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Hey Nineteen
"Hey Nineteen" is a song by the band Steely Dan from their album '' Gaucho'' (1980). Background According to one reviewer's interpretation, the song "was about a middle-aged man's disappointment with a young lover".Layman, Will"Jazz Today: The Strange, Mixed Fate of Steely Dan"(April 10, 2006). Accessed July 31, 2006. The lyrics are about a man in his early 30s contemplating a romantic encounter with a 19-year-old with whom he has nothing in common. For example, she does not recognize a song by " 'Retha Franklin".Allmusic song review:Hey Nineteen" The song closes with the ambiguous line, "The Cuervo Gold, the fine Colombian, make tonight a wonderful thing," again emphasizing their age difference — when this song was written tequila was less popular among college-aged drinkers, and Colombian cannabis which in his college days was prized for its aroma and flavor was being replaced by Sinsemilla varieties valued primarily for their potency — and the listener is left to d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steely Dan
Steely Dan is an American rock band formed in Annandale-on-Hudson, New York, in 1971 by Walter Becker (guitars, bass, backing vocals) and Donald Fagen (keyboards, lead vocals). Originally having a traditional band lineup, Becker and Fagen chose to stop performing live by the end of 1974 and continued Steely Dan as a studio-only duo, utilizing a revolving cast of session musicians. ''Rolling Stone'' magazine named them "the perfect musical antiheroes for the seventies". Becker and Fagen played together in a variety of bands from their time together studying at Bard College in Annandale-on-Hudson. They later moved to Los Angeles, gathered a band of musicians and began recording music. Their debut album, '' Can't Buy a Thrill'' (1972), established a template for their career, blending elements of rock, jazz, Latin music, R&B, and bluesAllMusic Steely Dan: Biography with sophisticated studio production and cryptic, irony-infused lyrics. The band enjoyed critical and commerci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Monica Civic Auditorium
Santa Monica Civic Auditorium is a multi-purpose convention center at 1855 Main Street in Santa Monica, California, owned by the City of Santa Monica. It was built in 1958 and designed by Welton Becket and as a concert venue, it has a seating capacity of 3,000. It is a city-designated landmark, and is listed on the National Register of Historic Places. Architecture The building was made of reinforced concrete and combined elements of a theater, concert hall, and trade show and convention auditorium. Parabolic pylons supported the exterior grand cantilevered canopy fronting a glass curtain wall and brise soleil, a patterned wall that reduced the effects of the sun's glare.Martha Groves (June 29, 2013)Santa Monica Civic Auditorium to close after 55 years as cultural mecca''Los Angeles Times''. For trade shows, the Civic Auditorium features , while the stage adds more space, for a total of . The East Wing meeting room adds an additional , while the main lobby features . The m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RIANZ
Recorded Music NZ (formerly the Recording Industry Association of New Zealand (RIANZ)) is a non-profit trade association of record producers, distributors and recording artists who sell recorded music in New Zealand. Membership of Recorded Music NZ is open to any owner of recorded music rights operating in New Zealand, inclusive of major labels (such as Sony, Universal and Warner Music Group), independent labels and self-released artist An artist is a person engaged in an activity related to creating art, practicing the arts, or demonstrating the work of art. The most common usage (in both everyday speech and academic discourse) refers to a practitioner in the visual arts o ...s. Recorded Music NZ has over 2000 rights-holders. Prior to June 2013 the association called itself the "Recording Industry Association of New Zealand" (RIANZ). RIANZ and PPNZ Music Licensing merged and renamed themselves "Recorded Music NZ". Recorded Music NZ functions in three areas: * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Background In 1964, Harriett Wasser came on board as the magazine's New York correspondent. She was no stranger to the music industry and she had been associated with many prominent figures in the industry that included Bobby Darin and Bob Crewe. The address at the time for correspondence was Harriet Wasser, 161 West 54th Street, Suite 1202, New York, N.Y. 10019. An example of her work can be seen in page 5 of the October 9, 1964 edition of ''R. P. M.'', in DATELINE NEW YORK by Harriet Wasser. Discontination In the fall of 2000, faced with changing advertisin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music historian David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top 40 Singles from 1966, and albums chart from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first releas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Gadd
Stephen Kendall Gadd (born April 9, 1945) is an American jazz fusion drummer, percussionist, and session musician. Gadd is one of the best-known and most highly regarded session and studio drummers in the industry, recognized by his induction into the '' Modern Drummer'' Hall of Fame in 1984. Gadd's performances on Paul Simon's " 50 Ways to Leave Your Lover"(1976) and " Late in the Evening"(1980), Herbie Mann's "Hi-jack"(1975) and Steely Dan's " Aja"(1977) are examples of his style. He has worked with other popular musicians from many genres including Van McCoy, Simon & Garfunkel, James Taylor, Chick Corea, Chuck Mangione, Randy Crawford, Eric Clapton, Michel Petrucciani, and David Gilmour. Early life Gadd grew up in Irondequoit, New York. He started playing the drums at a very early age. At age 11, he entered the Mickey Mouse National Talent Round Up contest and was one of the winners; he won a trip to California, where he met Walt Disney and appeared on '' The Mickey Mouse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Feldman
Victor Stanley Feldman (7 April 1934 – 12 May 1987) was an English jazz musician who played mainly piano, vibraphone, and percussion. He began performing professionally during childhood, eventually earning acclaim in the UK jazz scene as an adult. Feldman emigrated to the United States in the mid-1950s, where he continued working in jazz and also as a session musician with a variety of pop and rock performers. Early life Feldman was born in Edgware on 7 April 1934. He caused a sensation as a musical prodigy when he was "discovered", aged seven. His family were all musical and his father founded the Feldman Swing Club in London in 1942 to showcase his talented sons. Feldman performed from a young age: "from 1941 to 1947 he played drums in a trio with his brothers; when he was nine he took up piano and when he was 14 started playing vibraphone". He featured in the films '' King Arthur Was a Gentleman'' (1942) and '' Theatre Royal'' (1943). In 1944, he was featured at a co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugh McCracken
Hugh Carmine McCracken (March 31, 1942 – March 28, 2013) was an American rock guitarist and session musician based in New York City, primarily known for his performance on guitar and also as a harmonica player. McCracken was additionally an arranger and record producer. Biography Born in Glen Ridge, New Jersey, McCracken grew up in Hackensack, New Jersey. Especially in demand in the 1960s, 1970s and 1980s, McCracken appeared on many recordings by Steely Dan, as well as albums by Donald Fagen, Jimmy Rushing, Billy Joel, Roland Kirk, Roberta Flack, B. B. King, Hue and Cry, John Lennon, Paul McCartney, the Monkees, Paul Simon, Art Garfunkel, Lotti Golden, Idris Muhammad, James Taylor, Phoebe Snow, Bob Dylan, Linda McCartney, Carly Simon, Graham Parker, Yoko Ono, Eric Carmen, Loudon Wainwright III, Lou Donaldson, Aretha Franklin, Bob James, Van Morrison, the Four Seasons, Barbra Streisand, Hall & Oates, the Archies, Don McLean, Hank Crawford, Jerry Jemmott, Gar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rick Marotta
Richard Thomas Marotta (born January 7, 1948) is an American drummer and percussionist. He has appeared on recordings by leading artists such as Aretha Franklin, Carly Simon, Steely Dan, James Taylor, Paul Simon, John Lennon, Hall & Oates, Stevie Nicks, Wynonna, Roy Orbison, Todd Rundgren, Roberta Flack, Peter Frampton, Quincy Jones, Jackson Browne, Al Kooper, Waylon Jennings, Randy Newman, Kenny G, The Jacksons, Crosby, Stills & Nash, Boz Scaggs, Warren Zevon, and Linda Ronstadt. He is also a composer who created music for the popular television shows ''Everybody Loves Raymond and Yes, Dear. Biography Marotta was born in New York City and taught himself to play drums at the age of nineteen. He was in a band called The Riverboat Soul Band; it released an album called ''Mess-up'' in 1968. Marotta was the drummer for his own group in the early 1970s, the short-lived Brethren. Tom Cosgrove sang and played lead, Stu Woods played bass, and Mike Garson played keyboards. They rel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthesizer
A synthesizer (also synthesiser or synth) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rikki Don't Lose That Number
"Rikki Don't Lose That Number" is a single released in 1974 by the American rock band Steely Dan and the opening track of their third album '' Pretzel Logic''. It was the most successful single of the group's career, peaking at number 4 on the ''Billboard'' Hot 100 in the summer of 1974. The song features Jim Gordon on drums, as does the bulk of the ''Pretzel Logic'' album. The guitar solo is by Jeff "Skunk" Baxter who soon after joined The Doobie Brothers. Victor Feldman's flapamba introduction to the song, which opens the album, is cut from the original ABC single version. The MCA single reissue (backed with "Pretzel Logic") includes the flapamba intro but fades out just before the actual end of the track. The introductory riff is an almost direct copy of the intro of Horace Silver's jazz classic " Song for My Father". Appraisal Reviewing the single for AllMusic, Stewart Mason said: Just to clear up a generation's worth of rumors about the lyrics of "Rikki Don't Lose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peg (song)
"Peg" is a song by the American rock group Steely Dan, first released on the band's 1977 album '' Aja''. The track was released as a single in 1977 and reached number 11 on the US ''Billboard'' chart in 1978 and number eight on the ''Cash Box'' chart. Steely Dan USA chart history Billboard.com. Retrieved May 28, 2012. With a chart run of 19 weeks, "Peg" is tied with " Rikki Don't Lose That Number" and " Hey Nineteen" for being Steely Dan's longest-running chart hit. In Canada, "Peg" spent three weeks at number seven in March 1978. Music and lyrics "Peg" has been described by AllMusic critic Stephen Thomas Erlewine as a "sunny pop" song with "layers of jazzy vocal harmonies", while music scholar Stephen K. Valdez said it features a fusion of jazz and rock elements. In the opinion of jazz musician and academic Andy LaVerne, the song "has the blues at its core, though it might not be apparent at first listen". The song's guitar solo was attempted by seven top studio session guita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
