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Hungarian Dance
Hungarian dance refers to the folk dances practised and performed by the Hungarians, both amongst the populations native to Hungary and its neighbours, and also amongst the Hungarian diaspora. According to György Martin, a prominent folklore expert, Hungarian dances can be divided into two categories. The first refers to dances performed in the Middle Ages while the second relates to the 18th and 19th century. Hungarians have been noted for their "exceptionally well developed sense of rhythm".Karoly Viski (1937) ''Hungarian Dances''; p. 8 In the mid-19th century, Musicologist Theodor Billroth performed tests with troops of various nationalities stationed in Vienna and found that the Hungarian troops outperformed others in keeping time with music. Improvisation and energetic movements are often mentioned as being characteristic of Hungarian dance.György Martin (1974) ''Hungarian Folk Dances''. Gyoma: Kner Printing House, p. 15. Daniel Berzsenyi wrote, "Its secret laws are not or ...
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PSM V41 D775 Csardas Hungarian Folk Dance
PSM, an acronym, may refer to: Organizations * Pakistan School Muscat, a Pakistani co-educational institute in Oman * Palestine Solidarity Movement, a student organization in the United States * Panhellenic Socialist Movement, a centre-left party in Greece * Parti Socialiste Mauricien, a political party in Mauritius, founded by Harish Boodhoo * Parti Sosialis Malaysia, a socialist political party in Malaysia * Sepaktakraw Association of Malaysia (; PSM), a national governing body in Malaysia * Photographic Society of Madras, a not for profit organisation involved in promoting photography, in Chennai * PlayStation: The Official Magazine, a magazine originally known as PlayStation Magazine or PSM * Ponce School of Medicine, a post-graduate medical school located in Ponce, Puerto Rico * Power Systems Manufacturing, a subsidiary of Alstom, specializing in aftermarket gas turbine servicing for power generating industry. * ''Poznańska Spółdzielnia Mieszkaniowa'', a housing cooperati ...
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Legényes
A legényes (in Hungarian) or feciorească (in Romanian) is a men's solo dance done by Transylvanian people (in Hungarian ethnic) living in the Kalotaszeg/Țara Călatei, Szilágyság/Sălaj and Mezőség/Câmpia Transilvaniei regions of Transylvania, roughly the region around Cluj. Although usually danced by young men, it can be also danced by older men. The dance is performed freestyle usually by one dancer at a time in front of the band. Women participate in the dance by standing in lines to the side and sing/shout verses while the men dance. Each lad does a number of points (dance phrases) typically 4 to 8 without repetition. Each point consists of 4 parts, each lasting 4 counts. The first part is usually the same for everyone (there are only a few variations). Almost every man had his own song, and they danced only for this song in their whole life. Styles * legényes / feciorească (Kalotaszeg) * sűrű tempó (Szék) * sűrű magyar or sűrű fogásolás (Mezőség) * p ...
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Austria-Hungary
Austria-Hungary, also referred to as the Austro-Hungarian Empire, the Dual Monarchy or the Habsburg Monarchy, was a multi-national constitutional monarchy in Central Europe#Before World War I, Central Europe between 1867 and 1918. A military and diplomatic alliance, it consisted of two sovereign states with a single monarch who was titled both the Emperor of Austria and the King of Hungary. Austria-Hungary constituted the last phase in the constitutional evolution of the Habsburg monarchy: it was formed with the Austro-Hungarian Compromise of 1867 in the aftermath of the Austro-Prussian War, following wars of independence by Hungary in opposition to Habsburg rule. It was dissolved shortly after Dissolution of Austria-Hungary#Dissolution, Hungary terminated the union with Austria in 1918 at the end of World War 1. One of Europe's major powers, Austria-Hungary was geographically the second-largest country in Europe (after Russian Empire, Russia) and the third-most populous (afte ...
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Verbunkos
Verbunkos (), other spellings being ''Verbounko'', ''Verbunko'', ''Verbunkas'', ''Werbunkos'', ''Werbunkosch'', ''Verbunkoche''; sometimes known simply as the hongroise or ungarischer Tanz is an 18th-century Hungarian dance and music genre. The verbunkos is typically in a pair of sections, slow (''lassú''), with a characteristic dotted rhythm, and fast (''friss''), with virtuosic running-note passages. In some cases, this slow-fast pair alternates at greater length. The name is derived from the German word ''Werbung'', a noun derived from the verb ''werben'' that means, in particular, "to recruit"; verbunkos—recruiter. This music and dance was played during military recruiting before the Habsburg emperors, who were also kings of Hungary, introduced conscription in 1849. A group of a dozen hussars performed the dance in different parts, with the leading sergeant opening with slow movements, then the lower officers joining for more energetic parts, and the youngest soldiers c ...
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Karikázó
Karikázó is a Hungarian folk dance traditionally performed by women. It is a circle dance in time, traditionally to a cappella Music performed a cappella ( , , ; ), less commonly spelled acapella in English, is music performed by a singer or a singing group without instrumental accompaniment. The term ''a cappella'' was originally intended to differentiate between Rena ... rather than instrumental music.Somogyi Karikazo. http://www.dunav.org.il/dance_notes/somogyi_karikazo.pdf References Hungarian styles of music Hungarian dances Circle dances {{Folk-dance-stub ...
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Transylvania
Transylvania ( or ; ; or ; Transylvanian Saxon dialect, Transylvanian Saxon: ''Siweberjen'') is a List of historical regions of Central Europe, historical and cultural region in Central Europe, encompassing central Romania. To the east and south its natural border are the Carpathian Mountains and to the west the Apuseni Mountains. Broader definitions of Transylvania also include the western and northwestern Romanian regions of Crișana and Maramureș, and occasionally Banat. Historical Transylvania also includes small parts of neighbouring Western Moldavia and even a small part of south-western neighbouring Bukovina to its north east (represented by Suceava County). Transylvania is known for the scenery of its Carpathian landscape and its rich history, coupled with its multi-cultural character. It also contains Romania's second-largest city, Cluj-Napoca, and other very well preserved medieval iconic cities and towns such as Brașov, Sibiu, Târgu Mureș, Bistrița, Alba Iuli ...
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Ugrós
The Ugrós is an athletic Hungarian couples' jumping dance in meter with an off-beat accent similar to polkas or hasaposerviko. Its origins lay in weapon dances from the Middle Ages. Dunántúli Ugros Dunántúli Ugros is a couples' folk dance from Transdanubia (''Dunántúl'' in Hungarian), the western part of Hungary. See also * Hopak * Hasapiko The hasapiko (, , meaning “the butcher's ance��) is a Greek folk dance from Constantinople. The dance originated in the Middle Ages as a battle mime with swords performed by the Greek butchers' guild, which adopted it from the military of ... * Yalli References Hungarian styles of music Hungarian dances {{Europe-dance-stub ...
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Jászszentandrás
Jászszentandrás is a village in Jász-Nagykun-Szolnok county, in the Northern Great Plain region of central Hungary. Geography It covers an area of . Population It has a population Population is a set of humans or other organisms in a given region or area. Governments conduct a census to quantify the resident population size within a given jurisdiction. The term is also applied to non-human animals, microorganisms, and pl ... of 2440 people (2015). References External links Official sitein Hungarian Populated places in Jász-Nagykun-Szolnok County Jászság {{Jasz-geo-stub ...
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Csárdás
Csárdás (, ; ), often seen as Czárdás, is a traditional Hungarian folk dance, the name derived from ' (old Hungarian term for roadside tavern and restaurant). It originated in Hungary and was popularized by bands in Hungary as well as neighboring countries and regions such as of Slovenia, Burgenland, Croatia, Transylvania, Slovakia, Vojvodina and Moravia, as well as among the Banat Bulgarians, including those in Bulgaria. History The origin of the csárdás was a death dance, when the soldier fought with his opponent, watched him, watched his weak points, then as a victor killed him and danced in joy with the others. So the origin of the csárdás can be traced back to the Turkish wars. The csárdás is characterized by a variation in tempo: it starts out slowly (''Lassan (music), lassú'') and ends in a very fast tempo (''Friska, friss'', literally "fresh"). There are other tempo variations, called ''ritka csárdás'', ''sűrű csárdás'' and ''szökős csárdás''. ...
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Zsigmond Csuzy
Sigismund (variants: Sigmund, Siegmund) is a German proper name, meaning "protection through victory", from Old High German ''sigu'' "victory" + ''munt'' "hand, protection". Tacitus latinises it ''Segimundus''. There appears to be an older form of the High German word "Sieg" (victory): ''sigis'', obviously Gothic and an inferred Germanic form, and there is a younger form: ''sigi'', which is Old Saxon or Old High German ''sigu'' (both from about 9th century). A 5th century Prince of Burgundy was known both as ''Sigismund'' and ''Sigimund'' (see Ernst Förstemann, ''Altdeutsche Personennamen'', 1906; Henning Kaufmann, ''Altdeutsche Personennamen'', Ergänzungsband, 1968). Its Hungarian equivalent is Zsigmond. A Lithuanian name Žygimantas, meaning "wealth of (military) campaign", from Lithuanian ''žygis'' "campaign, march" + ''manta'' "goods, wealth", has been a substitution of the name ''Sigismund'' in the Lithuanian language, from which it was adopted by the Ruthenian language a ...
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Folk Dances
A folk dance is a dance that reflects the life of the people of a certain country or region. Not all ethnic dances are folk dances. For example, ritual dances or dances of ritual origin are not considered to be folk dances. Ritual dances are usually called "religious dances" because of their purpose. The terms "ethnic" and "traditional" are used when it is required to emphasize the cultural roots of the dance. In this sense, nearly all folk dances are ethnic ones. If some dances, such as polka, cross ethnic boundaries and even cross the boundary between "folk" and "ballroom dance", ethnic differences are often considerable enough to mention. Background Folk dances share some or all of the following attributes: *Dances are usually held at folk dance gatherings or social functions by people with little or no professional training, often to traditional music. *Dances not generally designed for public performance or the stage, though they may later be arranged and set for stage pe ...
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