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Hemistich
A hemistich (; via Latin from Greek , from "half" and "verse") is a half-line of verse, followed and preceded by a caesura, that makes up a single overall prosodic or verse unit. In Latin and Greek poetry, the hemistich is generally confined to drama. In Greek tragedy, characters exchanging clipped dialogue to suggest rapidity and drama would speak in hemistichs (in ''hemistichomythia''). The Roman poet Virgil employed hemistichs in the ''Aeneid'' to indicate great duress in his characters, where they were incapable of forming complete lines due to emotional or physical pain. In neo-classicism, the hemistich was frowned upon (e.g. by John Dryden), but Germanic alliterative verse employed the hemistich as a basic component of verse. In Old English and Old Norse poetry, each line of alliterative verse was divided into an "a-verse" and "b-verse" hemistich with a strong caesura between. In ''Beowulf,'' there are only five basic types of hemistich, with some used only as init ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetic Rhythm
In poetry Poetry (from the Greek language, Greek word ''poiesis'', "making") is a form of literature, literary art that uses aesthetics, aesthetic and often rhythmic qualities of language to evoke meaning (linguistics), meanings in addition to, or in ..., metre (British English, Commonwealth spelling) or meter (American English, American spelling; see American and British English spelling differences#-re, -er, spelling differences) is the basic rhythm, rhythmic structure of a verse (poetry), verse or Line (poetry), lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, "Prosody (linguistics), prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alliterative Verse
In meter (poetry), prosody, alliterative verse is a form of poetry, verse that uses alliteration as the principal device to indicate the underlying Metre (poetry), metrical structure, as opposed to other devices such as rhyme. The most commonly studied traditions of alliterative verse are those found in the oldest literature of the Germanic languages, where scholars use the term 'alliterative poetry' rather broadly to indicate a tradition which not only shares alliteration as its primary ornament but also certain metrical characteristics. The Old English language, Old English Epic poetry, epic ''Beowulf'', as well as most other Old English poetry, the Old High German ''Muspilli'', the Old Saxon ''Heliand'', the Old Norse language, Old Norse ''Poetic Edda'', and many Middle English poems such as ''Piers Plowman'', ''Sir Gawain and the Green Knight'', Layamon's Brut and the ''Alliterative Morte Arthur'' all use alliterative verse. While alliteration is common in many poetic traditio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruba'i
A ''rubāʿī'' (, from Arabic ; plural: ) or ''chahārgāna(e)'' () is a poem or a verse of a poem in Persian poetry (or its derivative in English and other languages) in the form of a quatrain, consisting of four lines (four hemistichs). In classical Persian poetry, the ''ruba'i'' is written as a four-line (or two-couplet / two-distich) poem, with a rhyme-scheme AABA or AAAA. This is an example of a ''ruba'i'' from Rumi's '' Divan-e Shams'': : : : : :May the splendors of Salahuddin be roused, :And poured into the eyes and souls of the lovers. :May every soul that has become refined and has surpassed refinement :Be mingled with the dust of Salahuddin! Metre The usual metre of a Persian ''ruba'i'', which is used for all four lines of the above quatrain by Rumi, is, as follows: : – – u u – u – u – – u u – In the above scheme, quantitatively, "–" represents a long syllable, and "u" a short one. As variations of this scheme, any sequence of – u, excep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old English Poetry
Old English literature refers to poetry (alliterative verse) and prose written in Old English in early medieval England, from the 7th century to the decades after the Norman conquest of England, Norman Conquest of 1066, a period often termed Anglo-Saxon England. The 7th-century work ''Cædmon's Hymn'' is often considered as the oldest surviving poem in English, as it appears in an 8th-century copy of Bede's text, the ''Ecclesiastical History of the English People''. Poetry written in the mid 12th century represents some of the latest post-Norman examples of Old English. Adherence to the grammatical rules of Old English is largely inconsistent in 12th-century work, and by the 13th century the grammar and syntax of Old English had almost completely deteriorated, giving way to the much larger Middle English literature, Middle English corpus of literature. In descending order of quantity, Old English literature consists of: sermons and saints' lives; biblical translations; translat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Poetry
Greek literature () dates back from the ancient Greek literature, beginning in 800 BC, to the modern Greek literature of today. Ancient Greek literature was written in an Ancient Greek dialect, literature ranges from the oldest surviving written works until works from approximately the fifth century AD. This time period is divided into the Preclassical, Classical, Hellenistic, and Roman periods. Preclassical Greek literature primarily revolved around myths and include the works of Homer; the ''Iliad'' and the ''Odyssey''. The Classical period saw the dawn of drama and history. Three philosophers are especially notable: Socrates, Plato, and Aristotle. During the Roman era, significant contributions were made in a variety of subjects, including history, philosophy, and the sciences. Byzantine literature, the literature of the Byzantine Empire, was written in Atticizing, Medieval and early Modern Greek. Chronicles, distinct from historics, arose in this period. Encyclopedias al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle English
Middle English (abbreviated to ME) is a form of the English language that was spoken after the Norman Conquest of 1066, until the late 15th century. The English language underwent distinct variations and developments following the Old English period. Scholarly opinion varies, but the University of Valencia states the period when Middle English was spoken as being from 1150 to 1500. This stage of the development of the English language roughly coincided with the High Middle Ages, High and Late Middle Ages. Middle English saw significant changes to its vocabulary, grammar, pronunciation, and orthography. Writing conventions during the Middle English period varied widely. Examples of writing from this period that have survived show extensive regional variation. The more standardized Old English literary variety broke down and writing in English became fragmented and localized and was, for the most part, being improvised. By the end of the period (about 1470), and aided by the movabl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhyme Scheme
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick: Function in writing These rhyme patterns have various effects, and can be used to: * Control flow: If every line has the same rhyme (AAAA), the stanza will read as having a very quick flow, whereas a rhyme scheme like ABCABC can be felt to unfold more slowly. * Structure a poem's message and thought patterns: For example, a simple couplet with a rhyme scheme of AABB lends itself to simpler direct ideas, because the resolution comes in the very next line. Essentially these couplets can be thought of as self-contained statements. This idea of rhyme schemes reflecting thought processes is often discussed particularly regarding sonnets. * Determine whether ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghazal
''Ghazal'' is a form of amatory poem or ode, originating in Arabic poetry that often deals with topics of spiritual and romantic love. It may be understood as a poetic expression of both the pain of loss, or separation from the beloved, and the beauty of love in spite of that pain. The ghazal form is ancient, tracing its origins to 7th-century Arabic poetry. It spread into the Indian subcontinent in the 12th century due to the influence of Sufi mystics and the courts of the new Ghurid Sultanate, Islamic Sultanate, and is now most prominently a form of poetry of many languages of South Asia and Languages of Turkey, Turkey. A poem of ghazal commonly consists of five to fifteen couplets, which are independent, but are linked – abstractly, in their theme; and more strictly in their poetic form. The structural requirements of ghazal are similar in stringency to those of the Petrarchan sonnet. In style and content, due to its highly allusive nature, ghazal has proved capable of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qasida
The qaṣīda (also spelled ''qaṣīdah''; plural ''qaṣā’id'') is an ancient Arabic word and form of poetry, often translated as ode. The qasida originated in pre-Islamic Arabic poetry and passed into non-Arabic cultures after the Arab Muslim expansion. The word ''qasida'' is originally an Arabic word (, plural ''qaṣā’id'', ), and is still used throughout the Arabic-speaking world; it was borrowed into some other languages such as (alongside , ''chakameh''), and . The classic form of qasida maintains both monometer, a single elaborate meter throughout the poem, and monorhyme, where every line rhymes on the same soundAkiko Motoyoshi Sumi, ''Description in Classical Arabic Poetry: ''Waṣf'', Ekphrasis, and Interarts Theory'', Brill Studies in Middle Eastern literatures, 25 (Leiden: Brill, 2004), p. 1. It typically runs from fifteen to eighty lines, and sometimes more than a hundred. Well-known examples of this genre include the poems of the Mu'allaqat (a collectio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caesura
300px, An example of a caesura in modern western music notation A caesura (, . caesuras or caesurae; Latin for "cutting"), also written cæsura and cesura, is a metrical pause or break in a verse where one phrase ends and another phrase begins. It may be expressed by a comma (,), a tick (✓), or two lines, either slashed (//) or upright (, , ). In time value, this break may vary between the slightest perception of silence all the way up to a full pause. Poetry In classical Greek and Latin poetry a caesura is the juncture where one word ends and the following word begins within a foot . In contrast, a word juncture at the end of a foot is called a diaeresis. Some caesurae are expected and represent a point of articulation between two phrases or clauses. All other caesurae are only potentially places of articulation. The opposite of an obligatory caesura is a bridge where word juncture is not permitted. In modern European poetry, a caesura is defined as a natural phrase ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masnavi
The ''Masnavi'', or ''Masnavi-ye-Ma'navi'' (, DIN 31635, DMG: ''Mas̲navī-e maʻnavī''), also written ''Mathnawi'', or ''Mathnavi'', is an extensive poem written in Persian language, Persian by Jalal al-Din Muhammad Rumi, also known as Rumi. It is a series of six books of poetry that together amount to around 25,000 verses or 50,000 lines.Allamah Mohamad Taghi Jafari, ''Tafsir Masnavi''Karim Zamani, ''Tafsir Masnavi Ma'navi'' The ''Masnavi'' is one of the most influential works of Sufism, ascribed to be like a "Quran in Persian". Some Muslims regard the ''Masnavi'' as one of the most important works of Islamic literature, falling behind only the Quran. It has been viewed by many commentators as the greatest mystical poem in world literature. It is a spiritual text that teaches Sufis how to reach their goal of being truly in love with God. General description The title ''Masnavi-ye-Ma'navi'' () means "The Spiritual Masnavi (poetic form), Couplets". The ''Masnavi'' is a poet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mathnawi
Mathnawi ( ), also spelled masnavi, mesnevi or masnawi, is a kind of poem written in rhyming couplets, or more specifically "a poem based on independent, internally rhyming lines". Most mathnawi poems follow a Meter (poetry), meter of eleven, or occasionally ten, syllables, but had no limit in their length. Typical mathnawi poems consist of an indefinite number of couplets, with the rhyme scheme aa/bb/cc. Mathnawi poems have been written in Persian language, Persian, Arabic, Turkish language, Turkish, Kurdish language, Kurdish and Urdu cultures. Certain Persian mathnawi poems, such as Rumi's ''Masnavi, Masnavi-e Ma’navi'', have had a special religious significance in Sufism. Other influential writings include the poems of Ghazali and ibn Arabi. Mathnawi's are closely tied to Islamic theology, philosophy, and legends, and cannot be understood properly without knowledge about it. Arabic mathnawi Arabic mathnawi poetry, also known as ''muzdawij'' ( – , referring to the internal r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
