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Ion (play)
''Ion'' (; , ''Iōn'') is an ancient Greek play by Euripides, thought to have been written between 414 and 412 BC. It follows the orphan Ion, a young and willing servant in Apollo's temple, as he inadvertently discovers his biological origins. As it unfolds the play is also the powerful story of his mother, Creusa, as she strives to guide her own life after having experienced terrible abuse at the hands of a god who is beyond her power (or that of any mortal). Euripides' retelling of this myth is a radical step forward among the Greek tragedies: while in other plays of classical Athens individuals often rail against the disasters that the Fates or the gods have caused to befall them, in this powerful play both Creusa and Ion actually challenge whether the gods have any right to govern the destinies of human beings. In the end, however, Euripides takes a step back from this precipitous development in human thought. Background Creusa, daughter of Erechtheus, was a noble native ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euripides
Euripides () was a Greek tragedy, tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the ''Suda'' says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete (''Rhesus (play), Rhesus'' is suspect). There are many fragments (some substantial) of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declinedMoses Hadas, ''Ten Plays by Euripides'', Bantam Classic (2006), Introduction, p. ixhe became, in the Hellenistic Age, a cornerstone of ancient literary education, along with Homer, Demosthenes, and Menander.L.P.E.Parker, ''Euripides: Alcestis'', Oxford University Press (2007), Introduction p. lx Euripides is identified with theatrical innovations that have profoundly influ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeolus (son Of Hellen)
In Greek mythology, Aeolus or Aiolos (; ; ) was the son of Hellen, the ruler of Aeolia (later called Thessaly), and the eponym of the Aeolians, one of the four main tribes of the Greeks. According to the mythographer Apollodorus, Aeolus was the father of seven sons: Cretheus, Sisyphus, Athamas, Salmoneus, Deion, Magnes, Perieres, and five daughters: Canace, Alcyone, Pisidice, Calyce, and Perimede. He was said to have killed his daughter Canace (or forced her to kill herself) because she had committed incest with her brother Macareus. This Aeolus was sometimes confused with the Aeolus who was the ruler of the winds. Family Aeolus was one of the central figures in the myths that were invented about the origins of the Greek people. He was the grandson of Deucalion the son of Prometheus, and the survivor of a great primordial flood, that covered much, if not all, of Greece (and the rest of the world, in later accounts). From Deucalion and his wife Pyrrha, sprang a new ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur S
Arthur is a masculine given name of uncertain etymology. Its popularity derives from it being the name of the legendary hero King Arthur. A common spelling variant used in many Slavic, Romance, and Germanic languages is Artur. In Spanish and Italian it is Arturo. Etymology The earliest attestation of the name Arthur is in the early 9th century Welsh-Latin text ''Historia Brittonum'', where it refers to a circa 5th century Romano-British general who fought against the invading Anglo-Saxons, Saxons, and who later gave rise to the famous King Arthur of medieval legend and literature. A possible earlier mention of the same man is to be found in the epic Welsh poem ''Y Gododdin'' by Aneirin, which some scholars assign to the late 6th century, though this is still a matter of debate and the poem only survives in a late 13th century manuscript entitled the Book of Aneirin. A 9th-century Breton people, Breton landowner named Arthur witnessed several charters collected in the ''Redon_Abbey ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward P
Edward is an English male name. It is derived from the Anglo-Saxon name ''Ēadweard'', composed of the elements '' ēad'' "wealth, fortunate; prosperous" and '' weard'' "guardian, protector”. History The name Edward was very popular in Anglo-Saxon England, but the rule of the Norman and Plantagenet dynasties had effectively ended its use amongst the upper classes. The popularity of the name was revived when Henry III named his firstborn son, the future Edward I, as part of his efforts to promote a cult around Edward the Confessor, for whom Henry had a deep admiration. Variant forms The name has been adopted in the Iberian peninsula since the 15th century, due to Edward, King of Portugal, whose mother was English. The Spanish/Portuguese forms of the name are Eduardo and Duarte. Other variant forms include French Édouard, Italian Edoardo and Odoardo, German, Dutch, Czech and Romanian Eduard and Scandinavian Edvard. Short forms include Ed, Eddy, Eddie, Ted, Teddy an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Massachusetts Institute Of Technology
The Massachusetts Institute of Technology (MIT) is a Private university, private research university in Cambridge, Massachusetts, United States. Established in 1861, MIT has played a significant role in the development of many areas of modern technology and science. In response to the increasing Technological and industrial history of the United States, industrialization of the United States, William Barton Rogers organized a school in Boston to create "useful knowledge." Initially funded by a land-grant universities, federal land grant, the institute adopted a Polytechnic, polytechnic model that stressed laboratory instruction in applied science and engineering. MIT moved from Boston to Cambridge in 1916 and grew rapidly through collaboration with private industry, military branches, and new federal basic research agencies, the formation of which was influenced by MIT faculty like Vannevar Bush. In the late twentieth century, MIT became a leading center for research in compu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Potter (translator)
Robert Potter (1721 – 9 August 1804) was an English clergyman of the Church of England and a translator, poet, critic and pamphleteer. He established the convention of using blank verse for Greek hexameters and rhymed verse for choruses. His 1777 English version of the plays of Aeschylus was frequently reprinted and the only one available for the next 50 years. Life Potter was born in Podimore, Somerset, the third son of John Potter (fl. 1676–1723), a prebendary of Wells Cathedral. He studied at Emmanuel College, Cambridge and graduated BA in 1742, when he was also ordained. He married the daughter of Rev. Colman of Hardingham, Norfolk. His children included a daughter, Sarah, referred to in a letter. Potter became curate of Reymerston and vicar of Melton Parva, but the combined emoluments of these were less than £50 a year. He later became curate of Scarning, Norfolk, as well as the master of the local Seckar's School from 1761 to 1789, but spent much of his time wri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deus Ex Machina
''Deus ex machina'' ( ; ; plural: ''dei ex machina''; 'God from the machine') is a plot device whereby a seemingly unsolvable problem in a story is suddenly or abruptly resolved by an unexpected and unlikely occurrence. Its function is generally to resolve an otherwise irresolvable plot situation, to surprise the audience, to bring the tale to a happy ending, or act as a comedic device. Origin of the expression ''Deus ex machina'' is a Latin calque . The term was coined from the conventions of ancient Greek theater, where actors who were playing gods were brought on stage using a machine. The machine could be either a crane ('' mechane'') used to lower actors from above or a riser that brought them up through a trapdoor. Aeschylus introduced the idea and it was used often to resolve the conflict and conclude the drama. The device is associated mostly with Greek tragedy, although it also appeared in comedies. Ancient examples Aeschylus used the device in his '' Eumenides'' but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asylum (antiquity)
In ancient Greece and Ancient Rome, Rome, an asylum was a place where Refugee, people facing persecution could seek refuge. These locations were largely religious in nature, such as temples and other religious sites. A similar concept, the Cities of Refuge, existed in the ancient Levant. Ancient Israel and Judah The Cities of Refuge were certain Levitical city, Levitical towns in the Kingdom of Israel (Samaria), Kingdom of Israel and the Kingdom of Judah in which the perpetrators of accidental manslaughter could claim the right of asylum, though he would still have to stand trial. Outside of these cities, blood vengeance against such perpetrators was allowed by law. The Bible names six cities as being cities of refuge: Golan, Ramoth-Gilead, Ramoth, and Bosor, on the Transjordan (Bible), east of the Jordan River, and Kedesh, Shechem, and Hebron on the western side. There is also an instance of Adonijah, after a failed coup, seeking refuge from the newly anointed Solomon by graspin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ekphrasis
Ekphrasis or ecphrasis (from the Greek) is a rhetorical device indicating the written description of a work of art. It is a vivid, often dramatic, verbal description of a visual work of art, either real or imagined. Thus, "an ekphrastic poem is a vivid description of a scene or, more commonly, a work of art." In ancient times, it might refer more broadly to a description of any thing, person, or experience. The word comes from the Greek ἐκ ''ek'' and φράσις ''phrásis'', 'out' and 'speak' respectively, and the verb ἐκφράζειν ''ekphrázein'', 'to proclaim or call an inanimate object by name'. The works of art described or evoked may be real or imagined; and this may be difficult to discern. Ancient ekphrastic writing can be useful evidence for art historians, especially for paintings, as virtually no original Greco-Roman examples survive. History An early example of ekphrasis comes in Plato's '' Phaedrus'', where Socrates is discussing writing and paint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gorgon
The Gorgons ( ; ), in Greek mythology, are three monstrous sisters, Stheno, Euryale, and Medusa, said to be the daughters of Phorcys and Ceto. They lived near their sisters the Graeae, and were able to turn anyone who looked at them to stone. Euryale and Stheno were immortal, but Medusa was not and was slain by the hero Perseus. Gorgons were dread monsters with terrifying eyes. A Gorgon head was displayed on Athena's aegis, giving it the power both to protect her from any weapon, and instill great fear in any enemy. Gorgon blood was said to have both the power to heal and harm. Representations of full-bodied Gorgons and the Gorgon face, called a gorgoneion (pl. gorgoneia), were popular subjects in Ancient Greek, Etruscan and Roman iconography. While Archaic Gorgons and gorgoneia are universally depicted as hideously ugly, over time they came to be portrayed as beautiful young women. Etymology The name 'Gorgon' is associated with the Ancient Greek adjective (), which, of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monody
In music, monody refers to a solo vocal style distinguished by having a single melody, melodic line and instrumental accompaniment. Although such music is found in various cultures throughout history, the term is specifically applied to Italy, Italian song of the early 17th century, particularly the period from about 1600 to 1640. The term is used both for the style and for individual songs (so one can speak both of monody as a whole as well as a particular monody). The term itself is a recent invention of scholars. No composer of the 17th century ever called a piece a monody. Compositions in monodic form might be called madrigal (music), madrigals, motets, or even concertos (in the earlier sense of "concertato", meaning "with instruments"). In poetry, the term monody has become specialized to refer to a poem in which one person laments another's death. (In the context of ancient Greek literature, monody, , could simply refer to lyric poetry sung by a single performer, rather ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Chorus
A Greek chorus () in the context of ancient Greek tragedy, comedy, satyr plays, is a homogeneous group of performers, who comment with a collective voice on the action of the scene they appear in, or provide necessary insight into action which has taken place offstage. Historically, the chorus consisted of between 12 and 50 players, who variously danced, sang or spoke their lines in unison, and sometimes wore masks. The players used masks to change their emotions while they were performing. History A common theory for the origin of the Greek chorus stems from the ancient Greek poet Arion's invention of the tragedy, the stationary chorus, and satyrs' verses. In Aristotle's ''Poetics,'' he writes that " ragedy'sbeginnings, certainly, were in improvisation utoschediastikês as were also those for comedy, tragedy originating in impromptus by the leaders of dithyrambic choruses, and comedy in those of the leaders of the phallic performances which still remain customary in many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
