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I Wanna B With U
"I Wanna B with U" is a song by German Eurodance band Fun Factory, released on 18 April 1995 by various labels as the first single from the band's second album, ''Fun-Tastic'' (1995). The song was written by Steve Bender, Toni Cottura and Rodney Hardison. It was a top-10 hit in Canada, while in Europe, it was a top-20 hit in Austria (18), Finland (12) and Germany (11). In the US, "I Wanna B with U" peaked at number 45 on the ''Billboard'' Hot 100 and number ten on the ''Billboard'' Hot Dance Club Play chart. It remains one of their most successful songs and is also their biggest hit in the US. The accompanying music video was directed by Frank Paul Husmann-Labusga, featuring the band performing at a garden party, and produced by Music In Motion GmbH. The track was released with remixes by Mousse T, Sequential One and Simon Harris. Critical reception Larry Flick from ''Billboard'' felt that songs like "I Wanna B with U" "are dance music in its purest and celebratory form." A r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fun Factory (band)
Fun Factory is a German eurodance group formed in 1992, originally consisting of founding members Balca Tözün, Rodney Hardison, Toni Cottura and Stephan Browarczyk. They have been nicknamed simply Balja, Rod D., Smooth T. and Steve. The group enjoyed success throughout the '90s. Band history 1992–94: Formation, ''Non Stop-The Album'' and Balca's departure The group was founded in 1992 with Balca Tözün from Turkey, Rodney Hardison from America, and Toni Cottura and Stephan Browarczyk from Germany. They released their first singles "Fun Factory's Theme" and "Groove Me" in 1992 and 1993. Fun Factory released their debut album ''Nonstop! The Album'' in 1994. Before their third single release " Close to You" in late 1993, the group reported that lead singer Balca Tözün had been replaced with Marie-Anett Mey, an entertainer from Paris, France.Larkin, Colin (1998) ''The Virgin Encyclopedia of Dance Music'', Virgin Books, , p. 126 " Close to You" became their first chart success, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Canadian music charts ''RPM'' maintained several format charts, including Top Singles (all genres), Adult Contemporary, Dance, Urban, Rock/Alternative and Country Tracks (or Top Country Tracks) for country music. On 21 March 1966, ''RPM'' expanded its Top Singles chart from 40 positions to 100. On 6 December 1980, the main chart became a top-50 chart and remained this way until 4 August 1984, whereupon it reverted to a top-100 singles chart. For the first several weeks of its existence, the magazine did not compile a national chart, but simply printed the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Record (magazine)
''The Record'' was a Canadian music industry magazine that featured record charts, trade news and opinions. History David Farrell launched the publication in mid-1981, continuing its printed version until August 1999 when ''The Record'' continued as a website-based publication. The singles and albums chart featured in the magazine were featured as the Canadian lists in the Hits of the World section in '' Billboard''. The charts were also published in newspapers via The Canadian Press and used in now-defunct chart shows like Countdown Canada, Canadian Countdown, and the Hot 30 Countdown. ''The Record'' featured the following charts: * Retail Singles (1983-1996) * The Hits (1996-1997) - an all-format radio airplay chart * Contemporary Hit Radio * Pop Adult (also Adult Contemporary) * Country * Contemporary Album Radio (also Album-Oriented Rock) * Hot AC - beginning in the late-1990s * Top Albums The airplay charts were based on reports from radio stations across the country fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Mirror
''Record Mirror'' was a British weekly music newspaper between 1954 and 1991 for pop fans and record collectors. Launched two years after the '' NME'', it never attained the circulation of its rival. The first UK album chart was published in ''Record Mirror'' in 1956, and during the 1980s it was the only consumer music paper to carry the official UK singles and UK albums charts used by the BBC for Radio 1 and ''Top of the Pops'', as well as the US '' Billboard'' charts. The title ceased to be a stand-alone publication in April 1991 when United Newspapers closed or sold most of their consumer magazines, including ''Record Mirror'' and its sister music magazine '' Sounds'', to concentrate on trade papers like ''Music Week''. In 2010 Giovanni di Stefano bought the name ''Record Mirror'' and relaunched it as an online music gossip website in 2011. The website became inactive in 2013 following di Stefano's jailing for fraud. Early years, 1954–1963 ''Record Mirror'' was founded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Hamilton (DJ And Journalist)
James Hamilton (25 December 1942 – 17 June 1996) was a British DJ and dance music columnist for '' Record Mirror'', and later for '' Music Week'', where he worked until his death in 1996. He is recognised as a pioneering advocate of disco mixing in the UK and the addition of beats per minute (bpm) calculations to record reviews. Hamilton started as a DJ in his early 20s, playing rhythm & blues in a nightclubs in London. He then headed to New York to work for Seltaeb, the US company who’d acquired the merchandising rights for The Beatles, becoming a talent scout for their newly formed music division. After returning to the UK, he adopted the DJ name Doctor Soul, and also compiled an album with this title for Sue Records. He set up as one of the first mobile DJs, and began writing US reviews for ''Record Mirror'' in 1964. In 1975, he began the magazine's weekly ‘Disco’ column, named ''James Hamilton's Disco Page''. He pioneered several features that was copied by oth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Real McCoy (band)
Real McCoy is a German Eurodance and pop music project best known for hit singles " Another Night", "Automatic Lover (Call for Love)", " Run Away", " Love & Devotion", "Come and Get Your Love", " One More Time" and the multi-platinum album ''Another Night''. History 1989–1990: Early success in Germany The Real McCoy project (originally known in Europe as M.C. Sar & the Real McCoy) was the result of the successful collaboration between record producers Juergen Wind (J. Wind), and Frank Hassas (Quickmix), plus the rapper Olaf Jeglitza (O-Jay), under their music production company Freshline Records. Wind and Hassas wrote and produced the project's main hits between 1990 and 1994 at Wind Studios B.C. in Spandau, Berlin. Traditionally, Jeglitza was given additional producer credits alongside Wind and Hassas as ''J. Wind, Quickmix & O. Jeglitza'' for Freshline. In reality, Jeglitza only had a minor songwriting role on the team, and strictly provided rap vocals for the song produc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corona (band)
Corona is an Italian Eurodance project. Initially as a band originally formed by the Brazilian-born singer and model Olga Maria de Souza and the producer Francesco "Checco" Bontempi (a.k.a. Lee Marrow), it found commercial success with the worldwide hits "The Rhythm of the Night" (1993) and " Baby Baby" (1995). After the second album, Bontempi left the band and was replaced by Francesco Conte and Paolo Dughero. History Beginning of the band's career: 1993–1996 Corona's first single, "The Rhythm of the Night", was released in Italy in November 1993 on Roberto Zanetti's DWA record label and became an instant hit. It featured the voice of the Italian singer Giovanna Bersola, better known by her stage name Jenny B. It stayed at number 1 on the Italian music chart for eight consecutive weeks, but was not released elsewhere until the following year. A remixed version of the song became a number 2 hit in the United Kingdom in September 1994. Like several early 1990s Eurodance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clock (British Group)
Clock were an English band primarily led by Stu Allan and Pete Pritchard and fronted by rapper Marcus Thomas (using the name ODC MC) and vocalist Lorna Saunders (using the name Tinka), though the single "Keep the Fires Burning" was sung by Georgia Lewis. They resembled many Eurodance acts of the time with a female singer and male rapper. Their earlier work was harder, similar to Cappella, but once they started releasing covers, their sound became more dance/pop oriented. Thomas left in 1998 to join the band Tzant, to be replaced by Ché-gun Peters. They had a string of top 40 hits with nine covers during the 1990s on the UK Singles Chart. They also released hardcore versions of their hits under the name Visa. Clock broke up in 1999 due to a number of personal reasons; they were not able to continue at the same pace as they had before. In 2004, Saunders appeared on BBC Television's ''Never Mind the Buzzcocks'' in the celebrity line-up. It was announced that she was now workin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eurobeat
Eurobeat refers to two styles of dance music that originated in Europe: one is a British variant of Italian Eurodisco-influencedAng, Ien & Morley, David (2005). "Cultural Studies: Volume 3, Issue 2". ''Routledge''. pgs. 171, 173, 170. . "Eurorecords had to have immediate cross-national appeal, musical simplicity was of the essence- a bouncy beat, just one chorus hook, elementary lyrics. The fun of these records was entirely a matter of sound quality, but once a record was a hit it took on a kind of sleazy, nostalgic charm of its own. It was precisely the brazen utility of these records, in short, that gave them gay disco consumer appeal too. ..Eurodisco also had an obvious element of camp -British club audiences took delight in the very gap between the grand gestures of Eurosingers and the vacuity of their songs." dance-pop, and the other is a hi-NRG-driven form of Italo disco. Both forms were developed in the 1980s. Producer trio Stock Aitken Waterman and pop band Dead or Ali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Musical Express
''New Musical Express'' (''NME'') is a British music journalism, music, film, gaming, and culture website and brand. Founded as a newspaper in 1952, with the publication being referred to as a 'rock inkie', the NME would become a magazine that ended up as a free publication, before becoming an online brand which includes its website and radio stations. As a 'rock inkie', ''NME'' was the first British newspaper to include a Single (music), singles Record chart, chart, adding that feature in the edition of 14 November 1952. In the 1970s, it became the best-selling British music newspaper. From 1972 to 1976, it was particularly associated with gonzo journalism then became closely associated with punk rock through the writings of Julie Burchill, Paul Morley, and Tony Parsons (British journalist), Tony Parsons. It started as a music newspaper, and gradually moved toward a magazine format during the 1980s and 1990s, changing from newsprint in 1998. The magazine's website NME.com wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
