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Hoedown Showdown
A hoedown is a type of American folk dance or square dance in duple meter, and also the musical form associated with it. Overview The most popular sense of the term is associated with Americans in rural or southeastern parts of the country, particularly Appalachia. It is a dance in quick movement most likely related to the jig, reel or clog dance. In contest fiddling, a hoedown is a tune in fast 2/4 time. In many contests, fiddlers are required to play a waltz, a hoedown, and a "tune of choice," which must not be a waltz or a hoedown (typically it is a jig or a schottische). In modern western square dance, a hoedown is a piece of music used for a patter call (a call that is spoken or chanted, rather than sung to the tune of a popular song), or the recording that contains this piece of music. In the early days of the Western square dance revival (the 1940s and early 1950s), most hoedowns were traditional fiddle tunes; since the late 1950s, recordings of simple chord progressi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Dance
A folk dance is a dance that reflects the life of the people of a certain country or region. Not all ethnic dances are folk dances. For example, Ritual, ritual dances or dances of ritual origin are not considered to be folk dances. Ritual dances are usually called "religious dances" because of their purpose. The terms "ethnic" and "traditional" are used when it is required to emphasize the cultural roots of the dance. In this sense, nearly all folk dances are ethnic ones. If some dances, such as polka, cross ethnic boundaries and even cross the boundary between "folk" and "ballroom dance", ethnic differences are often considerable enough to mention. Background Folk dances share some or all of the following attributes: *Dances are usually held at folk dance gatherings or social functions by people with little or no professional training, often to traditional music. *Dances not generally designed for public performance or the stage, though they may later be arranged and set for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rodeo (ballet)
''Rodeo'' is a ballet composed by Aaron Copland and choreographed by Agnes de Mille, which premiered in 1942. Subtitled "''The Courting at Burnt Ranch''", the ballet consists of five sections: " Buckaroo Holiday", " Corral Nocturne", " Ranch House Party", " Saturday Night Waltz", and "Hoe-Down". The symphonic version omits "Ranch House Party", leaving the other sections relatively intact. Genesis The original ballet was choreographed by Agnes de Mille for the Ballet Russe de Monte-Carlo, a dance company that moved to the United States during World War II. In order to compete with the rival company Ballet Theatre, the Ballet Russe commissioned de Mille out of a career of relative obscurity. The choreographer was given considerable creative control, choosing Aaron Copland as the composer after being impressed by his previous ballet, '' Billy the Kid''. Though Copland was initially reluctant to compose "another Cowboy ballet," De Mille persuaded him that this show would mark a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hootenanny
A hootenanny is a freewheeling, improvisatory musical event in the United States, often incorporating audience members in performances. It is particularly associated with folk music. Etymology Meanings Hootenanny is an Appalachian colloquialism that was used in the early twentieth century U.S. as a placeholder name to refer to things whose names were forgotten or unknown. In this usage, it was synonymous with ''doohickey'', ''thingamajig'' or ''whatchamacallit'', as in: "That hootenanny that she shovels her bread with—that long-handled majigger, you know" (from ''Sim Greene: A Narrative of the Whisky Insurrection'' 906. Folk music performance ''Hootenanny'' is also a rural word for "party" or get-together. It can refer to a folk music party with an open mic, at which different performers are welcome to get up and play in front of an audience. According to Pete Seeger he first heard the word ''hootenanny'' in Seattle, Washington, in the summer of 1941 while touring the area w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cèilidh
A ( , ) or () is a traditional Scottish and Irish social gathering. In its most basic form, it simply means a social visit. In contemporary usage, it usually involves Dance (event), dancing and playing Gaelic music, Gaelic folk music, either at a home or a larger concert at a social hall or other community gathering place. (plural of ) and (plural of ) originated in the Gaels, Gaelic areas of Scotland and Ireland and are consequently common in the Scottish diaspora, Scottish and Irish diasporas. They are similar to the traditions in Cornwall and and events in Wales, ''merry neets'' in Cumbria and North East England, as well as English country dance throughout England which have in some areas undergone a fusion with céilithe. Etymology The term is derived from the Old Irish (singular) meaning 'companion'. It later became and , which means 'visit' in Goidelic languages, Gaelic. In Scottish Gaelic orthography, Scottish Gaelic reformed spelling it is spelt (plural ) an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whose Line Is It Anyway?
''Whose Line Is It Anyway?'' is a short-form improvisational comedy show created by Dan Patterson and Mark Leveson. The three major versions of the show are the original 1988 British radio programme (from which all subsequent versions are adapted), the British television programme, which ran from 1988 to 1999, and the American television programme, which ran from 1998 to 2007 and was revived in 2013. All three versions were produced by Patterson and Leveson and have a continuity of cast (for example, both the British radio and television shows were hosted by Clive Anderson, while several performers from the British television show then starred in the American television show). Each version of the show consists of a panel of four performers who create characters, scenes, and songs on the spot, in the style of short-form improvisation games, many taken from theatresports. Topics for the games are based on either audience suggestions or predetermined prompts from the host. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Improvisational Comedy
Improvisational theatre, often called improvisation or improv or impro in British English, is the form of theatre, often comedy, in which most or all of what is performed is unplanned or unscripted, created spontaneously by the performers. In its purest form, the dialogue, action, story, and characters are created collaboratively by the players as the improvisation unfolds in present time, without use of an already prepared, written script. Improvisational theatre exists in performance as a range of styles of improvisational comedy as well as some non-comedic theatrical performances. It is sometimes used in film and television, both to develop characters and scripts and occasionally as part of the final product. Improvisational techniques are often used extensively in drama programs to train actors for stage, film, and television and can be an important part of the rehearsal process. However, the skills and processes of improvisation are also used outside the context of performin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BBC Radio 4
BBC Radio 4 is a British national radio station owned and operated by the BBC. The station replaced the BBC Home Service on 30 September 1967 and broadcasts a wide variety of spoken-word programmes from the BBC's headquarters at Broadcasting House, London. Since 2019, the station controller has been Mohit Bakaya. He replaced Gwyneth Williams, who had been the station controller since 2010. Broadcasting throughout the United Kingdom, the Isle of Man and the Channel Islands on FM broadcast band, FM, Longwave, LW and Digital Audio Broadcasting, DAB, and on BBC Sounds, it can be received in the eastern counties of Republic of Ireland, Ireland, northern France and Northern Europe. It is available on Freeview (UK), Freeview, Freesat, Sky (UK & Ireland), Sky, and Virgin Media. Radio 4 currently reaches over 10 million listeners, making it List of most-listened-to radio programs#Top stations in the United Kingdom, the UK's second most-popular radio station after BBC Radio 2. BBC ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trilogy (Emerson, Lake & Palmer Album)
''Trilogy'' is the third studio album by English progressive rock supergroup Emerson, Lake & Palmer, released in June 1972, by Island Records. The group had spent most of 1971 touring, and paused in September so they could record a new album at Advision Studios with Eddy Offord resuming his role as engineer. It would be his last with the group, as he later elected to work full-time with Yes. The album features " Hoedown", an arrangement of Aaron Copland's ballet composition which became a live favourite. The album was a commercial success, reaching No. 2 on the UK Albums Chart and No. 5 on the US ''Billboard'' 200. Lake's acoustic song, " From the Beginning", was released as a single in August 1972 and became the band's highest charting US single, reaching No. 39. Lake later picked ''Trilogy'' as his favourite Emerson, Lake & Palmer album. Recording In September 1971, the band took a break in their tour promoting '' Tarkus'' (1971) and '' Pictures at an Exhibition'' (1971) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emerson, Lake & Palmer
Emerson, Lake & Palmer (informally known as ELP) were an English progressive rock Supergroup (music), supergroup formed in London in 1970. The band consisted of Keith Emerson (keyboards) of The Nice, Greg Lake (vocals, bass, guitars, producer) of King Crimson, and Carl Palmer (drums, percussion) of Atomic Rooster. With nine Recording Industry Association of America, RIAA-certified gold record albums in the US, and an estimated 48 million records sold worldwide, they are one of the most popular and commercially successful progressive rock groups of the 1970s, with a musical sound including adaptations of classical music with jazz and symphonic rock elements, dominated by Emerson's flamboyant use of the Hammond organ, Moog synthesizer, and piano (although Lake wrote several acoustic songs for the group).Lake says almost dismissively, "It used to be a thing where as a balance to the record I would write an acoustic song." Lake's ballads, the least typical aspect of ELP's music, oft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Fiedler
Arthur Fiedler (December 17, 1894 – July 10, 1979) was an American Conductor (music), conductor known for his association with both the Boston Symphony Orchestra, Boston Symphony and Boston Pops Orchestra, Boston Pops orchestras. With a combination of musicianship and showmanship, he made the Boston Pops one of the best-known orchestras in the United States. Fiedler was sometimes criticized for over-popularizing music, particularly when adapting popular songs or editing portions of the classical repertoire, but he kept performances informal and sometimes self-mocking to attract a bigger audience. Life and career Fiedler was born in Boston, Massachusetts, Boston, Massachusetts, the son of Johanna (née Bernfeld) and Emanuel Fiedler (1859–1944). His parents were Austrian Jewish immigrants. His father was a violinist who played in the Boston Symphony Orchestra, and his mother was a pianist. He grew up in Boston, and attended Boston Latin School until his father retired in the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boston Pops
The Boston Pops is an American orchestra based in Boston, Massachusetts, specializing in light classical and popular music. The orchestra's current music director is Keith Lockhart. Founded in 1885 as an offshoot of the Boston Symphony Orchestra (BSO), the Boston Pops primarily consists of musicians from the BSO, although generally not all of the first-chair players. The orchestra performs a spring season of popular music and a holiday program in December. For the Pops, the seating on the floor of Symphony Hall is reconfigured from auditorium seating to banquet and cafe seating. The Pops also plays an annual concert at the Hatch Memorial Shell on the Esplanade every Fourth of July. Their performances of Tchaikovsky's "1812 Overture" and Sousa's " The Stars and Stripes Forever" are famous for howitzer cannons firing and fireworks exploding during the former and the unfurling of the American flag that occurs near the end of the latter. Identified with its longtime direc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aaron Copland
Aaron Copland (, ; November 14, 1900December 2, 1990) was an American composer, critic, writer, teacher, pianist, and conductor of his own and other American music. Copland was referred to by his peers and critics as the "Dean of American Composers". The open, slowly changing harmonies in much of his music are typical of what many consider the sound of American music, evoking the vast American landscape and pioneer spirit. He is best known for the works he wrote in the 1930s and 1940s in a deliberately accessible style often referred to as "populist" and which he called his "vernacular" style. Works in this vein include the ballets ''Appalachian Spring'', ''Billy the Kid (ballet), Billy the Kid'' and ''Rodeo (ballet), Rodeo'', his ''Fanfare for the Common Man'' and Symphony No. 3 (Copland), Third Symphony. In addition to his ballets and orchestral works, he produced music in many other genres, including chamber music, vocal works, opera, and film scores. After some initial studie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
