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JD-800
The Roland JD-800 is a digital synthesizer that was manufactured between 1991 and 1996. It features many knobs and sliders for patch editing and performance control — features that some manufacturers, including Roland, had been omitting in the name of streamlining since the inception of the Yamaha DX7. The JD-800 thus became very popular with musicians who wished to take a hands-on approach to patch programming. The introduction in the manual states that Roland's intention with the JD-800 was to "return to the roots of synthesis". After the discontinuation of the D-50, the JD-800 became the next Roland flagship synthesizer. Technology The JD-800 employs sample-based oscillators and a fully digital signal path. This is different than linear arithmetic synthesis (introduced and made famous by the Roland D-50), which combines sample playback with digital synthesis. The JD-800 has 108 built-in sampled waveforms, which can be expanded via PCM cards. The waveforms span a variety o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
JD-990
The Roland JD-990 Super JD is an updated version of the Roland JD-800 synthesizer in the form of a module with expanded capabilities, which was released in 1993 by Roland Corporation. JD-990 is a multitimbral synthesizer utilising PCM sample-based synthesis technology. In a sense it is not a true module version of a JD-800 as it has many expanded features and as a result the two are incompatible in exchanging presets. It is equipped with 6 MB of ROM containing sampled PCM waveforms, four sets of stereo outputs that are assignable to individual, internal, instruments, and standard MIDI in/out/through ports. JD-990 has a large LCD display and programming takes place through a keypad on the front panel of the unit. The unit can generate multi-timbral sounds reminiscent of the vintage analogue synthesizers but is also capable of generation of modern digital textures. There are several expansion boards available for JD-990 that can be installed in the provided expansion slot in the chas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eric Persing
Eric Persing is an American sound designer, professional synthesist, keyboardist, recording artist and music producer based in Los Angeles, California. He is best known as the Founder and Creative Director of the music software and virtual instrument company Spectrasonics®. Recognized as one of the world’s most preeminent synth sound designers, Persing has created over a million sounds that inspire music makers around the world. He has been the producer and primary contributor to all of Spectrasonics' products, including the award-winning Omnisphere®, Keyscape®, Trilian®, and Stylus RMX. Earlier work includes other notable Spectrasonics products like Atmosphere, Trilogy, and Distorted Reality. Persing started working for the Roland Corporation as Chief Sound Designer from 1984 to 2004, where he worked on many influential synthesizers and music-related products such as the Roland D-50, the JD-800, the Roland JX, JV, JP, XP series synthesizers and many others. Even today, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kevin Moore
Kevin Moore (born May 26, 1967) is an American former keyboardist, composer and the founder of the Chroma Key music project. He was also a member of the progressive metal band Dream Theater, co-founder of the progressive rock supergroup O.S.I., and a composer of film soundtracks. Throughout his career, he has become known for his emotional music and lyrics, nomadic lifestyle and use of spoken word samples. Moore started his music career in progressive metal band Dream Theater. He contributed music and lyrics to the band's first three studio albums, but left the band during the mixing process of '' Awake'' to pursue his own musical interests. Starting with 1998's '' Dead Air for Radios'', he has released electronica, ambient music through his solo project Chroma Key. Moore has guested on several albums, including three Fates Warning albums. This led Moore to form OSI with Fates Warning guitarist Jim Matheos in 2002, a band which combines progressive metal with electronica. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Corporation
is a Japanese multinational manufacturer of electronic musical instruments, electronic equipment, and software. It was founded by Ikutaro Kakehashi in Osaka on 18 April 1972. In 2005, its headquarters relocated to Hamamatsu in Shizuoka Prefecture. It has factories in Malaysia, Taiwan, Japan, and the United States. As of December 2022, it employed 2,783 people. In 2014, it was subject to a management buyout by its CEO, Junichi Miki, supported by Taiyo Pacific Partners. Roland has manufactured numerous instruments that have had lasting impacts on music, such as the Juno-106 synthesizer, TB-303 bass synthesizer, and TR-808 and TR-909 drum machines. It was also instrumental in the development of MIDI, a standardized means of synchronizing electronic instruments manufactured by different companies. In 2016, ''Fact'' wrote that Roland had arguably had more influence on electronic music than any other company. History Background Roland founder Ikutaro Kakehashi had founded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linear Arithmetic Synthesis
Linear arithmetic synthesis, or LA synthesis, is a means of sound synthesis invented by the Roland Corporation when they released their D-50 synthesizer in April 1987. Overview LA synthesis combines traditional subtractive synthesis with PCM-based samples. The term ''linear arithmetic'' refers to synthesis that puts sounds together in a timeline. Typically a PCM transient begins a note, which is then continued with a subtractive synthesis prolongation. Roland did not use the term ''additive'', as additive synthesis already refers to a different synthesis method. This technology first appeared in 1987, in the Roland D-50 synthesizer. At the time, re-synthesizing samplers were very expensive, so Roland set out to produce a machine that would be easy to program, sound realistic, and still sound like a synthesizer. Also, Yamaha had previously gained world market lead with their DX7 FM synth, which excelled at metallic, percussive sounds—something that Roland's synths using ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Module
A sound module is an electronic musical instrument without a human-playable interface such as a piano-style musical keyboard. Sound modules have to be operated using an externally connected device, which is often a MIDI controller, of which the most common type is the musical keyboard. Another common way of controlling a sound module is through a sequencer, which is computer hardware or software designed to record and playback control information for sound-generating hardware. Connections between sound modules, controllers, and sequencers are generally made with MIDI (Musical Instrument Digital Interface), which is a standardized interface designed for this purpose. Sound modules are often rack-mountable, but are also produced in table-top form factor, particularly when the intended user is a DJ or record producer. The height of a sound module is often described in rack units. Small sound modules are mostly 1U in height, the larger models a multiplication e.g. 2U or 3U. De ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
