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Hulusi Güvel
The ''hulusi'' (), also known as the cucurbit flute and the gourd flute, is a free reed wind instrument from China, Vietnam, and the Shan State, played also by the indigenous people of Assam. It is held vertically and has three bamboo pipes that pass through a Calabash gourd wind chest; the center pipe has finger holes and the outer two are typically drone pipes. It is not uncommon for a ''hulusi'' to have only one drone pipe while the second outer pipe is merely ornamental. The drone pipe has a finger hole which allows it to be stopped. Advanced configurations have keyed finger holes similar to a clarinet or oboe, which can greatly extend the range of the ''hulusi'' to several octaves. The ''hulusi'' was originally used primarily in the Shan State of Myanmar, Yunnan province in southwest China, and Assam in northeastern India by a number of ethnic-minority groups, in particular the Dai people who call the instrument "pi lamtao" (Chinese: 筚朗叨 or 筚郎叨); the word '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hu Lu Si
HU or Hu may refer to: Arts and entertainment * Hu Sanniang, a fictional character in the ''Water Margin'', one of the Four Great Classical Novels of Chinese literature * Tian Hu, one of the antagonists in the ''Water Margin'' * Hollywood Undead, an American rap rock band * The Hu, a Mongolian heavy metal band Language * Hu (digraph), used primarily in Classical Nahuatl * Fu (kana), also romanised as Hu, Japanese kana ふ and フ * Hu language, of Yunnan, China * Hungarian language (ISO 639 alpha-2 code 'hu') * , the ligature of H and u Mythology and religion * Hu (mythology), the deification of the first word in the Egyptian mythology of the Ennead * Huh (god), the deification of eternity in the Egyptian mythology of the Ogdoad * Hu (Sufism), a name for God * Hu (ritual baton), an early Chinese writing utensil later used in Daoist rituals * Hú, a kachina in Hopi mythology * Adir Hu, a hymn sung at the Passover Seder * Hu Gadarn (or Hu the Mighty), a Welsh legendar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Achang
The Achang ( zh, c=, p=Āchāngzú), also known as the Ngac'ang (their own name) is an ethnic group. They are one of Tibeto-Burman languages, Tibeto-Burman languages speaking people. They form one of the List of Chinese ethnic groups, 56 ethnic groups officially recognized by the People's Republic of China. They also live in Myanmar, where they're known as Maingtha () in Shan State and Ngochang in Kachin State. The Achang number approximately 27,700, with 27,600 residing in Yunnan province, primarily in Lianghe County of Dehong Dai and Jingpo Autonomous Prefecture, Dehong Autonomous Prefecture. The Achang speak a Burmish languages, Burmish language, related to Burmese language, Burmese, known as Achang language, Achang. However, there is no indigenous writing system for the language, and Chinese characters are often used instead. Many Achang also speak Tai Lü language, mainly for commercial transactions with the Dai people. The Husa Achang (戶撒), living in Longchuan County, Y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bawu
The ''bawu'' (; also ''ba wu'') is a Chinese wind instrument. Although shaped like a flute, it is actually a free reed instrument, with a single metal reed. It is played in a transverse (horizontal) manner. It has a pure, clarinet-like timbre and its playing technique incorporates the use of much ornamentation, particularly bending tones. The ''bawu'' likely originated in the Yunnan province of southwest China, it has become a standard instrument throughout China, used in modern Chinese compositions for traditional instrument ensembles. The instrument is also closely associated with Hmong, Yi, Hani and other minority cultures in southwestern China. It is typically used as a solo instrument, and is often featured in film scores; it is sometimes also heard in popular music recordings. Although the ''bawu'' is still predominantly performed in China, it has in recent years been adopted by European composers and performers. Rohan Leach from England, Raphael De Cock from Belgium, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herman Witkam
Herman Witkam (born 19 March 1985) is a Dutch composer and multi-instrumentalist, best known for his scores to motion pictures. During his studies at the Utrecht School of the Arts, Witkam worked on a number of online shorts through the DVXUser online film festivals. For two of these films, ''Rekindled'' and ''A Little Mouth to Feed'', both directed by Jack Daniel Stanley, Witkam won awards at the Shriekfest and HollyShorts Film Festival respectively. Career After graduating, Witkam started working mainly on feature films and television drama, but also documentaries, such as Eric Walter's ''My Amityville Horror'', which screened at the BFI London Film Festival and Fantastic Fest, and was named one of the top 15 festival horror films of 2012 by Bloody Disgusting. The Dutch mobile phone thriller '' APP'', for which Witkam composed a hybrid score of orchestra and electronics was released in a limited theatrical run in the US on May 9, 2014, and uses audio digital watermarking technol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lao Language
Lao (Lao: , ), sometimes referred to as Laotian, is the official language of Laos and a significant language in the Isan region of northeastern Thailand, where it is usually referred to as the Isan language. Spoken by over 3 million people in Laos and 3.7 million in all countries, it serves as a vital link in the cultural and social fabric of these areas. It is written in the Lao script, an abugida that evolved from ancient Tai languages, Tai scripts. Lao is a Tone (linguistics), tonal language, where the pitch or tone of a word can alter its meaning, and is Analytic language, analytic, forming sentences through the combination of individual words without inflection. These features, common in Kra–Dai languages, Kra-Dai languages, also bear similarities to Sino-Tibetan languages, Sino-Tibetan languages like Chinese language, Chinese or Austroasiatic languages, Austroasiatic languages like Vietnamese language, Vietnamese. Lao's mutual intelligibility with Thai language, Thai a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kengtung
Kengtung ( , ), also spelt Kyaingtong (; ), classical name Tungapuri, is a city in Shan State, Myanmar (formerly Burma). It is the principal town of Kengtung Township and the former seat of Kengtung State, a minor principality. Kengtung is located on the National Highway 4 (NH4) and at the AH2 and AH3 of the Asian Highway. It is also the largest city and the capital of eastern Shan State, Myanmar. Etymology Owing to Kengtung's proximity to China and Thailand, the city is known by a number of exonyms and endonyms. The endonym used by Tai Khun and Tai Lue-speaking locals is Jeng Tung (ᨾᩮᩨ᩠ᨦᨩ᩠ᨿᨦᨲᩩᨦ) respectively. Other Shan speakers use the exonym Kengtung. The most common exonym, Kyaingtong, is derived from the Burmese approximation of Kengtung. The exonym of Chiang Tung (, ) is used by Thai speakers, while Chinese speakers use Jingdong ( zh, s=景栋, t=景棟, p=Jǐngdòng). History The early history of Kengtung is made up of myths and legen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xishuangbanna
Xishuangbanna, sometimes shortened to Banna, is one of the eight autonomous prefectures of Yunnan Province. The autonomous prefecture for Dai people is in the extreme south of Yunnan province, China, bordering both Myanmar and Laos. Xishuangbanna lies at latitude 21°10′-22°40′ and longitude 99°55′-101°50′ east, on the northern edge of the tropics south of the Tropic of Cancer. It has an area of 19,124.5 square kilometers, bordering Pu'er City, Pu'er City to the northeast and northwest, Laos to the Southeast Asia, southeast and Myanmar to the southwest. The border is 966.3 kilometers long, one river connects six countries, and there are four national ports. The prefectural seat is Jinghong, the largest settlement in the area and one that straddles the Mekong, called the "Lancang River" in Chinese. This region of China is noted for the distinct culture of its ethnic groups, which is very different from that of the Han Chinese. The people, architecture, language and cultu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dehong
The Dehong Dai and Jingpo Autonomous Prefecture is an autonomous prefecture in western Yunnan province, China. It is bordered by Baoshan to the east and Myanmar's Kachin State to the west. Its titular ethnic minorities are the Dai and Jingpo, who make up 28 and 11 percent of the prefecture's population, respectively. Etymology Tai Nuea is the origin language of the word "Dehong", in Tai Le script (the script used to write the Tai Nüa language by the Tai Nua people) is written as "", transliterated to Latin as . Dehong means the lower reaches of the Nu River. The Chinese characters for Dehong are "". These two characters are a compound of , "moral" or "value"; and , "magnificent" or "great". History Early history Dianyue and Ailao were the ancient countries recorded in Chinese literature in the Dehong area, and Guozhanbi ( Kawsampi) was an ancient country established by the Dai people and recorded in Dai legends. Dianyue In the history book ''Records of the Grand Histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Standard Chinese
Standard Chinese ( zh, s=现代标准汉语, t=現代標準漢語, p=Xiàndài biāozhǔn hànyǔ, l=modern standard Han speech) is a modern standard form of Mandarin Chinese that was first codified during the republican era (1912–1949). It is designated as the official language of mainland China and a major language in the United Nations, Singapore, and Taiwan. It is largely based on the Beijing dialect. Standard Chinese is a pluricentric language with local standards in mainland China, Taiwan and Singapore that mainly differ in their lexicon. Hong Kong written Chinese, used for formal written communication in Hong Kong and Macau, is a form of Standard Chinese that is read aloud with the Cantonese reading of characters. Like other Sinitic languages, Standard Chinese is a tonal language with topic-prominent organization and subject–verb–object (SVO) word order. Compared with southern varieties, the language has fewer vowels, final consonants and tones, but more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hulusheng
The gourd mouth organ is a free reed mouth organ played across East and Southeast Asia. It consists of a gourd wind chest with several bamboo or bronze pipes inserted on top of it, the numbers of pipes differing from region to region.Sachs, C. (2012). The history of musical instruments. Courier Corporation. The gourd mouth organ is closely associated with cultural minorities in Asian countries; thus, its styles are diverse, and different counterparts can be seen across different cultures.Uchida, R., & Catlin, A. (2008). Music of upland minorities in Burma, Laos, and Thailand. The Garland Handbook of Southeast Asian Music, 303–316. In southern China, the generic name of the gourd mouth organ is ''Hulu Sheng''Thrasher, A. R. (2015). Hulu sheng. In New Grove Dictionary of Music and Musicians. Oxford University Press. Retrieved from https://doi.org/10.1093/gmo/9781561592630.article.L2281219 ( 葫芦 笙; pinyin: húlúshēng; literally "gourd sheng"). The accompaniment of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bawu
The ''bawu'' (; also ''ba wu'') is a Chinese wind instrument. Although shaped like a flute, it is actually a free reed instrument, with a single metal reed. It is played in a transverse (horizontal) manner. It has a pure, clarinet-like timbre and its playing technique incorporates the use of much ornamentation, particularly bending tones. The ''bawu'' likely originated in the Yunnan province of southwest China, it has become a standard instrument throughout China, used in modern Chinese compositions for traditional instrument ensembles. The instrument is also closely associated with Hmong, Yi, Hani and other minority cultures in southwestern China. It is typically used as a solo instrument, and is often featured in film scores; it is sometimes also heard in popular music recordings. Although the ''bawu'' is still predominantly performed in China, it has in recent years been adopted by European composers and performers. Rohan Leach from England, Raphael De Cock from Belgium, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
