Indrodjojo Kusumonegoro
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Indrodjojo Kusumonegoro
Indrodjojo Kusumonegoro (born 8 May 1958), better known by the mononym Indro, and also called as Indro Warkop, is an Indonesian actor and comedian. Indro is the only surviving member of the comedy group Warkop. Career Early career and success with Warkop Indro's introduction to the Warkop group began in 1976 when he was still in high school. To increase his income, he applied to become a radio announcer in Prambors. At that time, other Warkop colleagues, such as Dono, Kasino, Nanu Moeljono, and Rudy Badil, wanted to make a broadcast program titled casual chat with a humorous topic. Indro, who was the youngest at that time, was invited to join. Since the show was broadcast, Indro and his four friends have finally started to commit to being comedians with the name Warkop Prambors. Indro's debut as a comedian at Warkop Prambors began when he was a farewell performer at SMA Negeri 9 Jakarta. At that time, he was asked by Rudy Badil to replace his position, who often had stage fright. ...
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Purbalingga
Purbalingga ( Javanese: ꦥꦸꦂꦧꦭꦶꦁꦒ) is a town and district in Central Java Province of Indonesia and the seat of Purbalingga Regency. Villages The district includes 11 urban villages (''kelurahan'') and 2 rural villages (''desa'') - the latter being Toyareja and Jatisaba in the east of the district. The populations of these 13 villages according to the official estimates as at mid 2021Badan Pusat Statistik, Jakarta, 2022. were as follows: * Bojong (4,908) * Toyareja (3,229) * Kedung Menjangan (3,948) * Jatisaba (5,062) * Bascar (4,813) * Purbalingga Wetam (5,854) * Penambongan (3,015) * Purbalingga Kidul (2,657) * Kandang Gampang (6,270) * Purbalingga Kulon (4,778) * Purbalingga Lor (7,479) * Kembaran Kulon (2,905) * Wirasana (3,611) The ''kelurahan'' of Karangsentul (in neighbouring Padamara District) and the ''kelurahan'' of Kalikabong, Karangmanyar and Mewek (in neighbouring Kalimanah District) are adjacent to the town of Purbalingga and serve as suburbs to t ...
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Parkit Film
Raam Jethmal Punjabi (born 6 October 1944) is an India media magnate and president of Multivision Plus (MVP). In 2001, due to his production of soap operas, he was referred to as "Indonesia's own soap king". Early life He was born in Surabaya, East Java to parents of Indian ( Sindhi) descent. His nephew is Manoj Punjabi, which co-founded MD Entertainment. Career Filmography ;As producer * ''Special Silencers'' (1979) * ''Bodoh-bodoh mujur'' (1981) * ''Ferocious Female Freedom Fighters'' (1982) Filmography
- New York Times * ''Kamp tawanan wanita'' (1983) * ''Itu bisa diatur'' (1984) * ''The Stabilizer'' (1986) * ''Pengantin baru'' (1986) * '' Pembalasan rambu'' (1986) * ''Java Burn'' (1988) * ''
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Warkop DKI (TV Series)
Warkop (an abbreviation of Warung Kopi, meaning "coffee stall") were an Indonesian comedy troupe that enjoyed success in radio, films and television over the 1980s and 1990s. Assembled in Jakarta on 1976 under Prambors Rasisonia management, they initially went by the name Warkop Prambors. They soon burgeoned as the country's top comedy group, surpassing Srimulat and Jakarta Group. After their film debut, they settled on the name Warkop DKI (taken from the initials of the three main members: Dono, Kasino and Indro; and also a play on Jakarta's official name, DKI Jakarta). Besides acting on numerous films, they also made sitcoms on ANteve in 1995–1997 as Warkop (Warung Kopi) DKI and Indosiar during 1997–2001 as Warkop Millennium. They also famous for some of parody songs they composed. Early career In the mid-1970s, Warkop joined Prambors for the ''Obrolan Santai di Warung Kopi'' weekly radio comedy program. The program featured Dono as Slamet; Kasino as Mas Bei, Acong and ...
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Cinema Of Hong Kong
The cinema of Hong Kong ( zh, t=香港電影) is one of the three major threads in the history of Chinese-language cinema, alongside the cinema of China and the cinema of Taiwan. As a former Crown colony, Hong Kong had a greater degree of artistic freedom than mainland China and Taiwan, and developed into a filmmaking hub for the Chinese-speaking world (including its worldwide diaspora). For decades, Hong Kong was the third largest motion picture industry in the world following US cinema and Indian cinema, and the second largest exporter. Despite an industry crisis starting in the mid-1990s and Hong Kong's transfer to Chinese sovereignty in July 1997, Hong Kong film has retained much of its distinctive identity and continues to play a prominent part on the world cinema stage. In the West, Hong Kong's vigorous pop cinema (especially Hong Kong action cinema) has long had a strong cult following, which is now a part of the cultural mainstream, widely available and imitated. ...
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Hindi Cinema
Hindi cinema, popularly known as Bollywood and formerly as Bombay cinema, is primarily produced in Mumbai. The popular term Bollywood is a portmanteau of "Bombay" (former name of Mumbai) and "Cinema of the United States, Hollywood". The industry, producing films in the Hindi language, is a part of the larger Indian cinema industry, which also includes Cinema of South India, South Indian cinema and other smaller Cinema of India#Cinema by language, film industries. The term 'Bollywood', often mistakenly used to refer to Indian cinema as a whole, only refers to Hindi-language films, with Indian cinema being an umbrella term that includes all the Cinema of India#Cinema by language, film industries in the country, each offering films in diverse languages and styles. In 2017, Indian cinema produced 1,986 feature films, of which the largest number, 364, have been in Hindi. In 2022, Hindi cinema represented 33% of box office revenue, followed by Telugu cinema, Telugu and Tamil cine ...
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Cinema Of The United States
The cinema of the United States, primarily associated with major film studios collectively referred to as Hollywood, has significantly influenced the global film industry since the early 20th century. Classical Hollywood cinema, a filmmaking style developed in the 1910s, continues to shape many American films today. While French filmmakers Auguste and Louis Lumière are often credited with modern cinema's origins, American filmmaking quickly rose to global dominance. As of 2017, more than 600 English-language films were released annually in the U.S., making it the fourth-largest producer of films, trailing only India, Japan, and China. Although the United Kingdom, Canada, Australia, and New Zealand also produce English-language films, they are not directly part of the Hollywood system. Due to this global reach, Hollywood is frequently regarded as a transnational cinema with some films released in multiple language versions, such as Spanish and French. Contemporary Hollyw ...
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