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Ippolito Ciera
Ippolito Ciera (fl. 1546–1561) was an Italian composer of the Renaissance, active at Treviso and Venice. Little is yet known about his life, for neither his biography nor his works have yet been the subject of a scholarly study. He was a Dominican friar and sang at Treviso Cathedral: the earliest documentary record of his life is a payment in 1546 for his salary there. In addition to singing, he taught music to the novices at the convent of San Nicolò. By 1561, he had become ''maestro di cappella'', the choirmaster, at the church of San Giovanni e Paolo in Venice, a much more prestigious position, and incidentally in one of the musical centers of Europe. He probably knew Adrian Willaert, the founder of the Venetian School, and may have studied with him, as did many of the musicians in Venice at that time; his veneration for the elder master is shown in a laudatory sonnet he wrote and set to music for him. It is No. 12 in his first book of madrigals.Jackson, Grove onlineEinste ...
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Floruit
''Floruit'' ( ; usually abbreviated fl. or occasionally flor.; from Latin for 'flourished') denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicating the time when someone flourished. Etymology and use is the third-person singular perfect active indicative of the Latin verb ', ' "to bloom, flower, or flourish", from the noun ', ', "flower". Broadly, the term is employed in reference to the peak of activity for a person or movement. More specifically, it often is used in genealogy and historical writing when a person's birth or death dates are unknown, but some other evidence exists that indicates when they were alive. For example, if there are Will (law), wills Attestation clause, attested by John Jones in 1204 and 1229, as well as a record of his marriage in 1197, a record concerning him might be written as "John Jones (fl. 1197–1229)", even though Jones was born before ...
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Antiphon
An antiphon ( Greek ἀντίφωνον, ἀντί "opposite" and φωνή "voice") is a short chant in Christian ritual, sung as a refrain. The texts of antiphons are usually taken from the Psalms or Scripture, but may also be freely composed. Their form was favored by St Ambrose and they feature prominently in Ambrosian chant, but they are used widely in Gregorian chant as well. They may be used during Mass, for the Introit, the Offertory or the Communion. They may also be used in the Liturgy of the Hours, typically for Lauds or Vespers. They should not be confused with Marian antiphons or processional antiphons. When a chant consists of alternating verses (usually sung by a cantor) and responses (usually sung by the congregation), a refrain is needed. The looser term antiphony is generally used for any call and response style of singing, such as the kirtan or the sea shanty and other work songs, and songs and worship in African and African-American cultu ...
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Italian Dominicans
Italian Dominicans (; ) are Dominican Republic, Dominican-born citizens who are fully or partially of Italy, Italian descent, whose ancestors were Italians who emigrated to the Dominican Republic during the Italian diaspora, or Italian-born people in the Dominican Republic. The Italian community in the Dominican Republic, considering both people of Italian ancestry and Italian birth, is the largest in the Caribbean region. History There were a few hundred Italians who moved to live in "Santo Domingo" (as the Dominican Republic was then called), in the first centuries after the European colonization of the Americas, discovery of America in 1492. Most were religious, adventurers and traders. The turbulent years of Dominican independence even had a President of the Dominican Republic, Dominican president whose ancestors came from Ravenna—Francisco Gregorio Billini. Indeed, Billini was president between 1884 and 1885, and gave his resignation early after refusing to limit the free ...
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Madrigal Composers
A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th centuries) and early Baroque (1580–1650) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the number of voices varies from two to eight, but the form usually features three to six voices, whilst the metre of the madrigal varies between two or three tercets, followed by one or two couplets. Unlike verse-repeating strophic forms sung to the same music, most madrigals are through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung. Madrigals written by Italianized Franco–Flemish composers in the 1520s partly originated from the three-to-four voice frottola (1470–1530); partly from composers' renewed interest in poetry written in vernacular Italian; partly from the stylistic influence of the French chanson; and ...
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16th-century Italian Composers
The 16th century began with the Julian calendar, Julian year 1501 (represented by the Roman numerals MDI) and ended with either the Julian or the Gregorian calendar, Gregorian year 1600 (MDC), depending on the reckoning used (the Gregorian calendar introduced a lapse of 10 days in October 1582). The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the Copernican heliocentrism, heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the SN 1572, 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion of the new sciences, invented the first ...
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16th-century Deaths
The 16th century began with the Julian year 1501 (represented by the Roman numerals MDI) and ended with either the Julian or the Gregorian year 1600 (MDC), depending on the reckoning used (the Gregorian calendar introduced a lapse of 10 days in October 1582). The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion of the new sciences, invented the first thermometer and made substantial contributions in the fields of phy ...
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16th-century Births
The 16th century began with the Julian calendar, Julian year 1501 (represented by the Roman numerals MDI) and ended with either the Julian or the Gregorian calendar, Gregorian year 1600 (MDC), depending on the reckoning used (the Gregorian calendar introduced a lapse of 10 days in October 1582). The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the Copernican heliocentrism, heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the SN 1572, 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion of the new sciences, invented the first ...
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Venetian School (music) Composers
Venetian School may refer to: * Venetian painting, painting in Venice from the 14th to 18th century * Venetian School (music), the body and work of composers working in Venice from c. 1550 to c. 1610 * Venetian Gothic architecture * Venetian Renaissance architecture See also *Venetian (other) Venetian often means from or related to: * Venice, a city in Italy * Veneto, a region of Italy * Republic of Venice (697–1797), a historical nation in that area Venetians might refer to: * Masters of Venetian painting in 15th-16th centuries * ...
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Italian Male Classical Composers
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, a Romance ethnic group related to or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marination * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus * ''Italien'' (magazine), pro-Fascist magazine in Germany between 1927 and 1944 See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian ...
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Alfred Einstein
Alfred Einstein (December 30, 1880February 13, 1952) was a German-American musicologist and music editor. He was born in Munich, and fled Nazi Germany after Adolf Hitler, Hitler's ''Machtergreifung'', arriving in the United States by 1939. He is best known for being the editor of the first major revision of the Köchel catalogue, which was published in 1936. The Köchel catalogue is the extensive catalogue of the works of Wolfgang Amadeus Mozart. Biography Einstein was born in Munich. Though he originally studied law, he quickly realized his principal love was music, and he acquired a doctorate at Munich University, focusing on instrumental music of the late Renaissance music, Renaissance and early Baroque music, Baroque eras, in particular music for the viola da gamba. In 1918 he became the first editor of the ''Zeitschrift für Musikwissenschaft''; slightly later he became music critic for the ''Münchner Post''; and in 1927 became music critic for the ''Berliner Tageblatt''. I ...
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Gustave Reese
Gustave Reese ( ; November 29, 1899 – September 7, 1977) was an American musicologist and teacher. Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications ''Music in the Middle Ages'' (1940) and ''Music in the Renaissance'' (1954); these two books remain the standard reference works for these two eras, with complete and precise bibliographical material, allowing for almost every piece of music mentioned to be traced back to a primary source. Early life and education Reese was born in New York City on November 29, 1899. He was an avid scholar and had interests in many areas outside music, including art, architecture, and literature. He studied law at New York University, graduating in 1921. Though he was admitted to the New York State Bar, he opted to re-enroll and pursue a Bachelor of Music from NYU, which he received in 1930. Career In 1927, however, he was already teaching classes at the university in medieval and Rena ...
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Venetian Polychoral Style
The Venetian polychoral style was a type of music of the late Renaissance and early Baroque eras which involved spatially separate choirs singing in alternation. It represented a major stylistic shift from the prevailing polyphonic writing of the middle Renaissance, and was one of the major stylistic developments which led directly to the formation of what is now known as the Baroque style. A commonly encountered term for the separated choirs is ''cori spezzati''—literally, "broken choruses" as they were called, added the element of spatial contrast to Venetian music. These included the echo device, so important in the entire baroque tradition; the alternation of two contrasting bodies of sound, such as chorus against chorus, single line versus a full choir, solo voice opposing full choir, instruments pitted against voices and contrasting instrumental groups; the alternation of high and low voices; soft level of sound alternated with a loud one; the fragmentary versus the co ...
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