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Hercules Conquers Atlantis
''Hercules and the Conquest of Atlantis'' () is a 1961 film directed by Vittorio Cottafavi and starring Reg Park in his film debut as Ercole/Hercules. It was originally released in Super Technirama 70. The film is also known as ''Hercules Conquers Atlantis'' in the United Kingdom and ''Hercules and the Captive Women'' in the United States where the film was not only retitled, but edited, rescored and given a title design by Filmation. Plot When strange atmospheric events occur in the disunited city states of Ancient Greece, a forum debates what action to take. As there is no agreement, Androcles King of Thebes seeks the assistance of his friend, the legendary Hercules. Hercules, now married to Deianira with a son named Hylas, does not wish to leave the comfort of his family, though Hylas is keen for adventure. Androcles takes matters into his own hands by drugging and kidnapping Hercules and placing him aboard a ship manned by a disreputable collection of former slaves and cr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vittorio Cottafavi
Vittorio Cottafavi (30 January 1914 – 14 December 1998) was an Italian film director and screenwriter. He directed 70 films between 1943 and 1985. His film '' Il diavolo sulle colline'' was screened in the Un Certain Regard section at the 1985 Cannes Film Festival. Selected filmography * ' (1943) * '' The Gates of Heaven'' (1945) (actor) * '' The Sun Still Rises'' (1946) * '' The Unknown Man of San Marino'' (1946) * '' Fire Over the Sea'' (1947) * ''La grande strada'' (1948) * '' The Flame That Will Not Die'' (1949) * '' A Woman Has Killed'' (1952) * '' Milady and the Musketeers'' (1952) * '' Traviata '53'' (1953) * '' A Free Woman'' (1954) * ''It Takes Two to Sin in Love ''It Takes Two to Sin in Love'' () is a 1954 Italian melodrama film directed by Vittorio Cottafavi and starring Giorgio De Lullo, Cosetta Greco and Alda Mangini.Moliterno p.94 The film's sets were designed by the art director Alfredo Montori. Ca ...'' (1954) * '' Le legioni di Cleopatra'' (1959) * '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyllus
In Greek mythology, Hyllus (; Ancient Greek: Ὕλλος, ''Hyllos'') or Hyllas (Ὕλλᾱς, ''Hyllas'') was a son of Heracles and Deianira and the husband of Iole. Mythology Heracles, whom Zeus had originally intended to be ruler of Argos, Lacedaemon and Messenian Pylos, had been supplanted by the cunning of Hera, and his intended possessions had fallen into the hands of Eurystheus, king of Mycenae. After the death of Heracles, his children, after many wanderings, found refuge from Eurystheus at Athens. Eurystheus, on his demand for their surrender being refused, attacked Athens, but was defeated and slain. Hyllus and his brothers invaded Peloponnesus, but after a year's stay were forced by a pestilence to quit. They withdrew to Thessaly, where Aegimius, the mythical ancestor of the Dorians, whom Heracles had assisted in war against the Lapidae, adopted Hyllus and made over to him a third part of his territory. After the death of Aegimius, his two sons, Pamphylus and D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mario Petri
Mario Petri (21 January 1922 – 26 January 1985) was an Italian operatic bass-baritone particularly associated with Wolfgang Amadeus Mozart, Mozart and Rossini roles. Life and career Petri was born in Perugia and began his career after World War II, making his stage debut in 1947 at the Teatro alla Scala in Milan, where he sang the following year the role of Creonte in the company premiere of Stravinsky's ''Oedipus Rex (opera), Oedipus Rex'', he also sang there his first Don Giovanni in 1950, a role he quickly became associated with throughout Italy. He appeared in Rome, Florence, Venice, Parma, Bergamo, Verona, Naples. He sang opposite Maria Callas in the revival of Luigi Cherubini, Cherubini's ''Médée (Cherubini), Medea''. In 1951, for the celebration of Verdi's 50th death anniversary, he sang on Italian radio (RAI) in ''I Lombardi'', ''I masnadieri'', and ''Simon Boccanegra''. Soon his reputation as Don Giovanni led to invitation to appear at the festivals of Glyndebourne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mimmo Palmara
Domenico "Mimmo" Palmara (25 July 1928 – 10 June 2016) was an Italian actor. Biography Born in Cagliari, Palmara made his film debut in 1952 as a character actor in drama films by eminent directors such as Luchino Visconti, Mario Monicelli and Antonio Pietrangeli, then obtained main roles in a great number of genre films, especially adventure films and peplum films. When the sword and sandals genre declined, he took part at a number of Spaghetti Westerns in which he is usually credited as Dick Palmer. A close friend of Sergio Leone, he was Leone's first choice for the role of Ramon in '' A Fistful of Dollars''; Palmara eventually chose to star in Mario Caiano's '' Bullets Don't Argue'' and the role of Ramon was played by Gian Maria Volonté. Selected filmography * '' Deceit'' (1952) - Un uomo in canottiera * '' The Queen of Sheba'' (1952) - Ally of Sheba * '' Sins of Rome'' (1953) - Gladiator (uncredited) * '' Empty Eyes'' (1953) - Marcella's Fiancé (uncredited) * '' S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gian Maria Volonté
Gian Maria Volonté (9 April 1933 – 6 December 1994) was an Italian actor and activist. He is best known for his roles in four Spaghetti Western films: Ramón Rojo in Sergio Leone's ''A Fistful of Dollars'' (1964), El Indio in Leone's ''For a Few Dollars More'' (1965), El Chuncho Munoz in Damiano Damiani's '' A Bullet for the General'' (1966) and Professor Brad Fletcher in Sergio Sollima's '' Face to Face'' (1967). He had notable roles in high-profile social dramas depicting the political and social stirrings of Italian and European society in the 1960s and 1970s, including four films directed by Elio Petri – ''We Still Kill the Old Way'' (1967), '' Investigation of a Citizen Above Suspicion'' (1970), '' The Working Class Goes to Heaven'' (1971), and '' Todo modo'' (1976). He is also recognized for his performances in Jean-Pierre Melville's ''Le Cercle Rouge'' (1970), Giuliano Montaldo's '' Sacco & Vanzetti'' (1971) and ''Giordano Bruno'' (1973), and Francesco Rosi's ''Chri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivo Garrani
Ivo Garrani (6 February 1924 – 25 March 2015) was an Italian actor and voice actor. In films since 1952, Garrani is possibly best known for his role as Prince Vajda in Mario Bava's '' Black Sunday'' (1960). Biography Born in Introdacqua, Garrani was a student at the Faculty of Engineering in Rome when started his theatrical career, at first as amateur, then entering the stage company of Carlo Tamberlani in 1943. Aside from his work on stage, including works with Giorgio Strehler, in the fifties he started a parallel activity in cinema, starring in a great number of films, even if usually in secondary roles. Garrani died on 25 March 2015, at the age of 91. Selected filmography *'' Ragazze da marito'' (1952) - Tommaso Spadoni *''Orient Express'' (1954) *'' Eighteen Year Olds'' (1955) - Il medico *'' The Rival'' (1956) - Secondo ufficiale inquirente *'' Roland the Mighty'' (1956) - Carlo Magno *'' Terrore sulla città'' (1957) *''Hercules'' (1958) - Pelias, King of Iolcu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enrico Maria Salerno
Enrico Maria Salerno (18 September 1926 – 28 February 1994) was an Italian actor, voice actor and film director. He was also the voice of Clint Eastwood in the Italian version of Sergio Leone's Dollars Trilogy films, and the voice of Christ in ''The Gospel According to St. Matthew (film), The Gospel According to St. Matthew'' directed by Pier Paolo Pasolini. Biography Enrico Maria Salerno was born in Milan on 18 September 1926, son of Antonino Salerno, an Italian lawyer originally from Erice (in province of Trapani, Sicily) and Milka Storff, a Yugoslavia, Yugoslav violinist. At only 17, he joined the Italian Social Republic as an officer cadet of the National Republican Guard (Italy), National Republican Guard. With the fall of the Italian Social Republic is imprisoned in the concentration camp of Coltano, near Pisa. Actually the real name of the actor was Enrico. It was during the first theatrical experiences that he decided to place the name of Mary alongside his name, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laura Efrikian
Laura Efrikian (; born Laura Ephrikian on 14 June 1940) is an Italian actress and television personality. Life and career Born in Treviso as Laura Ephrikian, the daughter of the conductor and musicologist Angelo Ephrikian of Armenian descent, Efrikian graduated in acting at the drama school of the Piccolo Teatro in Milan. Since 1960 Efrikian intensively worked in theater, television and films, notably hosting the 1962 edition of the Sanremo Music Festival. After the film debut in the 1961 peplum film ''Hercules and the Conquest of Atlantis'', Efrikian starred in several ''musicarelli'' films with Gianni Morandi, whom she married in 1966; the couple divorced in 1979. She considers herself Roman Catholic. Selected filmography * ''Hercules and the Conquest of Atlantis'' (1961) * '' La Cittadella'' (1964) * '' Tears on Your Face'' (1964) * '' Non son degno di te'' (1965) * ''Se non avessi più te'' (1965) * '' The Young Nun'' (1965) * '' Nessuno mi può giudicare'' (1966) * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uranus (mythology)
In Greek mythology, Uranus ( , also ), sometimes written Ouranos (, ), is the personification of the sky and one of the Greek primordial deities. According to Hesiod, Uranus was the son and husband of Gaia (Earth), with whom he fathered the first generation of Titans. However, no Cult (religious practice), cult addressed directly to Uranus survived into classical times, and Uranus does not appear among the usual themes of Ancient Greek pottery, Greek painted pottery. Elemental Earth, Sky, and Styx might be joined, however, in solemn invocation in Homeric epic. The translation of his name in Latin is Caelus. Etymology Most linguists trace the etymology of the name to a Proto-Greek form ''*Worsanós'' (), enlarged from *''ṷorsó-'' (also found in Greek ''()'' 'to urinate', Sanskrit ''varṣá'' 'rain', Hittite language, Hittite ''ṷarša-'' 'fog, mist').Robert S. P. Beekes, ''Etymological Dictionary of Greek'', vol. 2 (Leiden: Brill, 2009), 1128–1129. The basic Proto-Ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Übermensch
The ( , ; 'Overman' or 'Superman') is a concept in the philosophy of Friedrich Nietzsche. In his 1883 book, '' Thus Spoke Zarathustra'' (), Nietzsche has his character Zarathustra posit the as a goal for humanity to set for itself. The represents a shift from otherworldly Christian values and manifests the grounded human ideal. The is someone who has "crossed over" the bridge, from the comfortable "house on the lake" (the comfortable, easy, mindless acceptance of what a person has been taught, and what everyone else believes) to the mountains of unrest and solitude. In English In 1896, Alexander Tille made the first English translation of '' Thus Spoke Zarathustra'', rendering as "Beyond-Man". In 1909, Thomas Common translated it as "Superman", following the terminology of George Bernard Shaw's 1903 stage play '' Man and Superman''. Walter Kaufmann lambasted this translation in the 1950s for two reasons: first, the failure of the English prefix "super" to capture the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atlantis
Atlantis () is a fictional island mentioned in Plato's works '' Timaeus'' and ''Critias'' as part of an allegory on the hubris of nations. In the story, Atlantis is described as a naval empire that ruled all Western parts of the known world, making it the literary counter-image of the Achaemenid Empire. After an ill-fated attempt to conquer "Ancient Athens," Atlantis falls out of favor with the deities and submerges into the Atlantic Ocean. Since Plato describes Athens as resembling his ideal state in the ''Republic'', the Atlantis story is meant to bear witness to the superiority of his concept of a state. Despite its minor importance in Plato's work, the Atlantis story has had a considerable impact on literature. The allegorical aspect of Atlantis was taken up in utopian works of several Renaissance writers, such as Francis Bacon's ''New Atlantis'' and Thomas More's ''Utopia''. On the other hand, nineteenth-century amateur scholars misinterpreted Plato's narrative as histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Proteus
In Greek mythology, Proteus ( ; ) is an early prophetic sea god or god of rivers and oceanic bodies of water, one of several deities whom Homer calls the "Old Man of the Sea" (''hálios gérôn''). Some who ascribe a specific domain to Proteus call him the god of "elusive sea change", which suggests the changeable nature of the sea or the liquid quality of water. He can foretell the future, but, in a mytheme familiar to several cultures, will change his shape to avoid doing so; he answers only to those who are capable of capturing him. From this feature of Proteus comes the adjective protean, meaning "versatile", "mutable", or "capable of assuming many forms". "Protean" has positive connotations of flexibility, versatility and adaptability. Name origin Proteus's name suggests the "first" (from Greek language, Greek "" , "first"), as () is the "primordial" or the "firstborn". It is not certain to what this refers, but in myths where he is the son of Poseidon, it possibly refe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
