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Israel Ballet
The Israel Ballet is a dance company that performs works of classical ballet and neoclassical ballet. The company often stages newly choreographed works, and in addition, it is the only professional ballet company within Israel that stages works of the classical international repertoire. The Israel Ballet regularly tours internationally. The company resides in the new Israel Ballet center in Tel Aviv, equipped with the biggest rehearsal hall in Israel with 250 seats. The Israel Ballet represented Israel in tours around the world and in important festivals in Europe, Asia and America. History Founders Berta Yampolsky and Hillel Markman gave the first performance of the Israel Ballet on January 25, 1967, with a group of four young dancers, in Holon. George Balanchine granted permission to perform his work Serenade (ballet), Serenade in 1975, and in 1981 he gave free performance rights to all of his works to the company. The Classical Ballet Center The Israel Ballet has its own f ...
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Berta Yampolsky
Berta Yampolsky (; born 1934) is a French-born Israeli ballet dancer and founder of the Israel Ballet. Early years Berta Yampolsky was born in Paris. Her father, Naftali Yampolsky (1893–1980), was born in southern Russia. He was drafted into the Russian Imperial army, from which he succeeded in deserting and reached France. Her mother Yokheved (Vera) Shenker (1900–1980), was born in Odessa. She was the daughter of a fruit merchant. She studied medicine in Geneva and University of Paris, where she met Yampolsky. When Berta was three years old, the Yampolsky family emigrated to Mandate Palestine. They resided in Haifa. Berta studied at a religious school for girls there, and at Hugim School as well as the Reali School. She began to study dance with Valentina Arkhipova Grossman at the age of fourteen. Yampolsky met Hillel Markman, her future husband, in 1956. He was also a dance student. They married in 1957. The couple moved to England right after the marriage to continue danc ...
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Jan Lincolns
Jan, JaN or JAN may refer to: Acronyms * Jackson, Mississippi (Amtrak station), US, Amtrak station code JAN * Jackson-Evers International Airport, Mississippi, US, IATA code * Jabhat al-Nusra (JaN), a Syrian militant group * Japanese Article Number, a barcode standard compatible with EAN * Japanese Accepted Name, a Japanese nonproprietary drug name * Job Accommodation Network, US, for people with disabilities * ''Joint Army-Navy'', US standards for electronic color codes, etc. * ''Journal of Advanced Nursing'' Personal name * Jan (name), male variant of ''John'', female shortened form of ''Janet'' and ''Janice'' * Jan (Persian name), Persian word meaning 'life', 'soul', 'dear'; also used as a name * Ran (surname), romanized from Mandarin as Jan in Wade–Giles * Ján, Slovak name Other uses * January, as an abbreviation for the first month of the year in the Gregorian calendar * Jan (cards), a term in some card games when a player loses without taking any tricks or scoring a m ...
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Gertrud Kraus
Gertrud Kraus (; 5 May 1901 – 13 November 1977) was an Israeli pioneer of modern dance in Israel. Biography Gertrud Kraus was born in 1901 in Vienna, Austria-Hungary. Her father, Leopold Kraus, and her mother, Olga (née Neubauer), married in Prague in 1899. They had four children: Robert (1900), Gertrud (1901), Margarethe (1902) and Victor (1903).Giora ManorJewish Women's Archive: Gertrud Kraus/ref> Kraus studied piano at the State Academy in Vienna but after graduating decided that what she really loved was dance. She enrolled again at the State Academy, this time in the modern dance department headed by Gertrud Bodenwieser. After graduation, she joined Bodenwieser's dance company. A few months later, she opened a studio and began rehearsing solos to perform by herself. Her first independent recital took place in a large hall that she hired herself. Friends warned her of the risk involved, but she said: "If it's going to be a flop, at least it will be a spectacular one!" ...
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Dance In Israel
Dance in Israel incorporates a wide variety of dance styles, from traditional Israeli folk dancing to ballet, modern dance, ballroom dancing and flamenco. Contemporary dance in Israel has won international acclaim. Israeli choreographers, among them Ohad Naharin and Barak Marshall are considered among the most versatile and original international creators working today. People come from all over Israel and many other nations for the annual dance festival in Karmiel, held in July. First held in 1987, the Karmiel Dance Festival is the largest celebration of dance in Israel, featuring three or four days and nights of dancing with 5,000 or more dancers and a quarter of a million spectators in the capital of the Galilee. Begun as an Israeli folk dance event, the festivities now include performances, workshops, and open dance sessions for a variety of dance forms and nationalities. Choreographer Yonatan Karmon created the Karmiel Dance Festival to continue the tradition of Gurit Kadman ...
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Itzik Galili
Itzik Galili (; born 1961 in Tel Aviv) is an Israeli choreographer. Career After having been a member of the Batsheva Dance Company and Bat-Dor Dance Company in his country, he moved to the Netherlands in 1991, where he founded his own company. The Dutch Ministry of Culture nominated him in 1997 as Artistic Director of a new company for contemporary dance with public funding, NND / Galili Dance based in Groningen. In 2009, he moved to Amsterdam, invited by a new Amsterdam dance company, Dansgroep Amsterdam (DGA) as co-artistic director, together with Kristina de Chatel. He has built an oeuvre of more than 60 works and has created for and worked with international companies such as: Balé da Cidade de São Paulo, Les Ballets de Monte Carlo, Batsheva Dance Company, Bayerisches Staatsoper Munich, Cisne Negro, Diversions Dance Company, Dutch National Ballet, Gulbenkian Ballet, Les Grands Ballets Canadiens, Nederlands Dans Theater II, Norrdans, Royal Finnish Ballet, Rambert Dan ...
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Cinderella (Prokofiev)
''Cinderella'' (, tr. ''Zolushka''; ) Op. 87, is a ballet composed by Sergei Prokofiev to a scenario by Nikolai Volkov. It is one of his most popular and melodious compositions, and has inspired a great many choreographers since its inception. The piece was composed between 1940 and 1944. Part way through writing it Prokofiev broke off to write his opera '' War and Peace''. The premiere of ''Cinderella'' was conducted by Yuri Fayer on 21 November, 1945, at the Bolshoi Theatre, with choreography by Rostislav Zakharov and Galina Ulanova in the title role. ''Cinderella'' is notable for its jubilant music, lush scenery, and for the comic double-roles of the stepmother and the two stepsisters (which can be performed in travesti), more mad than bad in this treatment. Story Act I Cinderella, a young woman whose domineering stepmother forces her to act as a servant in her own home, helps her stepmother and two stepsisters to prepare for the Spring Ball, at which it is rumoure ...
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Romeo And Juliet (Prokofiev)
''Romeo and Juliet'' (), Op. 64, is a ballet by Sergei Prokofiev based on William Shakespeare's play ''Romeo and Juliet''. First composed in 1935, it was substantially revised for its Soviet premiere in early 1940. Prokofiev made from the ballet three orchestral suites and a suite for solo piano. Background and premiere Based on a synopsis created by Adrian Piotrovsky (who first suggested the subject to Prokofiev) and Sergey Radlov, the ballet was composed by Prokofiev in September 1935 to their scenario which followed the precepts of "drambalet" (dramatised ballet, officially promoted at the Kirov Ballet to replace works based primarily on choreographic display and innovation). Following Radlov's acrimonious resignation from the Kirov in June 1934, a new agreement was signed with the Bolshoi Theatre in Moscow on the understanding that Piotrovsky would remain involved. However, the ballet's original happy ending (contrary to Shakespeare) provoked controversy among Soviet cult ...
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Don Quixote (ballet)
''Don Quixote'' is a ballet in three acts, based on episodes taken from the famous novel ''Don Quixote, Don Quixote de la Mancha'' by Miguel de Cervantes. It was originally choreographed by Marius Petipa to the music of Ludwig Minkus and first presented by Moscow's Bolshoi Ballet on . Petipa and Minkus revised the ballet into a more elaborate and expansive version in five acts and eleven scenes for the Mariinsky Ballet, first presented on at the Imperial Bolshoi Kamenny Theatre of St. Petersburg. All modern productions of the Petipa/Minkus ballet are derived from the version staged by Alexander Alexeyevich Gorsky, Alexander Gorsky for the Bolshoi Theatre of Moscow in 1900, a production the ballet master staged for the Imperial Ballet of St. Petersburg in 1902. History Earlier versions The two chapters of the novel that the ballet is mostly based on, were first adapted for the ballet in 1740 by Franz Hilverding in Vienna, Austria. In 1768, Jean Georges Noverre mounted a new ...
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Giselle
''Giselle'' ( , ), originally titled ''Giselle, ou les Wilis'' (; ''Giselle, or The Wilis''), is a romantic ballet () in two acts with music by Adolphe Adam. Considered a masterwork in the classical ballet performance canon, it was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. It was an unqualified triumph. It became hugely popular and was staged at once across Europe, Russia, and the United States. The ghost-filled ballet tells the tragic, romantic story of a beautiful young peasant girl named Giselle and a disguised nobleman named Albrecht, who fall in love, but when his true identity is revealed by his rival, Hilarion, Giselle goes mad and dies of heartbreak. After her death, she is summoned from her grave into the vengeful, deadly sisterhood of the Vila (fairy), Wilis, the ghosts of unmarried women who died after being betrayed by their lovers an ...
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Onegin (Cranko)
''Onegin'' is a ballet created by John Cranko for the Stuttgart Ballet that premiered on 13 April 1965 at Staatstheater Stuttgart. The ballet was based on Alexander Pushkin's 1825–1832 novel ''Eugene Onegin'', to music by Pyotr Ilyich Tchaikovsky and arrangements by Kurt-Heinz Stolze. The ballet has since been in the repertoires of The Australian Ballet, National Ballet of Canada, American Ballet Theatre and The Royal Ballet. Background and production Cranko first discovered Alexander Pushkin's verse-novel ''Eugene Onegin'' when he choreographed the dances for Tchaikovsky's opera of the same name in 1952. He first proposed a ballet based on Pushkin's story to the Royal Opera House board in the 1960s, but it was turned down, and he pursued the idea when he moved to Stuttgart. The Stuttgart Ballet premiered the work in 1965. The Royal Ballet did not present the work until 2001. The choreography for his ballet includes a wide range of styles, including folk, modern, ballroom and ...
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The Nutcracker
''The Nutcracker'' (, ), Opus number, Op. 71, is an 1892 two-act classical ballet (conceived as a '; ) by Pyotr Ilyich Tchaikovsky, set on Christmas Eve at the foot of a Christmas tree in a child's imagination featuring a Nutcracker doll. The plot is an adaptation of Alexandre Dumas's 1844 short story ''The Nutcracker'', itself a retelling of E. T. A. Hoffmann's 1816 short story ''The Nutcracker and the Mouse King''. The ballet's first choreographer was Marius Petipa, with whom Tchaikovsky had worked three years earlier on ''The Sleeping Beauty'', assisted by Lev Ivanov. Although the complete and staged ''The Nutcracker'' ballet was not initially as successful as the 20-minute ''Nutcracker Suite'' that Tchaikovsky had premiered nine months earlier, it became popular in later years. Since the late 1960s, ''The Nutcracker'' has been danced by many ballet companies, especially in North America. Major American ballet companies generate around 40% of their annual ticket ...
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