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Jazz Standard (jazz Club)
Jazz Standard was a jazz club located at 116 East 27th Street in the Rose Hill, Manhattan, Rose Hill neighborhood of Manhattan, New York City. It frequently hosted well-known bands and musicians. The club was owned by restaurateur Danny Meyer and was located in the basement of one of his Blue Smoke restaurants. The Mingus Big Band, the Mingus Orchestra, and Mingus Dynasty (band), Mingus Dynasty rotated every Monday night as the club's de facto house bands. The former won the 2011 Grammy Award for Best Large Jazz Ensemble Album for their album Live at Jazz Standard (Mingus Big Band album), Live at Jazz Standard. The Maria Schneider (musician), Maria Schneider Orchestra played a week-long gig at the club every Thanksgiving from 2005 to 2019. The magazine ''New York (magazine), New York'' listed the club as a ″top 5 jazz joint″. ''The New York City Jazz Record'' named Jazz Standard the "venue of the year" 2017. On December 2, 2020, the Jazz Standard announced it would be closi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York City
New York, often called New York City (NYC), is the most populous city in the United States, located at the southern tip of New York State on one of the world's largest natural harbors. The city comprises five boroughs, each coextensive with a respective county. The city is the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area, the largest metropolitan area in the United States by both population and urban area. New York is a global center of finance and commerce, culture, technology, entertainment and media, academics, and scientific output, the arts and fashion, and, as home to the headquarters of the United Nations, international diplomacy. With an estimated population in 2024 of 8,478,072 distributed over , the city is the most densely populated major city in the United States. New York City has more than double the population of Los Angeles, the nation's second-most populous city. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Previn
André George Previn (; born Andreas Ludwig Priwin; April 6, 1929 – February 28, 2019) was a German-American pianist, composer, and conductor. His career had three major genres: Hollywood films, jazz, and classical music. In each he achieved success, and the latter two were part of his life until the end. In movies, he arranged and composed music. In jazz, he was a celebrated trio pianist, a piano-accompanist to singers of standards, and pianist-interpreter of songs from the " Great American Songbook". In classical music, he also performed as a pianist but gained television fame as a conductor, and during his last thirty years created his legacy as a composer of art music. Before the age of twenty, Previn began arranging and composing for Metro-Goldwyn-Mayer. He would go on to be involved in the music of more than fifty films and would win four Academy Awards. He won ten Grammy Awards, for recordings in all three areas of his career, and then one more, for lifetime ach ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nancy King (jazz Singer)
Nancy King (born June 15, 1940) is a jazz singer from Portland, Oregon. Known for her masterful scatting and elastic range, King has performed in worldwide tours and recordings, as well as collaborations with such artists as Jon Hendricks, Vince Guaraldi, Ralph Towner, Dave Friesen and others. King started gigging in 1959 with fellow University of Oregon music students. After moving to San Francisco in 1960, her accomplished Scat singing landed her many gigs with various bebop artists. In 2004 King recorded her live album '' Live at Jazz Standard'' with pianist Fred Hersch. Discography * ''First Date'' with Steve Wolfe (Inner City, 1978) * ''Impending Bloom'' with Glen Moore (Justice, 1991) * ''Potato Radio'' with Glen Moore (Justice, 1992) * ''Cliff Dance'' with Glen Moore (Justice, 1993) * ''Straight into Your Heart'' with Steve Christofferson and the Metropole Orchestra (Mons, 1996) * ''King on the Road'' (Cardas, 1999) * ''Moonray'' (Philology, 1999) * ''Dream Lands Vol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lonnie Plaxico
Lonnie Plaxico (born September 4, 1960) is an American jazz double bassist. Biography Plaxico was born in Chicago, into a musical family, and started playing the bass at the age of twelve, turning professional at fourteen (playing both double bass and bass guitar). His first recording was with his family's band, and by the time he was twenty he had moved to New York City, where he had stints playing with Chet Baker, Dexter Gordon, Sonny Stitt, Junior Cook, and Hank Jones. He won the Louis Armstrong Jazz Award in 1978. Plaxico first came to public attention through his work with the Wynton Marsalis group in 1982, though his first regular attachment was with Art Blakey's Jazz Messengers (1983–86), with whom he recorded twelve albums. In the mid-1980s Plaxico joined the M-Base collective and played on the debut-releases of Steve Coleman (''Motherland Pulse'', 1985), Cassandra Wilson (''Point of View'', 1986) and Greg Osby (''Sound Theatre'', 1987). On Wilson's recording ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Mays
William Allen Mays (born February 5, 1944), known professionally as Bill Mays, is an American jazz pianist from Sacramento, California. Biography Mays came from a musical family and at the age of 15 became interested in jazz at an Earl Hines concert. From 1969 to the early 1980s Mays worked as a studio session musician in Los Angeles. He has been an accompanist to singers Al Jarreau, Peggy Lee, Anita O'Day, Frank Sinatra, Sarah Vaughan and Dionne Warwick, and also worked with artists such as Don Ellis, Mel Lewis, Barry Manilow, Shelly Manne, Bob Mintzer, Red Mitchell, Gerry Mulligan, Art Pepper, Bud Shank, Bobby Shew, Sonny Stitt, Paul Winter, Phil Woods, Ray Drummond and Frank Zappa. In 1984, he moved to New York City and began to do more work as a bandleader, composer, and arranger. He has recorded over three dozen albums under his own name, and has been heard on hundreds more by others. Discography As leader * ''A Musical Cocktail: The Music of Cole Porter'' (MCR, 1976) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
René Marie
René Marie (born René Marie Stevens, November 7, 1955 in Warrenton, Virginia, Warrenton, Virginia, United States) is an American songwriter and jazz vocalist. Career Rene Marie began her professional music career at age 42 performing under her married name René Croan; she released her first album using this name in 1999. That year she performed at Blues Alley in Washington, D.C., and signed a contract with the St. Louis, Missouri, St. Louis-based Maxjazz label. She released four albums on the label, the second of which (''Vertigo'') was awarded a coronet ranking by ''The Penguin Guide to Jazz'', a distinction given to fewer than 85 recordings in jazz history. In her work, the singer often combines contrasting songs ("Dixie" and the anti-lynching "Strange Fruit" on ''Vertigo'') or combines other works (Maurice Ravel, Ravel's ''Boléro'' and Leonard Cohen's "Suzanne (Leonard Cohen song), Suzanne" on ''Live at Jazz Standard''.) René Marie attracted controversy in 2008, when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Night In The Life
''A Night in the Life'' (subtitled ''Live at the Jazz Standard Vol. 3'') is a live album by saxophonist Frank Morgan which was recorded at the Jazz Standard in 2003 and released on the HighNote label in 2007. Reception The review by AllMusic's Michael G. Nastos said: "Frank Morgan's final release while still alive stands as a testament to his gentle, unassuming soul, his fluid drive playing the bop music born from the seeds and stems germinated by Charlie Parker, and his ability to touch a live audience with music". ''All About Jazz'' reviewer John Barron stated "It would be too convenient to write off ''A Night in the Life'' as just another blowing session with predictable results. What makes this set worthwhile, as well as the previously released '' City Nights: Live at the Jazz Standard, Volume 1'' and '' Raising the Standard: Live at the Jazz Standard, Volume 2'', is the uninhibited passion of an authentic master bearing his soul to an audience who is appreciative of the ly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raising The Standard
''Raising the Standard'' (subtitled ''Live at the Jazz Standard Vol. 2'') is a live album by saxophonist Frank Morgan which was recorded at the Jazz Standard in 2003 and released on the HighNote label in 2005. Reception Writing for ''All About Jazz'', Joel Roberts observed "It charts little new ground but serves up some of the best, most authentic modern bebop you're likely to hear anywhere" stating "''Raising the Standard'' is another fine effort by one of jazz's most inspiring artists".Roberts, J.All About Jazz Review accessed February 22, 2019 On the same site Jack Bowers said "''Raising the Standard'' is another impressive tour de force for Morgan and his mates, one that is easily recommended".Bowers, J.All About Jazz Review accessed February 22, 2019 In ''JazzTimes'', David Franklin noted "Almost 70 at the time and having suffered a stroke five years earlier, Morgan still plays with youthful exuberance".Franklin, D.JazzTimes Review accessed February 22, 2019 In ''The Japa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live At The Jazz Standard
''Live at the Jazz Standard'' is the 27th album by trumpeter Dave Douglas and the first to feature him exclusively on cornet. It was released on the Greenleaf label in 2007 and features live performances by Douglas, Donny McCaslin, Uri Caine, James Genus and Clarence Penn. Douglas recorded his Quintet's performances at the Jazz Standard nightclub in New York City in December 2006 making all twelve complete sets available for download within days of the performances. This 2-CD set was distilled from those concerts. Reception The Allmusic review by Matt Collar awarded the album 4½ stars stating "This is soulful, visceral, moody and propulsive post-bop that often leans heavily toward late-'60s and '70s modal and free jazz".Collar, MAllmusic Reviewaccessed September 26, 2011 On All About Jazz John Kelman said "As undeniably superb as the quintet's studio albums are, the group has never sounded this ''hot''".Kelman, J.All About Jazz Review December 13, 2007 Alarm magazine's Rya ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Morgan (musician)
Frank Morgan (December 23, 1933 – December 14, 2007) was an American jazz saxophonist with a career spanning more than 50 years. He mainly played alto saxophone but also played soprano saxophone. He was known as a Charlie Parker successor who primarily played bebop and ballads. Biography Early life (1933–1947) Frank Morgan was born in Minneapolis, Minnesota in 1933, but spent most of his childhood living with his grandmother in Milwaukee, Wisconsin while his parents were on tour. Morgan's father Stanley was a guitarist with Harlan Leonard and the Rockets and The Ink Spots, and his mother, Geraldine, was a 14-year-old student when she gave birth to him. Morgan took up his father's instrument at an early age, but lost interest the moment he saw Charlie Parker take his first solo with the Jay McShann band at the Paradise Theater in Detroit, Michigan. Stanley introduced them backstage, where Parker offered Morgan advice about starting out on the alto sax, and they met at a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ArtistShare
ArtistShare is the internet's first commercial crowdfunding website.Crowd-Funding 101: What Every Musician Needs for a Successful Campaign It also operates as a record label and business model for artists which enables them to fund their projects by allowing the general public to directly finance, watch the creative process, and in most cases gain access to extra material from an artist. According to Bloomberg News, the company's chief executive officer, record producer Brian Camelio, founded ArtistShare in 2000 with the idea that fans would finance production costs for albums sold only on the Internet and Artists also would enjoy much more favourable contract terms. ArtistShare was described in 2005 as a "completely new business model for creative artists" which "benefits both the artist and the fans by financing new and original artistic projects while building a strong and loyal fan base". History A United States–based company, ArtistShare (2001) is documented as being t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
