|
Jean-Pierre Vincent
Jean-Pierre Vincent (26 August 1942 – 5 November 2020) was a French theatrical actor and director. He served as Administrator of the Comédie-Française from 1983 to 1986. Theatre *''The Broken Jug'' (1963) *''Scènes populaires'' (1963) *''A Respectable Wedding'' (1968) *''Tambours et trompettes'' (1969) *''Les Acteurs de bonne foi'' (1970) *''Le Marquis de Montefosco'' (1970) *''La Cagnotte'' (1971) *''Capitaine Schelle, Capitaine Eçço'' (1971) *''Le Camp du drap d'or'' (1971) *''La Vie scélérate du noble seigneur Gilles de Rais'' (1971) *''In the Jungle of Cities'' (1972) *''Woyzeck'' (1973) *''A Respectable Wedding'' (1973) *''En r'venant de l'expo'' (1973) *'' The Mother'' (1975) *''Germinal, projet sur un roman'' (1975) *''La Bonne Vie'' (1976) *''Don Giovanni'' (1976) *'' The Misathrope'' (1977) *''Une livre à vue et Palais de la guérison'' (1978) *''La Mort d'Andrea Del Sarto, peintre florentin'' (1978) *''Vichy-Fictions et Violences à Vichy'' (1980) *''Convoi et ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brackets
A bracket is either of two tall fore- or back-facing punctuation marks commonly used to isolate a segment of text or data from its surroundings. Typically deployed in symmetric pairs, an individual bracket may be identified as a 'left' or 'right' bracket or, alternatively, an "opening bracket" or "closing bracket", respectively, depending on the directionality of the context. Specific forms of the mark include parentheses (also called "rounded brackets"), square brackets, curly brackets (also called 'braces'), and angle brackets (also called 'chevrons'), as well as various less common pairs of symbols. As well as signifying the overall class of punctuation, the word "bracket" is commonly used to refer to a specific form of bracket, which varies from region to region. In most English-speaking countries, an unqualified word "bracket" refers to the parenthesis (round bracket); in the United States, the square bracket. Various forms of brackets are used in mathematics, with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Marriage Of Figaro (play)
''The Marriage of Figaro'' (french: link=no, La Folle Journée, ou Le Mariage de Figaro ("The Mad Day, or The Marriage of Figaro")) is a comedy in five acts, written in 1778 by Pierre Beaumarchais. This play is the second in the Figaro trilogy, preceded by '' The Barber of Seville'' and followed by ''The Guilty Mother''. In the first play, ''The Barber'', the story begins with a simple love triangle in which a Spanish count has fallen in love with a girl called Rosine. He disguises himself to ensure that she will love him back for his character, not his wealth. But this is all foiled when Rosine's guardian, Doctor Bartholo, who wants her hand in marriage, confines her to the house. The Count runs into an ex-servant of his (now a barber), Figaro, and pressures him into setting up a meeting between the Count and Rosine. He succeeds and the lovers are married to end the first part of the trilogy. ''The Marriage'' was written as a sequel to ''The Barber''. In his preface to the pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oresteia
The ''Oresteia'' ( grc, Ὀρέστεια) is a trilogy of Greek tragedies written by Aeschylus in the 5th century BCE, concerning the murder of Agamemnon by Clytemnestra, the murder of Clytemnestra by Orestes, the trial of Orestes, the end of the curse on the House of Atreus and the pacification of the Erinyes. The trilogy—consisting of ''Agamemnon'' (), '' The Libation Bearers'' (), and '' The Eumenides'' ()—also shows how the Greek gods interacted with the characters and influenced their decisions pertaining to events and disputes. The only extant example of an ancient Greek theatre trilogy, the ''Oresteia'' won first prize at the Dionysia festival in 458 BCE. The principal themes of the trilogy include the contrast between revenge and justice, as well as the transition from personal vendetta to organized litigation. ''Oresteia'' originally included a satyr play, ''Proteus'' (), following the tragic trilogy, but all except a single line of ''Proteus'' has been lost ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danton's Death
''Danton's Death'' (''Dantons Tod'') was the first play written by Georg Büchner, set during the French Revolution. History Georg Büchner wrote his works in the period between Romanticism and Realism in the so-called Vormärz era in German history and literature. The goal of the politically liberal poets of this period was that literature of a sham existence would again become an effective organ for renewing political and social life. They were opposed to the Romantics and against the restoration of the old order from prior to the Napoleonic Wars. They fought against convention, feudalism and absolutism, campaigned for freedom of speech, the emancipation of the individual, including women and Jews, and for a democratic constitution. They created a trend-poetry and time-poetry – in other words, poetry that dealt with problems of the time and with a commitment to liberal political ideas. Other writers of this trend and period were Heinrich Heine (author of ''Deutschland. Ein ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzaccio
''Lorenzaccio'' is a French play of the Romantic period written by Alfred de Musset in 1834, set in 16th-century Florence, and depicting Lorenzino de' Medici, who killed Florence's tyrant, Alessandro de' Medici, his cousin. Having engaged in debaucheries to gain the Duke's confidence, he loses the trust of Florence's citizens, thus earning the insulting surname "Lorenzaccio". Though he kills Alessandro, he knows he will never return to his former state. Since opponents to the tyrant's regime fail to use Alessandro's death as a way to overthrow the dukedom and establish a republic, Lorenzo's action does not appear to aid the people's welfare. Written soon after the July revolution of 1830, at the start of the July Monarchy, when King Louis Philippe I overthrew King Charles X of France, the play contains many cynical comments on the lack of true republican sentiments in the face of violent overthrow. The play was inspired by George Sand's '' Une conspiration en 1537'', in tu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mitridate, Re Di Ponto
''Mitridate, re di Ponto'' (''Mithridates, King of Pontus''), K. 87 (74a), is an opera seria in three acts by the young Wolfgang Amadeus Mozart. The libretto is by , after Giuseppe Parini's Italian translation of Jean Racine's play '' Mithridate''. Mozart wrote ''Mitridate'' while touring Italy in 1770. The musicologist Daniel E. Freeman has demonstrated that it was composed with close reference to the opera ''La Nitteti'' by Josef Mysliveček. The latter was the opera being prepared for production in Bologna when Mozart met Mysliveček for the first time with his father in March 1770. Mysliveček visited the Mozarts frequently in Bologna during the summer of 1770 while Wolfgang was working on ''Mitridate''. Mozart gained expertise in composition from his older friend and also incorporated some of his musical motifs into his own operatic setting. The opera was first performed at the Teatro Regio Ducale, Milan, on 26 December 1770 (at the Milan Carnival). It was a success, p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Man Equals Man
''Man Equals Man'' (german: Mann ist Mann), or A Man's a Man, is a play by the German modernist playwright Bertolt Brecht. One of Brecht's earlier works, it explores themes of war, human fungibility, and identity. One of the agitprop works inspired by the developments in USSR praising the bolshevik collectivism and replaceability of each member of the collective (along with ''The Decision'' and "Verwisch die Spuren"). Not only was the play the first to emerge after Brecht's move from Munich to Berlin, but it was also the first to be produced by what came to be known as 'the Brecht collective', :"that shifting group of friends and collaborators on whom he henceforth depended. As such it mirrored the artistic climate of the middle 1920s, with their attitude of 'Neue Sachlichkeit' (or New Matter-of-Factness), their stressing of the collectivity and downplaying of the individual, and their new cult of Anglo-Saxon imagery and sport. Together the 'collective' would go to fights, not on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tartuffe
''Tartuffe, or The Impostor, or The Hypocrite'' (; french: Tartuffe, ou l'Imposteur, ), first performed in 1664, is a theatrical comedy by Molière. The characters of Tartuffe, Elmire, and Orgon are considered among the greatest classical theatre roles. History Molière performed his first version of ''Tartuffe'' in 1664. Almost immediately following its performance that same year at Versailles' grand fêtes (The Party of the Delights of the Enchanted Island/''Les fêtes des plaisirs de l'ile enchantée''), King Louis XIV suppressed it, probably due to the influence of the archbishop of Paris, Paul Philippe Hardouin de Beaumont de Péréfixe, who was the King's confessor and had been his tutor. While the king had little personal interest in suppressing the play, he did so because, as stated in the official account of the fête: although it was found to be extremely diverting, the king recognized so much conformity between those that a true devotion leads on the path to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Game Of Love And Chance
''The Game of Love and Chance'' (french: Le Jeu de l'amour et du hasard) is a three-act romantic comedy by French playwright Marivaux. ''The Game of Love and Chance'' was first performed 23 January 1730 by the Comédie Italienne. In this play, a young woman is visited by her betrothed, whom she does not know. To get a better idea of the type of person he is, she trades places with her servant and disguises herself. However, unbeknownst to her, her fiancé has the same idea and trades places with his valet. The "game" pits the two false servants against the two false masters, and in the end, the couples fall in love with their appropriate counterpart. Like many of Marivaux's other comedies, ''The Game of Love and Chance'' makes use of stock characters from the Commedia dell'arte. In this play, Arlequin is featured. Lisette, who appears in other Marivaux plays, also takes on a stock personality as the feisty servant. Plot summary Silvia is engaged to marry Dorante, a man s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All's Well That Ends Well
''All's Well That Ends Well'' is a play by William Shakespeare, published in the '' First Folio'' in 1623, where it is listed among the comedies. There is a debate regarding the dating of the composition of the play, with possible dates ranging from 1598 to 1608. also aCentre for Early Modern Studies, University of Oxford accessed 22 April 2012: "The recent redating of All’s Well from 1602–03 to 1606–07 (or later) has gone some way to resolving some of the play’s stylistic anomalies" ... " ylistically it is striking how many of the widely acknowledged textual and tonal problems of All’s Well can be understood differently when we postulate dual authorship." Bertram is compelled to marry Helena. Bertram refuses to consummate their marriage. He goes to Italy. In Italy he courts Diana. Helena meets Diana. They perform the bed trick. The play is considered one of Shakespeare's " problem plays", a play that poses complex ethical dilemmas that require more than typicall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thyestes
In Greek mythology, Thyestes (pronounced , gr, Θυέστης, ) was a king of Olympia. Thyestes and his brother, Atreus, were exiled by their father for having murdered their half-brother, Chrysippus, in their desire for the throne of Olympia. They took refuge in Mycenae, where they ascended the throne upon the absence of King Eurystheus, who was fighting the Heracleidae. Eurystheus had meant for their lordship to be temporary; it became permanent because of his death in conflict. The most popular representation of Thyestes is that of the play ''Thyestes'' by Seneca in 62 AD. This play is one of the originals for the revenge tragedy genre. Although inspired by Greek mythology and legend, Seneca's version is different. __TOC__ Family Thyestes was the son of Pelops and Hippodamia, and father of Pelopia and Aegisthus. His three sons by a naiad, who were killed by Atreus, were named Aglaus, Orchomenus and Calaeus. Myth Pelops and Hippodamia are parents to Thyestes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Moods Of Marianne
''The Moods of Marianne'' (french: Les Caprices de Marianne) is an 1833 play by the French dramatist Alfred de Musset. It served as the basis for Jean Renoir's film ''The Rules of the Game'' (1939). The play was first published on 15 May 1833 in ''La Revue des Deux Mondes''. It was played at the Comédie-Française on 14 June 1851. An opera by Henri Sauguet, ''Les caprices de Marianne ''Les caprices de Marianne'' is a two-act opéra comique by Henri Sauguet with a French libretto by Jean-Pierre Gredy after Alfred de Musset. It was first performed at the Aix-en-Provence Festival in 1954, with the Orchestre de la Société des ...'', was also based closely on the play. Plot References Plays by Alfred de Musset 1833 plays Works originally published in Revue des deux Mondes {{France-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
