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Imperial Academy Of Fine Arts (Brazil)
The Imperial Academy of Fine Arts (') was an institution of higher learning in the arts in Rio de Janeiro, Brazil, established by King João VI. Despite facing many initial difficulties, the Academy was established and took its place at the forefront of Brazilian arts education in the second half of the nineteenth century. The Academy became the center of the diffusion of new aesthetic trends and the teaching of modern artistic techniques. It eventually became one of the principal arts institutions under the patronage of Emperor Dom Pedro II. With the Proclamation of the Republic, it became known as the National School of Fine Arts. It became extinct as an independent institution in 1931, when it was absorbed by the Federal University of Rio de Janeiro (UFRJ) and became known as the UFRJ School of Fine Arts, which still operates today. Origins The foundation of art schools in Brazil came from, according to Rafael Denis, Francophile initiatives headed by the ministry of Dom ...
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Marc Ferrez (photographer)
Marc Ferrez (7 December 1843 – 12 January 1923) was a Brazilian photographer active in Rio de Janeiro. He photographed Brazil from south to north, but paid more attention to his home city, Rio de Janeiro. Ferrez is most well known for his albums of railway constructions and the panoramic views of the city of Rio de Janeiro and its development. His other popular works document architecture and Brazil's natural features, such as mountains, waterfalls, and jungles. Ferrez is considered by photography historians to be a master at his craft; his work is on the same level as famous photographers William Henry Jackson and Eadweard Muybridge. Biography Marc Ferrez was the son of the French sculptor and engraver Zepherin Ferrez who moved to Rio de Janeiro in 1816. Marc Ferrez was born in Rio de Janeiro, Brazil. He studied in Paris then came back to Rio as an apprentice to photographer Franz Keller of Germany. In 1865, Ferrez opened his own photography studio where he primarily foc ...
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Nicolas-Antoine Taunay
Nicolas-Antoine Taunay (10 February 1755 – 20 March 1830) was a French painter known best for his landscapes with scenes from ancient and modern history, mythology, and religion. Early years Nicolas Antoine Taunay was born in Paris, France, in 1755. His father was an enamel painter. Taunay entered the ''École des Beaux-Arts'' in Paris at the age of fifteen and became a pupil of Nicolas-Bernard Lepicié. He later studied in the studios of Nicolas-Guy Brenet and Francesco Giuseppe Casanova. He specialized in painting landscapes. Taunay first exhibited his work at the ''Jeunesse'' and ''Salon de la Correspondance''. In 1784 he was admitted as an assistant at the Royal Academy of Painting and Sculpture. He was now able to exhibit at official shows. Taunay obtained a three-year scholarship to study at the French Academy in Rome in the Palazzo Mancini. While in Italy he met the artist Jacques-Louis David. After returning to France in 1787 Taunay exhibited in the Paris Salon (Paris) ...
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Catumbi
Catumbi is a neighborhood in Rio de Janeiro, Brazil Brazil, officially the Federative Republic of Brazil, is the largest country in South America. It is the world's List of countries and dependencies by area, fifth-largest country by area and the List of countries and dependencies by population ..., and includes the Morro da Mineira favela. References Neighbourhoods in Rio de Janeiro (city) {{RiodeJaneiro-geo-stub ...
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Neoclassicism
Neoclassicism, also spelled Neo-classicism, emerged as a Western cultural movement in the decorative arts, decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome, largely due to the writings of Johann Joachim Winckelmann during the rediscovery of Pompeii and Herculaneum. Its popularity expanded throughout Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, eventually competing with Romanticism. In architecture, the style endured throughout the 19th, 20th, and into the 21st century. European Neoclassicism in the visual arts began in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, Ornament ...
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Catholic Church
The Catholic Church (), also known as the Roman Catholic Church, is the List of Christian denominations by number of members, largest Christian church, with 1.27 to 1.41 billion baptized Catholics Catholic Church by country, worldwide as of 2025. It is among the world's oldest and largest international institutions and has played a prominent role in the history and development of Western civilization.Gerald O'Collins, O'Collins, p. v (preface). The church consists of 24 Catholic particular churches and liturgical rites#Churches, ''sui iuris'' (autonomous) churches, including the Latin Church and 23 Eastern Catholic Churches, which comprise almost 3,500 dioceses and Eparchy, eparchies List of Catholic dioceses (structured view), around the world, each overseen by one or more Bishops in the Catholic Church, bishops. The pope, who is the bishop of Rome, is the Papal supremacy, chief pastor of the church. The core beliefs of Catholicism are found in the Nicene Creed. The ...
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Baroque
The Baroque ( , , ) is a Western Style (visual arts), style of Baroque architecture, architecture, Baroque music, music, Baroque dance, dance, Baroque painting, painting, Baroque sculpture, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassicism, Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran art#Baroque period, Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep color, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to the rest of Italy, France, Spain, and Portugal, then to Austria, southern Germany, Poland and Russia. By the 1730s, i ...
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Academism
Academic art, academicism, or academism, is a style of painting and sculpture produced under the influence of European academies of art. This method extended its influence throughout the Western world over several centuries, from its origins in Italy in the mid-16th century, until its dissipation in the early 20th century. It reached its apogee in the 19th century, after the end of the Napoleonic Wars in 1815. In this period, the standards of the French were very influential, combining elements of Neoclassicism and Romanticism, with Jean-Auguste-Dominique Ingres a key figure in the formation of the style in painting. The success of the French model led to the founding of countless other art academies in several countries. Later painters who tried to continue the synthesis included William-Adolphe Bouguereau, Thomas Couture, and Hans Makart among many others. In sculpture, academic art is characterized by a tendency towards monumentality, as in the works of Auguste Bartholdi ...
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Académie Royale De Peinture Et De Sculpture
The Académie royale de peinture et de sculpture (; ) was founded in 1648 in Paris, France. It was the premier art institution of France during the latter part of the Ancien Régime until it was abolished in 1793 during the French Revolution. It included most of the important painters and sculptors, maintained almost total control of teaching and exhibitions, and afforded its members preference in royal commissions. Founding In the 1640s, France's artistic life was still based on the medieval system of guilds like the Académie de Saint-Luc which had a tight grip on the professional lives of artists and artisans alike. Some artists had managed to get exemptions but these were based on favoritism rather than merit. According to the 17th century ''Mémoires'' about the founding of the ''Académie royale'', a few "superior men" who were "real artists", suffered and felt humiliated under the guild system. In view of increasing pressure by the Parisian guilds for painters and s ...
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Escola Real De Ciências, Artes E Ofícios
Escola de Belas Artes (School of Fine Arts) is one of the centers of the Federal University of Rio de Janeiro and dates back to colonial times. A royal letter of 20 Nov 1800 by John VI of Portugal established the ''Aula Prática de Desenho e Figura'' in Rio de Janeiro. It was the first institution in Brazil systematically dedicated to teaching the arts. During colonial times, the arts were mainly of religious or utilitarian nature and were learnt in a system of apprenticeship. The Decree of 12 Aug 1816 created the ''Escola Real de Ciências, Artes e Ofícios'' (Royal School of Sciences, Arts and Crafts), which established an official education in the fine arts. Then it was renamed as the ''Academia Imperial de Belas Artes'' ( Imperial Academy of Fine Arts), instituting a system of artistic education that would greatly influence the development of Brazilian art. On 8 Nov 1890, the old Imperial Academy was transformed into the ''Escola Nacional de Belas Artes'' (National Scho ...
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Missão Artística Francesa
The French Artistic Mission in Brazil () was a group of French artists and architects that came to Rio de Janeiro, then the capital city of the United Kingdom of Portugal, Brazil and the Algarves, in March 1816, under the auspices of the royal court of Portugal, which had been transferred to Brazil since 1808 due to Portugal's invasion by Napoleon Bonaparte. The Mission, led by Joachim Lebreton, had the mission of establishing the Escola Real de Ciências, Artes e Ofícios (Royal School of Sciences, Arts and Crafts), which later became the Escola Nacional de Belas Artes (National School of Fine Arts). The Imperial period in Brazil, which spanned from the early 1800’s until the end of the century, was a crucial time in the nation’s developing identity. During this era, Brazil emerged as a prominent global contender; politically, economically, and artistically. The French Artistic Mission was critical in establishing Brazil’s artistic identity and altered the concept of prod ...
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Prix De Rome
The Prix de Rome () or Grand Prix de Rome was a French scholarship for arts students, initially for painters and sculptors, that was established in 1663 during the reign of Louis XIV of France. Winners were awarded a bursary that allowed them to stay in Rome for three to five years at the expense of the state. The prize was extended to architecture in 1720, music in 1803 and engraving in 1804. The prestigious award was abolished in 1968 by André Malraux, then Minister of Culture, following the May 68 riots that called for cultural change. History The Prix de Rome was initially created for painters and sculptors in 1663 in France, during the reign of Louis XIV. It was an annual bursary for promising artists having proved their talents by completing a very difficult elimination contest. To succeed, a student had to create a sketch on an assigned topic while isolated in a closed booth with no reference material to draw on. The prize, organised by the Académie Royale de Peintu ...
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