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Jazz-funk
Jazz-funk is a subgenre of jazz music characterized by a strong back beat, electrified sounds, and analog synthesizers. The integration of funk, soul, and R&B music and styles into jazz resulted in the creation of a genre that ranges from pure jazz improvisation to soul, funk or disco with jazz arrangements, jazz riffs, jazz solos, and sometimes soul vocals. Similar genres to jazz funk include acid jazz. History Jazz-funk exhibits several distinctive characteristics. A first characteristic of jazz funk has simple structure based around one or two riffs, and second characteristic of jazz funk has a harmonic structure that allows musicians to improvise. Modern jazz funk music was influenced by Herbie Hancock. The Mizell Brothers were producers for many jazz and soul artists. Examples of early jazz funk albums include Miles Davis' '' On the Corner'' (1972) and Jimmy Smith's '' Root Down'' (1972). The Last Poets, Gil Scott-Heron, Lightnin' Rod, T.S. Monk, Pleasure, ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, ...
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Funk
Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, and dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first be ...
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On The Corner
''On the Corner'' is a studio album by the American jazz trumpeter, bandleader, and composer Miles Davis. It was recorded in June and July 1972 and released on October 11 of that year by Columbia Records. The album continued Davis' exploration of jazz fusion, and explicitly drew on the influence of funk musicians Sly Stone and James Brown, the experimental music of Karlheinz Stockhausen, the free jazz of Ornette Coleman, and the work of collaborator Paul Buckmaster. Recording sessions for the album featured a changing lineup of musicians including bassist Michael Henderson, guitarist John McLaughlin (musician), John McLaughlin, and keyboardists Chick Corea and Herbie Hancock, with Davis playing his trumpet through a wah-wah pedal. Davis and producer Teo Macero then Reel-to-reel audio tape recording#As a musical instrument, spliced and edited various takes into compositions. The album's packaging did not credit any musicians, in an attempt to make the instruments less discernible t ...
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Herbie Hancock
Herbert Jeffrey Hancock (born April 12, 1940) is an American jazz musician, bandleader, and composer. He started his career with trumpeter Donald Byrd's group. Hancock soon joined the Miles Davis Quintet, where he helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. In the 1970s, he experimented with jazz fusion, funk, and electro-funk, electro styles using a wide array of synthesizers and electronics. It was during this time that he released one of his best-known and most influential albums, ''Head Hunters''. Hancock's best-known compositions include "Cantaloupe Island", "Watermelon Man (composition), Watermelon Man", "Maiden Voyage (composition), Maiden Voyage", and "Chameleon (composition), Chameleon", all of which are jazz standards. During the 1980s, he had a hit single with the electronic instrumental "Rockit (song), Rockit", a collaboration with bassist/producer Bill Laswell. Hancock has won an Academy Awards, Ac ...
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Don Blackman
Don (Donald) Blackman (September 1, 1953 – April 11, 2013) was an American jazz-funk pianist, singer, and songwriter. He performed with Parliament-Funkadelic; Lenny White; Marcus Miller; Sting; Mary J. Blige; Earth, Wind and Fire; and Louis Hayes. Biography Blackman was born and raised in Jamaica, Queens, NY. A childhood neighbor was Charles McPherson, and while still a teenager he played in McPherson's ensemble with Sam Jones and Louis Hayes. At the beginning of the 1970s, he played with Parliament/Funkadelic, Earth, Wind and Fire, and Roy Ayers, before becoming a member of Lenny White's group Twennynine, for whom he penned songs such as "Peanut Butter" and "Morning Sunrise". He released his self-titled debut solo album in 1982 on Arista Records, including the songs "Holding You, Loving You", "Heart's Desire" and "Since You've Been Away So Long" that became major hits in Europe. Blackman also worked as a session musician, appearing on albums by Kurtis Blow ('' Kingd ...
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Acid Jazz
Acid jazz (also known as club jazz, psychedelic jazz, or groove jazz) is a music genre that combines elements of funk, soul music, soul, and hip hop music, hip hop, as well as jazz and disco. Acid jazz originated in clubs in London during the 1980s with the rare groove movement and spread to the United States, Western Europe, Latin America and Japan. Acts included The Brand New Heavies, Incognito (band), Incognito, James Taylor Quartet, Us3, and Jamiroquai from the UK, and Guru, Buckshot LeFonque and Digable Planets from the U.S. The rise of electronic club music in the middle to late 1990s led to a decline in interest, and in the twenty-first century, acid jazz became indistinct as a genre. Many acts that might have been defined as acid jazz are seen as jazz-funk, or nu jazz. Characteristics Etymology The genre's name was likely coined by Gilles Peterson, and the label was started by Bangs, Eddie Piller, and Gilles. The name refers to the acid house genre, which was popular ...
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Donald Byrd
Donaldson Toussaint L'Ouverture Byrd II (December 9, 1932 – February 4, 2013) was an American jazz and rhythm & blues trumpeter, composer and vocalist. A sideman for many other jazz musicians of his generation, Byrd was one of the few hard bop musicians who successfully explored funk and soul while remaining a jazz artist. As a bandleader, Byrd was an influence on the early career of Herbie Hancock and many others. Biography Early life and career Byrd was born in 1932 in Detroit, Detroit, Michigan. His family came from the African-American middle class, African-American middle-class. His father, Elijah Thomas Byrd, was a Methodism, Methodist minister who greatly valued education and oversaw his son's schooling. His mother, Cornelia Taylor, introduced Byrd to jazz music and it was her brother who gave Byrd his first trumpet. He attended Cass Technical High School. He performed with Lionel Hampton before finishing high school. During this period, his first professional rec ...
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Gil Scott-Heron
Gilbert Scott-Heron (April 1, 1949 – May 27, 2011) was an American Jazz poetry, jazz poet, singer, musician, and author known for his work as a spoken-word performer in the 1970s and 1980s. His collaborative efforts with musician Brian Jackson (musician), Brian Jackson fused jazz, blues, and soul music, soul with lyrics relative to social and political issues of the time, delivered in both rapping and melismatic vocal styles. He referred to himself as a "bluesologist", his own term for "a scientist who is concerned with the origin of the blues".Onstage at the Black Wax Club in Washington, D.C., in 1982, Scott-Heron cited Harlem Renaissance writers Langston Hughes, Sterling Allen Brown, Sterling Brown, Jean Toomer, Countee Cullen and Claude McKay as among those who had "taken the blues as a poetry form" in the 1920s and "fine-tuned it" into a "remarkable art form".Gil Scott-Heron in a live performance in 1982 with the Amnesia Express at the Black Wax Club, Washington, D.C. ''Bla ...
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Root Down (album)
''Root Down'' is a 1972 live jazz album by Jimmy Smith, released on the Verve label. It was recorded in Los Angeles on February 8, 1972. It includes the song "Root Down (And Get It)" which was sampled by the Beastie Boys for their song " Root Down." ''Root Down'' peaked at number 24 on the ''Billboard'' Top Jazz Album charts. Reception AllMusic reviewer Stephen Thomas Erlewine wrote: "...the album captures a performance Smith gave with a relatively young supporting band who were clearly influenced by modern funk and rock. They push Smith to playing low-down grooves that truly cook: 'Sagg Shootin' His Arrow' and 'Root Down (And Get It)' are among the hottest tracks he ever cut...There are times where the pace slows, but the tension never sags, and the result is one of the finest, most exciting records in Smith's catalog. If you think you know everything about Jimmy Smith, this is the album for you." Track listing # "Sagg Shootin' His Arrow" ( Jimmy Smith) – 7:09 # "For Ever ...
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Jimmy Smith (musician)
James Oscar Smith (December 8, 1928 – February 8, 2005) was an American jazz musician who helped popularize the Hammond organ, Hammond B-3 organ, creating a link between jazz and 1960s soul music. In 2005, Smith was awarded the NEA Jazz Masters, NEA Jazz Masters Award from the National Endowment for the Arts, the highest honor that America bestows upon jazz musicians. Early years James Oscar Smith was born in Norristown, Pennsylvania northwest of Philadelphia. He joined his father doing a song-and-dance routine in clubs at the age of six. He began teaching himself to play the piano. When he was nine, Smith won a Philadelphia radio talent contest as a boogie-woogie pianist. After a period in the U.S. Navy, he began furthering his musical education in 1948, with a year at Royal Hamilton College of Music, then the Leo Ornstein School of Music in Philadelphia in 1949. He began exploring the Hammond organ in 1951. From 1951 to 1954, he played piano, then organ in Philly R&B bands ...
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Mizell Brothers
The Mizell Brothers were an American record producing team in the 1970s, consisting of Larry Mizell (born February 17, 1944) and Alphonso "Fonce" Mizell (January 15, 1943 – July 5, 2011). They worked together on a string of jazz fusion, crossover jazz, soul, R&B and disco records. Career Larry earned a degree in engineering and Fonce Mizell earned a degree in music from Howard University. While there they formed and performed in a jazz vocal quartet, the Vanlords. In the early 1970s, Larry and Fonce Mizell moved to California to start their own company, Sky High Productions. They went on to produce albums for Blue Note Records that set the tone for jazz fusion and the era. They produced Johnny Hammond Smith, Roger Glenn, The Blackbyrds, and Donald Byrd. The Mizell Brothers often used the same musicians on their albums, including Harvey Mason on drums, Mayuto Correa on percussion, Melvin "Wah Wah Watson" Ragin and David T. Walker on guitar, Chuck Rainey on bass and Jerry Pet ...
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