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Hey Baby (New Rising Sun)
"Hey Baby (New Rising Sun)" or simply "Hey Baby" is a song written and recorded by American musician Jimi Hendrix, from his second posthumous album '' Rainbow Bridge'' (1971). The song is a slower and more melodic piece, which features the prominent use of chorus- and tremolo-effects on guitar. Hendrix uses an idealized feminine figure that recurs in several of his lyrics. Commentators have seen the song as representative of his post-'' Band of Gypsys'' musical direction. "Hey Baby" was in development for over two years and Hendrix had recorded several demo and jam versions, before debuting it in concert on April 25, 1970. On July 1, he recorded a version live at the new Electric Lady Studios in New York City. It was one of the tracks Hendrix proposed for his planned, but never completed, fourth studio album. In 1971, longtime Hendrix recording engineer Eddie Kramer, and drummer Mitch Mitchell selected the Electric Lady version as the closing track for ''Rainbow Bridge''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimi Hendrix
James Marshall "Jimi" Hendrix (born Johnny Allen Hendrix; November 27, 1942September 18, 1970) was an American guitarist, singer and songwriter. Although his mainstream career spanned only four years, he is widely regarded as one of the most influential electric guitarists in the history of popular music, and one of the most celebrated musicians of the 20th century. The Rock and Roll Hall of Fame describes him as "arguably the greatest instrumentalist in the history of rock music." Born in Seattle, Washington, Hendrix began playing guitar at the age of 15. In 1961, he enlisted in the US Army, but was discharged the following year. Soon afterward, he moved to Clarksville then Nashville, Tennessee, and began playing gigs on the chitlin' circuit, earning a place in the Isley Brothers' backing band and later with Little Richard, with whom he continued to work through mid-1965. He then played with Curtis Knight and the Squires before moving to England in late 1966 after bassi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juma Sultan
Juma Sultan (born April 13, 1942) is a jazz musician, most often recording as a percussionist or bass player. He may be best known for his appearance at the Woodstock festival of 1969 at Bethel, New York, playing with Jimi Hendrix. He currently plays in the African performance group Sankofa, the band Sons of Thunder, and with the Juma Sultan Band.http://www.jumasarchive.org Career Sultan was born in Monrovia, California on April 13, 1942. In 1969, he performed at the Woodstock festival in Hendrix's band, Gypsy Sun and Rainbows and on ''The Dick Cavett Show'' and at a special show in Harlem, New York several weeks later. He was interviewed extensively for the documentary films, ''Jimi Hendrix'' and '' Jimi Hendrix: Live at Woodstock''. He appears on approximately 12 of Jimi Hendrix' posthumous releases. Juma Sultan's musical talents span jazz, rock, blues and spirituals throughout decades of performing, producing and recording. In 2006, Clarkson University, in conjunction wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chromaticism
Chromaticism is a compositional technique interspersing the primary diatonic pitches and chords with other pitches of the chromatic scale. In simple terms, within each octave, diatonic music uses only seven different notes, rather than the twelve available on a standard piano keyboard. Music is chromatic when it uses more than just these seven notes. Chromaticism is in contrast or addition to tonality or diatonicism and modality (the major and minor, or "white key", scales). Chromatic elements are considered, "elaborations of or substitutions for diatonic scale members".Matthew Brown; Schenker, "The Diatonic and the Chromatic in Schenker's "Theory of Harmonic Relations", ''Journal of Music Theory'', Vol. 30, No. 1 (Spring 1986), pp. 1–33, citation on p. 1. Development of chromaticism Chromaticism began to develop in the late Renaissance period, notably in the 1550s, often as part of ''musica reservata'', in the music of Cipriano de Rore, in Orlando Lasso's ''Prophe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar (music)
In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines. Dividing music into bars provides regular reference points to pinpoint locations within a musical composition. It also makes written music easier to follow, since each bar of staff symbols can be read and played as a batch. Typically, a piece consists of several bars of the same length, and in modern musical notation the number of beats in each bar is specified at the beginning of the score by the time signature. In simple time, (such as ), the top figure indicates the number of beats per bar, while the bottom number indicates the note value of the beat (the beat has a quarter note value in the example). The word ''bar'' is more common in British English, and the word ''measure'' is more common in American English, although musicians generall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bridge (music)
In music, especially Western popular music, a bridge is a contrasting section that prepares for the return of the original material section. In a piece in which the original material or melody is referred to as the "A" section, the bridge may be the third eight-bar phrase in a thirty-two-bar form (the B in AABA), or may be used more loosely in verse-chorus form, or, in a compound AABA form, used as a contrast to a full AABA section. The bridge is often used to contrast with and prepare for the return of the verse and the chorus. "The b section of the popular song chorus is often called the ''bridge'' or ''release''." Etymology The term comes from a German word for bridge, ''Steg'', used by the Meistersingers of the 15th to the 18th century to describe a transitional section in medieval bar form. The German term became widely known in 1920s Germany through musicologist Alfred Lorenz and his exhaustive studies of Richard Wagner's adaptations of bar form in his popular 19th-c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leslie Speaker
The Leslie speaker is a combined amplifier and loudspeaker that projects the signal from an electric or electronic instrument and modifies the sound by rotating a baffle chamber ("drum") in front of the loudspeakers. A similar effect is provided by a rotating system of horns in front of the treble driver. It is most commonly associated with the Hammond organ, though it was later used for the electric guitar and other instruments. A typical Leslie speaker contains an amplifier, a treble horn and a bass speaker—though specific components depend upon the model. A musician controls the Leslie speaker by either an external switch or pedal that alternates between a slow and fast speed setting, known as "chorale" and " tremolo". The speaker is named after its inventor, Donald Leslie, who began working in the late 1930s to get a speaker for a Hammond organ that better emulated a pipe or theatre organ, and discovered that baffles rotating along the axis of the speaker cone gave the b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Effects Unit
An effects unit or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing. Common effects include distortion/overdrive, often used with electric guitar in electric blues and rock music; dynamic effects such as volume pedals and compressors, which affect loudness; filters such as wah-wah pedals and graphic equalizers, which modify frequency ranges; modulation effects, such as chorus, flangers and phasers; pitch effects such as pitch shifters; and time effects, such as reverb and delay, which create echoing sounds and emulate the sound of different spaces. Most modern effects use solid-state electronics or digital signal processors. Some effects, particularly older ones such as Leslie speakers and spring reverbs, use mechanical components or vacuum tubes. Effects are often used as stompboxes, typically placed on the floor and controlled with footswitches. They may also be buil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uni-Vibe
The Uni-Vibe, also marketed as the Jax Vibra-Chorus,Harry Shapiro, Michael Heatley, Roger Mayer''Jimi Hendrix Gear'', page 120 Voyageur Press is a footpedal-operated phaser or phase shifter for creating chorus and vibrato simulations for electric organ or guitar. Designed by audio engineer Fumio Mieda, it was introduced in the 1960s by Japanese company Shin-ei (at the time Honey) originally branded as the Vibra-Chorus. The effect (now named Uni-Vibe) was modified to have easier access to its fuse, and a speed control foot pedal was added. It was later released in North America by Univox in 1968. It is commonly thought the Uni-Vibe is intended to emulate the " Doppler sound" of a Leslie speaker. However Fumio Mieda revealed in an interview the effect was based on hearing radio signals (like Radio Moscow) undergoing “atmospheric modulation”. The effect has made its mark on tracks like Robin Trower's "Bridge of Sighs", Jimi Hendrix's "Machine Gun" and Pink Floyd's " Breathe". ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Shapiro (author)
Harry Shapiro is a British author and journalist A journalist is an individual that collects/gathers information in form of text, audio, or pictures, processes them into a news-worthy form, and disseminates it to the public. The act or process mainly done by the journalist is called journalism .... He has parallel careers working in the UK drugs charity sector and as a music biographer. Biography He joined the Institute for the Study of Drug Dependence in 1979 which became DrugScope in 2000 and closed in 2015. Shapiro had various roles within these organisations – in policy, information and communications ending as Director of Communications for DrugScope. During that period, he wrote over 80 articles for ''Druglink'' magazin">">[1/nowiki>as well as in-house publications, reports and peer-reviewed papers. He is a guest lecturer, conference speaker and media spokesperson. He is currently Director of DrugWise, a small online drug information service[2/nowiki>] Since 2015, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mode (music)
In music theory, the term mode or ''modus'' is used in a number of distinct senses, depending on context. Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. It is applied to major and minor keys as well as the seven diatonic modes (including the former as Ionian and Aeolian) which are defined by their starting note or tonic. ( Olivier Messiaen's modes of limited transposition are strictly a scale type.) Related to the diatonic modes are the eight church modes or Gregorian modes, in which authentic and plagal forms of scales are distinguished by ambitus and tenor or reciting tone. Although both diatonic and gregorian modes borrow terminology from ancient Greece, the Greek ''tonoi'' do not otherwise resemble their mediaeval/modern counterparts. In the Middle Ages the term modus was used to describe both intervals and rhythm. Modal rhythm was an essential feature of the modal notation syste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabesque (classical Music)
The arabesque is a type of music which uses melodies to create the atmosphere of Arabic architecture. Etymology The word "arabesque" is derived from Western ideas of Arabic music, which were highly embellished. Notable arabesques The most well-known are Claude Debussy's '' Deux Arabesques'', composed in 1888 and 1891, respectively. Other composers who have written arabesques include: * Marin Marais: ''L'arabesque'' (1717), appears in the soundtrack of the film Tous les Matins du Monde * Robert Schumann: Arabeske in C, Op. 18 (1839) * Johann Friedrich Franz Burgmüller (1806-1874): Op. 100 (1852) * Hans von Bülow: Arabesques sur un thême de l’opéra Rigoletto (1853) * Moritz Moszkowski: Opp. 15/2 (1877), 61 (1899), 95/4 and 96/5(1920) * Enrique Granados: Arabesca, Op. 31, H. 142 (1890) * Cécile Chaminade: Opp. 61 (1892) and 92 (1898) * Pyotr Ilyich Tchaikovsky (1840-93)Baker's Student Encyclopedia of Music * Anton Arensky: Op. 67 (1903) * Adolf Schulz-Evler: Op. 12 ''Ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Forum (Inglewood, California)
Kia Forum (formerly The Forum) is a multi-purpose indoor arena in Inglewood, California, United States, adjacent to Los Angeles. Located between West Manchester Boulevard, across Pincay Drive and Kareem Court, it is north of SoFi Stadium and the Hollywood Park Casino, and about east of the Los Angeles International Airport (LAX). From 1967 to 1999, the Forum was home to the Los Angeles Lakers of the National Basketball Association (NBA) and the Los Angeles Kings of the National Hockey League (NHL) before both teams joined the NBA's Los Angeles Clippers (who had played at the Los Angeles Memorial Sports Arena) at the new Staples Center (now Crypto.com Arena). From 1997 to 2001, the Forum was also the home of the WNBA's Los Angeles Sparks until they moved to Crypto.com Arena as well. The Forum opened on December 30, 1967. Architect Charles Luckman's vision was realized by engineers Carl Johnson and Svend Nielsen. It was a groundbreaking structure without extensive internal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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