In any event, it was neither performed nor published. Later in the 1790s, Beethoven had completed two Romances for violin – first the Romance in F and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Duruflé
Maurice Gustave Duruflé (; 11 January 1902 – 16 June 1986) was a French composer, organist, musicologist, and teacher. Life and career Duruflé was born in Louviers, Eure in 1902. He became a chorister at the Rouen Cathedral Choir School from 1912 to 1918, where he studied piano and organ with Jules Haelling, a pupil of Alexandre Guilmant. The choral plainsong tradition at Rouen became a strong and lasting influence. At age 17, upon moving to Paris, he took private organ lessons with Charles Tournemire, whom he assisted at Basilique Ste-Clotilde, Paris until 1927. In 1920 Duruflé entered the Conservatoire de Paris, eventually graduating with first prizes in organ with Eugène Gigout (1922), harmony with Jean Gallon (1924), fugue with Georges Caussade (1924), piano accompaniment with César Abel Estyle (1926) and composition with Paul Dukas (1928). In 1927, Louis Vierne nominated him as his assistant at Notre-Dame. Duruflé and Vierne remained lifelong friends, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
