Galliambic
''Versus Galliambicus'' (Latin), or the ''Galliambic Verse'' (English), is a verse built from two anacreontic cola, the second one catalectic (i.e., lacking its final syllable). The metre typically has resolution in the last metron, and often elsewhere, leading to a run of short syllables at the end. An example is the first line of Catullus's poem 63: u u - u , - u - - , , u u - u u , u u u sŭpĕr āltă vēctŭs Āttĭs , , cĕlĕrī rătĕ mărĭă This metre was used for songs sung by (or ), eunuch devotees of the goddess Cybele, the ancient nature goddess of Anatolia, who was also known as the Mother of the Gods. The most famous poem in this metre is Catullus's ''Attis'' (poem 63), a poem of 93 lines describing the self-emasculation of a certain Attis, who later regretted his action, but was driven again to a frenzy by the goddess. Apart from this poem only a few isolated lines in the metre exist in Greek and Latin. Construction The galliambic metre ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Anaclasis (poetry)
Anaclasis Lewis, J. J. (1908/1913). ''Pocket Ophthalmic Dictionary'', 4th ed. (from the Greek "bending back, reflection") is a feature of poetic metre, in which a long and a short syllable (or long and ''anceps'' syllable) exchange places in a metrical pattern. Ancient metricians used the term principally of the Greek galliambic rhythm , u u – u , – u – – , , which they believed was derived from a regular ionic dimeter , u u – – , u u – – , by a reversal of syllables 4 and 5, creating metra of unequal length , u u – u , and , – – u – , . Although the original meaning of the term anaclasis referred to situations when the substitution of u – for – u occurred across the boundary between two metra, in modern times scholars have extended the term to any situation where the sequence x – (''anceps'' + long) responds to – x (long + ''anceps'') in a parallel part of a verse or poem. Thus for example, Martin West applies the term to metres of the ae ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ionic Meter
The ionic (or Ionic) is a four-syllable Meter (poetry), metrical unit ''(metron)'' of syllable weight, light-light-heavy-heavy (u u – –) that occurs in ancient Greek poetry, ancient Greek and Latin poetry. According to Hephaestion (grammarian), Hephaestion it was known as the ''Ionicos'' because it was used by the Ionians of Asia Minor; and it was also known as the ''Persicos'' and was associated with Persian poetry. Like the choriamb, in Greek quantitative verse the ionic never appears in passages meant to be spoken rather than sung. "Ionics" may refer inclusively to poetry composed of the various metrical units of the same total quantitative length (six Mora (linguistics), morae) that may be used in combination with ionics proper: ionics, choriambs, and anaclasis (poetry), anaclasis. Equivalent forms exist in English poetry and in classical Persian poetry. Examples of ionics Pure examples of Ionic metrical structures occur in verse by Alcman (frg. 46 ''PMG'' = 34 D), Sappho ( ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Resolution (meter)
Resolution is the metrical phenomenon in poetry of replacing a normally long syllable in the meter with two short syllables. It is often found in iambic and trochaic meters, and also in anapestic, dochmiac and sometimes in cretic, bacchiac, and ionic meters. In iambic and trochaic meters, either the first or the second half of the metrical foot can be resolved, or sometimes both. The long syllables of dactylic meter are not usually resolved, and resolution is also not found in the last element of a line. The opposite of resolution is contraction, which is the substitution of one long syllable where the metrical pattern has a double short. Such a position, which is normally two short syllables, as in a dactylic hexameter, is known as a biceps element. In Ancient Greek Resolution is generally found in Greek lyric poetry and in Greek and Roman drama, most frequently in comedy. It should not be confused with a biceps, which is a point in a meter which can equally be two shorts or ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Latin
Latin ( or ) is a classical language belonging to the Italic languages, Italic branch of the Indo-European languages. Latin was originally spoken by the Latins (Italic tribe), Latins in Latium (now known as Lazio), the lower Tiber area around Rome, Italy. Through the expansion of the Roman Republic, it became the dominant language in the Italian Peninsula and subsequently throughout the Roman Empire. It has greatly influenced many languages, Latin influence in English, including English, having contributed List of Latin words with English derivatives, many words to the English lexicon, particularly after the Christianity in Anglo-Saxon England, Christianization of the Anglo-Saxons and the Norman Conquest. Latin Root (linguistics), roots appear frequently in the technical vocabulary used by fields such as theology, List of Latin and Greek words commonly used in systematic names, the sciences, List of medical roots, suffixes and prefixes, medicine, and List of Latin legal terms ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Brevis In Longo
In Greek and Latin metre, ''brevis in longo'' (; ) is a short syllable at the end of a line that is counted as long. The term is short for , meaning "a short yllablein a long lement. Although the phenomenon itself has been known since ancient times, the phrase is saidcf. West, M. L."Three Topics in Greek Metre" ''The Classical Quarterly'', Vol. 32, No. 2 (1982), pp. 281-297; p. 288. to have been invented by the classical scholar Paul Maas. ''Brevis in longo'' is possible in various classical metres that require a long syllable at the end of a line, including dactylic hexameters and iambic trimeters. It can also be found in the centre of a line in some metres, before a dieresis (e.g. in the iambic octonarius). However, it does not seem to be found in every metre. For example, in Greek, in ionic metres ending in u u – –, there do not seem to be any examples. A similar phenomenon is found in other languages whose poetic metres are quantitative, such as Arabic, Persian, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Alfred, Lord Tennyson
Alfred Tennyson, 1st Baron Tennyson (; 6 August 1809 – 6 October 1892) was an English poet. He was the Poet Laureate during much of Queen Victoria's reign. In 1829, Tennyson was awarded the Chancellor's Gold Medal at Cambridge for one of his first pieces, "Timbuktu". He published his first solo collection of poems, '' Poems, Chiefly Lyrical'', in 1830. " Claribel" and " Mariana", which remain some of Tennyson's most celebrated poems, were included in this volume. Although described by some critics as overly sentimental, his poems ultimately proved popular and brought Tennyson to the attention of well-known writers of the day, including Samuel Taylor Coleridge. Tennyson's early poetry, with its medievalism and powerful visual imagery, was a major influence on the Pre-Raphaelite Brotherhood. Tennyson also focused on short lyrics, such as " Break, Break, Break", " The Charge of the Light Brigade", " Tears, Idle Tears", and " Crossing the Bar". Much of his verse was based on ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mount Ida
In Greek mythology, two sacred mountains are called Mount Ida, the "Mountain of the Goddess": Mount Ida in Crete, and Mount Ida in the ancient Troad region of western Anatolia (in modern-day Turkey), which was also known as the '' Phrygian Ida'' in classical antiquity and is mentioned in the ''Iliad'' of Homer and the ''Aeneid'' of Virgil. Both are associated with the mother goddess in the deepest layers of pre-Greek myth, in that Mount Ida in Anatolia was sacred to Cybele, who is sometimes called ''Mater Idaea'' ("Idaean Mother"), while Rhea, often identified with Cybele, put the infant Zeus to nurse with Amaltheia at Mount Ida in Crete. Thereafter, his birthplace was sacred to Zeus, the king and father of Greek gods and goddesses. Etymology The term ''Ida'' (Ἴδη) is of unknown origin. Instances of ''i-da'' in Linear A probably refer to the mountain in Crete. Three inscriptions bear just the name ''i-da-ma-te'' ( AR Zf 1 and 2, and KY Za 2), and may refer to ''mount Id ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Phrygia
In classical antiquity, Phrygia ( ; , ''Phrygía'') was a kingdom in the west-central part of Anatolia, in what is now Asian Turkey, centered on the Sangarios River. Stories of the heroic age of Greek mythology tell of several legendary Phrygian kings: * Gordias, whose Gordian Knot would later be cut by Alexander the Great * Midas, who turned whatever he touched to gold * Mygdon, who warred with the Amazons According to Homer's ''Iliad'', the Phrygians participated in the Trojan War as close allies of the Trojans, fighting against the Achaeans. Phrygian power reached its peak in the late 8th century BC under another historical king, Midas, who dominated most of western and central Anatolia and rivaled Assyria and Urartu for power in eastern Anatolia. This later Midas was, however, also the last independent king of Phrygia before Cimmerians sacked the Phrygian capital, Gordium, around 695 BC. Phrygia then became subject to Lydia, and then successivel ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Thyrsus
In Ancient Greece a ''thyrsus'' () or ''thyrsos'' (; ) was a wand or staff of giant fennel ('' Ferula communis'') covered with ivy vines and leaves, sometimes wound with '' taeniae'' and topped with a pine cone, artichoke, fennel, or by a bunch of vine-leaves and grapes or ivy-leaves and berries, carried during Hellenic festivals and religious ceremonies. The ''thyrsus'' is typically associated with the Greek god Dionysus (and his subsequent Roman equivalent Bacchus) as a symbol of prosperity, fertility, and hedonism. Religious and ceremonial use In Greek religion, the staff was carried by the devotees of Dionysus. Euripides wrote that honey dripped from the ''thyrsos'' staves that the Bacchic maenads carried. The ''thyrsus'' was a sacred instrument at religious rituals and fêtes. The fabulous history of Bacchus relates that he converted the ''thyrsi'' carried by himself and his followers into dangerous weapons, by concealing an iron point in the head of leaves. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hephaestion (grammarian)
Hephaestion ( ''Hēphaistíōn''; fl. 2nd century AD) was a grammarian of Alexandria who flourished in the age of the Antonines. He was the author of a manual (abridged from a larger work in 48 books) of Greek metres, which is most valuable as the only complete treatise on the subject that has been preserved. The concluding chapter discusses the various kinds of poetical composition. It is written in a clear and simple style, and was much used as a school-book. Works * ''Enchiridion de Metris'' (Ἐγχειρίδιον περὶ μέτρων) * ''On Confusions in Poems'' (Περὶ τῶν ἐν ποιήμασι ταραχῶν) * ''Poemata'' (Περί ποιήματος) * ''Solutions in Tragedy'' (Τραγικῶν λύσεων) * ''Solutions to Difficulties in Comedy'' (Κωμικῶν ἀπορημάτων λύσεις) Editions * Thomas Foster Barham: ''The Enkheiridion of Hehfaistiown concerning Metres and Poems. Translated into English, and illustrated by Notes and a ryt ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Synaloepha
A synalepha or synaloepha is the merging of two syllables into one, especially when it causes two words to be pronounced as one. The original meaning in Ancient Greek is more general than modern usage and includes coalescence of vowels within a word. Similarly, synalepha most often refers to elision (as in English contraction), but it can also refer to coalescence by other metaplasms: synizesis, synaeresis or crasis.W. Sidney Allen, ''Vox Graeca'', chart of "Types of vowel-junction", p. 98. Examples Spanish, Portuguese and Italian use synalepha, which is important in counting syllables in poetry. An example is in this hendecasyllable (11-syllable line) by Garcilaso de la Vega: : ''Los cabellos que al oro oscurecían.'' :: The hair that endarkened the gold. The words ''que'' and ''al'' form one syllable in counting them because of synalepha. The same thing happens with ''-ro'' and ''os-'' and so the line has eleven syllables (syllable boundaries are shown by a dot): : ''L ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Caesura
300px, An example of a caesura in modern western music notation A caesura (, . caesuras or caesurae; Latin for "cutting"), also written cæsura and cesura, is a metrical pause or break in a verse where one phrase ends and another phrase begins. It may be expressed by a comma (,), a tick (✓), or two lines, either slashed (//) or upright (, , ). In time value, this break may vary between the slightest perception of silence all the way up to a full pause. Poetry In classical Greek and Latin poetry a caesura is the juncture where one word ends and the following word begins within a foot . In contrast, a word juncture at the end of a foot is called a diaeresis. Some caesurae are expected and represent a point of articulation between two phrases or clauses. All other caesurae are only potentially places of articulation. The opposite of an obligatory caesura is a bridge where word juncture is not permitted. In modern European poetry, a caesura is defined as a natural phrase ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |