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Jacques Hardel
Jacques Hardel (died March 1678) was a French composer and harpsichordist. He came from a family that included two noted instrument makers: his grandfather Gilles Hardel (fl. ca. 1611) and his father Guillaume Hardel (died 1676), who was a lute maker and a well-established harpsichordist—in 1673–4 he served as harpsichord teacher to the daughter of Philippe d'Orléans. Practically nothing is known about Jacques Hardel's life. He was a pupil of Jacques Champion de Chambonnières and achieved a very high reputation at the court, at one point giving concerts for the King every week, performing together with the lutenist Porion. For several years he lived together with a pupil, a "Gautier" who remains unidentified today. The two men shared a close friendship, and Hardel bequeathed all of his works to Gautier. Only eight pieces by Hardel are extant today. These are a courante for lute, a six-movement harpsichord suite in D minor, and a harpsichord gavotte. All of the harpsichord ...
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French People
The French people (french: Français) are an ethnic group and nation primarily located in Western Europe that share a common French culture, history, and language, identified with the country of France. The French people, especially the native speakers of langues d'oïl from northern and central France, are primarily the descendants of Gauls (including the Belgae) and Romans (or Gallo-Romans, western European Celtic and Italic peoples), as well as Germanic peoples such as the Franks, the Visigoths, the Suebi and the Burgundians who settled in Gaul from east of the Rhine after the fall of the Roman Empire, as well as various later waves of lower-level irregular migration that have continued to the present day. The Norse also settled in Normandy in the 10th century and contributed significantly to the ancestry of the Normans. Furthermore, regional ethnic minorities also exist within France that have distinct lineages, languages and cultures such as Bretons in B ...
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Sarabande
The sarabande (from es, zarabanda) is a dance in triple metre, or the music written for such a dance. History The Sarabande evolved from a Spanish dance with Arab influences, danced by a lively double line of couples with castanets. A dance called ''zarabanda'' is first mentioned in 1539 in Central America in the poem ''Vida y tiempo de Maricastaña'', written in Panama by Fernando de Guzmán Mejía. In 1596, Alonso López, "el Pinciano", traces its origins even to the Dionysian cult. The dance seems to have been especially popular in the 16th and 17th centuries, initially in Spain and in the Spanish colonies. The Jesuit priest Juan de Mariana thought it indecent, describing it in his ''Tratato contra los juegos públicos'' (Treatise Against Public Amusements, 1609) as "a dance and song so loose in its words and so ugly in its motions that it is enough to excite bad emotions in even very decent people".Jane Bellingham, "Sarabande", ''The Oxford Companion to Music'', edited by ...
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French Harpsichordists
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * Frenc ...
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1678 Deaths
Events January–March * January 10 – England and the Dutch Republic sign a mutual defense treaty in order to fight against France. * January 27 – The first fire engine company (in what will become the United States) goes into service. * February 18 – The first part of English nonconformist preacher John Bunyan's Christian allegory, ''The Pilgrim's Progress'', is published in London. * March 21 – Thomas Shadwell's comedy ''A True Widow'' is given its first performance, at The Duke's Theatre in London, staged by the Duke's Company. * March 23 – Rebel Chinese general Wu Sangui takes the imperial crown, names himself monarch of "The Great Zhou", based in the Hunan report, with Hengyang as his capital. He contracts dysentery over the summer and dies on October 2, ending the rebellion against the Kangxi Emperor. * March 25 – The Spanish Netherlands city of Ypres falls after an eight-day siege by the French Army. It is later returned ...
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1643 Births
Events January–March * January 21 – Abel Tasman sights the island of Tonga. * February 6 – Abel Tasman sights the Fiji Islands. * March 13 – First English Civil War: First Battle of Middlewich – Roundheads ( Parliamentarians) rout the Cavaliers (Royalist supporters of King Charles I) at Middlewich in Cheshire. * March 18 – Irish Confederate Wars: Battle of New Ross – English troops defeat those of Confederate Ireland. April–June * April 1 – Åmål, Sweden, is granted its city charter. * April 28 – Francisco de Lucena, former Portuguese Secretary of State, is beheaded after being convicted of treason. * May 14 – Louis XIV succeeds his father Louis XIII as King of France at age 4. His rule will last until his death at age 77 in 1715, a total of 72 years, which will be the longest reign of any European monarch in recorded history. * May 19 ** Thirty Years' War: Battle of Rocroi: The French defeat the Spa ...
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Gigue
The gigue (; ) or giga () is a lively baroque dance originating from the English jig. It was imported into France in the mid-17th centuryBellingham, Jane"gigue."''The Oxford Companion to Music''. Ed. Alison Latham. Oxford Music Online. 6 July 2008 and usually appears at the end of a suite. The gigue was probably never a court dance, but it was danced by nobility on social occasions and several court composers wrote gigues.Louis Horst, ''Pre-Classic Dance Forms'', (Princeton, NJ: Princeton Book Company, 1987), 54–60. A gigue is usually in or in one of its compound metre derivatives, such as , , or , although there are some gigues written in other metres, as for example the gigue from Johann Sebastian Bach's first ''French Suite'' (BWV 812), which is written in and has a distinctive strutting "dotted" rhythm. Gigues often have a contrapuntal texture as well as often having accents on the third beats in the bar, making the gigue a lively folk dance. In early French thea ...
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Allemande
An ''allemande'' (''allemanda'', ''almain(e)'', or ''alman(d)'', French: "German (dance)") is a Renaissance and Baroque dance, and one of the most common instrumental dance styles in Baroque music, with examples by Couperin, Purcell, Bach and Handel. It is often the first movement of a Baroque suite of dances, paired with a subsequent courante, though it is sometimes preceded by an introduction or prelude. A quite different, later, Allemande, named as such in the time of Mozart and Beethoven, still survives in Germany and Switzerland and is a lively triple-time social dance related to the waltz and the '' Ländler''.Scholes P., 1970, article: ''Allemande''. History The allemande originated in the 16th century as a duple metre dance of moderate tempo, already considered very old, with a characteristic "double-knocking" upbeat of two or occasionally three sixteenth notes.Bach. ''The French Suites: Embellished version''. Bärenreiter Urtext It appears to have derive ...
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Composer
A composer is a person who writes music. The term is especially used to indicate composers of Classical music, Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Definition The term is descended from Latin, wikt:compono, ''compōnō''; literally "one who puts together". The earliest use of the term in a musical context given by the ''Oxford English Dictionary'' is from Thomas Morley's 1597 ''A Plain and Easy Introduction to Practical Music'', where he says "Some wil be good descanters [...] and yet wil be but bad composers". 'Composer' is a loose term that generally refers to any person who writes music. More specifically, it is often used to denote people who are composers by occupation, or those who in the tradition of Western classical music. Writers of exclusively or primarily songs may be called composers, but since the 20th century the terms 'songwriter' or 'singer-songwriter' ...
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Gavotte
The gavotte (also gavot, gavote, or gavotta) is a French dance, taking its name from a folk dance of the Gavot, the people of the Pays de Gap region of Dauphiné in the southeast of France, where the dance originated, according to one source. According to another reference, the word ''gavotte'' is a generic term for a variety of French folk dances, and most likely originated in Lower Brittany in the west, or possibly Provence in the southeast or the French Basque Country in the southwest of France. It is notated in or time and is usually of moderate tempo, though the folk dances also use meters such as and . In late 16th-century Renaissance dance, the gavotte is first mentioned as the last of a suite of branles. Popular at the court of Louis XIV, it became one of many optional dances in the classical suite of dances. Many were composed by Lully, Rameau and Gluck, and the 17th-century cibell is a variety. The dance was popular in France throughout the 18th century and spread w ...
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Courante
The ''courante'', ''corrente'', ''coranto'' and ''corant'' are some of the names given to a family of triple metre dances from the late Renaissance and the Baroque era. In a Baroque dance suite an Italian or French courante is typically paired with a preceding allemande, making it the second movement of the suite or the third if there is a prelude. Types ''Courante'' literally means "running", and in the later Renaissance the courante was danced with fast running and jumping steps, as described by Thoinot Arbeau. But the courante commonly used in the baroque period was described by Johann Mattheson in ''Der vollkommene Capellmeister'' (Hamburg, 1739) as "chiefly characterized by the passion or mood of sweet expectation. For there is something heartfelt, something longing and also gratifying, in this melody: clearly music on which hopes are built."Quoted in Alfred Dürr, preface to Johann Sebastian Bach, ''Französische Suiten: die verzierte Fassung / The French Suites: Em ...
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