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Hundun
Hundun ( zh, c=混沌, p=Hùndùn, w=Hun4-tun4, l=muddled confusion) is both a "legendary faceless being" in Chinese mythology and the "primordial and central chaos" in Chinese cosmogony, comparable with the world egg. Linguistics ''Hundun'' was semantically extended from a mythic "primordial chaos; nebulous state of the universe before heaven and earth separated" to mean "unintelligible; chaotic; messy; mentally dense; innocent as a child". While "primordial chaos" is usually written as in contemporary vernacular, it is also written as —as in the Daoist classic '' Zhuangzi''—or —as in the '' Zuozhuan''. "chaos; muddled; confused" is written either or . These two are interchangeable graphic variants read as ) and (). ("dull; confused") is written as either or . Isabelle Robinet outlines the etymological origins of ''hundun''. Semantically, the term ''hundun'' is related to several expressions, hardly translatable in Western languages, that indicate the void ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Creation Myth
Chinese creation myths are symbolic narratives about the origins of the universe, earth, and life. Myths in China vary from culture to culture. In Chinese mythology, the term " cosmogonic myth" or "origin myth" is more accurate than "creation myth", since very few stories involve a creator deity or divine will. Chinese creation myths fundamentally differ from monotheistic traditions with one authorized version, such as the Judeo-Christian Genesis creation narrative: Chinese classics record numerous and contradictory origin myths. Traditionally, the world was created on Chinese New Year and the animals, people, and many deities were created during its 15 days. Some Chinese cosmogonic myths have familiar themes in comparative mythology. For example, creation from chaos (Chinese Hundun and Hawaiian Kumulipo), dismembered corpses of a primordial being (Pangu, Indo-European Yemo and Mesopotamian Tiamat), world parent siblings (Fuxi and Nüwa and Japanese Izanagi and Izanami), and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wonton 1
A wonton ( zh, t=, s=馄饨, p=húntun, j=wan4 tan4, first=t) is a type of Chinese dumpling commonly found across regional styles of Chinese cuisine. It is also spelled wantan or wuntun, a transliteration from Cantonese zh, j=wan4 tan1, labels=no (), and wenden from Shanghainese (). Even though there are many different styles of wonton served throughout China, Cantonese wontons are the most popular in the West due to the predominance of Cantonese restaurants overseas. Wontons, which have their origins in China, have achieved significant popularity as a sought-after delicacy that is not only celebrated and enjoyed in East Asian cuisine, but also across various Southeast Asian cuisine, Southeast Asian culinary traditions. Names In Standard Chinese, Mandarin, they are called ''huntun'' ( zh, s=馄饨, t=餛飩, p=húntun, first=s). In Cantonese, they are called ''wantan'' ( zh, s=云吞, t=雲吞, j=wan4 tan1, cy=wàhn tān, first=s), which means "cloud swallow" because w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunlun Mountain (mythology)
The Kunlun () or Kunlun Shan is a mountain or mountain range in Chinese mythology, an important symbol representing the ''axis mundi'' and divinity. The mythological Kunlun is based on various sources—mythologic and geographic—of the modern so-called Kunlun Mountains of the Tibetan Plateau and Mount Kailash (as an archetypal '' omphalos''). The term "Kunlun" has also been applied to Southeastern Asian lands or islands and seemingly even Africa—although the relationship to the mountain is not clear beyond the nomenclature. In any case, Kunlun refers to distant, exotic, and mysterious places. Different locations of Kunlun have been ascribed in the various legends, myths, and semi-historical accounts in which it appears. These accounts typically describe Kunlun as the dwelling place of various gods and goddesses where fabled plants and mythical creatures may also be found. Many important events in Chinese mythology were based around Kunlun. Historical development As the mythol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Mythology
Chinese mythology () is mythology that has been passed down in oral form or recorded in literature throughout the area now known as Greater China. Chinese mythology encompasses a diverse array of myths derived from regional and cultural traditions. Populated with engaging narratives featuring extraordinary individuals and beings endowed with magical powers, these stories often unfold in fantastical mythological realms or historical epochs. Similar to numerous other mythologies, Chinese mythology has historically been regarded, at least partially, as a factual record of the past. Along with Chinese folklore, Chinese mythology forms an important part of Chinese folk religion and Taoism, especially older popular forms of it. Many narratives recounting characters and events from ancient times exhibit a dual tradition: one that presents a more historicized or euhemerized interpretation, and another that offers a more mythological perspective. Numerous myths delve into the creation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wonton
A wonton ( zh, t=, s=馄饨, p=húntun, j=wan4 tan4, first=t) is a type of Chinese dumpling commonly found across regional styles of Chinese cuisine. It is also spelled wantan or wuntun, a transliteration from Cantonese zh, j=wan4 tan1, labels=no (), and wenden from Shanghainese (). Even though there are many different styles of wonton served throughout China, Cantonese wontons are the most popular in the West due to the predominance of Cantonese restaurants overseas. Wontons, which have their origins in China, have achieved significant popularity as a sought-after delicacy that is not only celebrated and enjoyed in East Asian cuisine, but also across various Southeast Asian culinary traditions. Names In Mandarin, they are called ''huntun'' ( zh, s=馄饨, t=餛飩, p=húntun, first=s). In Cantonese, they are called ''wantan'' ( zh, s=云吞, t=雲吞, j=wan4 tan1, cy=wàhn tān, first=s), which means "cloud swallow" because when they are cooked, the dumplings float ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chaos (cosmogony)
Chaos () is the cosmological void state preceding the creation of the universe (the cosmos) in early Greek cosmology. It can also refer to an early state of the cosmos constituted of nothing but undifferentiated and indistinguishable matter. Etymology Greek ''kháos'' () means ' emptiness, vast void, chasm, abyss', related to the verbs ''kháskō'' () and ''khaínō'' () 'gape, be wide open', from Proto-Indo-European ', cognate to Old English ''geanian'', 'to gape', whence English '' yawn''. It may also mean space, the expanse of air, the nether abyss, or infinite darkness. Pherecydes of Syros (fl. 6th century BC) interprets ''chaos'' as water, like something formless that can be differentiated. Greco-Roman tradition Hesiod and the pre-Socratics use the Greek term in the context of cosmogony. Hesiod's Chaos has been interpreted as either "the gaping void above the Earth created when Earth and Sky are separated from their primordial unity" or "the gaping space below the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zhuangzi (book)
The ''Zhuangzi'' (historically romanized ) is an ancient Chinese text that is one of the two foundational texts of Taoism, alongside the ''Tao Te Ching''. It was written during the late Warring States period (476–221 BC) and is named for its traditional author, Zhuang Zhou, who is customarily known as "Zhuangzi" ("Master Zhuang"). The ''Zhuangzi'' consists of stories and maxims that exemplify the nature of the ideal Taoist sage. It recounts many anecdotes, allegories, parables, and fables, often expressed with irreverence or humor. Recurring themes include embracing spontaneity and achieving freedom from the human world and its conventions. The text aims to illustrate the arbitrariness and false dichotomy, ultimate falsity of dichotomies normally embraced by human societies, such as those between good and bad, large and small, life and death, or human and nature. In contrast with the focus on good morals and personal duty expressed by many Chinese philosophers of the per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seal Script
Seal script or sigillary script () is a Chinese script styles, style of writing Chinese characters that was common throughout the latter half of the 1st millennium BC. It evolved organically out of bronze script during the Zhou dynasty (1046–256 BC). The variant of seal script used in the state of Qin eventually became comparatively standardized, and was adopted as the formal script across all of China during the Qin dynasty (221–206 BC). It was still widely used for decorative engraving and seal (East Asia), seals during the Han dynasty (202 BC220 AD). The literal translation given above was coined during the Han dynasty, and reflects the role of the script being reduced to ceremonial inscriptions. Types The term ''seal script'' may refer to several distinct varieties, including the large seal script and the small seal script. Without qualification, ''seal script'' usually refers to the small seal script—that is, the lineage which evolved with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Ching
The ''I Ching'' or ''Yijing'' ( ), usually translated ''Book of Changes'' or ''Classic of Changes'', is an ancient Chinese divination text that is among the oldest of the Chinese classics. The ''I Ching'' was originally a divination manual in the Western Zhou period (1000–750 BC). Over the course of the Warring States period, Warring States and early imperial periods (500–200 BC), it transformed into a Religious cosmology, cosmological text with a series of philosophical commentaries known as the Ten Wings. After becoming part of the Chinese Five Classics in the 2nd century BC, the ''I Ching'' was the basis for divination practice for centuries across the Far East and was the subject of scholarly commentary. Between the 18th and 20th centuries, it took on an influential role in Western understanding of East Asian philosophical thought. As a divination text, the ''I Ching'' is used for a Chinese form of cleromancy known as I Ching divination, ''I Ching'' div ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Book Of Documents
The ''Book of Documents'' ( zh, p=Shūjīng, c=書經, w=Shu King) or the ''Classic of History'', is one of the Five Classics of ancient Chinese literature. It is a collection of rhetorical prose attributed to figures of ancient China, and served as the foundation of Chinese political philosophy for over two millennia. The ''Book of Documents'' was the subject of one of China's oldest literary controversies, between proponents of different versions of the text. A version was preserved from Qin Shi Huang's burning of books and burying of scholars by scholar Fu Sheng, in 29 chapters ( ). This group of texts were referred to as "Modern Script" (or "Current Script"; ), because they were written with the script in use at the beginning of the Western Han dynasty. A longer version of the ''Documents'' was said to be discovered in the wall of Confucius's family estate in Qufu by his descendant Kong Anguo in the late 2nd century BC. This new material was referred to as " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
