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Jazz Trombonist
The trombone is a musical instrument from the brass instrument family. Trombone's first premiere in jazz was with Dixieland jazz as a supporting role within the Dixie Group. This role later grew into the spotlight as players such as J.J. Johnson and Jack Teagarden began to experiment more with the instrument, finding that it can fill in roles along with the saxophone and trumpet in bebop. The trombone has since grown to be featured in standard big band group setups with 3 to 5 trombones depending on the arrangement. A person who plays the trombone is called a trombone player or a trombonist. History of trombone in jazz Traditional jazz trombone Trombone first saw use in the jazz world with its entrance into traditional jazz where it played along with the chord changes, often connecting the seven to third or third to root resolutions of cadences, allowing the other musicians of the group to improvise along with it. In a standard dixie group, the players marched through the st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Craig Harris
Craig S. Harris (born September 10, 1953) is an American jazz trombonist, who started working with Sun Ra in 1976. He also has worked with Abdullah Ibrahim, David Murray (saxophonist), David Murray, Lester Bowie, Cecil Taylor, Sam Rivers (jazz musician), Sam Rivers, Muhal Richard Abrams, and Charlie Haden. As leader, Harris has recorded since 1983 for India Navigation, Black Saint/Soul Note, Soul Note and JMT Records, JMT. For the latter, he recorded with two groups. The Tailgater's Tales was a quintet with clarinetist Don Byron, trumpeter Eddie Allen (jazz musician), Eddie Allen, Anthony Cox (musician), Anthony Cox on double bass, and Pheeroan akLaff on drums. Harris's large ensemble Cold Sweat was a tribute to the music of James Brown. Background Harris is a graduate of the music program of State University of New York at Old Westbury (SUNY at Old Westbury), and was influenced by its founder and director Makanda Ken McIntyre. Harris's move to New York City in 1978 establishe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tricky Sam Nanton
Joe "Tricky Sam" Nanton (February 1, 1904 – July 20, 1946) was an American trombonist with the Duke Ellington Orchestra. A pioneer of the plunger mute, Nanton is notable for his use of the distinctive wah-wah effect. Early life He was born Joseph Irish Nanton in New York City, United States. His parents were John Barzly Nanton and Emily Irish, both immigrants from the British West Indies. Nanton began playing professionally in Washington, D.C., with bands led by Cliff Jackson and banjoist Elmer Snowden. From 1923 to 1924, Nanton worked with Frazier's Harmony Five. A year later, he performed with Snowden. At the age of 22, Nanton found his niche in Duke Ellington's Orchestra, when he reluctantly took the place of his friend Charlie Irvis in 1926, and remained with Ellington until his early death in 1946. Nanton, along with Lawrence Brown, anchored the trombone section. The wah-wah sound Nanton was one of the great pioneers of the plunger mute. In 1921, he heard Joh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Trombone
The trombone (, Italian, French: ''trombone'') is a musical instrument in the brass family. As with all brass instruments, sound is produced when the player's lips vibrate inside a mouthpiece, causing the air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the pitch instead of the valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the flugelhorn, the baritone, and the euphonium. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as non-transposing instruments, reading at concer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Pryor
Arthur Willard Pryor (September 22, 1869 – June 18, 1942) was a trombone virtuoso, bandleader, and soloist with the Sousa Band. He was a prolific composer of band music, his best-known composition being "The Whistler and His Dog". In later life, he became a Democratic Party politician from New Jersey, who served on the Monmouth County Board of Chosen Freeholders during the 1930s. Early life and education He was born on September 22, 1869, on the second floor of the Lyceum Theater in Saint Joseph, Missouri. He was the son of Samuel Pryor, bandmaster and founder of the original Pryor band, and his wife. Arthur first took up music at a very young age under the tutelage of his father and was playing the valve trombone by age 11. The story goes that whenever he hit a sour note while practicing, his father planted a resounding crack on his head with a violin bow. The boy developed until he was so skilled that he won a place in the John Philip Sousa's band. He was hailed as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extended Chords
In music, extended chords are certain chords (built from thirds) or triads with notes ''extended'', or added, beyond the seventh. Ninth, eleventh, and thirteenth chords are extended chords. The thirteenth is the farthest extension diatonically possible as, by that point, all seven tonal degrees are represented within the chord (the next extension, the fifteenth, is the same as the root of the chord). In practice however, extended chords do not typically use all the chord members; when it is not altered, the fifth is often omitted, as are notes between the seventh and the highest note (i.e., the ninth is often omitted in an eleventh chord; the ninth and eleventh are usually omitted in a thirteenth chord), unless they are altered to give a special texture. Chords extended beyond the seventh are rarely seen in the Baroque era, and are used more frequently in the Classical era. The Romantic era saw greatly increased use of extended harmony. Extended harmony prior to the 20th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie ( ; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improvisation, improviser, building on the virtuosic style of Roy Eldridge but adding layers of Harmony, harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality have made him an enduring icon. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote: "Di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz Saxophone, saxophonist, bandleader, and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, Virtuoso, virtuosic technique, and advanced harmonies. He was a virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid Passing chord, passing chords, new variants of Altered chord, altered chords, and Chord substitution, chord substitutions. Parker was primarily a player of the alto saxophone. Parker was an icon for the hipster (1940s subculture), hipster subculture and later the Beat Generation, personifying the jazz musician as an uncompromising artist and intellectual rather than just an entertainer. Early life Charles Parker Jr. was born in Kansas City, Kansas, to Charles Parker Sr. and Adelaide "Addie" Bailey, who was of mixed Choctaw and African-A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swing Music
Swing music is a style of jazz that developed in the United States during the late 1920s and early 1930s. It became nationally popular from the mid-1930s. Swing bands usually featured soloists who would improvise on the melody over the arrangement. The danceable swing style of big bands and bandleaders such as Benny Goodman was the dominant form of American popular music from 1935 to 1946, known as the swing era, when people were dancing the Lindy Hop. The verb "to swing (jazz performance style), swing" is also used as a term of praise for playing that has a strong groove (music), groove or drive. Musicians, who were also big-band leader of the swing, era include Benny Goodman, Duke Ellington, Count Basie, Jimmie Lunceford, Cab Calloway, Benny Carter, Jimmy Dorsey, Tommy Dorsey, Earl Hines, Bunny Berigan, Harry James, Lionel Hampton, Glenn Miller, Artie Shaw. Overview Swing has its roots in 1920s dance music Musical ensemble, ensembles, which began using new styles of written ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trummy Young
James "Trummy" Young (January 12, 1912 – September 10, 1984) was an American trombonist in the swing era. He established himself as a star during his 12 years performing with Louis Armstrong in Armstrong's All Stars. He had one hit with his version of "Margie", which he played and sang with Jimmie Lunceford's orchestra in 1937. During his years with Armstrong, Young modified his playing to fit Armstrong's approach to jazz. Biography Young was born in Savannah, Georgia, United States, and grew up Richmond, Virginia; he was originally a trumpeter, but by his professional debut in 1928 he had switched to trombone. From 1933 to 1937, he was a member of Earl Hines' orchestra; he then joined Jimmie Lunceford's orchestra in which he played from 1937 to 1943, scoring a hit on Decca Records with "Margie", which featured his vocal. With Sy Oliver he co-wrote " 'Tain't What You Do (It's the Way That You Do It)", a hit for both Lunceford and Ella Fitzgerald in 1939. His other composit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommy Dorsey
Thomas Francis Dorsey Jr. (November 19, 1905 – November 26, 1956) was an American jazz trombone, trombonist, composer, conductor and bandleader of the big band era. He was known as the "Sentimental Gentleman of Swing" because of his smooth-toned trombone playing. His theme song was "I'm Getting Sentimental Over You". His technical skill on the trombone gave him renown among other musicians. He was the younger brother of bandleader Jimmy Dorsey. After Dorsey broke with his brother in the mid-1930s, he led an extremely successful band from the late 1930s into the 1950s. He is best remembered for standards such as "Opus No. 1, Opus One", "This Love of Mine" (no. 3 in 1941) featuring Frank Sinatra on vocals, "Song of India (song), Song of India", "Marie", "On Treasure Island", and his biggest hit single, "I'll Never Smile Again" (no. 1 for 12 weeks in 1940). Early life Born in Mahanoy Plane, Pennsylvania, Thomas Francis Dorsey Jr. was the second of four children born to Thomas Fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Count Basie Orchestra
The Count Basie Orchestra is a 16- to 18-piece big band, one of the most prominent jazz performing groups of the swing era, founded by Count Basie in 1935 and recording regularly from 1936. Despite a brief disbandment at the beginning of the 1950s, the band survived long past the big band era itself and the death of Basie in 1984. It continues under the direction of trumpeter Scotty Barnhart. Originally including such musicians as Buck Clayton and Lester Young in the line-up, the band in the 1950s and 1960s made use of the work of the arrangers Neal Hefti and Sammy Nestico with featured musicians such as Thad Jones and Eddie "Lockjaw" Davis. History Early years Count Basie arrived in Kansas City, Missouri in 1927, playing on the Theater Owners Booking Association (TOBA) circuit. After playing with Walter Page's Blue Devils, in 1929 he joined rival band leader Bennie Moten's band. Upon Moten's death in 1935, Basie left the group to start his own band, taking many of hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vic Dickenson
Victor Dickenson (August 6, 1906 – November 16, 1984) was an American jazz trombonist. His career began in the 1920s and continued through musical partnerships with Count Basie (1940–41), Sidney Bechet (1941), and Earl Hines. Life and career Born in Xenia, Ohio, in 1906, Dickenson wanted to be a plasterer like his father, but he abandoned the idea after injuring himself by falling off a ladder.John S. Wilson"Vic Dickenson, a trombonist with Basie band in 40's, dies" ''The New York Times'', November 18, 1984. He studied organ from 1922, then changed to performing trombone with local bands. He made his recording debut in December 1930 as a vocalist with Luis Russell's band. He joined Blanche Calloway's orchestra in the early 1930s. He led his own groups both on the east and west coast between 1947 and the mid-1950s. From then he was a session man. He appeared on the television program '' The Sound of Jazz'' in 1957 with Count Basie, Coleman Hawkins, Roy Eldridge, Gerry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
