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Ivanhoé Caron
''Ivanhoé'' is an 1826 pastiche opera in three acts with music by Gioachino Rossini to a French-language libretto by Émile Deschamps and Gabriel-Gustave de Wailly, after Walter Scott's 1819 novel of the same name. The music was adapted, with the composer's permission, by the music-publisher Antonio Pacini from Rossini's operas, namely ''Semiramide'', ''La Cenerentola'', ''La gazza ladra'', and ''Tancredi'' in order to introduce his music to Paris. An examination of the score shows that Pacini also used music from '' Bianca e Faliero'', ''Armida'', ''Maometto II'', ''Aureliano in Palmira'', ''Sigismondo'', ''Torvaldo e Dorliska'', '' Mosè in Egitto'' and an amount of newly composed music including fanfares and the gallop that was later to become famous from its inclusion in ''Guglielmo Tell''. The work was premiered on 15 September 1826, at the Odéon Theatre. It was performed in England in 1829 as ''The Maid of Judah'' with music arranged by Michael Rophino Lacy who also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pasticcio
In music, a ''pasticcio'' or ''pastiche'' is an opera or other musical work composed of works by different composers who may or may not have been working together, or an adaptation or localization of an existing work that is loose, unauthorized, or inauthentic. Etymology The term is first attested in the 16th century referring both to a kind of pie containing meat and pasta (''see pastitsio'') and to a literary mixture; for music, the earliest attestation is 1795 in Italian and 1742 in English. It derives from the post-classical Latin ''pasticium'' (13th century), a pie or pasty.''Oxford English Dictionary'', March 2008 revision, ''s.v.'' pasticcio In opera In the 18th century, opera ''pasticcios'' were frequently made by composers such as George Frideric Handel, Handel, for example ''Oreste'' (1734), ''Alessandro Severo'' (1738) and ''Giove in Argo'' (1739), as well as Christoph Willibald Gluck, Gluck, and Johann Christian Bach. These composite works would consist mainly of por ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sigismondo
''Sigismondo'' is an operatic 'dramma' in two acts by Gioachino Rossini to an Italian libretto by Giuseppe Maria Foppa. The opera was not a success and Rossini later re-used some of its music in '' Elisabetta, regina d'Inghilterra'', ''The Barber of Seville'', and ''Adina''. Performance history ''Sigismondo'' was first performed at the Teatro La Fenice, Venice, on 26 December 1814, with revivals in Cremona, Reggio Emilia, Padua and Senigallia (all in 1819), Florence and Siena (both in 1820) and finally in Bologna (1827). Its modern revival took place in Rovigo in 1992 (see recording details below). Synopsis :Time: 16th Century :Place: PolandOsborne, Charles, p. 43 Roles Recordings References Notes Sources * Gossett, Philip; Brauner, Patricia (2001), " ''Sigismondo'' " in Holden, Amanda (ed.), ''The New Penguin Opera Guide'', New York: Penguin Putnam. * Osborne, Charles (1994), ''The Bel Canto Operas of Rossini, Donizetti, and Bellini'', London: Methuen; Portland, Orego ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dynamic (record Label)
Dynamic is an Italian independent record label located in Genoa. Founded in 1978, it specialises in classical music and opera, especially rarely performed works and has produced several world premiere recordings. The Dynamic catalogue contains over 400 titles, with about 25 new titles added each year and is distributed in 32 countries. History Dynamic was founded in 1978 by Pietro Mosetti Casaretto and his wife Marisa. Mosetti Casaretto, a surgeon and amateur violinist, took over a small label founded by the musicologist Edward Neill. In the beginning, Dynamic was a small family business. Mosetti Casaretto and his wife recorded in local churches, oratories and villas. The first recordings were issued on vinyl, the first being Paganini's ''Barucabà Variations'' played by Salvatore Accardo. In 1985 the company moved to its current site in the Villa Quartana on the Righi hill overlooking Genoa, where it set up a recording hall that could house a small chamber orchestra. In the la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the Greek language, Greek (), meaning "low sounding". Composers typically write music for this voice in the range from the second F below C (musical note), middle C to the F above middle C (i.e. Scientific pitch notation, F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French Religious music, sacred Polyphony, polyphonic music. At t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura soprano, coloratura, soubrette, lyric soprano, lyric, spinto soprano, spinto, and dramatic soprano, dramatic soprano. Etymology The word "soprano" comes from the Italian word ''wikt:sopra, sopra'' (above, over, on top of),"Soprano" ''Encyclopædia Britannica'' as the soprano is the highest pitch human voice, often given to the leading female roles in operas. "Soprano" refers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conducting
Conducting is the art of directing a musical performance, such as an orchestral or Choir, choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the Sheet music, score in a way that reflects the specific indications in that score, set the tempo, ensure correct entries by Musical ensemble, ensemble members, and "shape" the musical phrasing, phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a Baton (conducting), baton, and may use other gestures or signals such as facial expression and eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a classification of the human singing voice into perceivable categories or groups. Particular human singing human voice, voices are identified as having certain qualities or characteristics of vocal range, vocal weight, tessitura, vocal timbre, and vocal transition points (''passaggio''), such as breaks and lifts within the voice. Other considerations are physical characteristics, speech level, scientific testing, and vocal register. A singer's voice type is identified by a process known as voice classification, by which the human voice is evaluated and thereby designated into a particular voice type. The discipline of voice classification developed within European classical music and is not generally applicable to other forms of singing. Voice classification is often used within opera to associate possible roles with potential voices. Several different voice classification systems are available to identify voice types, including the German ''Fach'' system and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Festival Della Valle D'Itria
The Festival della Valle d'Itria is a summer opera festival held in the south eastern Italian town of Martina Franca in the Apulia region. The Festival was founded in 1975 and performances are given in July and August each summer on a specially constructed stage in the outdoor courtyard of the Palazzo Ducale. The primary aim of the festival is to present obscure, neglected or rarely performed works, and often works in the standard operatic repertoire are given in their original versions. At the fiftieth anniversary festival in 2024, the original two-soprano version of '' Norma'' was revived, alongside Handel’s Ariodante, and Nino Rota’s ''Aladino e la lampada magica''. History The Festival della Valle d'Itria is held annually in the south eastern Italian town of Martina Franca in the Apulia region. The Festival was founded in 1975 and performances are given in July and August each summer on a specially constructed stage in the outdoor courtyard of the Palazzo Ducale. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Park Theatre (Manhattan)
The Park Theatre, originally known as the New Theatre, was a playhouse in New York City, located at 21–25 Park Row in the present Civic Center neighborhood of Manhattan, about east of Ann Street and backing Theatre Alley. The location, at the north end of the city, overlooked the park that would soon house City Hall. French architect Marc Isambard Brunel collaborated with fellow émigré Joseph-François Mangin and his brother Charles on the design of the building in the 1790s. Construction costs mounted to precipitous levels, and changes were made in the design; the resulting theatre had a rather plain exterior. The doors opened in January 1798. In its early years, the Park enjoyed little to no competition in New York City. Nevertheless, it rarely made a profit for its owners or managers, prompting them to sell it in 1805. Under the management of Stephen Price and Edmund Simpson in the 1810s and 1820s, the Park enjoyed its most successful period. Price and Simpson ini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Rophino Lacy
Michael Rophino Lacy (19 July 1795 – 20 September 1867) was an Irish violinist and composer. The son of an Irish merchant in Bilbao, Spain, he appeared first there in public as a six-year-old prodigy. In 1802 he was sent to Bordeaux and a year later to Paris to study with Rodolphe Kreutzer. As ''Le Petit Espagnol'' he performed before Napoleon towards the end of 1804 and by October 1805 in London as "The Young Spaniard", his real name not being disclosed before 1807. He performed in Dublin in 1807 alongside Angelica Catalani in Michael Kelly's opera company, and returned there in 1813. He enjoyed a short career as an actor in comedy roles, performing in Dublin, Edinburgh and Glasgow, but in 1818 resumed the musical profession, and by 1820 became leader of the ballet at the Kings theatre, London. He composed or adapted from other composers a number of operas and an oratorio, ''The Israelites in Egypt'' (1833), in which he combined the plots of Handel's '' Israel in Egypt'' an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
