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Jaap Ter Linden
Jaap ter Linden (born 10 April 1947, in Rotterdam) is a Dutch cellist, viol player and conductor. He specialises in performance of baroque and classical music on authentic instruments. He began his career as principal cellist of notable baroque orchestras, including Musica Antiqua Köln, The English Concert and Amsterdam Baroque Orchestra. He co-founded the ensemble Musica da Camera, and in 2000 founded the Mozart Akademie in Amsterdam, an orchestra specialising in the classical repertoire, whom he conducts, and with whom he has recorded the complete Mozart symphonies. He has been guest-conductor of both modern and period-instrument orchestras, including the Deutsche Kammerphilharmonie, Portland Baroque Orchestra, European Union Baroque Orchestra, and Philharmonia Baroque Orchestra. He has also conducted opera, including Henry Purcell’s ''King Arthur'' and Christoph Willibald Gluck’s '' Iphigénie en Aulide''. He performs chamber music with pianist Ronald Brauti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rotterdam
Rotterdam ( , , , lit. ''The Dam on the River Rotte'') is the second largest city and municipality in the Netherlands. It is in the province of South Holland, part of the North Sea mouth of the Rhine–Meuse–Scheldt delta, via the ''"New Meuse"'' inland shipping channel, dug to connect to the Meuse first, but now to the Rhine instead. Rotterdam's history goes back to 1270, when a dam was constructed in the Rotte. In 1340, Rotterdam was granted city rights by William IV, Count of Holland. The Rotterdam–The Hague metropolitan area, with a population of approximately 2.7 million, is the 10th-largest in the European Union and the most populous in the country. A major logistic and economic centre, Rotterdam is Europe's largest seaport. In 2020, it had a population of 651,446 and is home to over 180 nationalities. Rotterdam is known for its university, riverside setting, lively cultural life, maritime heritage and modern architecture. The near-complete destru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portland Baroque Orchestra
Portland Baroque Orchestra (PBO) is an orchestra based in Portland, which is dedicated to historically informed performance of Baroque, Classical and early Romantic music on original instruments. It was founded in 1984 by harpsichordist, teacher, and early music pioneer Ton Koopman, and Monica Huggett served as Artistic Director from 1995 until 2021. Julian Perkins was appointed Artistic Director in 2022. In addition, Portland Baroque Orchestra has engaged eminent guest conductors to its podium including Richard Egarr, Andrew Manze, John Butt, Alexander Weimann, and Stanley Ritchie. PBO performs a six-program subscription season in the greater Portland area—and is regularly heard on tour in the region, especially with the Oregon Bach Festival. The Orchestra performed Handel’s opera Rinaldo and Cavalli's La Calisto with Portland Opera. In 2006, PBO began a successful annual collaboration with the vocal ensemble Cappella Romana. Joint productions have included Handel’s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lars Ulrik Mortensen
Lars Ulrik Mortensen (born 1955) is a Danish harpsichordist and conductor, mainly of Baroque solo music, chamber music and early music repertory. He was a professor in Munich in 1996–99 and has since then been artistic director of Concerto Copenhagen. He received the Léonie Sonning Music Prize in 2007. Early life and education Lars Ulrik Mortensen was born in 1955. His father was the conductor Bent Mortensen. He studied with Karen Englund (harpsichord) and Jesper Bøje Christensen ( figured bass) at The Royal Danish Academy of Music in Copenhagen and with Trevor Pinnock in London. Career He has a career as a soloist and chamber musician in Europe, North and South America and Japan. From 1988 to 1990 he was harpsichordist in London Baroque, and from 1990 to 1993 he was a member of Collegium Musicum 90. He appears regularly with singer Emma Kirkby, violinist John Holloway and cellist and gambist Jaap ter Linden. He has recorded for Archiv Produktion (3rd harpsichord in Bac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Egarr
Richard Egarr (born 7 August 1963) is a British conductor and keyboard player. Biography Born in Lincoln, Egarr received his early musical training as a choirboy at York Minster and at Chetham's School of Music. He was an organ scholar at Clare College, Cambridge and studied at the Guildhall School of Music and Drama. Study with Gustav Leonhardt further inspired his work in the field of historically informed performance. Egarr is widely known as a specialist in the baroque repertoire, but has performed repertoire over a wide historical era, from fifteenth-century organ intabulations to Dussek and Chopin on early pianos, to Berg and Maxwell Davies on modern piano. He has recorded commercially several albums of solo keyboard music for such labels as Harmonia Mundi, as well as chamber repertoire for such labels as Hyperion. In 2006, Egarr became music director of the Academy of Ancient Music (AAM). With the AAM, Egarr has made commercial recordings for such labels as Harmoni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Holloway (musician)
John Holloway (born 19 July 1948) is a British baroque violinist and conductor, currently based in Dresden, Germany. He is a pioneer of the early music movement. Holloway was born in Neath, Wales, and studied in London at the Guildhall School of Music and Drama in London. After initial engagements, including at the Academy of St. Martin in the Fields and at the English Chamber Orchestra, he became manager and concertmaster of the Kent Opera Orchestra in the 1970s. After an encounter with Sigiswald Kuijken in 1972, he started playing the Baroque violin and gained a reputation as violinist, teacher and conductor in the field of historically informed performance. In 1970 he became the concertmaster of Sir Roger Norrington's London Classical Players, and later Andrew Parrott's Taverner Consort and Players. Besides playing in numerous Baroque orchestras, he is a noted musicologist and lecturer. Holloway has taught at the Guildhall School of Music and Drama in London, the Schola ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrew Manze
Andrew Manze (born 14 January 1965) is a British conductor and violinist living in Germany. Born in Beckenham, United Kingdom, Manze read Classics at Cambridge University. Manze studied violin and worked with Ton Koopman (his director in the Amsterdam Baroque Orchestra) and Simon Standage (his teacher in the Royal Academy of Music). He began his musical career as a specialist in Early Music, and has recorded as a soloist for such labels as Harmonia Mundi. He became associate director of The Academy of Ancient Music in 1996. From 2003 to 2007, he was artistic director of The English Concert, with whom he recorded commercially for Harmonia Mundi. He has also conducted recordings on labels such as Onyx and Pentatone. Manze was associate guest conductor of the BBC Scottish Symphony Orchestra (BBC SSO) from September 2010 to August 2014, and recorded with the BBC SSO for Hyperion. Outside of the UK, from 2006 to 2014, Manze was principal conductor and artistic director ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabeth Wallfisch
Elizabeth Wallfisch (née Hunt; born 28 January 1952) is an Australian Baroque violinist. Biography Born in Melbourne, Wallfisch debuted as a concert soloist at the age of 12 and took part in such competitions as the ABC Concerto Competition. She was educated at St Catherine's School, Toorak in Melbourne, leaving in 1969. She studied at the Royal Academy of Music under Frederick Grinke and was awarded, among other prizes, the President's Prize. At the age of 20 she won the Franco Gulli Senior Prize for violin, and was jointly awarded the Mozart Memorial Prize. In 1974, Wallfisch won the prize for most outstanding performance of Johann Sebastian Bach in the Carl Flesch Competition. She began to perform with orchestras such as the London Mozart Players and the Royal Liverpool Philharmonic Orchestra in England, establishing herself as a concert performer in the UK. She developed a reputation as a specialist Baroque violinist. Playing on a period instrument, Wallfisch has recorded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ronald Brautigam
Ronald Brautigam (born 1954) is a Dutch concert pianist, best known for his performances of Beethoven's piano works on the fortepiano. Born in Amsterdam, Brautigam studied there with Jan Wijn (1971-79), then he left to study in London with John Bingham (1980-82) and in the United States with Rudolf Serkin (1982-83). His skill as a pianist was recognised by Dutch musicians and in 1984 he was awarded the Nederlandse Muziekprijs. In 2015 his Beethoven recordings received the Edison Award and the annual German Record Critics' Prize.Fachhochschule Nordwestschweiz. Prof. Ronald Brautigam. https://www.fhnw.ch/de/personen/ronald-brautigam Brautigam lives in Amsterdam with his wife Mary. Since September 2011 he has been a professor at the University of Music of the Basel Music Academy. Recordings * Ronald Brautigam, Isabelle van Keulen. Grieg, Elgar, Sibelius. ''Music for Violin and Piano''. Label: Challenge * Ronald Brautigam. Ludwig van Beethoven, Joseph Haydn, Wolfgang Amadeus Mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iphigénie En Aulide
''Iphigénie en Aulide'' ('' Iphigeneia in Aulis'') is an opera in three acts by Christoph Willibald Gluck, the first work he wrote for the Paris stage. The libretto was written by François-Louis Gand Le Bland Du Roullet and was based on Jean Racine's tragedy ''Iphigénie'', itself based on the play ''Iphigenia in Aulis'' by Euripides. It was premiered on 19 April 1774 by the Paris Opéra in the second Salle du Palais-Royal and revived in a slightly revised version the following year. A German version was made in 1847 by Richard Wagner, with significant alterations. Performance history At first, ''Iphigénie'' was not popular, except for its overture which was applauded generously.Pitou, p. 288 After the premiere, it was billed for three days in April 1774, but its first run was interrupted by the theatre's six-week closure due to the dying of Louis XV. ''Iphigénie en Aulide'' returned to the theatre on 10 January 1775, and was revived annually from 1776 to 1824 with a f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Willibald Gluck
Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he gained prominence at the Habsburg court at Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them ''Orfeo ed Euridice'' and '' Alceste'', he broke the stranglehold that Metastasian '' opera seria'' had enjoyed for much of the century. Gluck introduced more drama by using orchestral recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera. Future composers like Mozart, Schubert, Berlioz and Wagner revered Gluck very highly. The strong influence of French opera encouraged Gluck to move to Paris in November 1773. Fusing the traditions o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Arthur (opera)
''King Arthur, or The British Worthy'' (Z. 628), is a semi-opera in five acts with music by Henry Purcell and a libretto by John Dryden. It was first performed at the Queen's Theatre, Dorset Garden, London, in late May or early June 1691. The plot is based on the battles between King Arthur's Britons and the Saxons, rather than the legends of Camelot (although Merlin does make an appearance). It is a Restoration spectacular, including such supernatural characters as Cupid and Venus plus references to the Germanic gods of the Saxons, Woden, Thor, and Freya. The tale centres on Arthur's endeavours to recover his fiancée, the blind Cornish Princess Emmeline, who has been abducted by his arch-enemy, the Saxon King Oswald of Kent. ''King Arthur'' is a "dramatick opera" or semi-opera: the principal characters do not sing, except if they are supernatural, pastoral or, in the case of Comus and the popular ''Your hay it is mow'd'', drunk. Secondary characters sing to them, us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Purcell
Henry Purcell (, rare: September 1659 – 21 November 1695) was an English composer. Purcell's style of Baroque music was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest English opera composers, Purcell is often linked with John Dunstaple and William Byrd as England's most important early music composers. No later native-born English composer approached his fame until Edward Elgar, Ralph Vaughan Williams, Gustav Holst, William Walton and Benjamin Britten in the 20th century. Life and work Early life Purcell was born in St Ann's Lane, Old Pye Street, Westminster – the area of London later known as Devil's Acre, a notorious slum – in 1659. Henry Purcell Senior, whose older brother Thomas Purcell was a musician, was a gentleman of the Chapel Royal and sang at the coronation of King Charles II of England. Henry the elder had three sons: Edward, Henry and Daniel. Daniel Purcell, the youngest of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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