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Hindu Epic
Mahākāvya (lit. great kāvya, court epic), also known as ''sargabandha'', is a genre of Indian epic poetry in Classical Sanskrit. The genre is characterised by ornate and elaborate descriptions of phenomena such as scenery, love, and battles. Typical examples of ''mahākāvya'' are the ''Kumarasambhava'' and the '' Kiratarjuniya.'' The genre evolved from earlier epics, the Mahabharata and the Ramayana. Despite the length of ''mahākāvya''s (15-30 cantos, a total of about 1500-3000 verses), they are still much shorter than the Ramayana (500 cantos, 24000 verses) and the Mahabharata (about 100000 verses). Classical examples The Buddhist poet and philosopher Aśvaghoṣa (c. 80 – c. 150 CE) is one of the earliest Sanskrit poets with surviving Kāvya literature. His '' Buddhacarita'' (''Acts of the Buddha'') calls itself a ''mahākāvya'' and was influential enough to be translated into both Tibetan and Chinese. Another kāvya by Aśvaghoṣa is the ''Saundarananda'', w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Epic Poetry
Indian epic poetry is the epic poetry written in the Indian subcontinent, traditionally called ''Kavya'' (or ''Kāvya''; Sanskrit: काव्य, IAST: ''kāvyá''). The ''Ramayana'' and the '' Mahabharata'', which were originally composed in Sanskrit and later translated into many other Indian languages, and the Five Great Epics of Tamil literature and Sangam literature are some of the oldest surviving epic poems ever written. List of longest epics Hindi epics In modern Hindi literature, '' Kamayani'' by Jaishankar Prasad has attained the status of an epic. The narrative of Kamayani is based on a popular mythological story, first mentioned in Satapatha Brahmana. It is a story of the great flood and the central characters of the epic poem are Manu (a male) and Shraddha (a female). Manu is representative of the human psyche and Shradha represents love. Another female character is Ida, who represents rationality. Some critics surmise that the three lead characters o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiva
Shiva (; , ), also known as Mahadeva (; , , Help:IPA/Sanskrit, [mɐɦaːd̪eːʋɐh]) and Hara, is one of the Hindu deities, principal deities of Hinduism. He is the God in Hinduism, Supreme Being in Shaivism, one of the major traditions within Hinduism. Shiva is known as ''The Destroyer'' within the Trimurti, the Hinduism, Hindu trinity which also includes Brahma and Vishnu. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shaktism, Shakta tradition, the Supreme Goddess (Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta Tradition, Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an Omniscience, omniscient yogi who lives an Asceticism#Hinduism, ascetic life on Kailasa as well as a house ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhaṭṭikāvya
' (; "Bhatti's Poem") is a Sanskrit-language poem dating from the 7th century CE, in the formal genre of the "great poem" ( mahākāvya). It focuses on two deeply rooted Sanskrit traditions, the ''Ramayana'' and Panini's grammar, while incorporating numerous other traditions, in a rich mix of science and art, poetically retelling the adventures of Rama and a compendium of examples of grammar and rhetoric. As literature, it is often considered to withstand comparison with the best of Sanskrit poetry. The ' also has ' ("The Death of ") as an alternative title. It is improbable that this was the original title as Ravana's death is only one short episode in the whole poem. It may have acquired this title to distinguish it from other works concerning themselves with the deeds of . The poem is the earliest example of an "instructional poem" or '. That is, not a treatise written in verse but an imaginative piece of literature which is also intended to be instructive in specific subjects ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krishna
Krishna (; Sanskrit language, Sanskrit: कृष्ण, ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme God (Hinduism), Supreme God in his own right. He is the god of protection, compassion, tenderness, and love; and is widely revered among Hindu divinities. Krishna's birthday is celebrated every year by Hindus on Krishna Janmashtami according to the lunisolar calendar, lunisolar Hindu calendar, which falls in late August or early September of the Gregorian calendar. The anecdotes and narratives of Krishna's life are generally titled as ''Krishna Līlā''. He is a central figure in the ''Mahabharata'', the ''Bhagavata Purana'', the ''Brahma Vaivarta Purana,'' and the ''Bhagavad Gita'', and is mentioned in many Hindu philosophy, Hindu philosophical, Hindu theology, theological, and Hindu mythology, mythological texts. They portray him in various perspectives: as a god-child, a prankster, a model lover, a divine hero, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shishupala
Shishupala (, ; sometimes spelt Sisupala) was the king of the Chedi kingdom, and an antagonist in the Mahabharata. He was the son of King Damaghosha and Srutashrava, the sister of Kunti, as well as the cousin of Nanda (Hinduism), Nanda. He was slain by Krishna, his cousin and an avatar of Vishnu, at the great coronation ceremony of Yudhishthira, as a punishment for his opprobrious abuse made against him. He is also referred to as Chaidya ("King of Chedi"). Shishupala is considered to be the third and last birth of Vishnu's gatekeeper Jaya-Vijaya, Jaya. Mahabharata The Mahabharata states that Shishupala was born with three eyes and four arms. His parents were inclined to cast him out but were warned by a voice from heaven (''ākāśavāṇī'') not to do so, as his time had not come. It also foretold that his superfluous body parts would disappear when a certain person took the child into his lap and that he would eventually die at the hands of that same person. Coming to visit h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Māgha
Magha (c. 7th century) (, ) was a Sanskrit Language, Sanskrit poet at Vatsraj, King Varmalata's court at Bhinmal, Shrimala, the then-capital of Gujarat (presently in Rajasthan state). Magha was born in a Shrimali Brahmins, Shrimali Brahmin family. He was the son of Dattaka Sarvacharya and the grandson of Suprabhadeva. His epic poem (''mahākāvya'') Shishupala Vadha, in 20 ''sarga''s (Canto, cantos), is based on the Mahabharata episode in which Krishna uses his ''Sudarshana Chakra, chakra'' (disc) to behead the defiant king Shishupala. He is thought to have been inspired by, and is often compared with, Bharavi. Life and work Māgha's fame rests entirely on the Shishupala Vadha. Vallabhadeva and Kshemendra quote some verses that are not found in the Shishupala Vadha as that of Māgha, so it is believed that Māgha wrote some other works that are now lost. Unlike most Indian poets who give no autobiographical details or allude to any contemporary events, Māgha gives some autobio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Śiśupāla-vadha
The Shishupala Vadha (, IAST: ''Śiśupāla-vadha'', ''lit.'' "the slaying of Shishupala") is a work of classical Sanskrit poetry (''kāvya'') composed by Māgha in the 7th or 8th century. It is an epic poem in 20 ''sarga''s (cantos) of about 1800 highly ornate stanzas, and is considered one of the five Sanskrit ''mahakavya''s, or "great epics". It is also known as the ''Māgha-kāvya'' after its author. Like other ''kavya''s, it is admired more for its exquisite descriptions and lyrical quality than for any dramatic development of plot. Its 19th canto is noted for verbal gymnastics and wordplay; see the section on #Linguistic_ingenuity, linguistic ingenuity below. Contents As with most Sanskrit ''kāvya'', the plot is drawn from one of the epics, in this case the Mahabharata. In the original story, Shishupala, king of the Chedi Kingdom, Chedis in central India, after insulting Krishna several times in an assembly, finally enrages him and has his head struck off. The 10th-century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Damayanti
Damayanti () is a heroine in ancient Indian literature, primarily known for her role in the episode of ''Nala and Damayanti, Nalopakhyana'', which is embedded within the ''Vana Parva'' (the third book) of the epic ''Mahabharata'' (c. 400 BCE – 400 CE). She is celebrated for her beauty, intelligence, unwavering love, and steadfast devotion to her husband, Nala (Mahabharata), Nala, the king of Nishadha Kingdom, Nishadha kingdom. Damayanti is the princess of ancient Vidarbha Kingdom and the daughter of King Bhima. She falls in love with Nala after hearing about his virtues from a Hamsa (bird), divine swan. She chooses him in a swayamvara (self-choice ceremony), even rejecting gods who had disguised themselves as Nala. Their happiness is short-lived when Nala, influenced by the malicious deity Kali (demon), Kali, loses his kingdom in a game of dice and is forced into exile. Overcome with despair and shame, he abandons Damayanti in the forest. Undeterred, she endures great hardships ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nala
Nala () is a legendary king of ancient Nishadha kingdom and the central protagonist of the '' Nalopakhyana'', a sub-narrative within the Indian epic '' Mahabharata'', found in its third book, '' Vana Parva'' (Book of the Forest). He is renowned for his valor, wisdom, and exceptional skill in charioteering. His story revolves around his love for Damayanti, the princess of Vidarbha, and his struggle to reclaim his lost fortune. According to ''Nalopakhyana'', despite his virtues, Nala falls victim to a curse from the malicious deity Kali, who influences him to lose his kingdom in a game of dice against his brother Pushkara. Forced into exile, he abandons Damayanti in the forest, believing she would suffer less without him. Wandering in disguise under the name Bahuka after being transformed by a serpent’s bite, Nala takes service as a charioteer in the court of King Rituparna of Ayodhya, where he acquires new skills in gambling and horsemanship. Meanwhile, Damayanti devis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shriharsha
Shri-harsha (IAST: Śrīharṣa) was a 12th century CE Indian philosophy, Indian philosopher and Indian poetry, poet. Śrīharṣa works discuss various themes in Indian philosophy, Indian Philosophy, such as pramana. He has been often interpreted as promoting Advaita Vedanta, Advaita Vedānta in his Khaṇḍanakhaṇḍanakhādya, ''Sweets of Refutation'' (''Khaṇḍanakhaṇḍanakhādya''), however, this interpretation remains controversial among modern scholars. Śrīharṣa's thought was influential for both Nyaya, Nyāya-Vaisheshika, Vaiśeṣika thinkers and also for the Advaita Vedānta tradition. Life Śrīharṣa was born to a Kanyakubja Brahmin Śrīhira and Mamalladevī. His father, Śrīhira, was a poet in the court of the Gahadavala king Vijayachandra. His father was also a guide of common people towards god with vedas, Bhagavad Gita's thoughts etc. His father asked Harsha at the time of his death to study well and become a pandit. He told him to use his shiksha ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naishadha Charita
''Naishadha Charita'', also known as Naishadhiya Charita (), is a poem in Sanskrit on the life of Nala, the king of Nishadha. Written by Sriharsha, it is considered one of the five ''mahakavyas'' (great epic poems) in the canon of Sanskrit literature. It was composed by Śrī Harṣa in the court of the Gahaḍavāla King Jayachandra. Contents ''Naishadha Charita'' presents the story of Nala's early life; his falling in love with Damayanti, their marriage, and honeymoon. This '' mahakavya ''is divided into two parts – ''Purva'' and ''Uttara'', each of them containing eleven cantos or divisions. Its story is that of Nala and Damayanti, the daughter of Bhima, the king of Vidarbha. This story is first related in the 3rd part of the '' Vanaparva'' of the Mahabharata, where the treatment is different. The language of the Naishadha Charita is highly elaborate and polished, with continual play upon words and variety of metres. The Shishupala Vadha of Magha and the ''Naishadha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharavi
Bharavi () was a 6th century Indian poet known for his epic poem '' Kirātārjunīya'', one of the six '' mahakavyas'' in classical Sanskrit. Date According to multiple grant inscriptions of the Ganga dynasty, such as the Gummareddipura inscription, the Ganga king Durvinita wrote a Kannada-language commentary on the Canto 15 of Bharavi's '' Kirātārjunīya''. The date of the Gummareddipura inscription is debated among scholars, but the end of Durvinita's reign is dated to c. 580 CE, which means that Bharavi lived around or before this time. ''Avanti-sundara-katha'' of Dandin (7th-8th century) suggests that Bharavi was a contemporary of the kings Simha-vishnu, Vishnu-vardhana, and Durvinita; he was also a contemporary of Dandin's fourth-generation ancestor Damodara (see Biography below). Based on this account, Sanskrit scholar G. Harihara Sastri theorizes prince Kubja Vishnuvardhana of Chalukya family was a patron of Bharavi, before he became the Eastern Chalukya king ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
