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Hoboken Catalog
The Hoboken catalogue is a catalogue of the musical compositions by Joseph Haydn compiled by Anthony van Hoboken. It is intended to cover the composer's entire oeuvre and includes over 750 entries. Its full title in the original German is ''Joseph Haydn, Thematisch-bibliographisches Werkverzeichnis'' ("Joseph Haydn, thematic-bibliographic catalogue of works"). The Haydn catalogue that now bears Hoboken's name was begun in card format in 1934; work continued until the publication of the third and final book volume in 1978. Works by Haydn are often indicated using their Hoboken catalogue number, typically in the format "Violin Concerto No. 1 (Haydn), Violin Concerto No. 1 in C major, Hob. VIIa:1". The catalogue The catalogue is a massive work; a currently available version runs to 1936 pages. Each work is given with an identifying incipit, printed on a single musical line. There is discussion of manuscript sources, early editions, listing in previous catalogues (including the two Ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Haydn
Franz Joseph Haydn ( ; ; 31 March 173231 May 1809) was an Austrian composer of the Classical period (music), Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions to musical form have led him to be called "Father of the Symphony" and "Father of the String quartet". Haydn arose from humble origins, the child of working people in a rural village. He established his career first by serving as a chorister at St. Stephen's Cathedral, Vienna, then through an arduous period as a freelance musician. Eventually he found career success, spending much of his working life as Kapellmeister, music director for the wealthy Esterházy family at their palace of Eszterháza in rural Hungary. Though he had his own orchestra there, it isolated him from other composers and trends in music so that he was, as he put it, "forced to become original". During this period his music circulated widely in publication, eventuall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Symphonies By Joseph Haydn
A list is a set of discrete items of information collected and set forth in some format for utility, entertainment, or other purposes. A list may be memorialized in any number of ways, including existing only in the mind of the list-maker, but lists are frequently written down on paper, or maintained electronically. Lists are "most frequently a tool", and "one does not ''read'' but only ''uses'' a list: one looks up the relevant information in it, but usually does not need to deal with it as a whole". Lucie Doležalová,The Potential and Limitations of Studying Lists, in Lucie Doležalová, ed., ''The Charm of a List: From the Sumerians to Computerised Data Processing'' (2009). Purpose It has been observed that, with a few exceptions, "the scholarship on lists remains fragmented". David Wallechinsky, a co-author of '' The Book of Lists'', described the attraction of lists as being "because we live in an era of overstimulation, especially in terms of information, and lists help ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Seasons (Haydn)
''The Seasons'' (German: ''Die Jahreszeiten'', Hob. XXI:3) is a secular oratorio by Joseph Haydn, first performed in 1801. History Haydn was led to write ''The Seasons'' by the great success of his previous oratorio '' The Creation'' (1798), which had become very popular and was in the course of being performed all over Europe. Libretto The libretto for ''The Seasons'' was prepared for Haydn, just as with ''The Creation'', by Baron Gottfried van Swieten, an Austrian nobleman who had also exercised an important influence on the career of Mozart (among other things commissioning Mozart's reorchestration of Handel's ''Messiah''). Van Swieten's libretto was based on extracts from the long English poem " The Seasons" by James Thomson (1700–1748), which had been published in 1730. Whereas in ''The Creation'' Swieten was able to limit himself to rendering an existing (anonymous) libretto into German, for ''The Seasons'' he had a much more demanding task. Olleson writes, "Even when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Creation (Haydn)
''The Creation'' () is an oratorio written in 1797 and 1798 by Joseph Haydn (Hoboken catalogue, Hob. XXI:2), and considered by many to be one of his masterpieces. The oratorio depicts and celebrates the creation of the world as Genesis creation narrative, narrated in the Book of Genesis. The libretto was written by Gottfried van Swieten. The work is structured in three parts and scored for soprano, tenor and Bass (voice type), bass soloists, chorus and a symphonic orchestra. In parts I and II, depicting the creation, the soloists represent the archangels Raphael (archangel), Raphael (bass), Uriel (tenor) and Gabriel (soprano). In part III, the bass and soprano represent Adam and Eve. The first public performance was held in Vienna at the old Burgtheater on 19 March 1799. The oratorio was published with the text in German and English in 1800. Inspiration Haydn was inspired to write a large oratorio during his visits to England in 1791–1792 and 1794–1795 when, alongside his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stabat Mater (Haydn)
Joseph Haydn's Stabat Mater, Hob. XXa:1, is a setting of the Stabat Mater sequence, written in 1767 for soloists, mixed choir and an orchestra of oboe, strings and continuo. The first performance is believed to have taken place on 17 March 1767 at the Esterhazy court. History Joseph Haydn set the Stabat Mater sequence in 1767 as his first major sacred composition. The first performance was probably on Good Friday that year, 17 March 1767, at Eszterháza, his employer's palace. Structure and scoring Haydn divided the text into 14 movements: # Stabat Mater dolorosa, Largo, G minor, common time # O quam tristis et afflicta, Larghetto Affettuoso E-flat major, 3/8 # Quis est homo qui non fleret, Lento, C minor, common time # Quis non posset contristari, Moderato, F major, common time # Pro peccatis suae gentis, Allegro ma non troppo, B-flat major, common time # Vidit suum dulcem natum, Lento e mesto, F minor, common time # Eja Mater, fons amoris, Allegretto, D minor, 3/8 # Sanct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Seven Last Words Of Christ (Haydn)
''The Seven Last Words of Our Saviour on the Cross'' (German: ) is an orchestral work by Joseph Haydn, commissioned in 1786 for the Good Friday service at Oratorio de la Santa Cueva (Holy Cave Oratory) in Cádiz, Spain. Published in 1787 and performed then in Paris, Rome, Berlin and Vienna, the composer adapted it in 1787 for string quartet, approved a version for solo piano in the same year, and finally adapted it in 1796 as an oratorio (with both solo and choral vocal forces). The seven main meditative sections are based on seven expressions attributed to Jesus during his crucifixion. The seven sections are labelled "sonatas" and are all slow. They are framed by a slow Introduction and a fast "Earthquake" conclusion, for a total of nine movements. Origin Haydn himself explained the origin and difficulty of writing the work when the publisher Breitkopf & Härtel issued (in 1801) a new edition and requested a preface: Some fifteen years ago I was requested by a canon of C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Clock
A musical clock is a clock that marks the hours of the day with a musical tune. They can be considered elaborate versions of striking or chiming clocks. Elaborate large-scale musical clocks with automatons are often installed in public places and are widespread in Japan. Unlike conventional electronic musical clocks, these clocks plays pre-recorded music samples, instead of using programmed sound synthesis. One of the earliest known domestic musical clocks was constructed by Nicholas Vallin in 1598, and it currently resides in the British Museum in London. Description The music on mechanical clocks is typically played from a spiked cylinder on bells, organ pipes, or bellows. On electric clocks such as quartz clocks, the music is usually generated using an electronic sound module. Most of these quartz musical clocks utilize either FM synthesis or sample-based synthesis technology for sound generation to produce high-fidelity and complex music, similar to the sound g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Solo Piano Compositions By Joseph Haydn
This is a list of solo piano pieces by Joseph Haydn. Piano sonatas Two numbering schemes for the sonatas are commonly used. Here, the pieces are sorted using the numbering method proposed by H. C. Robbins Landon, Landon, H. C. Robbins. In: ''Haydn (Oxford Composer Companions)'', Ed Wyn Jones, D. Oxford University Press, Oxford, 2002, pp. 203 & 468. while the "Hob. XVI" specification refers to its index in the Hoboken catalogue. Piano pieces These works are in Category XVII of the Hoboken catalogue. *Capriccio in G major on "Acht Sauschneider müssen sein", Hob. XVII/1 * Twenty Variations in G major, Hob. XVII/2 *Arietta con 12 Variazioni, Hob. XVII/3 * Fantasia (Capriccio) in C major, Hob. XVII/4 (1789) *Variations (6) in C major, Hob. XVII/5 (1790) *Variations in F minor, Un piccolo divertimento, Hob. XVII/6 (1793) *Variations (5) in D major, Hob. XVII/7 *Variations (8) in D major, Hob. XVII/8 (uncertain) *Adagio in F major, Hob. XVII/9 *Allegretto in G major, Hob. XVII/1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Piano Trios By Joseph Haydn
This is a list of piano trios by Joseph Haydn, including the chronological number assigned by H. C. Robbins Landon and the number they are given in Anthony van Hoboken's catalogue of his works. (Hoboken's listings of Haydn compositions are divided by musical genre, and the piano trios as a category are grouped under the Roman numeral prefix XV.) Haydn's early trios are considered minor works and are seldom played except in the context of complete editions. In contrast, the later trios, starting in the mid-1780s, reflect the composer's full musical maturity and are greatly admired by critics. The role of the instruments The piano trios of Haydn are dominated by the piano part. The violin only plays the melody a certain amount of the time, and is often doubled by the piano when it does. The cello part is very much subordinated, usually just doubling the bass line in the piano. Charles Rosen discusses and defends this asymmetry, relating it to the sonority of the instruments of Ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baryton Trios (Haydn)
The baryton is a bowed string instrument similar to the viol, but distinguished by an extra set of sympathetic but also pluckable strings. It was in regular use in Europe until the end of the 18th century. Design The baryton can be viewed as a sort of augmented bass viol. It is similar in size to the latter instrument and likewise has six or seven strings of gut (typically D G C E A D, although '' scordatura'' was used), arranged over a fretted fingerboard and played with a bow. The instrument is held vertically and is supported by the player's legs (rather than with an end-pin as in the modern cello). The baryton differs from the bass viol in having an additional set of wire strings. These perform two functions: they vibrate sympathetically with the bowed strings, enriching the tone, and they can also be plucked by the left thumb of the performer, creating a contrasting tonal quality. As can be seen in the illustration, the bowed strings are placed on the left, where th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
