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Helmholtz–Kohlrausch Effect
The Helmholtz–Kohlrausch effect (named after Hermann von Helmholtz and V. A. Kohlrausch) is a perceptual phenomenon wherein the intense saturation of spectral hue is perceived as part of the color's luminance. This brightness increase by saturation, which grows stronger as saturation increases, might better be called chromatic luminance, since "white" or achromatic luminance is the standard of comparison. It appears in both self-luminous and surface colors, although it is most pronounced in spectral (monochromatic) colors. Lightness Even when they have the same luminance, colored lights seem brighter to human observers than white light does. The way humans perceive the brightness of the lights is different for everyone. When the colors are more saturated, our eyes interpret it as the color's luminance and chroma. This makes us believe that the colors are actually brighter. An exception to this is when the human observer is red-green colorblind, they cannot distinguish the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermann Von Helmholtz
Hermann Ludwig Ferdinand von Helmholtz (; ; 31 August 1821 – 8 September 1894; "von" since 1883) was a German physicist and physician who made significant contributions in several scientific fields, particularly hydrodynamic stability. The Helmholtz Association, the largest German association of research institutions, was named in his honour. In the fields of physiology and psychology, Helmholtz is known for his mathematics concerning the eye, theories of vision, ideas on the visual perception of space, colour vision research, the sensation of tone, perceptions of sound, and empiricism in the physiology of perception. In physics, he is known for his theories on the conservation of energy and on the electrical double layer, work in electrodynamics, chemical thermodynamics, and on a mechanical foundation of thermodynamics. Although credit is shared with Julius von Mayer, James Joule, and Daniel Bernoulli—among others—for the energy conservation principles that e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dominant Wavelength
In color science, the dominant wavelength is a method of approximating a color's hue. Along with purity, it makes up one half of the Helmholtz coordinates. The dominant wavelength of a given color is defined to be the wavelength of monochromatic spectral light that lies on the straight line passing through the white point and the given colour in the chromaticity diagram. Determination Helmholtz coordinates The Helmholtz coordinates are a polar coordinate system for defining a 2D chromaticity plane. The circumferential coordinate is the dominant wavelength, which is analogous to hue of the HSV color space. The radial coordinate is the purity, which is analogous to saturation of the HSV color space. Color space Not all color spaces can be used for determining the dominant wavelength of a color, because in most approximately perceptually uniform color spaces (such as CIELAB, Oklab, CIECAM02, etc) two colors with the same hue can have slightly different dominant wavelengths. Unl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bezold–Brücke Shift
The Bezold–Brücke shift or luminance-on-hue effect is a change in hue perception as the luminance (light intensity) of a color changes. As intensity increases, the apparent hue of stimuli of a constant spectral distribution shifts towards blue, if its dominant wavelength is below around 500 nm; or yellow, if its dominant wavelength is above 500 nm. As intensity is decreased, apparent hue shifts towards red or green. The effect was noted in 1866 by physiologist Ernst Wilhelm von Brücke, and experimental investigations by physicist and meteorologist Wilhelm von Bezold were published in 1873. It was re-investigated more thoroughly by Donald McL. Purdy in 1931. Stimuli of certain wavelengths ("invariant hues") retain their apparent hue despite changes in luminance; these have similar but not quite the same wavelengths as the unique hues red, yellow, blue, and green. A similar hue shift, the Abney effect, occurs when a visual stimulus is mixed with white light. Both the Abne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Color Appearance Model
A color appearance model (CAM) is a mathematical model that seeks to describe the perceptual aspects of human color vision, i.e. viewing conditions under which the appearance of a color does not tally with the corresponding physical measurement of the stimulus source. (In contrast, a color model defines a coordinate space to describe colors, such as the RGB and CMYK color models.) A uniform color space (UCS) is a color model that seeks to make the color-making attributes perceptually uniform, i.e. identical spatial distance between two colors equals identical amount of perceived color difference. A CAM under a fixed viewing condition results in a UCS; a UCS with a modeling of variable viewing conditions results in a CAM. A UCS without such modelling can still be used as a rudimentary CAM. Background Color appearance Color originates in the mind of the observer; “objectively”, there is only the spectral power distribution of the light that meets the eye. In this sense ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mesopic
Mesopic vision, sometimes also called twilight vision, is a combination of photopic and scotopic vision under low-light (but not necessarily dark) conditions. Mesopic levels range approximately from 0.01 to 3.0 cd/m2 in luminance. Most nighttime outdoor and street lighting conditions are in the mesopic range. Human eyes respond to certain light levels differently. This is because under high light levels typical during daytime (photopic vision), the eye uses cones to process light. Under very low light levels, corresponding to moonless nights without artificial lighting (scotopic vision), the eye uses rods to process light. At many nighttime levels, a combination of both cones and rods supports vision. Photopic vision facilitates excellent color perception, whereas colors are barely perceptible under scotopic vision. Mesopic vision falls between these two extremes. In most nighttime environments, enough ambient light prevents true scotopic vision. In the words of Duco Sch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Automotive Industry
The automotive industry comprises a wide range of company, companies and organizations involved in the design, Business development, development, manufacturing, marketing, selling, Maintenance, repairing, and Custom car, modification of motor vehicles. It is one of the world's largest industry (economics), industries by revenue (from 16% such as in France up to 40% in countries such as Slovakia). The word ''automotive'' comes from the Greek language, Greek ''autos'' (self), and Latin ''motivus'' (of motion), referring to any form of self-powered vehicle. This term, as proposed by Elmer Ambrose Sperry, Elmer Sperry (1860–1930), first came into use to describe automobiles in 1898. History The automotive industry began in the 1860s with hundreds of manufacturers pioneering the Brass Era car, horseless carriage. Early car manufacturing involved manual assembly by a human worker. The process evolved from engineers working on a stationary car to a conveyor belt system where the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aviation
Aviation includes the activities surrounding mechanical flight and the aircraft industry. ''Aircraft'' include fixed-wing and rotary-wing types, morphable wings, wing-less lifting bodies, as well as lighter-than-air aircraft such as hot air balloons and airships. Aviation began in the 18th century with the development of the hot air balloon, an apparatus capable of atmospheric displacement through buoyancy. Clément Ader built the "Ader Éole" in France and made an uncontrolled, powered hop in 1890. This was the first powered aircraft, although it did not achieve controlled flight. Some of the most significant advancements in aviation technology came with the controlled gliding flying of Otto Lilienthal in 1896. A major leap followed with the construction of the '' Wright Flyer'', the first powered airplane by the Wright brothers in the early 1900s. Since that time, aviation has been technologically revolutionized by the introduction of the jet engine which enabl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Color Gel
A color gel or color filter ( Commonwealth spelling: colour gel or colour filter), also known as lighting gel or simply gel, is a transparent colored material that is used in theater, event production, photography, videography and cinematography to color light and for color correction. Modern gels are thin sheets of polycarbonate, polyester or other heat-resistant plastics, placed in front of a lighting fixture in the path of the beam. Gels have a limited life, especially in saturated colors (lower light transmission) and shorter wavelength (blues). The color will fade or even melt, depending upon the energy absorption of the color, and the sheet will have to be replaced. In permanent installations and some theatrical uses, colored glass filters or dichroic filters are used. The main drawbacks are additional expense and a more limited selection. History In Shakespearean-era theater, red wine was used in a glass container as a light filter. In later days, colored wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chrominance
Chrominance (''chroma'' or ''C'' for short) is the signal used in video systems to convey the color information of the picture (see YUV color model), separately from the accompanying Luma (video), luma signal (or Y' for short). Chrominance is usually represented as two color-difference components: U = B-Y, B′ − Y′ (blue − luma) and V = R-Y, R′ − Y′ (red − luma). Each of these different components may have scale factors and offsets applied to it, as specified by the applicable video standard. In composite video signals, the U and V signals modulate a color subcarrier signal, and the result is referred to as the chrominance signal; the Phase (waves), phase and amplitude of this modulated chrominance signal correspond approximately to the hue and Saturation (color theory), saturation of the color. In digital-video and still-image color spaces such as Y′CbCr, the luma and chrominance components are digita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coordinate System
In geometry, a coordinate system is a system that uses one or more numbers, or coordinates, to uniquely determine and standardize the position of the points or other geometric elements on a manifold such as Euclidean space. The coordinates are not interchangeable; they are commonly distinguished by their position in an ordered tuple, or by a label, such as in "the ''x''-coordinate". The coordinates are taken to be real numbers in elementary mathematics, but may be complex numbers or elements of a more abstract system such as a commutative ring. The use of a coordinate system allows problems in geometry to be translated into problems about numbers and ''vice versa''; this is the basis of analytic geometry. Common coordinate systems Number line The simplest example of a coordinate system is the identification of points on a line with real numbers using the '' number line''. In this system, an arbitrary point ''O'' (the ''origin'') is chosen on a given line. The coordinate o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saturation (color Theory)
Colorfulness, chroma and saturation are attributes of perceived color relating to chromatic intensity. As defined formally by the International Commission on Illumination (CIE) they respectively describe three different aspects of chromatic intensity, but the terms are often used loosely and interchangeably in contexts where these aspects are not clearly distinguished. The precise meanings of the terms vary by what other functions they are dependent on. * Colorfulness is the "attribute of a visual perception according to which the perceived color of an area appears to be more or less chromatic (Any color that is absent of white, grey, or black)"., page 87. The colorfulness evoked by an object depends not only on its spectral reflectance but also on the strength of the illumination, and increases with the latter unless the brightness is very high ( Hunt effect). * Chroma is the "colorfulness of an area judged as a proportion of the brightness of a similarly illuminated area t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Munsell Color System
The Munsell color system is a color space that specifies colors based on three properties of color: hue (basic color), value (lightness), and colorfulness, chroma (color intensity). It was created by Albert Henry Munsell, Albert H. Munsell in the first decade of the 20th century and adopted by the United States Department of Agriculture (USDA) as the official color system for soil research in the 1930s. Several earlier color order systems in the field of colorimetry had placed colors into a three-dimensional color solid of one form or another, but Munsell was the first to separate hue, value, and chroma into Color difference#Tolerance, perceptually uniform and independent dimensions, and he was the first to illustrate the colors systematically in three-dimensional space. Munsell's system, particularly the later renotations, is based on rigorous measurements of human subjects' color vision, visual responses to color, putting it on a firm experimental scientific basis. Because of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
