|
Hub Cap (album)
''Hub Cap'' is an album by trumpeter Freddie Hubbard and was released on the Blue Note label in 1961 as BLP 4073 and BST 84073. It features performances by Hubbard, Julian Priester, Jimmy Heath, Cedar Walton, Larry Ridley and Philly Joe Jones. The pieces The album's title originates from Hubbard's nickname. The track "Cry Me Not", composed by Randy Weston for the session and arranged by Melba Liston, was considered by Hubbard to be "the most interesting tune on the record". "Luana" is dedicated to Hubbard's niece, whilst "Osie Mae" – a title which sounded "funky" to Hubbard – is characterized by an A-B-A-B pattern. "Earmon Jr.", composed by Hubbard and arranged by Ed Summerlin, was named for Hubbard's brother, a pianist. by |
Freddie Hubbard
Frederick Dewayne Hubbard (April 7, 1938 – December 29, 2008) was an American jazz trumpeter. He played bebop, hard bop, and post-bop styles from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop. Career beginnings Hubbard started playing the mellophone and trumpet in his school band at Arsenal Technical High School in Indianapolis, Indiana. Trumpeter Lee Katzman, former sideman with Stan Kenton, recommended that he begin taking trumpet lessons at the Arthur Jordan Conservatory of Music (now the Jordan College of the Arts at Butler University) with Max Woodbury, principal trumpeter of the Indianapolis Symphony Orchestra. In his teens, Hubbard worked locally with brothers Wes Montgomery, Wes and Monk Montgomery, and worked with bassist Larry Ridley and saxophonist James Spaulding. In 1958, at the age of 20, he moved to New York and began playing with some of the best jazz players of the era, including Philly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philly Joe Jones
Joseph Rudolph "Philly Joe" Jones (July 15, 1923 – August 30, 1985) was an American Jazz drumming, jazz drummer. Biography Early career As a child, Jones appeared as a featured tap dancer on ''The Kiddie Show'' on the Philadelphia radio station WIP-FM, WIP. He was in the US Army during World War II. In 1947 he became the house drummer at Café Society in New York City, where he played with the leading bebop players of the day, including Tadd Dameron. From 1955 to 1958, Jones toured and recorded with the Miles Davis Quintet – a band that became known as "the Quintet" (along with Red Garland on piano, John Coltrane on sax, and Paul Chambers on bass). Davis acknowledged that Jones was his favorite drummer, and stated in his autobiography that he would always listen for Jones in other drummers. From 1958, Jones worked as a leader, but continued to work as a sideman with other musicians, including Bill Evans and Hank Mobley. Evans, like Davis, also openly stated that Jones was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Wolff
Francis Wolff (April 5, 1907 – March 8, 1971) was a record company executive, photographer and record producer. Wolff's skills, as an executive and a photographer, were important contributions to the success of the Blue Note record label. Career Jakob Franz "Franny" Wolff was born in Berlin, Germany, where he became a jazz enthusiast, despite the government ban placed on this type of music after 1933. After a career as a commercial photographer in Germany, Wolff emigrated to the United States. A Jew, he left Berlin for New York in the late 1930s. In 1939 in New York his childhood friend Alfred Lion had co-founded Blue Note Records (with business partner Max Margulis, who soon dropped out of any involvement in the company), and Wolff joined Lion in running the company. During Lion's war service, Wolff worked for Milt Gabler at the Commodore Music Store, and together they maintained the company's catalogue until Lion was discharged. Until Lion retired in 1967, Wolff concen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudy Van Gelder
Rudolph Van Gelder (November 2, 1924 – August 25, 2016) was an American recording engineer who specialized in jazz. Over more than half a century, he recorded several thousand sessions, with musicians including Booker Ervin, John Coltrane, Miles Davis, Thelonious Monk, Sonny Rollins, Art Blakey, Lee Morgan, Joe Henderson, Freddie Hubbard, Wayne Shorter, Horace Silver, Herbie Hancock, Grant Green and George Benson. He worked with many different record companies, and recorded almost every session on Blue Note Records from 1953 to 1967. He worked on albums including John Coltrane's '' A Love Supreme'', Miles Davis's '' Walkin''', Herbie Hancock's '' Maiden Voyage'', Sonny Rollins's '' Saxophone Colossus'', and Horace Silver's '' Song for My Father''. He is regarded as one of the most influential engineers in jazz. Early life Van Gelder was born in Jersey City, New Jersey. His parents, Louis Van Gelder and the former Sarah Cohen ran a women's clothing store in Passaic. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capitol Records
Capitol Records, LLC (known legally as Capitol Records, Inc. until 2007), and simply known as Capitol, is an American record label owned by Universal Music Group through its Capitol Music Group imprint. It was founded as the first West Coast-based record label of note in the United States in 1942 by Johnny Mercer, Buddy DeSylva, and Wallichs Music City, Glenn E. Wallichs. Capitol was acquired by British music conglomerate EMI as its North American subsidiary in 1955. EMI was acquired by Universal Music Group in 2012, and was merged with the company a year later, making Capitol and the Capitol Music Group both distributed by UMG. The label's Capitol Records Building, circular headquarters building is a recognized landmark of Hollywood, Los Angeles, California. History Founding Songwriter Johnny Mercer founded Capitol Records in 1942 with financial help from songwriter and film producer Buddy DeSylva and the business acumen of Glenn Wallichs, owner of Wallichs Music City. Mercer r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rimshot
A rimshot is a percussion technique used to produce an Accent (music), accented snare drum backbeat. The sound is produced by simultaneously hitting the Drum hardware#Rim, rim and Drumhead, head of the drum with a drum stick. The sound and various techniques The sound of rimshots can be described as "part normal snare and part loud, woody accent", or "generally sharper, brighter and more cutting [than a standard accent]",Shepherd, John (ed.) (2003). ''Continuum Encyclopedia of Popular Music of the World: VolumeII: Performance and Production, Volume 11'', p.158. . since the technique produces large amounts of overtones. The drum stroke, stroke is used on the snare in Rock music, rock, Pop music, pop, jazz, and blues and on the Tom drum, tom-toms in Afro-Cuban music. The technique is also common in bossa nova, ska, reggae, and rocksteady. In marching percussion, there are three types of rimshots: *The most common is the "normal" rimshot, which is played with the tip (bead) of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cymbal
A cymbal is a common percussion instrument. Often used in pairs, cymbals consist of thin, normally round plates of various alloys. The majority of cymbals are of indefinite pitch, although small disc-shaped cymbals based on ancient designs sound a definite note (such as crotales). Cymbals are used in many ensembles ranging from the orchestra, percussion ensembles, jazz bands, heavy metal bands, and marching groups. Drum kits usually incorporate at least a crash, ride, or crash/ride, and a pair of hi-hat cymbals. A player of cymbals is known as a cymbalist. Etymology and names The word cymbal is derived from the Latin , which is the latinisation , which in turn derives . In orchestral scores, cymbals may be indicated by the French ; German , , , or ; Italian or ; and Spanish . Many of these derive from the word for plates. History Cymbals have existed since ancient times. Representations of cymbals may be found in reliefs and paintings from Armenian Highlands (7t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hi-hat
A hi-hat (hihat, high-hat, etc.) is a combination of two cymbals and a pedal, all mounted on a metal stand. It is a part of the standard drum kit used by drummers in many styles of music including rock music, rock, popular music, pop, jazz, and blues. Hi-hats consist of a matching pair of small to medium-sized cymbals mounted on a stand, with the two cymbals facing each other. The bottom cymbal is fixed and the top is mounted on a rod which moves the top cymbal toward the bottom one when the pedal is depressed (a hi-hat that is in this position is said to be "closed" or "closed hi-hats"). The hi-hat evolved from a "sock cymbal", a pair of similar cymbals mounted at ground level on a hinged, spring-loaded foot apparatus. Drummers invented the first sock cymbals to enable one drummer to play multiple percussion instruments at the same time. Over time these became mounted on short stands—also known as "low-boys"—and activated by pedals similar to those used in modern hi-hats. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hard-bop
Hard bop is a subgenre of jazz that is an extension of bebop (or "bop") music. Journalists and record companies began using the term in the mid-1950s to describe a new current within jazz that incorporated influences from rhythm and blues, gospel music, and blues, especially in saxophone and piano playing. David H. Rosenthal contends in his book ''Hard Bop'' that the genre is, to a large degree, the natural creation of a generation of African-American musicians who grew up at a time when bop and rhythm and blues were the dominant forms of black American music. Prominent hard bop musicians included Horace Silver, Clifford Brown, Charles Mingus, Art Blakey, Cannonball Adderley, Miles Davis, John Coltrane, Hank Mobley, Thelonious Monk, Lee Morgan, Wes Montgomery, Pat Martino and others. Characteristics Hard bop is sometimes referred to as "funky hard bop". The "funky" label refers to the rollicking, rhythmic feeling associated with the style. The descriptor is also used to desc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Fordham (jazz Critic)
John Fordham is a British jazz critic and writer. As well as being the main jazz critic for ''The Guardian'', he publishes a monthly column for the newspaper. He is the author of several books on jazz, and has reported on it for publications including '' Time Out'', ''City Limits'', '' Sounds'', ''Jazz UK'' and ''The Wire''. He is a former editor of ''Time Out'', ''City Limits'' and ''Jazz UK''. He has contributed to documentaries for radio and television, as well as regularly to BBC Radio 3's programme ''Jazz on 3''. Awards Fordham has won the Parliamentary Jazz Awards "Jazz Journalist of the Year" award three times since 2005. Selected bibliography *1986: ''Let's Join Hands and Contact The Living'' (Elm Tree Books) *1989: ''The Sound of Jazz'' (Hamlyn) *1991: ''Jazz on CD: the essential guide'' (Kyle Cathie) *1993: ''Jazz'' (Dorling Kindersley Dorling Kindersley Limited (branded as DK) is a British multinational publishing company specialising in illustrated reference bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Guardian
''The Guardian'' is a British daily newspaper. It was founded in Manchester in 1821 as ''The Manchester Guardian'' and changed its name in 1959, followed by a move to London. Along with its sister paper, ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust Limited. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in its journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonard Feather
Leonard Geoffrey Feather (13 September 1914 – 22 September 1994) was a British-born jazz pianist, composer, and producer, who was best known for his music journalism and other writing. Biography Feather was born in London, England, into an upper middle-class Jewish family. He learned to play the piano and clarinet without formal training and started writing about jazz and film by his late teens. At the age of twenty-one, Feather made his first visit to the United States, and after working in the UK and the US as a record producer finally settled in New York City in 1939, where he lived until moving to Los Angeles in 1960. Feather was co-editor of '' Metronome'' magazine and served as chief jazz critic for the ''Los Angeles Times'' until his death. Feather made a significant contribution to the development of jazz broadcasting in Britain, first devising three ''Evergreens of Jazz'' programmes broadcast in August and September 1936, using George Scott-Wood and His Six Swingers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
