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Janice Baird
Janice Baird (born 10 January 1963) is an American dramatic soprano, best known for her interpretation of Wagner and Strauss. Baird was born in New York City. Education and life Janice Baird was born and raised in a musical family in New York City, her mother a singer and her father a voice teacher. Baird has studied flute, voice, and acting, and speaks German, English, Italian, and Spanish. Married to a German actor, she currently lives in Berlin, Germany and in Andalucia, Spain. Work Baird began her career as a mezzo-soprano and sang in German opera houses. Her roles included Tosca, Giulietta in ''Tales of Hoffmann'', Amelia in ''Un ballo in maschera'', Leonore in ''La forza del destino'', Elisabetta in ''Don Carlos'', Santuzza in ''Cavalleria rusticana'', and Salome. She studied with Astrid Varnay to develop the seminal dramatic soprano roles of Wagner and Strauss (Ortrud, Brünnhilde, Isolde, Elektra, and Salome) and took master classes with Birgit Nilsson. She has sung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Fliegende Holländer
' (''The Flying Dutchman''), WWV 63, is a German-language opera, with libretto and music by Richard Wagner. The central theme is redemption through love. Wagner conducted the premiere at the Königliches Hoftheater Dresden in 1843. Wagner claimed in his 1870 autobiography '' Mein Leben'' that he had been inspired to write the opera following a stormy sea crossing he made from Riga to London in July and August 1839. In his 1843 '' Autobiographic Sketch'', Wagner acknowledged he had taken the story from Heinrich Heine's retelling of the legend in his 1833 satirical novel ''The Memoirs of Mister von Schnabelewopski'' (''Aus den Memoiren des Herrn von Schnabelewopski''). This work shows early attempts at operatic styles that would characterise his later music dramas. In ''Der fliegende Holländer'' Wagner uses a number of leitmotifs (literally, "leading motifs") associated with the characters and themes. The leitmotifs are all introduced in the overture, which begins with a w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Opera
The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager. As of 2018, the company's current music director is Yannick Nézet-Séguin. The Met was founded in 1883 as an alternative to the previously established Academy of Music opera house, and debuted the same year in a new building on 39th and Broadway (now known as the "Old Met"). It moved to the new Lincoln Center location in 1966. The Metropolitan Opera is the largest classical music organization in North America. Until 2019, it presented about 27 different operas each year from late September through May. The operas are presented in a rotating repertory schedule, with up to seven performances of four different works staged each week. Performances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fidelio
''Fidelio'' (; ), originally titled ' (''Leonore, or The Triumph of Marital Love''), Op. 72, is Ludwig van Beethoven's only opera. The German libretto was originally prepared by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly, with the work premiering at Vienna's Theater an der Wien on 20 November 1805. The following year, Stephan von Breuning helped shorten the work from three acts to two. After further work on the libretto by Georg Friedrich Treitschke, a final version was performed at the Kärntnertortheater on 23 May 1814. By convention, both of the first two versions are referred to as ''Leonore''. The libretto, with some spoken dialogue, tells how Leonore, disguised as a prison guard named "Fidelio", rescues her husband Florestan from death in a political prison. Bouilly's scenario fits Beethoven's aesthetic and political outlook: a story of personal sacrifice, heroism, and eventual triumph. With its underlying struggle for liberty and justice mirrori ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Fanciulla Del West
''La fanciulla del West'' (''The Girl of the West'') is an opera in three acts by Giacomo Puccini to an Italian libretto by and , based on the 1905 play '' The Girl of the Golden West'' by the American author David Belasco. ''Fanciulla'' followed ''Madama Butterfly'', which was also based on a Belasco play. The opera has fewer of the show-stopping highlights that characterize Puccini's other works, but is admired for its impressive orchestration and for a score that is more melodically integrated than is typical of his previous work. ''Fanciulla'' displays influences from composers Claude Debussy and Richard Strauss, without being in any way imitative. Similarities between the libretto and the work of Richard Wagner have also been found, though some attribute this more to the original plot of the play, and have asserted that the opera remains quintessentially Italian. The opera had a successful and highly publicised premiere at the Metropolitan Opera, New York City, in 1910. Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Macbeth (opera)
''Macbeth'' () is an opera in four acts by Giuseppe Verdi, with an Italian libretto by Francesco Maria Piave and additions by Andrea Maffei, based on William Shakespeare's play of the same name. Written for the Teatro della Pergola in Florence, it was Verdi's tenth opera and premiered on 14 March 1847. ''Macbeth'' was the first Shakespeare play that Verdi adapted for the operatic stage. Almost twenty years later, ''Macbeth'' was revised and expanded in a French version and given in Paris on 19 April 1865. After the success of ''Attila'' in 1846, by which time the composer had become well established, ''Macbeth'' came before the great successes of 1851 to 1853 ('' Rigoletto'', '' Il trovatore'' and ''La traviata'') which propelled him into universal fame. As sources, Shakespeare's plays provided Verdi with lifelong inspiration: some, such as an adaption of '' King Lear'' (as '' Re Lear'') were never realized, but he wrote his two final operas using ''Othello'' as the basis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nabucco
''Nabucco'' (, short for Nabucodonosor ; en, " Nebuchadnezzar") is an Italian-language opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libre ... in four acts composed in 1841 by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The libretto is based on the biblical books of Books of Kings, 2 Kings, Book of Jeremiah, Jeremiah, Book of Lamentations, Lamentations and Book of Daniel, Daniel and the 1836 play by Auguste Anicet-Bourgeois and Francis Cornu. However, Antonio Cortese's ballet adaptation of the play (with its necessary simplifications), given at La Scala in 1836, was a more important source for Solera than the play itself. Under its original name of ''Nabucodonosor'', the opera was first performed at La Scala in Milan on 9 March 1842. ''Nabucco'' is the opera tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turandot
''Turandot'' (; see below) is an opera in three acts by Giacomo Puccini, posthumously completed by Franco Alfano in 1926, and set to a libretto in Italian by Giuseppe Adami and Renato Simoni. ''Turandot'' best-known aria is " Nessun dorma", which became globally popular in the 1990s following Luciano Pavarotti's performance of it for the 1990 FIFA World Cup. Though Puccini first became interested in the subject matter when reading Friedrich Schiller's 1801 adaptation,. ''Freely translated from Schiller by Sabilla Novello:'' . he based his work more closely on the earlier play ''Turandot'' (1762) by Count Carlo Gozzi. The original story is one of the seven stories in the epic '' Haft Peykar''—a work by twelfth-century Persian poet Nizami ( 1141–1209). Nizami aligned his seven stories with the seven days of the week, the seven colors, and the seven planets known in his era. This particular narrative is the story of Tuesday, as told to the king of Iran, Bahram V (), by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Frau Ohne Schatten
' (''The Woman without a Shadow''), Op. 65, is an opera in three acts by Richard Strauss with a libretto by his long-time collaborator, the poet Hugo von Hofmannsthal. It was written between 1911 and either 1915 or 1917. When it premiered at the Vienna State Opera on 10 October 1919, critics and audiences were unenthusiastic. Many cited problems with Hofmannsthal's complicated and heavily symbolic libretto. However, it is now a standard part of the operatic repertoire. Composition history Work on the opera began in 1911. Hofmannsthal's earliest sketches for the libretto are based on a piece by Goethe, ' (1795). Hofmannsthal handles Goethe's material freely, adding the idea of two couples, the emperor and empress who come from another realm, and the dyer and his wife who belong to the ordinary world. Hofmannsthal also drew on portions of ''The Arabian Nights'', ''Grimms' Fairy Tales'', and even quotes Goethe's ''Faust''. The opera is conceived as a fairy tale on the theme of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elektra (opera)
''Elektra'', Op. 58, is a one-act opera by Richard Strauss, to a German-language libretto by Hugo von Hofmannsthal, which he adapted from his 1903 drama ''Elektra''. The opera was the first of many collaborations between Strauss and Hofmannsthal. It was first performed at the Königliches Opernhaus in Dresden on 25 January 1909. It was dedicated to his friends Natalie and Willy Levin. History While based on ancient Greek mythology and Sophocles' tragedy ''Electra'', the opera is highly modernist and expressionist in style. Hofmannsthal's and Strauss's adaptation of the story focuses tightly on Elektra, thoroughly developing her character by single-mindedly expressing her emotions and psychology as she meets with other characters, mostly one at a time. (The order of these conversations closely follows Sophocles' play.) The other characters are Klytaemnestra, her mother and one of the murderers of her father Agamemnon; her sister, Chrysothemis; her brother, Orestes; and Klytae ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tannhäuser (opera)
''Tannhäuser'' (; full title , "Tannhäuser and the Minnesängers' Contest at Wartburg") is an 1845 opera in three acts, with music and text by Richard Wagner ( WWV 70 in the catalogue of the composer's works). It is based on two German legends: Tannhäuser, the mythologized medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. The story centres on the struggle between sacred and profane love, as well as redemption through love, a theme running through most of Wagner's work. The opera remains a staple of major opera house repertoire in the 21st century. Composition history Sources The libretto of ''Tannhäuser'' combines mythological elements characteristic of German '' Romantische Oper'' (Romantic opera) and the medieval setting typical of many French Grand Operas. Wagner brings these two together by constructing a plot involving the 14th-century Minnesingers and the myth of Venus and her subterranean realm of Venusberg. Both the historical an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parsifal
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem '' Parzival'' of the '' Minnesänger'' Wolfram von Eschenbach, recounting the story of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail. Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his Bayreuth Festspielhaus. ''Parsifal'' was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on ''Parsifal'' productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described ''Parsifal'' not as an opera, but as (a festival play for the consecration of the stage). At Bayreuth a tradition has arisen that audiences do not applaud at the end o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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