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In Spite Of All The Danger
"In Spite of All the Danger" is the first song recorded by the Quarrymen, then consisting of John Lennon, Paul McCartney, George Harrison, pianist John Lowe, and drummer Colin Hanton. McCartney wrote the song and Harrison provided the guitar solo, and so the song is credited to McCartney–Harrison. Recording took place sometime between May and July 1958 at Percy Phillips' home studio in Liverpool. Composition and structure Paul McCartney wrote the song on his own, likely around January 1958 and possibly at George Harrison's family home in Upton Green. The song uses the B7 chord, which McCartney discovered with Harrison after a multi-bus trip across Liverpool to the home of a stranger who knew the chord. Harrison wrote both of the song's guitar solos, and so McCartney gave him a joint credit. In ''The Beatles Anthology'', McCartney describes it as, "a self-penned little song very influenced by Elvis resley" In an interview with Beatles historian Mark Lewisohn, McCartney go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Quarrymen
The Quarrymen (also written as "the Quarry Men") are a British skiffle and rock and roll group, formed by John Lennon in Liverpool in 1956, which evolved into the Beatles in 1960. Originally consisting of Lennon and several school friends, the Quarrymen took their name from a line in the school song of their school, the Calderstones School, Quarry Bank High School. Lennon's mother, Julia Lennon, Julia, taught her son to play the banjo, showed Lennon and Eric Griffiths how to tune their guitars in a similar way to the banjo, and taught them simple chords and songs. Lennon founded a skiffle group with his close friend Pete Shotton and after a week of gaining new members, they named themselves the Quarrymen. The Quarrymen played at parties, school dances, cinemas and amateur skiffle contests before Paul McCartney joined in early July 1957. George Harrison joined in early 1958 at McCartney's recommendation, though Lennon initially resisted because he felt Harrison (14 when he was in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elvis Presley
Elvis Aaron Presley (January 8, 1935 – August 16, 1977) was an American singer and actor. Referred to as the "King of Rock and Roll", he is regarded as Cultural impact of Elvis Presley, one of the most significant cultural figures of the 20th century. Presley's sexually provocative performance style, combined with a mix of influences across color lines during a civil rights movement, transformative era in race relations, brought both great success and Cultural impact of Elvis Presley#Danger to American culture, initial controversy. Presley was born in Tupelo, Mississippi; his family relocated to Memphis, Tennessee, when he was 13. He began his music career in 1954 at Sun Records with producer Sam Phillips, who wanted to bring the sound of African-American music to a wider audience. Presley, on guitar and accompanied by lead guitarist Scotty Moore and bassist Bill Black, was a pioneer of rockabilly, an uptempo, Backbeat (music), backbeat-driven fusion of country music and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue Note
Blue Note Records is an American jazz record label now owned by Universal Music Group and operated under Capitol Music Group. Established in 1939 by German-Jewish emigrants Alfred Lion and Max Margulis, it derived its name from the blue notes of jazz and the blues. Originally dedicated to recording traditional jazz and small group swing, the label began to switch its attention to modern jazz around 1947. From there, Blue Note grew to become one of the most prolific, influential and respected jazz labels of the mid-20th century, noted for its role in facilitating the development of hard bop, post-bop and avant-garde jazz, as well as for its iconic modernist art direction. History Historically, Blue Note has principally been associated with the " hard bop" style of jazz (mixing bebop with other forms of music including soul, blues, rhythm and blues and gospel), but also recorded essential albums in the avant-garde and free styles of jazz. Horace Silver, Jimmy Smith, Fredd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stop-time
In tap dance, tap dancing, jazz, and blues, stop-time is an accompaniment pattern interrupting, or stopping, the meter (music), normal time and featuring regular accent (music), accented attacks on the first beat (music), beat of each or every other bar (music), measure, alternating with rest (music), silence or instrumental solo (music), solos. Stop-time occasionally appears in ragtime music. The characteristics of stop-time are heavy accents, frequent rests, and a stereotyped cadence (music), cadential pattern. Stop-timing may create the impression that the tempo has changed, though it has not, as the soloist continues without accompaniment. Stop-time is common in African-American popular music including R&B, soul music, and led to the development of the break (music), break in Hip hop music, hip hop.Ramsey, Guthrie Jr.Stop-Time! (Fall 1998), ''Colum.edu''. Stop-time is, according to Samuel A. Floyd Jr., "a musical device in which the forward flow of the music stops, or seem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonic (music)
In music, the tonic is the first scale degree () of the diatonic scale (the first note of a scale) and the tonal center or final resolution tone that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music, and traditional music. In the movable do solfège system, the tonic note is sung as ''do''. More generally, the tonic is the note upon which all other notes of a piece are hierarchically referenced. Scales are named after their tonics: for instance, the tonic of the C major scale is the note C. The triad formed on the tonic note, the tonic chord, is thus the most significant chord in these styles of music. In Roman numeral analysis, the tonic chord is typically symbolized by the Roman numeral "" if it is major and by "" if it is minor. These chords may also appear as seventh chords: in major, as M7, or in minor as 7 or rarely M7: The tonic is distinguished from the root, which is the reference note of a chord, rathe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Resolution (music)
Resolution in Western tonal music theory is the move of a Musical note, note or chord (music), chord from Consonance and dissonance, dissonance (an unstable sound) to a Consonance and dissonance, consonance (a more final or stable sounding one). Dissonance, resolution, and suspense can be used to create musical interest. Where a melody or chord progression, chordal pattern is expected to resolve to a certain note or chord, a different but similarly suitable note can be resolved to instead, creating an interesting and unexpected sound. For example, the deceptive cadence. Basis Resolution has a strong basis in Tonality, tonal music, since atonal music generally contains a more constant level of Consonance and dissonance, dissonance and lacks a tonal center to which to resolve. The concept of "resolution", and the degree to which resolution is "expected", is contextual as to culture and historical period. In a classical piece of the Baroque music, Baroque period, for example, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Degree (music)
In music theory, the scale degree is the position of a particular note on a scale relative to the tonic—the first and main note of the scale from which each octave is assumed to begin. Degrees are useful for indicating the size of intervals and chords and whether an interval is major or minor. In the most general sense, the scale degree is the number given to each step of the scale, usually starting with 1 for tonic. Defining it like this implies that a tonic is specified. For instance, the 7-tone diatonic scale may become the major scale once the proper degree has been chosen as tonic (e.g. the C-major scale C–D–E–F–G–A–B, in which C is the tonic). If the scale has no tonic, the starting degree must be chosen arbitrarily. In set theory, for instance, the 12 degrees of the chromatic scale are usually numbered starting from C=0, the twelve pitch classes being numbered from 0 to 11. In a more specific sense, scale degrees are given names that indicate their p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord (music)
In Western music theory, a chord is a group of notes played together for their harmony, harmonic Consonance and dissonance, consonance or dissonance. The most basic type of chord is a Triad (music), triad, so called because it consists of three distinct notes: the Root (chord), root note along with Interval (music), intervals of a Third (chord), third and a Fifth (chord), fifth above the root note. Chords with more than three notes include added tone chords, extended chords and tone clusters, which are used in contemporary classical music, jazz, and other genres. Chords are the building blocks of harmony and form the harmonic foundation of a piece of music. They provide the harmonic support and coloration that accompany melodies and contribute to the overall sound and mood of a musical composition. The factor (chord), factors, or component notes, of a chord are often sounded simultaneously but can instead be sounded consecutively, as in an arpeggio. A succession of chords is ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subdominant
In music, the subdominant is the fourth tonal degree () of the diatonic scale. It is so called because it is the same distance ''below'' the tonic as the dominant is ''above'' the tonicin other words, the tonic is the dominant of the subdominant. It also happens to be the note one step below the dominant. In the movable do solfège system, the subdominant note is sung as ''fa''. The triad built on the subdominant note is called the subdominant chord. In Roman numeral analysis In music theory, Roman numeral analysis is a type of Harmony, harmonic analysis in which chord (music), chords are represented by Roman numerals, which encode the chord's Degree (music), degree and Function_(music), harmonic function within a given ..., the subdominant chord is typically symbolized by the Roman numeral "IV" in a major key, indicating that the chord is a major triad. In a minor key, it is symbolized by "iv", indicating that the chord is a minor triad. These chords may also appear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar (music)
In musical notation, a bar (or measure) is a segment of music bounded by vertical lines, known as bar lines (or barlines), usually indicating one or more recurring beats. The length of the bar, measured by the number of note values it contains, is normally indicated by the time signature. Types of bar lines Regular bar lines consist of a thin vertical line extending from the top line to the bottom line of the staff, sometimes also extending between staves in the case of a grand staff or a family of instruments in an orchestral score. A ''double bar line'' (or ''double bar'') consists of two single bar lines drawn close together, separating two sections within a piece, or a bar line followed by a thicker bar line, indicating the end of a piece or movement. Note that ''double bar'' refers not to a type of ''bar'' (i.e., measure), but to a type of ''bar line''. Typically, a double bar is used when followed by a new key signature, whether or not it marks the beginning of a ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord Progression
In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural, or simply changes) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of popular music styles (e.g., pop music, rock music), traditional music, as well as genres such as blues and jazz. In these genres, chord progressions are the defining feature on which melody and rhythm are built. In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the " key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in Classical music theory. In many styles of popular and traditional music, chord progressions are expressed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E Major
E major is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has four sharps. Its relative minor is C-sharp minor and its parallel minor is E minor. Its enharmonic equivalent, F-flat major, has six flats and the double-flat B, which makes that key less convenient to use. The E major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The E harmonic major and melodic major scales are: Scale degree chords The scale degree chords of E major are: * Tonic – E major * Supertonic – F-sharp minor * Mediant – G-sharp minor * Subdominant – A major * Dominant – B major * Submediant – C-sharp minor * Leading-tone – D-sharp diminished Music in E major Antonio Vivaldi used this key for the "Spring" concerto from ''The Four Seasons''. Johann Sebastian Bach used E major for a violin concerto, as well as for his third partita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
