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Hong Kong Motion Picture Rating System
The Hong Kong motion picture rating system () is a legal system of movie screening and rating. An official government agency issues ratings for any movie that will be shown in Hong Kong cinemas. History At the beginning of the film industry in Hong Kong, when the viewing of movies had no age restrictions, films were made under strict guidelines. For instance, movie characters were not allowed to get away with crimes, and sex scenes were not permitted. In 1986, with the release of John Woo's violent gangster movie '' A Better Tomorrow'' (later rated ''IIB''), the general public became concerned about the influence films had on children. As a result, the Hong Kong motion picture rating system was established under the ''Movie Screening Ordinance Cap.392'' on 10 November 1988. The purpose behind the law was to provide parents of minors a chance to prevent their children from being exposed to inappropriate materials, as well as to allow people to watch movies with content aimed to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
IFC Ticket
IFC may refer to: Buildings * International Finance Centre (Hong Kong) (IFC), an integrated commercial building complex in Hong Kong * International financial centre, home to a cluster of significant financial services providers * Shanghai IFC, a building complex in Shanghai * Guangzhou International Finance Center, a building in Tianhe District, Guangzhou Computers and electronics * Industry Foundation Classes, an object-based file format (IFC), intended to describe architectural, building and construction industry data, frequently used in building information modeling (BIM) based projects * Initial Filter Criteria, similar to triggers in mobile networks * Integer factorization, cryptography * Integrated fluidic circuit, a type of integrated circuit (IC) using fluids * Intel Fortran Compiler, a group of Fortran compilers from Intel for Windows, Linux, and OS X * Intelligent flight control system (IFC or IFCS) * Internet Foundation Classes, a now defunct graphics library for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motion Picture Rating System
A motion picture content rating system Content rating, classifies films based on their suitability for audiences due to their treatment of issues such as sex, violence, or substance abuse; their use of profanity; or other matters typically deemed unsuitable for children or adolescents. Most countries have some form of rating system that issues determinations variously known as ''certifications'', ''classifications'', ''certificates'', or ''ratings''. Age recommendations, of either an advisory or restrictive capacity, are often applied in lieu of censorship; in some jurisdictions movie theaters may have a legal obligation to enforce restrictive ratings. In countries such as Australia and Singapore, an official government body decides on ratings; in other countries such as the United States, it is done by industry committees with little if any official government status. In most countries, however, films that are considered morally offensive have been censored, restricted, or banned. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of Hong Kong
The cinema of Hong Kong ( zh, t=香港電影) is one of the three major threads in the history of Chinese language cinema, alongside the cinema of China and the cinema of Taiwan. As a former British colony, Hong Kong had a greater degree of political and economic freedom than mainland China and Taiwan, and developed into a filmmaking hub for the Chinese-speaking world (including its worldwide diaspora). For decades, Hong Kong was the third largest motion picture industry in the world following US cinema and Indian cinema and the second largest exporter. Despite an industry crisis starting in the mid-1990s and Hong Kong's transfer to Chinese sovereignty in July 1997, Hong Kong film has retained much of its distinctive identity and continues to play a prominent part on the world cinema stage. In the West, Hong Kong's vigorous pop cinema (especially Hong Kong action cinema) has long had a strong cult following, which is now arguably a part of the cultural mainstream, widely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Woo
John Woo Yu-Sen SBS (; born September 22, 1946) is a Hong Kong filmmaker, known as a highly-influential figure in the action film genre. He was a pioneer of heroic bloodshed films (a crime action film genre involving Chinese triads) and the gun fu genre in Hong Kong action cinema, before working in Hollywood films. He is known for his highly chaotic "bullet ballet" action sequences, stylized imagery, Mexican standoffs, frequent use of slow motion and allusions to ''wuxia'', film noir and Western cinema. Considered one of the major figures of Hong Kong cinema, Woo has directed several notable action films including '' A Better Tomorrow'' (1986), '' The Killer'' (1989), '' Hard Boiled'' (1992) and '' Red Cliff'' (2008/2009). His Hollywood films include '' Hard Target'' (1993), '' Broken Arrow'' (1996), '' Face/Off'' (1997) and '' Mission: Impossible 2'' (2000). He also created the comic series ''Seven Brothers'', published by Virgin Comics. He is the founder and chairman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Better Tomorrow
''A Better Tomorrow'' () is a 1986 Hong Kong crime action film directed and co-written by John Woo, and starring Ti Lung, Leslie Cheung and Chow Yun-fat. The film had a profound influence on Hong Kong action cinema, and has been recognised as a landmark film credited with setting the template for the heroic bloodshed genre, with considerable influence on both the Hong Kong film industry and Hollywood. Produced with a tight budget and released with virtually no advertising, ''A Better Tomorrow'' broke Hong Kong's box office record and went on to become a blockbuster in Asia. The film is highly regarded, ranking #2 in the Best 100 Chinese Motion Pictures. Its success led to a sequel, '' A Better Tomorrow II'', also directed by Woo, and '' A Better Tomorrow 3: Love & Death in Saigon'', a prequel directed by Tsui Hark. It has been remade several times. The film was Chow Yun-fat's breakout role and launched him as one of the top superstars in the Hong Kong film industry. C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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