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Jasma Odan
Jasma Odan is a folk deity from medieval Gujarat about a woman who committed '' sati'' to protect her honor after her husband was murdered by Siddharaj Jaisinh, a king of Chaulukya dynasty. Legend Jasma was a wife of Rooda who was a pond digger. They belonged to the Odh rajput tribe, a drifting tribe of laborers in Gujarat, Kathiawar, and some parts of Rajasthan. They were at Anhilwad Patan to dig Sahastralinga Tank, a lake and thousand shrines with lingam. Siddharaj Jaisinh, a king of Chaulukya dynasty, was captivated by the beauty of Jasma and proposed marriage. He offered to make her queen of Gujarat but she refused. Jaisinh killed her husband. She committed '' sati'', by jumping into the pyre, to protect her honor. Her curse made the tank of Sahasralinga Tank waterless and Siddharaj without an heir to his kingdom of Gujarat. The Jasmadevi temple dedicated to her, constructed by the Odh rajput tribe in the 12th century, is situated near Sahasralinga Tank at Patan, Gujarat. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gujarat
Gujarat (, ) is a state along the western coast of India. Its coastline of about is the longest in the country, most of which lies on the Kathiawar peninsula. Gujarat is the fifth-largest Indian state by area, covering some ; and the ninth-most populous state, with a population of 60.4 million. It is bordered by Rajasthan to the northeast, Dadra and Nagar Haveli and Daman and Diu to the south, Maharashtra to the southeast, Madhya Pradesh to the east, and the Arabian Sea and the Pakistani province of Sindh to the west. Gujarat's capital city is Gandhinagar, while its largest city is Ahmedabad. The Gujaratis are indigenous to the state and their language, Gujarati, is the state's official language. The state encompasses 23 sites of the ancient Indus Valley civilisation (more than any other state). The most important sites are Lothal (the world's first dry dock), Dholavira (the fifth largest site), and Gola Dhoro (where 5 uncommon seals were found). Lothal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pyre
A pyre ( grc, πυρά; ''pyrá'', from , ''pyr'', "fire"), also known as a funeral pyre, is a structure, usually made of wood, for burning a body as part of a funeral rite or execution. As a form of cremation, a body is placed upon or under the pyre, which is then set on fire. In discussing ancient Greek religion, "pyre" (the normal Greek word for fire anglicized) is also used for the sacred fires at altars, on which parts of the animal sacrifice were burnt as an offering to the deity. Materials Pyres are crafted using wood. The composition of a pyre may be determined through use of charcoal analysis. Charcoal analysis helps to predict composition of the fuel and local forestry of the charcoal being studied. Ireland Specifically, in the Bronze Age, pyre materials were gathered based on local abundance and ease of access to the wood although materials were also selected due to the specific properties, potential traditional purpose, or due to economical reasons. In Templen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shakti Temples
In Hinduism, especially Shaktism (a theological tradition of Hinduism), Shakti (Devanagari: शक्ति, IAST: Śakti; lit. "Energy, ability, strength, effort, power, capability") is the primordial cosmic energy, female in aspect, and represents the dynamic forces that are thought to move through the universe. She is thought of as creative, sustaining, as well as destructive, and is sometimes referred to as auspicious source energy. Shakti is sometimes personified as the creator goddess, and is known as "Adi Shakti" or "Adi Parashakti" ("inconceivableprimordial energy"). In Shaktism, Adi Parashakti is worshipped as the Supreme Being. On every plane of creation, energy manifests itself into all forms of matter; these are all thought to be infinite forms of Parashakti. She is described as ''anaadi'' (with no beginning, no ending) and ''nitya'' (forever). Origins One of the oldest representations of the goddess in India is in a triangular form. The Baghor stone, found in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khalil (actor)
Khalil was an Indian cinema actor of silent and talkie films. He achieved stardom with silent films like ''Gul-E-Bakavali'' (1924), ''Kulin Kanta'' (1925), and ''Lanka Ni Laadi'' (1925) which was a major success commercially. His other successes included ''Cinema Queen'' (1925) with Sulochana, ''Draupadi'' (1931), and ''Daily Mail'' (1930). Khalil is referred to as the "macho hero". Khalil worked from 1920 to 1941, making a transition to Talkies in 1931 with ''Draupadi'' directed by B. P. Mishra, and ''Daulat Ka Nasha'' directed by Pesi Karani. Both films were produced by Kohinoor and Imperial Films. He shifted to Calcutta from Bombay in 1934, and immediately "made his mark" with the East India Film Company production ''Quismat Ki Kasauti'' (1934), directed by Pesi Karani. He also wrote lyrics for films like ''Dard-e-Dil'' (1934). Career Silent films Khalil's first film was ''Krishna Sudama'' (1920), a silent film co-produced by Kohinoor Film Company and Imperial Film Company. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gohar Mamajiwala
Gohar Khayyam Mamajiwala (19 November 1910 – 28 September 1985), also known as Miss Gohar, was an Indian singer, actress, producer and studio owner. Early life She was born into a Dawoodi Bohra family. Gohar's father's business almost collapsed and the family funds were seriously depleting when a family friend, Homi Master, working at the time as a director for Kohinoor Films, suggested that Gohar take up acting as a career. Her parents agreed. Career Gohar started her career at the age of sixteen with the film ''Baap Kamai/Fortune and the Fools'' (1926), directed by Kanjibhai Rathod. The role of the hero was portrayed by Khalil and the film was produced by "Kohinoor Films". The film was a hit. Gohar, along with Jagdish Pasta, Chandulal Shah, Raja Sandow and cameraman Pandurang Naik started "Shree Sound Studios". In 1929, along with Chandulal Shah, she founded Ranjit Studios, which was later known as Ranjit Movietone. Later life and death She retired in the 1970s and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homi Master
Homi Master (?–1949) was an actor-director of early Indian cinema. His work extended from the silent era to the talkie era and up to his death. He produced his best films for Kohinoor Film Company and he has been referred to as "silent cinema's most successful film-maker". Master acted in the then-controversial film '' Bhakta Vidur'' (1921), ''Kala Naag'' and ''Kulin Kanta''. Some of his important films were ''Bismi Sadi'', ''Manorama'', ''Do Ghadi Ki Mauj'' (1935), ''Samaj Ki Bhool'' (1934) and ''Gul Sanobar'' (1934). He was active from 1921 to 1949 and made over seventy-eight films. His later films in Gujarati and Hindi were termed as B movies. He died in 1949. Early life At the age of thirteen, Master joined a famous Parsi theatre group called Bilwala. He soon became a popular stage actor, with his performance in ''Pakzaad Parveen'' being appreciated. Following a brief stint at the Phalke Film company, he joined Kohinoor Film Company working initially as an actor. He went ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shanta Gandhi
Shanta Kalidas Gandhi (20 December 1917 – 6 May 2002) was an Indian theatre director, dancer and playwright who was closely associated with IPTA, the cultural wing of the Communist Party of India. She studied with Indira Gandhi at a residential school in the early 1930s, and remained close to the prime minister in later life. She received many government awards and sinecures under the Indira Gandhi administration, including the Padma Shri (1984) and being made chairperson of the National School of Drama (1982–84). She was the sister of actress Dina Pathak (née Gandhi) and Tarla Gandhi, also a stage performer. Background She was a founder-member of the central ballet troupe of the Indian People's Theatre Association (IPTA), and toured the country widely through the 1950s. As a playwright she is remembered as an early pioneer in reviving ancient Indian drama especially Sanskrit drama and folk theatre to modern Indian theatre and amongst her most noted plays are ''Razia Su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhavai
Bhavai, also known as ''Vesha'' or ''Swang'', is a popular folk theatre form of western India, especially in Gujarat. Etymology ''Bhavai'' may derive from the Sanskrit word ''Bhava'', meaning expression or emotion. It is also associated with Hindu goddess Amba. ''Bhav'' means universe and ''Aai'' means mother, so it may be also considered an art form dedicated to the Mother of the Universe, Amba. Bhavai is also known as ''Vesha'' or ''Swang'', which literally means 'get-up'. History Bhavai is believed to have originated in the 14th century. Asaita Thakar is traditionally credited for its origin. Folklore In 14th century, Ganga, daughter of Unjha headman Hema Patel, was kidnapped by Muslim subedar. Their family priest, Asaita Thakar who was a brahmin, went to subedar claiming Ganga as his daughter. To prove, subedar asked him to dine with Ganga as during those time, brahmins did not dine with lower castes. He dined with her to save her but upon return, he was outcaste by B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patan, Gujarat
Patan () is the administrative seat of Patan District in the Indian state of Gujarat and is an administered municipality. It was the capital of Gujarat's Chavda and Chaulukya dynasties in medieval times, and is also known as Anhilpur-Patan to distinguish it from Prabhas Patan. Patan was established by the Chavda king Vanaraja. During the rule of several Hindu and Muslim dynasties, it thrived as a trading city and a regional capital of northern Gujarat. The city contains many Hindu and Jain temples as well as mosques, dargahs and rojas. It is a historical place located on the bank of the now extinct Saraswati River. Patan has an old market which is quite sizeable and is believed to have been in continuous operation since at least the rule of Vaghelas. History Patan was established by the Chavda ruler Vanaraja in the ninth century as "Anahilapataka". During 10th-13th century, the city served as the capital of the Chaulukya dynasty, who succeeded the Chavdas. Muham ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jayasimha Siddharaja
Jayasiṃha ( ), who assumed the title Siddharāja (), was an Indian king who ruled western parts of India. He was a member of the Chaulukya (also called Solanki) dynasty. Jayasimha's capital was located at Anahilapataka (modern Patan) in present-day Gujarat. Besides large parts of Gujarat, his control also extended to parts of Rajasthan: he subdued the Shakambhari Chahamana king Arnoraja, and the former Naddula Chahamana ruler Asharaja acknowledged his suzerainty. Jayasimha also annexed a part of Malwa (in present-day Madhya Pradesh) by defeating the Paramaras. He also waged an inconclusive war against the Chandela king Madanavarman. Jayasimha's daughter Kanchana married Arnoraja. The couple's son Someshvara (the father of Prithviraj Chauhan) was brought up by Jayasimha at the Chaulukya court. Early life Jayasimha was a son of the Chaulukya king Karna and queen Mayanalla-devi. According to folklore, he was born in Palanpur, but there is no historical evidence of this. J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sati (practice)
Sati or suttee is a Hindu practice, now largely historical, in which a widow sacrifices herself by sitting atop her deceased husband's funeral pyre. Quote: Between 1943 and 1987, some thirty women in Rajasthan (twenty-eight, according to official statistics) immolated themselves on their husband's funeral pyre. This figure probably falls short of the actual number. (p. 182) Although it is debated whether it received scriptural mention in early Hinduism, it has been linked to related Hindu practices in the Indo-Aryan speaking regions of India which diminished the rights of women, especially those to the inheritance of property. A cold form of sati, or the neglect and casting out of Hindu widows has been prevalent in India from ancient times. Quote: Sati is a particularly relevant social practice because it is often used as a means to prevent inheritance of property by widows. In parallel, widows are also sometimes branded as witches – and subjected to violent expulsion f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lingam
A lingam ( sa, लिङ्ग , lit. "sign, symbol or mark"), sometimes referred to as linga or Shiva linga, is an abstract or aniconic representation of the Hindu god Shiva in Shaivism. It is typically the primary ''murti'' or devotional image in Hindu temples dedicated to Shiva, also found in smaller shrines, or as self-manifested natural objects. It is often represented within a disc-shaped platform, the '' yoni'' – its feminine counterpart, consisting of a flat element, horizontal compared to the vertical lingam, and designed to allow liquid offerings to drain away for collection. Together, they symbolize the merging of microcosmos and macrocosmos, the divine eternal process of creation and regeneration, and the union of the feminine and the masculine that recreates all of existence. The original meaning of ''lingam'' as "sign" is used in Shvetashvatara Upanishad, which says "Shiva, the Supreme Lord, has no liūga", liuga ( sa, लिऊग ) meaning he is t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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