Invisible Map
''Invisible Map'' is the twelfth Album#Studio album, studio album by experimental music ensemble Biota (band), Biota, released on June 5, 2001 by Recommended Records, ReR Megacorp. Reception AllMusic.com states, "With its wide range covering delicate post-folkish pop songs to ambient soundscapes, ''Invisible Map'' may be the collective's most accomplished and accessible release to date. All music styles (folk, jazz, blues, rock, musique concrète, free improv, etc.) coalesce to be filtered through the dreamer's ears — background vocals are slightly treated, soloing instruments are heard from a distance, rhythm tracks are deliberately just a bit out of sync. This way, the simple tunes never really come into focus, giving the whole album an aura of mystery." Track listing Personnel Adapted from the ''Invisible Map'' liner notes. ;Biota * James Gardner – Rhodes piano, flugelhorn, trumpet, flute, Irish tin whistle, percussion * Geneviève Heistek – lead voc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Biota (band)
Biota is an American experimental electronic music ensemble active since the late 1970s. Musical career Against the fertile creative backdrop of late 1970s Fort Collins, Colorado, the American ensemble Biota's first recorded projects were produced under the name Mnemonist Orchestra (shortened soon after to Mnemonists). Founded by fellow scientists and community radio engineers Mark Derbyshire and William Sharp, the Mnemonists collective of fine artists, musicians, and college-town bohemians released five self-styled albums between 1978 and 1984 on the group's Dys label. '' Horde'' (1981, Dys), a seminal album of electronically processed music, garnered particular interest for its groundbreaking use of unconventional sound manipulation, musique concrète techniques, and early period instrumentation — including from the Recommended Records/RēR label, who rereleased the LP on its imprint in 1984. Following the release of '' Gyromancy'' in 1984, the ensemble split into two c ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pump Organ
The pump organ or reed organ is a type of organ that uses free reed aerophone, free reeds to generate sound, with air passing over vibrating thin metal strips mounted in a frame. Types include the pressure-based harmonium, the suction reed organ (which employs a vacuum system), and the Indian harmonium. Historical examples include the ''Kunstharmonium'' and the American reed organ, while earlier forms include the physharmonica and the Seraphine (instrument), seraphine. More portable than pipe organs, free-reed organs became widespread in smaller churches and private homes during the 19th century, although their volume and tonal range were limited. They generally featured one, or occasionally two, Manual (music), manuals, while pedal keyboard, pedal-boards were rare. Higher-end pump organs offered a broader range of tones, and models intended for churches or affluent households were often housed in finely crafted Cabinet (furniture), cabinets. Between the 1850s and the 1920s, se ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound *Audio signal, an electrical representation of sound * Audio frequency, a frequency in the audio spectrum *Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing * Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment * AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 * Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD *"Audios", a song by Black Eyed Peas from ''Elevation'' Computing * HTML audio, identified by the tag See ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Electroacoustic Music
Electroacoustic music is a Music genre, genre of Western art music in which composers use recording technology and audio signal processing to manipulate the timbres of Acoustics, acoustic sounds in the creation of pieces of music. It originated around the middle of the 20th century, following the incorporation of electronic sound production into formal Music composition, compositional practice. The initial developments in electroacoustic music composition to fixed media during the 20th century are associated with the activities of the at the Radiodiffusion-Télévision Française, ORTF in Paris, the home of ''musique concrète'', the Studio for Electronic Music (WDR), Studio for Electronic Music in Cologne, where the focus was on the composition of ''Electronic music#Elektronische Musik, elektronische Musik'', and the Columbia-Princeton Electronic Music Center in New York City, where tape music, electronic music, and computer music were all explored. Practical electronic music ins ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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William Sharp (musician)
Biota is an American experimental electronic music ensemble active since the late 1970s. Musical career Against the fertile creative backdrop of late 1970s Fort Collins, Colorado, the American ensemble Biota's first recorded projects were produced under the name Mnemonist Orchestra (shortened soon after to Mnemonists). Founded by fellow scientists and community radio engineers Mark Derbyshire and William Sharp, the Mnemonists collective of fine artists, musicians, and college-town bohemians released five self-styled albums between 1978 and 1984 on the group's Dys label. ''Horde'' (1981, Dys), a seminal album of electronically processed music, garnered particular interest for its groundbreaking use of unconventional sound manipulation, musique concrète techniques, and early period instrumentation — including from the Recommended Records/RēR label, who rereleased the LP on its imprint in 1984. Following the release of '' Gyromancy'' in 1984, the ensemble split into two coll ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Marxophone
The Marxophone is a fretless zither played via a system of metal hammers. It features two octaves of double melody strings in the key of C major (middle C to C''), and four sets of chord strings (C major, G major, F major, and D7). Sounding somewhat like a mandolin, the Marxophone's timbre is also reminiscent of various types of hammered dulcimers. The player typically strums the chords with the left hand. The right hand plays the melody strings by depressing spring steel strips that hold small lead hammers over the strings. A brief stab on a metal strip bounces the hammer off a string pair to produce a single note. Holding the strip down makes the hammer bounce on the double strings, which produces a mandolin-like tremolo. The bounce rate is somewhat fixed, as it is based on the spring steel strip length, hammer weight, and string tension—but a player can increase the rate slightly by pressing higher on the strip, effectively moving its pivot point closer to the lead hamm ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hurdy-gurdy
The hurdy-gurdy is a string instrument that produces sound by a hand-turned crank, rosined wheel rubbing against the strings. The wheel functions much like a violin (or nyckelharpa) bow, and single notes played on the instrument sound similar to those of a violin. Melodies are played on a musical keyboard, keyboard that presses ''tangents''—small wedges, typically made of wood or metal—against one or more of the strings to change their pitch. Like most other acoustic stringed instruments, it has a sound board (music), sound board and hollow cavity to make the vibration of the strings audible. Most hurdy-gurdies have multiple drone (music), drone strings, which give a constant pitch accompaniment to the melody, resulting in a sound similar to that of bagpipes. For this reason, the hurdy-gurdy is often used interchangeably or along with bagpipes. It is mostly used in Occitan folk music, Occitan, Music of Aragon, Aragonese, Cajun music, Cajun French, Music of Galicia, Cantabri ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tremoloa
The tremoloa , plural tremoloas, is a stringed instrument belonging to the fretless zither family. It was produced in United States in response to the rapid increase in popularity of Hawaiian music during the 1920s, and continued to be produced until the 1950s. Musical collective Broken Social Scene features the instrument in "Tremoloa Debut." The instrument is also featured sporadically on The Magnetic Fields' album 69 Love Songs. The tremoloa simulates the tonal effects of the Hawaiian steel guitar by passing a weighted roller stabilized by a swinging lever termed an arm, along a melody string. Following, moving the roller after plucking creates tremolo, an effect which gave rise to its name. Additionally, the tremoloa possesses four chords (C, G, F, and D major), to strum out the harmony. The patent for the tremoloa was granted in 1932 to Harold Finney and John H. Large. See also *3rd Bridge *Ukelin The ukelin is a stringed musical instrument made popular in the U ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rubab (instrument)
The rubab (, ) or robab is a lute-like musical instrumentDavid Courtney, 'Rabab'Chandra & David's Homepage/ref> of Central Asian origin. It is the national musical instrument of Afghanistan and is also commonly played in India and Pakistan, mostly by Pashtuns, Balochis, Sindhis, Kashmiris, and Punjabis. Variants of the rubab include the ''Kabuli rebab'' of Afghanistan, the Uyghur '' rawap'' of Xinjiang, the '' Pamiri rubab'' of Tajikistan, and the North Indian '' seni rebab''. The instrument and its variants spread throughout West, Central, South and Southeast Asia. The Kabuli rebab from Afghanistan derives its name from the Arabic ''rebab'' and is played with a bow while in Central Asia and the Indian subcontinent, the instrument is plucked and is distinctly different in construction. Size variants Components In detail about the strings: Construction The body is carved out of a single piece of wood, with a head covering a hollow bowl which provides the sound-chambe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Zither
Zither (; , from the Greek ''cithara'') is a class of stringed instruments. The modern instrument has many strings stretched across a thin, flat body. Zithers are typically played by strumming or plucking the strings with the fingers or a plectrum. In the Hornbostel–Sachs classification system, the term refers to a larger family of similarly shaped instruments that also includes the hammered dulcimer family and piano and a few rare bowed instruments like the bowed psaltery, bowed dulcimer, and streichmelodion. Like an acoustic guitar or lute, a zither's body serves as a resonating chamber ( sound box), but, unlike guitars and lutes, a zither lacks a distinctly separate neck assembly. The number of strings varies, from one to more than fifty. In modern usage the term "zither" usually refers to three specific instruments: the concert zither (), its variant the Alpine zither (each of which uses a fretted fingerboard), and the chord zither (more recently described as a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgians, Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in the key of E♭ (musical note), E, smaller than the B♭ (musical note), B Tenor saxophone, tenor but larger than the B Soprano saxophone, soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, List of concert works for saxophone, solo repertoire, military bands, marching bands, pep bands, carnatic music, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |