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Jean Fournet
Jean Fournet (14 April 1913 – 3 November 2008) was a French flautist and conductor. Fournet was born in Rouen in 1913. His father was a flutist who gave him some instruction on the flute and music theory. Fournet was then trained at the Conservatoire de Paris in flute by Gaston Blanquart and Marcel Moyse, and conducting by Philippe Gaubert (himself a flutist). He performed on the flute at age fifteen with the Orchestra of the Théâtre des Arts in Rouen. He first established himself as a conductor in his native country conducting in Rouen 1936-1940, Marseilles 1940-1944, and then as director of the Paris Opéra-Comique 1944-1957. He was also a professor of conducting at the École Normale de Musique de Paris 1944-1962. In 1949, and again in 1950, he was guest conductor with the Radio Éireann Symphony Orchestra. His debut with the Concertgebouw Orchestra was in 1950. The Netherlands became Fournet’s second home. He became principal guest conductor of the Netherlands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Fournet (1967)
Jean Fournet (14 April 1913 – 3 November 2008) was a French flautist and conductor. Fournet was born in Rouen in 1913. His father was a flutist who gave him some instruction on the flute and music theory. Fournet was then trained at the Conservatoire de Paris in flute by Gaston Blanquart and Marcel Moyse, and conducting by Philippe Gaubert (himself a flutist). He performed on the flute at age fifteen with the Orchestra of the Théâtre des Arts in Rouen. He first established himself as a conductor in his native country conducting in Rouen 1936-1940, Marseilles 1940-1944, and then as director of the Paris Opéra-Comique 1944-1957. He was also a professor of conducting at the École Normale de Musique de Paris 1944-1962. In 1949, and again in 1950, he was guest conductor with the Radio Éireann Symphony Orchestra. His debut with the Concertgebouw Orchestra was in 1950. The Netherlands became Fournet’s second home. He became principal guest conductor of the Netherlands R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pelleas Et Melisande
Pelleas , or Pellias, is an Arthurian Knight of the Round Table whose story first appears in the Post-Vulgate Cycle. He becomes the husband of Nimue, the Lady of the Lake in '' Le Morte d'Arthur''. His character might have been connected to the figure of Pwyll, the fairy Rhiannon's human husband in Welsh mythology. In the Post-Vulgate, Pellias, the son of a poor vavasour, seeks the love of the high-born maiden, named Arcade or Archade. Though he wins her a golden circlet in a tournament, she spurns him, holes up in her castle refusing to see him, and sends her knights daily to humiliate him in hopes of driving him away. During the course of unrelated adventures, Gawain, Arthur's nephew, witnesses Pellias's humiliation and vows to help him by going to Arcade wearing Pellias' armour so that it appears that Pellias killed Gawain. Once in her confidences, Gawain plans to woo Arcade on behalf of Pellias, delivering her to him. Instead, Gawain falls for Arcade himself, his passion ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Debussy
(Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionism in music, Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, ''Pelléas et Mélisande (opera), Pelléas et Mélisande''. Debussy's orchestral works include ''Prélude à l'après-midi d'un faune'' (1894), ''Nocturnes (Debussy), Nocturnes'' (1897–18 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriel Pierné
Henri Constant Gabriel Pierné (16 August 1863 – 17 July 1937) was a French composer, conductor, pianist and organist. Biography Gabriel Pierné was born in Metz. His family moved to Paris, after Metz and part of Lorraine were annexed to Germany in 1871 following the Franco-Prussian War. He studied at the Paris Conservatoire, gaining first prizes for solfège, piano, organ, counterpoint and fugue. He won the French Prix de Rome in 1882, with his cantata ''Edith''. His teachers included Antoine François Marmontel, Albert Lavignac, Émile Durand, César Franck (for the organ) and Jules Massenet (for composition). He succeeded César Franck as organist at Sainte-Clotilde Basilica in Paris from 1890 to 1898. He himself was succeeded by another distinguished Franck pupil, Charles Tournemire. Associated for many years with Édouard Colonne's concert series, the Concerts Colonne, from 1903, Pierné became chief conductor of this series in 1910. His most notable early perf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grande Messe Des Morts
The ''Grande Messe des morts'' (or Requiem), Op. 5, by Hector Berlioz was composed in 1837. The ''Grande Messe des Morts'' is one of Berlioz's best-known works, with a tremendous orchestration of woodwind and brass instruments, including four antiphonal offstage brass ensembles. The work derives its text from the traditional Latin Requiem Mass. It has a duration of approximately ninety minutes, although there are faster recordings of under seventy-five minutes. History In 1837, Adrien de Gasparin, the Minister of the Interior of France, asked Berlioz to compose a Requiem Mass to remember soldiers who died in the Revolution of July 1830. Berlioz accepted the request, having already wanted to compose a large orchestral work. Meanwhile, the orchestra was growing in size and quality, and the use of woodwinds and brass was expanding due to the increasing ease of intonation afforded by modern instruments. Berlioz later wrote, "if I were threatened with the destruction of the whole of m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Jouatte
Georges Jouatte (17 June 1892 – 13 February 1969) was a 20th-century French operatic singer (tenor) and singing professor. Biography Jouatte was born in Villefagnan (Charente). Just after World War I, he began his career as a dancer at the Casino de Paris in order to finance his singing studies at the Conservatoire de Paris. To improve his skills, still a baritone at the time, he travelled to Germany in the 1920s. It was there that in 1929 he played a small part in the first German-speaking feature film, ''Land Without Women'' (with Conrad Veidt). He was also active in Berlin, at the concert and as an operetta singer. Returning to Paris, he performed on stage in 1932 at the Théâtre Mogador. After a conversion to the tenor register thanks to the advice of Paul Cabanel and Louis Fourestier in 1934, he made his debut at the Opéra Garnier in ''Faust'' by Charles Gounod. He had a great success in 1936 in ''Der Rosenkavalier'' by Richard Strauss, played in the presence of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Damnation De Faust
''La damnation de Faust'' (English: ''The Damnation of Faust''), Op. 24 is a work for four solo voices, full seven-part chorus, large children's chorus and orchestra by the French composer Hector Berlioz. He called it a "''légende dramatique''" ( dramatic legend). It was first performed at the Opéra-Comique in Paris on 6 December 1846. Background and composition history The French composer was inspired by a translation of Goethe's dramatic poem '' Faust'' and produced a musical work that, like the masterpiece on which it is based, defies easy categorisation. Conceived at various times as a free-form oratorio and as an opera (Berlioz ultimately called it a "légende dramatique") its travelogue form and cosmic perspective have made it an extreme challenge to stage as an opera. Berlioz himself was eager to see the work staged, but once he did, he conceded that the production techniques of his time were not up to the task of bringing the work to dramatic life. Most of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Weesp
Weesp () is a city, an urban area in the municipality of Amsterdam and a former municipality in the province of North Holland, Netherlands. It had a population of in . It lies on the river Vecht and next to the Amsterdam–Rhine Canal in an area called the Vechtstreek. On 1 June 2019 the civil service offices of the municipality of Weesp merged with those of the municipality of Amsterdam in preparation of the merger of the two municipalities, which was finalized on 24 March 2022. History Until the early Middle Ages the region around Weesp was an uninhabited peat bog. Weesp (Wesopa in Latin documents) was granted city rights in 1355 and celebrated its 650th anniversary as a city in 2005. From the late Middle Ages, the river Vecht was a defensive line for the County of Holland and it remained a military defensive line until the Second World War. Weesp was strongly fortified, more than its size would justify; for most of its history it had a few thousand inhabitants. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Besançon
Besançon (, , , ; archaic german: Bisanz; la, Vesontio) is the prefecture of the department of Doubs in the region of Bourgogne-Franche-Comté. The city is located in Eastern France, close to the Jura Mountains and the border with Switzerland. Capital of the historic and cultural region of Franche-Comté, Besançon is home to the Bourgogne-Franche-Comté regional council headquarters, and is an important administrative centre in the region. It is also the seat of one of the fifteen French ecclesiastical provinces and one of the two divisions of the French Army. In 2019 the city had a population of 117,912, in a metropolitan area of 280,701, the second in the region in terms of population. Established in a meander of the river Doubs, the city was already important during the Gallo-Roman era under the name of ''Vesontio'', capital of the Sequani. Its geography and specific history turned it into a military stronghold, a garrison city, a political centre, and a religiou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samson And Delilah (opera)
''Samson and Delilah'' (french: Samson et Dalila, links=no), Op. 47, is a grand opera in three acts and four scenes by Camille Saint-Saëns to a French libretto by Ferdinand Lemaire. It was first performed in Weimar at the (Grand Ducal) Theater (now the Staatskapelle Weimar) on 2 December 1877 in a German translation. The opera is based on the Biblical tale of Samson and Delilah found in Chapter 16 of the Book of Judges in the Old Testament. It is the only opera by Saint-Saëns that is regularly performed. The second act love scene in Delilah's tent is one of the set pieces that define French opera. Two of Delilah's arias are particularly well known: "" ("Spring begins") and "" ("My heart opens itself to your voice", also known as "Softly awakes my heart"), the latter of which is one of the most popular recital pieces in the mezzo-soprano/contralto repertoire. Composition history In the middle of the 19th century, a revival of interest in choral music swept France, and Saint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'heure Espagnole
''L'heure espagnole'' is a French one-act opera from 1911, described as a ''comédie musicale'', with music by Maurice Ravel to a French libretto by Franc-Nohain, based on Franc-Nohain's 1904 play ('comédie-bouffe') of the same nameStoullig E. '' Les Annales du Théâtre et de la Musique, 30eme edition, 1904.'' Librairie Paul Ollendorff, Paris, 1905.Roland-Manuel, p. 52: When Franc-Nohain heard Ravel play the work through to him for the first time, he apparently looked at his watch and said to Ravel "56 minutes". The opera, set in Spain in the 18th century, is about a clockmaker whose unfaithful wife attempts to make love to several different men while he is away, leading to them hiding in, and eventually getting stuck in, her husband's clocks. The title can be translated literally as "The Spanish Hour", but the word "heure" more importantly means "time" – "Spanish Time", with the connotation "How They Keep Time in Spain". The original play had first been performed at the Thé ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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