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High Kicks
is the fifth studio album released by the Japanese band The Blue Hearts. It was the first album by the band to reach #1 on the Oricon charts. Tracks #"Minagoroshi no Melody" (皆殺しのメロディ ''Massacre Melody'') #"Monkey" (M・O・N・K・E・Y) #"Kokoro no Kyūkyūsha" (心の救急車 ''Heart Ambulance'') #"Ano Ko ni Touch" (あの娘にタッチ ''Touch That Girl'') #"Homerun" (ホームラン) #"Nakanaide Koibito Yo" (泣かないで恋人よ ''Don't Cry, Lover'') #"The Rolling Man" #"Tokyo Zombie" (東京ゾンビ) #"Happy Birthday" #"Tatakau Otoko" (闘う男 ''Fighting Man'') #"Neon Sign" (ネオンサイン) #"Too Much Pain" #"Sasurai no Nicotine Yarō" (さすらいのニコチン野郎 ''Wandering Smoker'') Songs Though only two songs from this album were released as singles, both "Minagoroshi no Melody" and "Tokyo Zombie" were released as B-side tracks of the single "Yume (The Blue Hearts song), Yume", which was part of the band's sixth album, ''Stick Out''. ...
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The Blue Hearts
was a Japanese punk rock band active from 1985 to 1995. They have been compared to such bands as the Sex Pistols, the Clash and the Ramones.The Blue Hearts
Tri-M, Inc. Accessed February 7, 2008.
In 2003, ranked them at number 19 on their list of 100 most important Japanese pop acts. In September 2007, '' Japan'' rated their self-titled debut album number 3 on its list of the "100 Greatest Japanese Rock Albums of ...
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Punk Rock
Punk rock (also known as simply punk) is a rock music genre that emerged in the mid-1970s. Rooted in 1950s rock and roll and 1960s garage rock, punk bands rejected the corporate nature of mainstream 1970s rock music. They typically produced short, fast-paced songs with hard-edged melodies and singing styles with stripped-down instrumentation. Punk rock lyrics often explore anti-establishment and Anti-authoritarianism, anti-authoritarian themes. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through independent record label, independent labels. The term "punk rock" was previously used by American Music criticism, rock critics in the early 1970s to describe the mid-1960s garage bands. Certain late 1960s and early 1970s Detroit acts, such as MC5 and Iggy and the Stooges, and other bands from elsewhere created out-of-the-mainstream music that became highly influential on what was to come. Glam rock in the UK and the New York Dolls from New York ha ...
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Japanese Language
is the principal language of the Japonic languages, Japonic language family spoken by the Japanese people. It has around 123 million speakers, primarily in Japan, the only country where it is the national language, and within the Japanese diaspora worldwide. The Japonic family also includes the Ryukyuan languages and the variously classified Hachijō language. There have been many Classification of the Japonic languages, attempts to group the Japonic languages with other families such as Ainu languages, Ainu, Austronesian languages, Austronesian, Koreanic languages, Koreanic, and the now discredited Altaic languages, Altaic, but none of these proposals have gained any widespread acceptance. Little is known of the language's prehistory, or when it first appeared in Japan. Chinese documents from the 3rd century AD recorded a few Japanese words, but substantial Old Japanese texts did not appear until the 8th century. From the Heian period (794–1185), extensive waves of Sino-Ja ...
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Bust Waste Hip
is the fourth studio album released by the Japanese band The Blue Hearts. The album was a big successNippop , The Blue Hearts , Profile
. Nippop. Accessed February 6, 2008.
and was the first album by the band to reach #1 on the charts. The band went on the ''Zen-Nippon East Waste Tour'' in 1991 to promote the album, leading to the release of the '' Zen-Nippon East Waste Tour '91'' video that same year.


Tracks

#"Image" (イメージ) #"Koroshi no License" (殺しのライセンス ''License to Kill'') #"
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Stick Out
is the sixth studio album released by Japanese rock band The Blue Hearts. It was also the second consecutive album by the band to reach #1 on the Oricon charts. Track listing #"Sutegoma" (すてごま ''Sacrifice'') #"Yume is the Japanese word for dream, and may refer to: People *, Japanese rugby sevens player *, Japanese actress *, Japanese rugby sevens player *, Japanese gravure idol and actress *, Japanese professional footballer Entertainment *YuMe, a multi- ..." (夢 ''Dreams'') #" Tabibito" (旅人 ''Travelers'') #"Kitai Hazure no Hito" (期待はずれの人 ''Disappointed People'') #"Yaru ka Nigeru ka" (やるか逃げるか ''Do It or Go Away'') #"Tetrapod no Ue" (テトラポットの上 ''On a Tetrapod'') #"Taifū" (台風 ''Typhoon'') #"Inspiration" (インスピレーション) #"Ore wa Ore no Shi o Shinitai" (俺は俺の死を死にたい ''I Want to Die My Death'') #"44 Kōkei" (44口径 ''44 Diameter'') #"Usotsuki" (うそつき ''Liar'') #"Tsuki no Bakugek ...
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Ano Ko Ni Touch
was the eleventh single by the Japanese band The Blue Hearts and reached #24 on the Oricon charts in 1991. Details "Ano Ko ni Touch" was released as part of The Blue Hearts' fifth album, ''High Kicks'', which was released shortly after the single on December 21. The promotional video for the song was filmed in Los Angeles. The B-side track, "Waa Waa" (わーわー), was a live version of the recording. It was written by the band's guitarist Masatoshi Mashima is a Japanese guitarist who has performed with Japanese rock bands such as The Blue Hearts, The High-Lows and The Cro-Magnons.
. It is unknown if this song was ever actually recorded in a studio, as only live versions of it have been included on albums.


References

{{authority control 1991 ...
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Too Much Pain
was the twelfth single by the Japanese band The Blue Hearts and reached #29 on the Oricon charts in 1992. Details ''Too Much Pain'' was released as part of The Blue Hearts' fifth album, ''High Kicks'', which had been released on December 21, 1991, but the song itself was from the band's amateur days many years prior. They had planned on including it in the independent release with '' Blue Hearts Theme'' and ''Chernobyl'', but the song ''Sha La La'' was thought to be a better fit. Up until 1987, the song was performed regularly, with nothing more than Mashima's guitar and Hiroto Kōmoto's vocals. After that, they only played the song on special occasions. The last time that the two of them performed the song live by themselves was on May 31, 1989, on the last day of their ''On Tour'' tour in Yoyogi Park. The two chose to perform that day because they had once seen Bruce Springsteen perform at a concert there and sang it as a tribute. The B-side track, , was also written by Mashim ...
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Japan
Japan is an island country in East Asia. Located in the Pacific Ocean off the northeast coast of the Asia, Asian mainland, it is bordered on the west by the Sea of Japan and extends from the Sea of Okhotsk in the north to the East China Sea in the south. The Japanese archipelago consists of four major islands—Hokkaido, Honshu, Shikoku, and Kyushu—and List of islands of Japan, thousands of smaller islands, covering . Japan has a population of over 123 million as of 2025, making it the List of countries and dependencies by population, eleventh-most populous country. The capital of Japan and List of cities in Japan, its largest city is Tokyo; the Greater Tokyo Area is the List of largest cities, largest metropolitan area in the world, with more than 37 million inhabitants as of 2024. Japan is divided into 47 Prefectures of Japan, administrative prefectures and List of regions of Japan, eight traditional regions. About three-quarters of Geography of Japan, the countr ...
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Oricon
, established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics Statistics (from German language, German: ', "description of a State (polity), state, a country") is the discipline that concerns the collection, organization, analysis, interpretation, and presentation of data. In applying statistics to a s ... and information on music and the music industry in Japan and Western music. It started as , which was founded by Sōkō Koike in November 1967 and became known for its music charts. Oricon Inc. was originally set up as a subsidiary of Original Confidence and took over the latter's Oricon record charts in April 2002. The charts are compiled from data drawn from some 39,700 retail outlets () and provide sales rankings of music CDs, DVDs, electronic games, and other entertainment products based on weekly tabulations. Results are announced every Tuesday and published in ''Oricon Style'' by subsidiary Oricon ...
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Yume (The Blue Hearts Song)
was the thirteenth single by the Japanese band The Blue Hearts and reached #14 on the Oricon charts in 1992. When it was rereleased on February 6, 2002, it again placed on the Oricon charts, peaking at #11. Details Neither B-side's, "Minagoroshi no Melody" (皆殺しのメロディー ''Massacre Melody'') nor "Tokyo Zombie (Russian Roulette)" (東京ゾンビ(ロシアンルーレット)), were included on the ''Stick Out'' album with "Yume"; they had already been recorded on the previous album ''High Kicks is the fifth studio album released by the Japanese band The Blue Hearts. It was the first album by the band to reach #1 on the Oricon charts. Tracks #"Minagoroshi no Melody" (皆殺しのメロディ ''Massacre Melody'') #"Monkey" (M・O・N・K ...''. Though "Yume" was recorded in a studio, the B-side tracks were recorded on June 2, 1992, as the opening songs for the final performance of the band's ''High Kick Tour''. However, studio recordings were used for the ''Hig ...
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The Blue Hearts Albums
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee'' ...
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