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Il Viaggio A Reims
''Il viaggio a Reims, ossia L'albergo del giglio d'oro'' (''The Journey to Reims, or The Hotel of the Golden Fleur-de-lis'') is an operatic dramma giocoso, originally performed in three acts,Janet Johnson: ''A Lost Masterpiece Recovered'', pp. 37–38 of the liner notes to the 1984 DG recording. by Gioachino Rossini to an Italian libretto by , based in part on the 1807 novel '' Corinne ou l'Italie'' by Germaine de Staël. Rossini's last opera in the Italian language (all of his later works were in French) premiered under the title ''Le voyage à Reims, ou l'Hôtel du Lys-d'Or''. It was commissioned to celebrate the coronation of French King Charles X in Reims in May 1825 and has been acclaimed as one of Rossini's finest compositions. A demanding work, it requires 14 soloists (three sopranos, one contralto, two tenors, four baritones, and four basses). At its premiere, it was sung by the greatest voices of the day. Since the opera was written for a specific occasion, with a plo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dramma Giocoso
''Dramma giocoso'' (Italian, literally: drama with jokes; plural: ''drammi giocosi'') is a genre of opera common in the mid-18th century. The term is a contraction of ''dramma giocoso per musica'' and describes the opera's libretto (text). The genre developed in the Neapolitan School, Neapolitan opera tradition, mainly through the work of the playwright Carlo Goldoni in Venice. A ''dramma giocoso'' characteristically used a grand ''buffo'' (comic or farce) scene as a dramatic climax at the end of an act (theater), act. Goldoni's texts always consisted of two long acts with extended finale (music), finales, followed by a short third act. Composers Baldassare Galuppi, Niccolò Piccinni, and Joseph Haydn set Goldoni's texts to music. The only operas of this genre that are still frequently staged are Wolfgang Amadeus Mozart, Mozart and Lorenzo Da Ponte, Da Ponte's ''Don Giovanni'' (1787) and ''Così fan tutte'' (1790), Gioachino Rossini, Rossini's ''L'italiana in Algeri'' (1813) and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cecilia Gasdia
Cecilia Gasdia (; born 14 August 1960, Verona) is an Italian operatic soprano. Biography Gasdia studied music and piano at the Conservatorio di Verona, graduating in 1980. That same year she won the first prize in the "''New Voices for Opera''" competition dedicated to Maria Callas. In 1981 she made her operatic debut in Florence as Giulietta in Bellini's ''I Capuleti e i Montecchi'' and rose to prominence following her successful debut at La Scala in 1982 when at very short notice she replaced Montserrat Caballé in the title role of Donizetti's '' Anna Bolena''. Following her debut at the Rossini Opera Festival in Pesaro in 1983 she became a well-known singer in Rossini's operas during the 1980s, with 14 different Rossinian roles in her repertoire. She made her American debut on 5 October 1985 as Gilda in a concert performance of ''Rigoletto'' in Philadelphia conducted by Riccardo Muti (repeated on 8 October at Carnegie Hall). In the same year she made her Lyric Opera of Chic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enzo Dara
Enzo Dara (13 October 1938 – 25 August 2017) was an Italian basso buffo. ''Opera News ''Opera News'' was an American classical music magazine. It was published from 1936 to 2023 by the Metropolitan Opera Guild—a non-profit organization, located at Lincoln Center, that was founded to promote opera and support the Metropolitan ...'' described him as "one of the most famous Italian basses on the opera stage nown forportraying a cluster of touchstone roles that highlighted his natural gifts for comedy, rapid-fire patter and bel canto technique." He is particularly admired for his performances in operas by Gioachino Rossini, Rossini. Career Dara began his professional life as a journalist before deciding to pursue a career as an opera singer. He studied singing with Bruno Sutti in Mantua, and made his professional debut as Colline in Puccini's ''La Bohème'' in 1960 in Fano, a town and commune in the Marche region of Italy. He performed at the Metropolitan Opera in New ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lella Cuberli
Lella Cuberli (September 29, 1945) is an American soprano, particularly associated with the Belcanto repertory. Born Lela Alice Terrell in Austin, Texas, she studied in Dallas and later in Milan. She made her professional debut in Siena, in 1973, and for some years pursued her career mainly in Italy, making her mark in Rossini, Donizetti and Bellini operas. She sang at Martina Franca from 1976 to 1982, as Amenaide, Adalgisa, and in Paisiello operas. She appeared at La Scala from 1978 to 1985, as Aminta, Ginevra, Rodelinda, Giunia, Contessa di Folleville . Other roles at the major opera houses of Italy have included; Donna Anna, Fiordiligi, Rossini's Elisabetta and Desdemona, etc. She also appeared at the Paris Opéra, the Aix-en-Provence Festival, the Vienna State Opera and the Salzburg Festival. Returning to the United States, she made her debut at the Lyric Opera of Chicago in 1989, as Amenaide, and at the Metropolitan Opera in 1990, as Semiramide. In 1990, she also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco Araiza
José Francisco Araiza Andrade (born 4 October 1950) is a Mexican operatic tenor and lied singer who has sung as soloist in leading concert halls and in leading tenor operatic roles in the major opera houses of Europe and North America during the course of a lengthy career. Born in Mexico City, he studied singing at the Conservatorio Nacional de Música de México and later in Germany, with Mozartian tenor Richard Holm, and lieder interpretation with Erik Werba. He made his operatic debut in 1970 in Mexico City as First Prisoner in Beethoven's ''Fidelio''. Araiza initially came to international prominence singing in Mozart and Rossini operas, but in the 1980s broadened his repertoire to include Italian and French lyric tenor roles and Wagnerian roles such as Lohengrin and Walther von Stolzing. He was made a Kammersänger of the Vienna State Opera in 1988. Now retired from the opera stage, he teaches singing and serves on the juries of several international singing competitions. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luca Ronconi
Luca Ronconi (8 March 1933 – 21 February 2015) was an Italian actor, theatre director, and opera director. Biography Ronconi was born in Sousse, Tunisia. After growing up in Tunisia, where his mother was a school teacher, Ronconi graduated from the Academy of Dramatic Art in Rome in 1953. He acted in productions of Luigi Squarzina, Orazio Costa, Michelangelo Antonioni, and others. In 1963, he directed his first play, ''La buona moglie'', and from then on worked almost exclusively as a director. His first great success was with ''Orlando furioso'' that also toured in the US in 1970. Ronconi is considered to have been one of Europe's most influential theatrical directors. He worked for renowned companies, such as the Burgtheater in Vienna (''The Bacchae'' by Euripides, 1973; '' The Birds'' by Aristophanes, 1975; ''The Oresteia'' by Aeschylus, 1976), the Vienna State Opera (''Il viaggio a Reims'' by Rossini, 1988), the Rossini Festival in Pesaro and the Salzburg Festival (''D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudio Abbado
Claudio Abbado (; 26 June 1933 – 20 January 2014) was an Italian conductor who was one of the leading conductors of his generation. He served as music director of the La Scala opera house in Milan, principal conductor of the Berlin Philharmonic, principal conductor of the London Symphony Orchestra, principal guest conductor of the Chicago Symphony Orchestra, music director of the Vienna State Opera, founder and director of the Lucerne Festival Orchestra, founder and director of the Mahler Chamber Orchestra, founding artistic director of the Orchestra Mozart and music director of the European Union Youth Orchestra. Biography Early life and background The Abbado family for several generations enjoyed both wealth and respect in their community. Abbado's great-grandfather tarnished the family's reputation by gambling away the family fortune. His son, Abbado's grandfather, became a professor at the University of Turin. He re-established the family's reputation and also showe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rossini Opera Festival
The Rossini Opera Festival (ROF) is an international music festival held in August of each year in Pesaro, Italy, the birthplace of the opera composer Gioachino Rossini. Its aim, in addition to studying the musical heritage of the composer, is to revive and perform his works in a unique setting that allows collaboration of scholars, artists, and audience. It is often simply referred to as the Pesaro Festival. Performances are given in the 850-seat theatre built in 1818, the Teatro Rossini and, since 1988, the modified sports arena (Palasport) which holds 1,500, as well as, since 2006, Vitrifrigo Arena, with over 10,000. Since 2000 another venue, the Teatro Sperimentale (Experimental Theatre), has offered the opportunity to present smaller-scale or minor works by contemporaries of Rossini such as Mosca, Generali, and Coccia. The main square of Pesaro, the Piazza del Popolo, also hosts outdoor performances. It will be extensively used during the Festival's 2020 season, which was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Gossett
Philip Gossett (September 27, 1941 – June 12, 2017) was an American musicologist and historian, and Robert W. Reneker Distinguished Service Professor of Music at the University of Chicago. His lifelong interest in 19th-century Italian opera began with listening to Metropolitan Opera broadcasts in his youth. ''Divas and Scholars: Performing Italian Opera'', a major work on the subject, won the Otto Kinkeldey Award of the American Musicological Society as best book on music of 2006. Philip Gossett's contributions to opera scholarship and how they can influence operatic performance may best be summed up by ''Newsdays comment that "some encomiasts claim that soprano Maria Callas did as much for Italian opera as Arturo Toscanini or Verdi. Musicologist Philip Gossett arguably has done as much for Italian opera as any of those geniuses." Career Gossett earned degrees from the Juilliard School, Amherst College, and Princeton University. He studied in Paris on a Fulbright Scholarship. At ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Donna Del Lago
''La donna del lago'' (English language, English: ''The Lady of the Lake'') is an opera composed by Gioachino Rossini with a libretto by Andrea Leone Tottola (whose verses are described as "limpid" by one critic) based on the French translationOsborne, Charles 1994, p. 94 of ''The Lady of the Lake (poem), The Lady of the Lake'', a narrative poem written in 1810 by Sir Walter Scott, whose work continued to popularize the image of the romantic Scottish Highlands. Scott's basic story has been noted as coming from "the hint of an incident stemming from the frequent custom of James V of Scotland, James V, the King of Scotland, of walking through the kingdom in disguise". It was the first of the Opera in Scotland#Operas inspired by Walter Scott, Italian operas to be based on Scott's romantic works,Gossett and Brauner (2001), in Holden (Ed.), p. 785 and marked the beginning of romanticism in Rossini's work. Scott was "deeply influential in the development of Italian romantic opera"Comm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
