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Imdadkhani
The Etawah gharana is a North Indian school of sitar and surbahar music and named after a small town close to Agra where Imdad Khan (1848–1920) lived. It is also known as Imdadkhani gharana in the honour of its founder, Imdad Khan. Imdad Khan family Imdad Khan family is one of the most renowned musical families from India. With its roots in Etawah on the outskirts of Agra before finally branching out to Calcutta with Enayat Khan and later to Hyderabad, Indore and Mumbai with Wahid Khan and Vilayat Khan. The gharana's achievements include the development of the Surbahar, major structural changes to both the sitar and surbahar and the creation and development of the instrumental style known as the gayaki ang (vocal style performed on sitar) by Vilayat Khan and this style of sitar is now known as the Vilayatkhani sitar. Living performers of the family include Shahid Parvez, Shujaat Khan, Nishat Khan, Irshad Khan, Wajahat Khan, Hidayat Khan and Zila Khan who is the first femal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shujaat Khan
Shujaat Husain Khan (born 19 May 1960) is one of the most acclaimed North Indian musicians and ''sitar'' players of his generation. He belongs to the Imdadkhani ''gharana'', also called Etawah gharana school of music. He has recorded over 100 albums and was nominated for a Grammy Award for Best World Music Album for his work with the band Ghazal with Iranian musician Kayhan Kalhor. He also sings frequently. His style of sitar playing, known as 'gayaki ang', is imitative of the subtleties of the human voice. Early life Born in Kolkata in 1960, Shujaat Khan is the son of legendary sitar player Ustad Vilayat Khan and Monisha Hazra. Shujaat Khan's musical career began at the age of three when he began practicing on a specially made small sitar. By the age of six, he was recognized as a child prodigy and began formal performances. He had privilege of being influenced by great artists like Ustaad Amir Khan (singer), Pandit Bhimsen Joshi, Vidushi Kishori Amonkar and many more. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etawah Gharana
The Etawah gharana is a North Indian school of sitar and surbahar music and named after a small town close to Agra where Imdad Khan (1848–1920) lived. It is also known as Imdadkhani gharana in the honour of its founder, Imdad Khan. Imdad Khan family Imdad Khan family is one of the most renowned musical families from India. With its roots in Etawah on the outskirts of Agra before finally branching out to Calcutta with Enayat Khan and later to Hyderabad, Indore and Mumbai with Wahid Khan and Vilayat Khan. The gharana's achievements include the development of the Surbahar, major structural changes to both the sitar and surbahar and the creation and development of the instrumental style known as the gayaki ang (vocal style performed on sitar) by Vilayat Khan and this style of sitar is now known as the Vilayatkhani sitar. Living performers of the family include Shahid Parvez, Shujaat Khan, Nishat Khan, Irshad Khan, Wajahat Khan, Hidayat Khan and Zila Khan who is the fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imdad Khan
Ustad Imdad Khan (1848 – 1920) was a sitar and surbahar player. He was the first sitar player ever to be recorded.Profile of Imdad Khan on Veethi.com website Published 12 February 2014, Retrieved 13 July 2020 Family background Imdad Khan is considered one of the founders of Etawah gharana (Imdadkhani gharana) of Hindustani classical music. His two sons Enayat Khan and Wahid Khan, his grandsons Vilayat Khan and Imrat Khan, and great-grandsons Shahid Parvez, Shujaat Khan, Nishat Khan, Irshad Khan, Wajahat Khan, Shafaatullah Khan, Azmat Ali Khan and Hidayat Khan have all upheld his musical tradition, musical luminaries themselves. Zila Khan the Sufi, classical and semi classical singer is the first female artist from this g ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enayat Khan
Ustad Enayat Khan (; (1894–1938) also known as Nath Singh was one of India's most influential sitar and surbahar players in the first decades of the 20th century. He was the father of Vilayat Khan, one of the top sitariyas (sitar players) of the postwar period. Early life Enayat Khan was born in 1894 in the North-Western Provinces, British India into a family of musicians. His father was the great sitar maestro Imdad Khan, who taught him the sitar and surbahar (bass sitar) in the family style, known as the Imdadkhani Gharana or Etawah Gharana (music school origin), named after a small village near Agra called Etawah. He married Bashiran Begum, daughter of khyal singer Bande Hussain. Performing career He settled with his family in Calcutta, where, though he only lived to age 43, he did much pioneering work on the sitar. He developed the 'gayaki ang' further that his father Imdad Khan had taught him, in sitar playing. He gave a new dimension to crafting and making of the sit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imrat Khan
Imrat Khan (17 November 1935 – 22 November 2018) was an Indian sitar and surbahar player and composer. He was the younger brother of sitar maestro Ustad Vilayat Khan.Farrell, Gerry (2001)"Khan, Imrat" ''Grove Music Online''. (subscription required for full text). Training and early career Imrat Khan was born in Calcutta on 17 November 1935 into a family of musicians tracing its roots back for several generations, to the court musicians of the Mughal rulers. The training in music traditionally has been passed down from father to son for nearly 400 years. He belonged to Etawah gharana also known as Imdadkhani gharana of classical musicians. Imrat Khan's father was Enayat Khan (1895–1938), recognised as a leading sitar and surbahar player of his time, as had been his grandfather, Imdad Khan (1848–1920), before him. Imrat Khan's father died when Imrat was a child, so he was raised by his mother, Bashiran Begum and her father, singer Bande Hassan Khan. In 1944, the family ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shahid Parvez
Ustad (music title), Ustad Shahid Parvez Khan (commonly known as Shahid Parvez; born 14 October 1954) is an Hindustani classical music, Indian classical sitar maestro from the Imdadkhani gharana. He represents the seventh generation of the Etawah Gharana as its primary exponent. He is praised especially for the vocalistic phrasing and quality of his raga improvisations, known as "Gayaki Ang." This translates to "singing branch/limb" ("branch" and "limb" referring here to musical style). The sitar legend Ustad Vilayat Khan resurrected and re-introduced Gayaki Ang as a widely accepted sitar genre in India and abroad, and his nephew, Ustad Shahid Parvez Khan, has carried this torch into the present day. Early life Born in Mumbai, India, Ustad Shahid Parvez Khan was trained by his father Ustad Aziz Khan, who was the son of the sitar and surbahar player Wahid Khan. As is the custom among musical families with a storied lineage, Aziz Khan first initiated his son into vocal music and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Budhaditya Mukherjee
Pandit Budhaditya Mukherjee () is an Indian classical sitar and surbahar maestro of the Imdadkhani gharana (school), recognizable by his intricate vocalic playing complemented by spectacular high speed playing. He holds a unique distinction of being the ever first artist (not just musician) in history to perform in the House of Commons, London. Famously proclaimed the "sitar artist of the century" by veena great Balachander, he has performed in thousands of concerts since the 1970s in India, America, Australia, the UAE, and almost all of Europe. Early years He was born in a musical family in Bhilai, India, in 1955, where his father was a senior official of the Bhilai Steel Plant. His father Acharya Pandit Bimalendu Mukherjee was trained in a plethora of instruments including the sitar, sarod, surbahar, rudra veena, sarangi, and vocal music. The senior Mukherjee often hosted veteran musicians at his home. In a video, Budhaditya recollects having sat on the lap of the legenda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shahid Parvez Khan
Ustad Shahid Parvez Khan (commonly known as Shahid Parvez; born 14 October 1954) is an Indian classical sitar maestro from the Imdadkhani gharana. He represents the seventh generation of the Etawah Gharana as its primary exponent. He is praised especially for the vocalistic phrasing and quality of his raga improvisations, known as "Gayaki Ang." This translates to "singing branch/limb" ("branch" and "limb" referring here to musical style). The sitar legend Ustad Vilayat Khan resurrected and re-introduced Gayaki Ang as a widely accepted sitar genre in India and abroad, and his nephew, Ustad Shahid Parvez Khan, has carried this torch into the present day. Early life Born in Mumbai, India, Ustad Shahid Parvez Khan was trained by his father Ustad Aziz Khan, who was the son of the sitar and surbahar player Wahid Khan. As is the custom among musical families with a storied lineage, Aziz Khan first initiated his son into vocal music and tabla before training him on the Sitar over man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vilayat Khan
Ustad Vilayat Khan (28 August 1928 – 13 March 2004) was an Indian classical sitar player, considered by many to be the greatest sitarist of his age. Along with Imdad Khan, Enayat Khan, and Imrat Khan, he is credited with the creation and development of ''gayaki ang'' (a technique that emulates the vocal melisma of Hindustani classical music) on the sitar. He recorded his first 78-RPM disc at the age of 8 and gave his last concert in 2004 at the age of 75. He has composed the music for several films, including Jalsaghar (1958), The Guru (1969), and Kadambari (1976). He had given a chance to newcomer Kavita Krishnamurthy in Kadambari which was the first song in her career. Early life Vilayat was born in Gouripur, Mymensingh in then East Bengal in British India and current Bangladesh. His father Enayat Khan was recognised as a leading sitar and surbahar (bass sitar) player of his time, as had been his grandfather, Imdad Khan, before him. He was taught in the famil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sitars
The sitar ( or ; ) is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in the 18th century, and arrived at its present form in 19th-century India. Khusrau Khan, an 18th-century figure of the Mughal Empire has been identified by modern scholarship as the inventor of the sitar. According to most historians, he developed the sitar from the setar, an Iranian instrument of Abbasid or Safavid origin. Used widely throughout the Indian subcontinent, the sitar became popularly known in the wider world through the works of Ravi Shankar, beginning in the late 1950s and early 1960s. The advent of psychedelic culture during the mid-to-late 1960s set a trend for the use of the sitar in Western popular music, with the instrument appearing on tracks by bands such as the Beatles, the Rolling Stones, Metallica and many others. Etymology The word ''sitar'' is derived from the Persian word , meaning . Accordi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bimalendu Mukherjee
Bimalendu Mukherjee (2 January 1925 - 22 January 2010) was an Hindustani classical music, Indian classical sitar player and music teacher. Mukherjee is a learned and eclectic musician – although he was an Imdadkhani sitar student of Enayat Khan, a full list of his teachers also includes sitarist Balaram Pathak, khyal singers Badri Prasad and Jaichand Bhatt of the Patiala gharana, Patiala and Kirana gharana, Kirana gharanas, Rampur gharana Rudra veena, beenkar Jyotish Chandra Chowdhury, sarangi and esraj players Halkeram Bhat (Maihar gharana) and Chandrikaprasad Dube (Gaya gharana) and pakhavaj player Madhavrao Alkutkar. He also studied with Birendra Kishore Roy Chowdhury, the zamindar of Gauripur Upazila, Gouripur in present-day Bangladesh, who taught him the moribund sursringar (bass sarod). Mukherjee is the father and teacher of sitar player Budhaditya Mukherjee. His other students include Shri Sudhakar SheolikarShri Avaneendra Sheolikar Sanjoy Bandopadhyay, Sudhir (musician ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rais Khan
Ustad Rais Khan (; 25 November 19396 May 2017) was a Pakistani sitarist. At his peak he was regarded as one of the greatest sitar players of all time. He continued performing till his last days. He moved from India to Pakistan in 1986, where he took up Pakistani citizenship. In 2017, Khan was awarded Pakistan's third highest civilian honour, the Sitara-i-Imtiaz (Crescent of Excellence) Award by the Government of Pakistan. Personal life Rais Khan was born on 25 November 1939 in Indore, Indore State, British India, to an Urdu-speaking family. He grew up in Bombay. His training began at a very young age, on a small coconut shell sitar. In 1986 he moved to Pakistan, seven years after marrying his fourth wife – a Pakistani singer named Bilqees Khanum. In 1979, the two met for the first time at an event by the Sabri Brothers in Karachi. Rais Khan had four sons: Sohail Khan, Cezanne Khan, Farhan Khan and Huzoor Hasnain Khan. Career Rais Khan belonged to the Mewati gharana ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
