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Hip Hop Production
Hip hop production is the creation of hip hop music in a recording studio. While the term encompasses all aspects of hip hop music creation, including recording the rapping of an MC, a turntablist or DJ providing a beat, playing samples and " scratching" using record players and the creation of a rhythmic backing track, using a drum machine or sequencer, it is most commonly used to refer to recording the instrumental, non-lyrical and non-vocal aspects of hip hop. Music production Hip hop producers may be credited as the record producer or songwriter; they may also supervise recording sessions. Hip hop instrumentals are colloquially referred to as beats or musical compositions, while the composer is called either a programmer, songwriter, or beat maker. In the studio, the hip hop producer often functions as both the composer and as a traditional record producer. They are sometimes called Orchestrators. P. Diddy is an example of one, but they are ultimately responsible for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hip Hop Producer And Rapper RZA - Robert Fitzgerald Diggs (2)
In vertebrate anatomy, the hip, or coxaLatin ''coxa'' was used by Celsus in the sense "hip", but by Pliny the Elder in the sense "hip bone" (Diab, p 77) (: ''coxae'') in medical terminology, refers to either an list of human anatomical regions, anatomical region or a joint on the outer (lateral) side of the pelvis. The hip region is located lateral (anatomy), lateral and anterior (anatomy), anterior to the Buttocks, gluteal region, inferior (anatomy), inferior to the iliac crest, and lateral to the obturator foramen, with muscle tendons and soft tissues overlying the greater trochanter of the femur. In adults, the three pelvic bones (ilium (bone), ilium, ischium and pubis (bone), pubis) have fused into one hip bone, which forms the superomedial/deep wall of the hip region. The hip joint, scientifically referred to as the acetabulofemoral joint (''art. coxae''), is the ball-and-socket joint between the pelvic acetabulum and the femoral head. Its primary function is to weight-bear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afrika Bambaataa
Lance Taylor (born April 17, 1957), also known as Afrika Bambaataa (), is a retired American DJ, rapper, and record producer. He is notable for releasing a series of genre-defining electro tracks in the 1980s that influenced the development of hip hop culture. Afrika Bambaataa is one of the originators of breakbeat DJing. Through his co-opting of his street gang Black Spades into the music and culture-oriented organization Universal Zulu Nation, he has helped spread hip hop culture throughout the world. In May 2016, Bambaataa left his position as head of the "Universal Zulu Nation" due to multiple allegations of child sexual abuse dating as far back as the 1970s. Early life Born Lance Taylor to Jamaican and Barbadian immigrants, Bambaataa grew up in the Bronx River Projects, with an activist mother and uncle. As a child, he was exposed to the black liberation movement and witnessed debates between his mother and uncle regarding the conflicting ideologies in the movement. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alex Ross (music Critic)
Alex Ross (born January 12, 1968) is an American music critic and author who specializes in classical music. Ross has been a staff member of ''The New Yorker'' magazine since 1996. His extensive writings include performance and record reviews, industry updates, cultural commentary, and historical narratives in the realm of classical music. He has written three well-received books: '' The Rest Is Noise: Listening to the Twentieth Century'' (2007), ''Listen to This'' (2011), and ''Wagnerism: Art and Politics in the Shadow of Music'' (2020). A graduate of Harvard University and student of composer Peter Lieberson, from 1992 to 1996 Ross was a critic for ''The New York Times''. He has received wide acclaim for his publications; ''The Rest Is Noise'' was a finalist for the 2008 Pulitzer Prize for General Nonfiction, and his other awards and honors include a MacArthur Fellowship and the Belmont Prize. He maintains a popular classical music blog, ''The Rest is Noise''. Life and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Chronic
''The Chronic'' is the debut studio album by American rapper and producer Dr. Dre. It was released on December 15, 1992, by his record label Death Row Records along with Interscope Records and distributed by Priority Records. The recording sessions took place at Death Row Studios in Los Angeles and at Bernie Grundman Mastering in Hollywood. ''The Chronic'' was Dr. Dre's first solo album after he departed the West Coast hip hop group N.W.A and its label Ruthless Records over a financial dispute. It includes insults towards Ruthless Records and its owner, former N.W.A member and assembler Eazy-E. It features many appearances by then-emerging American rapper Snoop Doggy Dogg, who used the album as a launch pad for boosting his solo career. The album's title derives from a slang term for high-grade cannabis, and its cover is a homage to Zig-Zag rolling papers. In 2023, to celebrate its 30th anniversary, the album was reissued by Dr. Dre's current label Aftermath Entertainmen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fear Of A Black Planet
''Fear of a Black Planet'' is the third studio album by American hip hop group Public Enemy. It was released on April 10, 1990, by Def Jam Recordings and Columbia Records, and produced by the group's production team The Bomb Squad, who expanded on the sample-layered sound of Public Enemy's previous album, ''It Takes a Nation of Millions to Hold Us Back'' (1988). Having fulfilled their initial creative ambitions with that album, the group aspired to create what lead rapper Chuck D called "a deep, complex album". Their songwriting was partly inspired by the controversy surrounding member Professor Griff's anti-Semitic public comments and his consequent dismissal from the group in 1989. Reflecting its confrontational tone, ''Fear of a Black Planet'' features elaborate sound collages that incorporate varying rhythms, numerous samples, media sound bites, and eccentric loops. Recorded during the golden age of hip hop, its assemblage of reconfigured and recontextualized aural s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Public Enemy (group)
Public Enemy is an American hip hop group formed in Roosevelt, New York, in 1985 by Chuck D and Flavor Flav. The group rose to prominence for their political messages including subjects such as American racism and the American media. Their debut album, '' Yo! Bum Rush the Show'', was released in 1987 to critical acclaim, and their second album, ''It Takes a Nation of Millions to Hold Us Back'' (1988), was the first hip hop album to top ''The Village Voice''s Pazz & Jop critics' poll. Their next three albums, '' Fear of a Black Planet'' (1990), '' Apocalypse 91... The Enemy Strikes Black'' (1991), and '' Muse Sick-n-Hour Mess Age'' (1994), were also well received. The group has since released twelve more studio albums, including the soundtrack to the 1998 sports-drama film '' He Got Game'' and a collaborative album with Paris, '' Rebirth of a Nation'' (2006). Public Enemy has gone through many lineup changes over the years, with Chuck D and Flavor Flav remaining the onl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paid In Full (album)
''Paid in Full'' is the debut studio album by American hip hop duo Eric B. & Rakim, released on July 7, 1987, by Island-subsidiary label 4th & B'way Records. The duo recorded the album at hip-hop producer Marley Marl's home studio and Power Play Studios in New York City, following Rakim's response to Eric B.'s search for a rapper to complement his disc jockey work in 1985. The album peaked at No. 58 on the ''Billboard'' 200 chart, No. 8 on the R&B/Hip-Hop Albums chart, and produced five singles: " Eric B. Is President", " I Ain't No Joke", " I Know You Got Soul", "Move the Crowd", and " Paid in Full". ''Paid in Full'' is credited as a benchmark album of golden age hip-hop. Rakim's rapping, which pioneered the use of internal rhymes in hip-hop, set a higher standard of lyricism in the genre and served as a template for future rappers. The album's heavy sampling by Eric B. became influential in hip-hop production. The record has sold over a million copies and the Recording I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eric B
The given name Eric, Erich, Erikk, Erik, Erick, Eirik, or Eiríkur is derived from the Old Norse name ''Eiríkr'' (or ''Eríkr'' in Old East Norse due to monophthongization). The first element, ''ei-'' may be derived from the older Proto-Norse language, Proto-Norse ''*wikt:Reconstruction:Proto-Germanic/ainaz, aina(z)'', meaning "one, alone, unique", ''as in the form'' ''Æ∆inrikr'' explicitly, but it could also be from ''*wikt:Reconstruction:Proto-Germanic/aiwaz, aiwa(z)'' "everlasting, eternity", as in the Gothic form ''Euric''. The second element ''-wikt:ríkr, ríkr'' stems either from Proto-Germanic language, Proto-Germanic ''*wikt:Reconstruction:Proto-Germanic/rīks, ríks'' "king, ruler" (cf. Gothic ''wikt:𐍂𐌴𐌹𐌺𐍃, reiks'') or the therefrom derived ''*wikt:Reconstruction:Proto-Germanic/rīkijaz, ríkijaz'' "kingly, powerful, rich, prince"; from the common Proto-Indo-European language, Proto-Indo-European root *wikt:Reconstruction:Proto-Indo-European/h₃r� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assemblage (composition)
Assemblage refers to a text "built primarily and explicitly from existing texts to solve a writing or communication problem in a new context". The concept was first proposed by Johndan Johnson-Eilola (author of ''Datacloud'') and Stuart Selber in the journal ''Computers & Composition'' in 2007. The notion of assemblages builds on remix and remix practices, which blur distinctions between invented and borrowed work. This idea predates modernism, with the quote by Edgar Allan Poe, "There is no greater mistake than the supposition that a true originality is a mere matter of impulse or inspiration. To originate, is carefully, patiently, and understandingly to combine." In composition Johnson-Eilola and Selber write that assemblage is influenced by intertextuality and postmodernism. The authors discuss the intertextual nature of writing and assert that participation in existing discourse necessarily means that composition cannot occur separate from that discourse. They state that "p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, or sound effects. A sample might comprise only a fragment of sound, or a longer portion of music, such as a drum beat or melody. Samples are often layered, Equalization (audio), equalized, sped up or slowed down, repitched, Loop (music), looped, or otherwise manipulated. They are usually integrated using electronic music instruments (Sampler (musical instrument), samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with ''musique concrète'', experimental music created by Tape splice, splicing and Tape loop, looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beat (music)
In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the ''mensural level'' (or ''beat level''). The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be technically incorrect (often the first multiple level). In popular use, ''beat'' can refer to a variety of related concepts, including pulse, tempo, meter, specific rhythms, and groove. Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications. Beats are related to and distinguished from pulse, rhythm (grouping), and meter: Metric levels faster than the beat level are division levels, and slower levels are multiple levels. Beat has always been an important part of music. Some music genres such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Break (music)
In popular music, a break is an instrumental or percussion instrument, percussion section during a song derived from or related to stop-time – being a "break" from the main section (music), parts of the song or piece. A break is usually interpolated between sections of a song, to provide a sense of anticipation, signal the start of a new section, or create variety in the arrangement. Jazz A solo break in jazz occurs when the rhythm section (piano, bass, drums) stops playing behind a soloist for a brief period, usually two or four bars leading into the soloist's first improvised solo chorus (at which point the rhythm section resumes playing). A notable recorded example is sax player Charlie Parker's solo break at the beginning of his solo on "A Night in Tunisia". While the solo break is a break for the rhythm section, for the soloist, it is a solo cadenza, where they are expected to improvise an interesting and engaging melodic line. DJing and dance music In DJ parlance, in di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
