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Hungarian Dances (Brahms)
The ''Hungarian Dances'' () by Johannes Brahms ( WoO 1), are a set of 21 lively dance tunes based mostly on Hungarian themes, completed in 1879. They vary from about a minute to five minutes in length. They are among Brahms's most popular works and were the most profitable for him. Each dance has been arranged for a wide variety of instruments and ensembles. Brahms originally wrote the version for piano four hands and later arranged the first ten dances for solo piano. Background Brahms' ''Hungarian Dances'' should be placed in the context of interest in folk music. Both Haydn and Boccherini refer frequently to gypsy music, but in Brahms' day it was Franz Liszt with his Hungarian rhapsodies who was an inspiration to Brahms, both artistically and financially ( despite their differences in musical philosophy). In 1850 Brahms met the Hungarian violinist Ede Reményi and accompanied him in a number of recitals over the next few years. This was his introduction to "gypsy-styl ...
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Johannes Brahms
Johannes Brahms (; ; 7 May 1833 – 3 April 1897) was a German composer, virtuoso pianist, and conductor of the mid-Romantic period (music), Romantic period. His music is noted for its rhythmic vitality and freer treatment of dissonance, often set within studied yet expressive contrapuntal textures. He adapted the traditional structures and techniques of a wide historical range of earlier composers. His includes four symphony, symphonies, four concertos, a Requiem, much chamber music, and hundreds of folk-song arrangements and , among other works for symphony orchestra, piano, organ, and choir. Born to a musical family in Hamburg, Brahms began composing and concertizing locally in his youth. He toured Central Europe as a pianist in his adulthood, premiering many of his own works and meeting Franz Liszt in Weimar. Brahms worked with Ede Reményi and Joseph Joachim, seeking Robert Schumann's approval through the latter. He gained both Robert and Clara Schumann's strong support ...
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Molto
A variety of musical terms is encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings. Most of the other terms are taken from French and German, indicated by ''Fr.'' and ''Ger.'', respectively. Unless specified, the terms are Italian or English. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time. Some composers prefer terms from their own language rather than the standard terms listed here. 0–9 ; 1 : "sifflet" or one foot organ stop ; I : usually for orchestral string instruments, used to indicate that the player should play the passage on the highest-pitched, thinnest string ; : Tierce organ stop ; 2 : two feet – pipe organ indication; see ; : pipe organ s ...
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Fritz Kreisler
Friedrich "Fritz" Kreisler (February 2, 1875 – January 29, 1962) was an Austrian-born American violinist and composer. One of the most noted violin masters of his day, he was known for his sweet tone and expressive phrasing, with marked portamento and rubato. Like many great violinists of his generation, he produced a characteristic sound which was immediately recognizable as his own. Although it derived in many respects from the Franco-Belgian school, his style is nonetheless reminiscent of the '' gemütlich'' (cozy) lifestyle of pre-war Vienna. Biography Kreisler was born in Vienna, the son of Anna (née Reches) and Samuel Kreisler, a doctor. Of Jewish descent, he was however baptised at the age of 12. At age seven, Kreisler entered the Vienna Conservatory where he studied under Anton Bruckner, Jakob Dont and Joseph Hellmesberger Jr., and studied composition and violin at the Paris Conservatory between 1885 and 1887, where his teachers included Léo Delibes, Lambert ...
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Paul Klengel
Paul Klengel (13 May 1854 – 24 April 1935) was a Germans, German violinist, Viola, violist, Piano, pianist, Conducting, conductor, composer, editor and arranger. He was the brother of Cello, cellist Julius Klengel. Biography Klengel was born and died in Leipzig, where he studied at the University of Music and Theatre Leipzig, Leipzig Conservatory of Music and the University of Leipzig receiving his doctorate in 1886 with the dissertation ''Zur Ästhetik der Tonkunst'' (The Aesthetic of Music). From 1881 to 1886 he was choral conductor for the Euterpe Music Society in Leipzig and from 1888 to 1891 he worked at the Hofkapelle Stuttgart. He conducted for the German choral societies in New York City from 1898 to 1902. Klengel then returned to Leipzig to conduct the Arion Society and later joined the Leipzig Conservatory as professor of violin and piano. Klengel was a versatile musician; he was an accomplished violinist and pianist who sought a career as a concert musician and solo ...
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Robert Keller (music Editor)
Robert Keller (1828-1891) was a German music editor. Keller was born on 6 January 1828 in Harpersdorf in Lower Silesia. He moved to Berlin where he became a musical editor for the music publishing company N. Simrock. Keller edited and arranged a substantial number of works by Johannes Brahms and Antonín Dvořák Antonín Leopold Dvořák ( ; ; 8September 18411May 1904) was a Czech composer. He frequently employed rhythms and other aspects of the folk music of Moravia and his native Bohemia, following the Romantic-era nationalist example of his predec .... He died in Berlin on 16 June 1891. References * {{DEFAULTSORT:Keller, Robert Sheet music publishers (people) German music publishers (people) 1828 births 1891 deaths Businesspeople from the Kingdom of Prussia Johannes Brahms Antonín Dvořák ...
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Theodor Kirchner
Fürchtegott Theodor Kirchner (10 December 1823 – 18 September 1903) was a German composer and pianist of the Romantic music, Romantic era. Musical career Kirchner enjoyed the friendship and admiration of many leading composers of the 19th century yet was unable to maintain a successful career, apparently due to a disordered way of life which included extravagant spending and an addiction to gambling. He was born at Neukirchen, Erzgebirgskreis, Neukirchen near Chemnitz and at the age of eight was already an accomplished organist and pianist. From 1838 to 1842, he studied in Leipzig under (piano) and Carl Ferdinand Becker, Karl Ferdinand Becker (organ and theory). Kirchner subsequently was a pupil of in Dresden and attended the Leipzig Conservatory for a short time. In 1843, he became organist in Winterthur, Switzerland on the recommendation of Felix Mendelssohn, Mendelssohn. He remained there for nearly 20 years, but travelled much in Germany, befriending Robert Schumann, Rob ...
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Iván Fischer
Iván Fischer (born 20 January 1951) is a Hungarian conductor and composer. Biography Born in Budapest into a musical family of Jewish heritage, Fischer initially studied piano, violin, cello and composition in Budapest. His older brother, Ádám Fischer, became a conductor in his own right. He moved later to Vienna to study conducting with Hans Swarowsky at the University of Music and Performing Arts, where he also studied cello and early music, studying and working as assistant to Nikolaus Harnoncourt. He also studied with Franco Ferrara at the Accademia Musicale Chigiana in Siena. In 1976, Fischer won the Rupert Foundation conducting competition in London. He began thereafter to guest-conduct British orchestras such as the Royal Liverpool Philharmonic, the BBC Symphony and the London Symphony Orchestra, with whom he conducted a world tour in 1982. His US conducting debut was with the Los Angeles Philharmonic in 1983. Budapest Festival Orchestra Fischer returned to ...
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Robert Schollum
Robert Schollum (22 August 1913 – 30 September 1987) was an Austrian composer, conductor, music educator, music critic, musicographer and academic scholar. He was president of the for several years in the 1960s and 1980s. Life and career Education Born in Vienna, Schollum studied composition with Joseph Marx, music theory with Egon Lustgarten and organ and piano with Carl Lafite at the Neues Wiener Konservatorium and the University of Music and Performing Arts Vienna. He taught as assistant to Anton Maria Klafsky at the New Vienna Conservatory and gave piano lessons at the Conservatory for Folk Music. National Socialism In 1932, Schollum joined the Hitler Youth, later also the SA. From 1933, he performed as a conductor. From 1939 to 1945, he did military service with the Wehrmacht, and after being wounded, he served as a purser on the Russian Front. In addition, he worked as a pianist, conductor and choir director for the Hitler Youth and was a district commissi ...
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Austrian Newspapers Online
AustriaN Newspapers Online (ANNO) is a project run by the Austrian National Library (''Österreichische Nationalbibliothek'') for the conservation of historic newspapers, whereby particularly important and popular newspapers are scanned in and made available on the Internet. By the end of 2009 ANNO had about 4.76 million digitized pages. Digitalised newspapers The range of papers is constantly being expanded.For the range and current new additions see Neu bei ANNO', full index from August 2003 Literature * ''ANNO – AustriaN Newspapers Online. A digitisation initiative of the Austrian National Library.'' Ein Vortrag bei der Postkonferenz "Newspapers and the press in Central and Eastern Europe: access and preservation" bei der 69. IFLA Konferenz im August 2003 in BerlinPräsentation{{Webarchive, url=https://web.archive.org/web/20110105125602/http://anno.onb.ac.at/files/ifla_anno_de.ppt , date=2011-01-05 ( Powerpoint, 1,2 MB; deutsch) * ''Massendigitalisierung von Bibliotheksb ...
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Hans Gál
Hans Gál Officer of the Order of the British Empire, OBE (5 August 1890 – 3 October 1987) was an Austrian composer, pedagogue, musicologist, and author, who emigrated to the United Kingdom in 1938. Life Gál was born to a Jewish family in the small village of Brunn am Gebirge, Lower Austria, just outside Vienna, the son of a doctor, Josef Gál. In 1909, his piano teacher Richard Robert (who also taught George Szell, Rudolf Serkin and Clara Haskil) appointed Gál as a teacher when he became director of the Neues Wiener Konservatorium, New Vienna Conservatory. From 1909 to 1913, Gál studied music history at the University of Vienna under music historian Guido Adler, who published Gál's doctoral dissertation on the style of the young Beethoven in his own ''Studien zur Musikwissenschaft''. From 1909 to 1911, Gál studied composition privately with Eusebius Mandyczewski, who had been a close friend of Johannes Brahms, and with whom he later edited ten volumes of the Complete Ed ...
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Paul Juon
Paul Juon (, ''Pavel Fyodorovich Yuon''; 6 March 1872 – 21 August 1940) was a Russian-born Swiss composer. Life Juon was born in Moscow, where his father was an insurance official. His parents were Swiss, and he attended a German primary school in Moscow. In 1889, he entered the Moscow Conservatory, where he studied violin with Jan Hřímalý and composition with Anton Arensky and Sergei Taneyev. He completed his studies at the Hochschule für Musik in Berlin, under Woldemar Bargiel. His first (privately) printed works, two ''Romanzen'' (lieder) appeared in 1894, the year he began studies with Bargiel. During his time in Berlin he was a composition professor, employed by Joseph Joachim; his students included Hans Chemin-Petit, Werner Richard Heymann, Nikos Skalkottas, Henry Jolles, Pancho Vladigerov, Philipp Jarnach, Heinrich Kaminski, Lauri Ikonen, Max Trapp, Heino Kaski, Yrjö Kilpinen, Gerhart von Westerman, Hans Moltkau, Giannis Konstantinidis, Wilhelm Guttmann, Stefan ...
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Andreas Hallén
Johan Andreas Hallén (22 December 1846 – 11 March 1925) was a Swedish Romantic composer, conductor and music teacher, primarily known for his operas, which were heavily influenced by Richard Wagner’s music dramas. Hallén was born in Gothenburg and died in Stockholm, but the early years of his career and most of his education were in Germany. Like his Norwegian contemporary Edvard Grieg and many other composers the same generation, Hallén frequently evokes the folk music and folk stories of his home country in his compositions. According to the musicologist Axel Helmer, however, "The salient feature of his style .. and the one which strongly affected contemporary reaction, is its close, almost derivative relationship to German music," especially Wagner. Around 1885, Hallén returned to Sweden and continued to conduct and compose, and in later years taught composition at the Stockholm Conservatory. Works Operas *''Harald der Wiking'' (1881) *'' Harald Viking'' (1884) ( ...
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