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Iphigenia In Tauris
''Iphigenia in Tauris'' ( grc, Ἰφιγένεια ἐν Ταύροις, ''Iphigeneia en Taurois'') is a drama by the playwright Euripides, written between 414 BC and 412 BC. It has much in common with another of Euripides's plays, '' Helen'', as well as the lost play '' Andromeda'', and is often described as a romance, a melodrama, a tragi-comedy or an escape play. Although the play is generally known in English as ''Iphigenia in Tauris'', this is, strictly speaking, the Latin title of the play (corresponding to the Greek Ἰφιγένεια ἐν Ταύροις), the meaning of which is ''Iphigenia among the Taurians''. There is no such place as "Tauris" in Euripides' play, although Goethe, in his play ''Iphigenie auf Tauris'' (on which Gluck's opera ''Iphigénie en Tauride'' is based), ironically utilising this translation error, posits such a place. The name refers to the Crimean Peninsula (ancient ''Taurikḗ''). Background Years before the time period covered by the play ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anselm Feuerbach
Anselm Feuerbach (12 September 1829 – 4 January 1880) was a German painter. He was the leading classicist painter of the German 19th-century school. Biography Early life Feuerbach was born at Speyer, the son of the archaeologist Joseph Anselm Feuerbach and the grandson of the legal scholar Paul Johann Anselm Ritter von Feuerbach. The house of his birth is now a small museum. Between 1845 and 1848 he attended the Düsseldorf Academy, where he was taught by Johann Wilhelm Schirmer, Wilhelm von Schadow, and Carl Sohn. He went on to the Munich Academy, but in 1850, along with a number of other dissatisfied students, he moved to the academy at Antwerp, where he studied under Gustav Wappers. Feuerbach moved to Paris in 1851, where he was a pupil of Thomas Couture until 1854.Artist biography in ''German Masters of the Nineteenth Century'', p.268 It was in Paris that he produced his first masterpiece, ''Hafiz at the Fountain'' (1852). In 1854, funded by Grand Duke Fried ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodrama
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action. Characters are often flat, and written to fulfill stereotypes. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers cues to the audience of the drama being presented. In scholarly and historical musical contexts, ''melodramas'' are Victorian dramas in which orchestral music or song was used to accompany the action. The term is now also applied to stage performances without incidental music, novels, films, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artemis
In ancient Greek mythology and Ancient Greek religion, religion, Artemis (; grc-gre, Ἄρτεμις) is the goddess of the hunt, the wilderness, wild animals, nature, vegetation, childbirth, Kourotrophos, care of children, and chastity. She was heavily identified with Selene, the Moon, and Hecate, another Moon goddess, and was thus regarded as one of the most prominent lunar deities in mythology, alongside the aforementioned two.Smiths.v. Artemis/ref> She would often roam the forests of Greece, attended by her large entourage, mostly made up of nymphs, some mortals, and hunters. The goddess Diana (mythology), Diana is her Religion in ancient Rome, Roman equivalent. In Greek tradition, Artemis is the daughter of the sky god and king of gods Zeus and Leto, and the twin sister of Apollo. In most accounts, the twins are the products of an extramarital liaison. For this, Zeus' wife Hera forbade Leto from giving birth anywhere on land. Only the island of Delos gave refuge to Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goddess
A goddess is a female deity. In many known cultures, goddesses are often linked with literal or metaphorical pregnancy or imagined feminine roles associated with how women and girls are perceived or expected to behave. This includes themes of spinning, weaving, beauty, love, sexuality, motherhood, domesticity, creativity, and fertility (exemplified by the ancient mother goddess cult). Many major goddesses are also associated with magic, war, strategy, hunting, farming, wisdom, fate, earth, sky, power, laws, justice, and more. Some themes, such as discord or disease, which are considered negative within their cultural contexts also are found associated with some goddesses. There are as many differently described and understood goddesses as there are male, shapeshifting, or neuter gods. In some faiths, a sacred female figure holds a central place in religious prayer and worship. For example, Shaktism, the worship of the female force that animates the world, is one of the three maj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iphigeneia At Aulis
''Iphigenia in Aulis'' or ''Iphigenia at Aulis'' ( grc, Ἰφιγένεια ἐν Αὐλίδι, Īphigéneia en Aulídi; variously translated, including the Latin ''Iphigenia in Aulide'') is the last of the extant works by the playwright Euripides. Written between 408, after '' Orestes'', and 406 BC, the year of Euripides' death, the play was first produced the following year in a trilogy with ''The Bacchae'' and '' Alcmaeon in Corinth'' by his son or nephew, Euripides the Younger, and won first place at the City Dionysia in Athens. The play revolves around Agamemnon, the leader of the Greek coalition before and during the Trojan War, and his decision to sacrifice his daughter, Iphigenia, to appease the goddess Artemis and allow his troops to set sail to preserve their honour in battle against Troy. The conflict between Agamemnon and Achilles over the fate of the young woman foreshadows a similar conflict between the two at the beginning of the ''Iliad''. In his depiction of the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agamemnon
In Greek mythology, Agamemnon (; grc-gre, Ἀγαμέμνων ''Agamémnōn'') was a king of Mycenae who commanded the Greeks during the Trojan War. He was the son, or grandson, of King Atreus and Queen Aerope, the brother of Menelaus, the husband of Clytemnestra and the father of Iphigenia, Electra, Laodice (Greek myth), Laodike (Λαοδίκη), Orestes and Chrysothemis. Legends make him the king of Mycenae or Argos, Peloponnese, Argos, thought to be different names for the same area. Agamemnon was killed upon his Returns from Troy, return from Troy, either by his wife's lover Aegisthus or by his wife herself. Etymology His name in Greek, Ἀγαμέμνων, means "very steadfast", "unbowed" or "resolute". The word comes from Linguistic reconstruction, *Ἀγαμέδμων (''*Agamédmōn'') from ἄγαν, "very much" and wikt:μέδομαι, μέδομαι, "think on". Description In the account of Dares Phrygius, Dares the Phrygian, Agamemnon was described as ". . .bl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacrifice
Sacrifice is the offering of material possessions or the lives of animals or humans to a deity as an act of propitiation or worship. Evidence of ritual animal sacrifice has been seen at least since ancient Hebrews and Greeks, and possibly existed before that. Evidence of ritual human sacrifice can also be found back to at least pre-Columbian civilizations of Mesoamerica as well as in European civilizations. Varieties of ritual non-human sacrifices are practiced by numerous religions today. Terminology The Latin term ''sacrificium'' (a sacrifice) derived from Latin ''sacrificus'' (performing priestly functions or sacrifices), which combined the concepts ''sacra'' (sacred things) and ''facere'' (to do or perform). The Latin word ''sacrificium'' came to apply to the Christian eucharist in particular, sometimes named a "bloodless sacrifice" to distinguish it from blood sacrifices. In individual non-Christian ethnic religions, terms translated as "sacrifice" include the Indic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iphigeneia
In Greek mythology, Iphigenia (; grc, Ἰφιγένεια, , ) was a daughter of King Agamemnon and Queen Clytemnestra, and thus a princess of Mycenae. In the story, Agamemnon offends the goddess Artemis on his way to the Trojan War by hunting and killing one of Artemis' sacred stags. She retaliates by preventing the Greek troops from reaching Troy unless Agamemnon kills his eldest daughter, Iphigenia, at Aulis as a human sacrifice. In some versions, Iphigenia dies at Aulis, and in others, Artemis rescues her. In the version where she is saved, she goes to the Taurians and meets her brother Orestes.Evans (1970), p. 141 Name "Iphigenia" means "strong-born," "born to strength," or "she who causes the birth of strong offspring." Iphianassa Iphianassa () is the name of one of Agamemnon's three daughters in Homer's ''Iliad'' (ix.145, 287) The name Iphianassa may be simply an older variant of the name Iphigenia. "Not all poets took Iphigenia and Iphianassa to be two names for the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Princess
Princess is a regal rank and the feminine equivalent of prince (from Latin '' princeps'', meaning principal citizen). Most often, the term has been used for the consort of a prince, or for the daughter of a king or prince. Princess as a substantive title Some princesses are reigning monarchs of principalities. There have been fewer instances of reigning princesses than reigning princes, as most principalities excluded women from inheriting the throne. Examples of princesses regnant have included Constance of Antioch, princess regnant of Antioch in the 12th century. Since the President of France, an office for which women are eligible, is '' ex-officio'' a Co-Prince of Andorra, then Andorra could theoretically be jointly ruled by a princess. Princess as a courtesy title Descendants of monarchs For many centuries, the title "princess" was not regularly used for a monarch's daughter, who, in English, might simply be called "Lady". Old English had no female equivalent of "pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crimea
Crimea, crh, Къырым, Qırım, grc, Κιμμερία / Ταυρική, translit=Kimmería / Taurikḗ ( ) is a peninsula in Ukraine, on the northern coast of the Black Sea, that has been occupied by Russia since 2014. It has a population of 2.4 million. The peninsula is almost entirely surrounded by the Black Sea and the smaller Sea of Azov. The Isthmus of Perekop connects the peninsula to Kherson Oblast in mainland Ukraine. To the east, the Crimean Bridge, constructed in 2018, spans the Strait of Kerch, linking the peninsula with Krasnodar Krai in Russia. The Arabat Spit, located to the northeast, is a narrow strip of land that separates the Sivash lagoons from the Sea of Azov. Across the Black Sea to the west lies Romania and to the south is Turkey. Crimea (called the Tauric Peninsula until the early modern period) has historically been at the boundary between the classical world and the steppe. Greeks colonized its southern fringe and were absorbed b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iphigénie En Tauride
''Iphigénie en Tauride'' (, ''Iphigenia in Tauris'') is a 1779 opera by Christoph Willibald Gluck in four acts. It was his fifth opera for the French stage. The libretto was written by Nicolas-François Guillard. With ''Iphigénie,'' Gluck took his operatic reform to its logical conclusion. The recitatives are shorter and they are ''récitatif accompagné'' (i.e. the strings and perhaps other instruments are playing, not just continuo accompaniment). The normal dance movements that one finds in the French '' tragédie en musique'' are almost entirely absent. The drama is ultimately based on the play '' Iphigenia in Tauris'' by the ancient Greek dramatist Euripides which deals with stories concerning the family of Agamemnon in the aftermath of the Trojan War. Performance history ''Iphigénie en Tauride'' was first performed on 18 May 1779 by the Paris Opéra at the second Salle du Palais-Royal and was a great success. Some think that the head of the Paris Opéra, Devismes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Willibald Von Gluck
Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he gained prominence at the Habsburg court at Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them ''Orfeo ed Euridice'' and '' Alceste'', he broke the stranglehold that Metastasian '' opera seria'' had enjoyed for much of the century. Gluck introduced more drama by using orchestral recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera. Future composers like Mozart, Schubert, Berlioz and Wagner revered Gluck very highly. The strong influence of French opera encouraged Gluck to move to Paris in November 1773. Fusing the traditions of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
