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Ihab Hassan
Ihab Habib Hassan (October 17, 1925 – September 10, 2015) was an Egypt-born American literary theorist and writer. Biography Ihab Hassan was born in Cairo, Egypt, and emigrated to the United States in 1946. He was Emeritus Vilas Research Professor at the University of Wisconsin–Milwaukee. His writings include ''Radical Innocence: Studies in the Contemporary American Novel'' (1961), ''The Literature of Silence: Henry Miller and Samuel Beckett'' (1967), ''The Dismemberment of Orpheus: Toward a Postmodern Literature'' (1971, 1982), ''Paracriticisms: Seven Speculations of the Times'' (1975), ''The Right Promethean Fire: Imagination, Science, and Cultural Change'' (1980), ''The Postmodern Turn: Essays in Postmodern Theory and Culture'' (1987), ''Selves at Risk: Patterns of Quest in Contemporary American Letters'' (1990), and ''Rumors of Change: Essays of Five Decades'' (1995), as well as two memoirs, ''Out of Egypt: Scenes and Arguments of an Autobiography'' (1985) and ''Between t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Template:Infobox Writer/doc
Infobox writer may be used to summarize information about a person who is a writer/author (includes screenwriters). If the writer-specific fields here are not needed, consider using the more general ; other infoboxes there can be found in :People and person infobox templates. This template may also be used as a module (or sub-template) of ; see WikiProject Infoboxes/embed for guidance on such usage. Syntax The infobox may be added by pasting the template as shown below into an article. All fields are optional. Any unused parameter names can be left blank or omitted. Parameters Please remove any parameters from an article's infobox that are unlikely to be used. All parameters are optional. Unless otherwise specified, if a parameter has multiple values, they should be comma-separated using the template: : which produces: : , language= If any of the individual values contain commas already, add to use semi-colons as separators: : which produces: : , ps ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anarchy (word)
Anarchy is a society without a government. It may also refer to a society or group of people that entirely rejects a set hierarchy. ''Anarchy'' was first used in English in 1539, meaning "an absence of government". Pierre-Joseph Proudhon adopted ''anarchy'' and ''anarchist'' in his 1840 treatise ''What Is Property?'' to refer to anarchism, a new political philosophy and social movement that advocates stateless societies based on free and voluntary associations. Anarchists seek a system based on the abolition of all coercive hierarchy, in particular the state, and many advocate for the creation of a system of direct democracy, worker cooperatives or privatization. In practical terms, ''anarchy'' can refer to the curtailment or abolition of traditional forms of government and institutions. It can also designate a nation or any inhabited place that has no system of government or central rule. Anarchy is primarily advocated by individual anarchists who propose replacing governme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idiolect
Idiolect is an individual's unique use of language, including speech. This unique usage encompasses vocabulary, grammar, and pronunciation. This differs from a dialect, a common set of linguistic characteristics shared among a group of people. The term is etymologically related to the Greek prefix ''idio-'' (meaning "own, personal, private, peculiar, separate, distinct") and ''-lect'', abstracted from ''dialect'', and ultimately from Ancient Greek grc, λέγω, légō, I speak, label=none. Language Language consists of sentence constructs, choice of words, and expression of style. Accordingly, an idiolect is an individual's personal use of these facets. Every person has a unique idiolect influenced by their language, socioeconomic status, and geographical location. Forensic linguistics psychologically analyzes idiolects. The notion of ''language'' is used as an abstract description of the ''language use'', and of the abilities of individual speakers and listeners.Zuckermann, Gh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Open Text
In semiotic analysis (the studies of signs or symbols), an open text is a text that allows multiple or mediated interpretation by the readers. In contrast, a closed text leads the reader to one intended interpretation. The concept of the open text comes from Umberto Eco's collection of essays ''The Role of the Reader'', but it is also derivative of Roland Barthes's distinction between 'readerly' ( lisible) and 'writerly' (scriptible) texts as set out in his 1968 essay, "The Death of the Author".Barthes, R., 1977, 'The Death of the Author' in Image-Music-Text, Fontana Content In this essay, Umberto Eco describes a special kind of musical works that can be organized and re-organized by the performers before they are played to the audience. He then applied this idea of "open works" to literary texts and other works of art. Every work of art can be read, according to Eco, in three distinct ways: the moral, the allegorical and the anagogical. Each is not only distinct but can be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lisible
Lisible is a word from the French for 'legible' used to denote a text that requires no true participation from its audience. It was first coined by literary critic, Roland Barthes, in his book, S/Z and expanded from his essay the "Death of the Author "The Death of the Author" ( French: ''La mort de l'auteur'') is a 1967 essay by the French literary critic and theorist Roland Barthes (1915–1980). Barthes's essay argues against traditional literary criticism's practice of relying on the inte ...". Barthes contrasts ''texte lisible'', denoting a closed work, with ''texte scriptible'', a text open to interpretation. In Barthes opinion, lisible works provide no challenge to the reader's preconceived notions and thus are inferior to scriptible works, exemplified by modernist literature. Barthes contends that lisible works still emphasize the importance of the author, whereas for scriptible texts "the reader is the very space in which are inscribed, without any being lost, all the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhizome
In botany and dendrology, a rhizome (; , ) is a modified subterranean plant stem that sends out roots and shoots from its nodes. Rhizomes are also called creeping rootstalks or just rootstalks. Rhizomes develop from axillary buds and grow horizontally. The rhizome also retains the ability to allow new shoots to grow upwards. A rhizome is the main stem of the plant that runs underground horizontally. A stolon is similar to a rhizome, but a stolon sprouts from an existing stem, has long internodes, and generates new shoots at the end, such as in the strawberry plant. In general, rhizomes have short internodes, send out roots from the bottom of the nodes, and generate new upward-growing shoots from the top of the nodes. A stem tuber is a thickened part of a rhizome or stolon that has been enlarged for use as a storage organ. In general, a tuber is high in starch, e.g. the potato, which is a modified stolon. The term "tuber" is often used imprecisely and is sometimes appli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Root
In vascular plants, the roots are the organs of a plant that are modified to provide anchorage for the plant and take in water and nutrients into the plant body, which allows plants to grow taller and faster. They are most often below the surface of the soil, but roots can also be aerial or aerating, that is, growing up above the ground or especially above water. Function The major functions of roots are absorption of water, plant nutrition and anchoring of the plant body to the ground. Anatomy Root morphology is divided into four zones: the root cap, the apical meristem, the elongation zone, and the hair. The root cap of new roots helps the root penetrate the soil. These root caps are sloughed off as the root goes deeper creating a slimy surface that provides lubrication. The apical meristem behind the root cap produces new root cells that elongate. Then, root hairs form that absorb water and mineral nutrients from the soil. The first root in seed producing plants is t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metonymy
Metonymy () is a figure of speech in which a concept is referred to by the name of something closely associated with that thing or concept. Etymology The words ''metonymy'' and ''metonym'' come from grc, μετωνυμία, 'a change of name', from , 'after, post, beyond' and , , a suffix that names figures of speech, from , or , 'name'. Background Metonymy and related figures of speech are common in everyday speech and writing. Synecdoche and metalepsis are considered specific types of metonymy. Polysemy, the capacity for a word or phrase to have multiple meanings, sometimes results from relations of metonymy. Both metonymy and metaphor involve the substitution of one term for another. In metaphor, this substitution is based on some specific analogy between two things, whereas in metonymy the substitution is based on some understood association or contiguity. American literary theorist Kenneth Burke considers metonymy as one of four "master tropes": metaphor, meto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metaphor
A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another. It may provide (or obscure) clarity or identify hidden similarities between two different ideas. Metaphors are often compared with other types of figurative language, such as antithesis, hyperbole, metonymy, and simile. One of the most commonly cited examples of a metaphor in English literature comes from the " All the world's a stage" monologue from '' As You Like It'': All the world's a stage, And all the men and women merely players; They have their exits and their entrances And one man in his time plays many parts, His Acts being seven ages. At first, the infant... :—William Shakespeare, '' As You Like It'', 2/7 This quotation expresses a metaphor because the world is not literally a stage, and most humans are not literally actors and actresses playing roles. By asserting that the world is a stage, Shakespeare uses points of comparison between the world a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parataxis
Parataxis (from el, παράταξις, "act of placing side by side"; from παρα, ''para'' "beside" + τάξις, ''táxis'' "arrangement") is a literary technique, in writing or speaking, that favors short, simple sentences, without conjunctions or with the use of coordinating, but not with subordinating conjunctions. It contrasts with syntaxis and hypotaxis. It is also used to describe a technique in poetry in which two images or fragments, usually starkly dissimilar images or fragments, are juxtaposed without a clear connection. Readers are then left to make their own connections implied by the paratactic syntax. Ezra Pound, in his adaptation of Chinese and Japanese poetry, made the stark juxtaposition of images an important part of English-language poetry. Etymology Edward Parmelee Morris wrote in 1901 that the term was introduced into linguistics by Friedrich Thiersch in his ''Greek Grammar'' (1831). The term has remained unchanged, but the concept of parataxis ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hypotaxis
Hypotaxis is the grammatical arrangement of functionally similar but "unequal" constructs (from Greek ''hypo-'' "beneath", and ''taxis'' "arrangement"); certain constructs have more importance than others inside a sentence. A common example of syntactic expression of hypotaxis is the subordination of one syntactic unit to another in a complex sentence. Stanley Fish, ''How to Write a Sentence'' p 51 Another example is observed in premodification. In the phrase "inexpensive composite materials", "composite" modifies "materials" while "inexpensive" modifies the complex head "composite materials", rather than "composite" or "materials". In this example the phrase units are hierarchically structured, rather than being on the same level, as compared to the example "Cockroaches love warm, damp, dark places." Note the syntactic difference; hypotactic modifiers cannot be separated by a comma. John Keats's " Ode to a Nightingale" has an example of hypotaxis in the second stanza: "O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syntagmatic Analysis
In semiotics, syntagmatic analysis is analysis of syntax or surface structure (syntagmatic structure) as opposed to paradigms ( paradigmatic analysis). This is often achieved using commutation tests. "Syntagmatic" means that one element selects the other element either to precede it or to follow it. For example, the definitive article "the" selects a noun and not a verb. Of particular use in semiotic study, a syntagm is a chain which leads, through syntagmatic analysis, to an understanding of how a sequence of events forms a narrative. Alternatively, syntagmatic analysis can describe the spatial relationship of a visual text such as posters, photographs or a particular setting of a filmed scene. Roland Barthes Roland Gérard Barthes (; ; 12 November 1915 – 26 March 1980) was a French literary theorist, essayist, philosopher, critic, and semiotician. His work engaged in the analysis of a variety of sign systems, mainly derived from Western popul ... was able to use m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
