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Ionic Meter
The ionic (or Ionic) is a four-syllable Meter (poetry), metrical unit ''(metron)'' of syllable weight, light-light-heavy-heavy (u u – –) that occurs in ancient Greek poetry, ancient Greek and Latin poetry. According to Hephaestion (grammarian), Hephaestion it was known as the ''Ionicos'' because it was used by the Ionians of Asia Minor; and it was also known as the ''Persicos'' and was associated with Persian poetry. Like the choriamb, in Greek quantitative verse the ionic never appears in passages meant to be spoken rather than sung. "Ionics" may refer inclusively to poetry composed of the various metrical units of the same total quantitative length (six Mora (linguistics), morae) that may be used in combination with ionics proper: ionics, choriambs, and anaclasis (poetry), anaclasis. Equivalent forms exist in English poetry and in classical Persian poetry. Examples of ionics Pure examples of Ionic metrical structures occur in verse by Alcman (frg. 46 ''PMG'' = 34 D), Sappho ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syllable
A syllable is a basic unit of organization within a sequence of speech sounds, such as within a word, typically defined by linguists as a ''nucleus'' (most often a vowel) with optional sounds before or after that nucleus (''margins'', which are most often consonants). In phonology and studies of languages, syllables are often considered the "building blocks" of words. They can influence the rhythm of a language, its prosody, its poetic metre; properties such as stress, tone and reduplication operate on syllables and their parts. Speech can usually be divided up into a whole number of syllables: for example, the word ''ignite'' is made of two syllables: ''ig'' and ''nite''. Most languages of the world use relatively simple syllable structures that often alternate between vowels and consonants. Despite being present in virtually all human languages, syllables still have no precise definition that is valid for all known languages. A common criterion for finding syllable bound ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euripides
Euripides () was a Greek tragedy, tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the ''Suda'' says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete (''Rhesus (play), Rhesus'' is suspect). There are many fragments (some substantial) of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declinedMoses Hadas, ''Ten Plays by Euripides'', Bantam Classic (2006), Introduction, p. ixhe became, in the Hellenistic Age, a cornerstone of ancient literary education, along with Homer, Demosthenes, and Menander.L.P.E.Parker, ''Euripides: Alcestis'', Oxford University Press (2007), Introduction p. lx Euripides is identified with theatrical innovations that have profoundly influ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galliambic
''Versus Galliambicus'' (Latin), or the ''Galliambic Verse'' (English), is a verse built from two anacreontic cola, the second one catalectic (i.e., lacking its final syllable). The metre typically has resolution in the last metron, and often elsewhere, leading to a run of short syllables at the end. An example is the first line of Catullus's poem 63: u u - u , - u - - , , u u - u u , u u u sŭpĕr āltă vēctŭs Āttĭs , , cĕlĕrī rătĕ mărĭă This metre was used for songs sung by (or ), eunuch devotees of the goddess Cybele, the ancient nature goddess of Anatolia, who was also known as the Mother of the Gods. The most famous poem in this metre is Catullus's ''Attis'' (poem 63), a poem of 93 lines describing the self-emasculation of a certain Attis, who later regretted his action, but was driven again to a frenzy by the goddess. Apart from this poem only a few isolated lines in the metre exist in Greek and Latin. Construction The galliambic metre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anacreontics
Anacreontics are verses in a metre used by the Greek poet Anacreon in his poems dealing with love and wine. His later Greek imitators (whose surviving poems are known as the ''Anacreontea'') took up the same themes and used the Anacreontic meter. In modern poetry, Anacreontics are short lyrical pieces that keep the Anacreontic subject matter but not the metre. The Greek meter image:P.Oxy. II 220.jpg, A section from an ancient metrical treatise concerning the ''anacreonteus''. Above the description the lengths of all but the first syllable can be seen marked out; the final syllable is marked as anceps. Near the beginning of the description it is reported that some call the ''anacreonteus'' "Parionic" (παριωνικόν) because of its resemblance to the "class of Ionic meters" (Ἰωνικῶν γένους). ( P.Oxy. II 220 col. vii, 1st or 2nd century CE). The Anacreontic verse or anacreonteus is the eight-syllable line u u – u – u – – (where u = syllable weight, br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Shorey
Paul Shorey (August 3, 1857 – April 24, 1934) was an American classical scholar. Biography Shorey was born at Davenport, Iowa. After graduating from Harvard University, Harvard in 1878, he studied in Europe at University of Leipzig, Leipzig, University of Bonn, Bonn, University of Athens, Athens, and University of Munich, Munich (Ph.D., 1884). He was a professor at several institutions from 1885 onward. Professor Shorey served at Bryn Mawr College (1885–92), then principally at the University of Chicago. In 1901-02 he was professor in the American School of Classical Studies at Athens, Greece, and in 1913-14 he was Roosevelt Lecturer in the Humboldt University of Berlin, University of Berlin. Professor Shorey was made a member of the National Institute of Arts and Letters. From 1908 he was managing editor of ''Classical Philology''. Shorey was elected to the American Philosophical Society in 1920. He died in Chicago in 1934. After his death, one of many articles pub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archilochus
Archilochus (; ''Arkhílokhos''; 680 – c. 645 BC) was a Iambus (genre) , iambic poet of the Archaic Greece, Archaic period from the island of Paros. He is celebrated for his versatile and innovative use of poetic meters, and is the earliest known Greek author to compose almost entirely on the theme of his own emotions and experiences. Biography A considerable amount of information about the life of Archilochus has come down to the modern age via his surviving work, the testimony of other authors, and inscriptions on monuments, yet it all needs to be viewed with caution – the biographical tradition is generally unreliable and the fragmentary nature of the poems does not really support inferences about his personal history. The vivid language and intimate details of the poems often look autobiographical yet it is known, on the authority of Aristotle, that Archilochus sometimes role-played. The philosopher quoted two fragments as examples of an author speaking in somebody el ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horace
Quintus Horatius Flaccus (; 8 December 65 BC – 27 November 8 BC), Suetonius, Life of Horace commonly known in the English-speaking world as Horace (), was the leading Roman lyric poet during the time of Augustus (also known as Octavian). The rhetorician Quintilian regarded his '' Odes'' as the only Latin lyrics worth reading: "He can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words."Quintilian 10.1.96. The only other lyrical poet Quintilian thought comparable with Horace was the now obscure poet/metrical theorist, Caesius Bassus (R. Tarrant, ''Ancient Receptions of Horace'', 280) Horace also crafted elegant hexameter verses ('' Satires'' and '' Epistles'') and caustic iambic poetry ('' Epodes''). The hexameters are amusing yet serious works, friendly in tone, leading the ancient satirist Persius to comment: "as his friend laughs, Horace slyly puts his finger on his every fault; once let ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bromius
Bromius () in ancient Greece was used as an epithet of Dionysus/Bacchus. It signifies "noisy", "roaring", or "boisterous", from , to roar. According to Richard Buxton, Bromius (Bromios) is another name for a fundamental divine figure that precedes Ouranus and Night in Orphic myth. This alternative view to Hesiod was discovered by a fragmentary papyrus discovered in Derveni, Macedonia (Greece) in 1962, which is referred to as the Derveni papyrus. Mythology Bromius is another name for Dionysus, the son of Semele and Zeus Zeus (, ) is the chief deity of the List of Greek deities, Greek pantheon. He is a sky father, sky and thunder god in ancient Greek religion and Greek mythology, mythology, who rules as king of the gods on Mount Olympus. Zeus is the child .... Zeus' jealous wife Hera discovered the affair and contrived to influence Semele to request that Zeus revealed his true form to her. Once Zeus has promised his lover that he will grant her any wish, she asks to s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mount Tmolus
Mount Tmolus (Ancient Greek: Τμῶλος, modern Bozdağ; highest point: 2,157 m), named after Tmolus, King of Lydia, is in "a mountain range on the south of Sardis, forming the watershed between the basins of the Hermus in the north and the Cayster in the south, and being connected in the east with Mount Messogis." It is situated in Lydia in western Turkey with the ancient Lydian capital Sardis at its foot and Hypaepa on its southern slope. The mountain was "celebrated for its excellent wine-growing slopes. It was equally rich in metals; and the river Pactolus, which had its source in Mount Tmolus, at one time carried from its interior a rich supply of gold." The geography of Tmolus and the contest between Pan and Apollo, associated with the mythical Tmolus, son of Ares, are mentioned in Ovid's ''Metamorphoses The ''Metamorphoses'' (, , ) is a Latin Narrative poetry, narrative poem from 8 Common Era, CE by the Ancient Rome, Roman poet Ovid. It is considered his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anapaest
An anapaest (; also spelled anapæst or anapest, also called antidactylus) is a metrical foot used in formal poetry. In classical quantitative meters it consists of two short syllables followed by a long one; in accentual stress meters it consists of two unstressed syllables followed by one stressed syllable. It may be seen as a reversed dactyl. This word comes from the Greek , ''anápaistos'', literally "struck back" and in a poetic context "a dactyl reversed". Because of its length and the fact that it ends with a stressed syllable and so allows for strong rhymes, anapaest can produce a very rolling verse, and allows for long lines with a great deal of internal complexity. Apart from their independent role, anapaests are sometimes used as substitutions in iambic verse. In strict iambic pentameter, anapaests are rare, but they are found with some frequency in freer versions of the iambic line, such as the verse of Shakespeare's last plays, or the lyric poetry of the 19th ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bacchae
''The Bacchae'' (; , ''Bakkhai''; also known as ''The Bacchantes'' ) is an ancient Greek tragedy, written by the Athenian playwright Euripides during his final years in Macedonia, at the court of Archelaus I of Macedon. It premiered posthumously at the Theatre of Dionysus in 405 BC as part of a tetralogy that also included '' Iphigeneia at Aulis'' and '' Alcmaeon in Corinth'', and which Euripides' son or nephew is assumed to have directed. It won first prize in the City Dionysia festival competition. The tragedy recounts the Greek myth of King Pentheus of Thebes and his mother Agave, who were punished by the god Dionysus (who is Pentheus's cousin) for rejecting his cult. The play opens with Dionysus proclaiming that he has arrived in Thebes with his votaries to avenge the slander, repeated by his aunts, that he is not the son of Zeus. Disguised as a foreign holy man, the god intends to introduce Dionysian rites into the city, but the Thebans reject his divinity and ki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysus
In ancient Greek religion and Greek mythology, myth, Dionysus (; ) is the god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre. He was also known as Bacchus ( or ; ) by the Greeks (a name later adopted by the Ancient Rome, Romans) for a frenzy he is said to induce called ''baccheia''. His wine, music, and ecstatic dance were considered to free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his Cult of Dionysus, cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thrace, Thracian, others as Greek. In O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
