Habanera (aria)
Habanera ("music or dance of Havana") is the popular name for "" (; "Love is a rebellious bird"), an aria from Georges Bizet's 1875 opéra comique ''Carmen''. It is the entrance aria of the title character, a mezzo-soprano role, in scene 5 of the first act. Background The score of the aria was adapted from the habanera "El Arreglito ou la Promesse de mariage", by the Spanish musician Sebastián Iradier, first published in 1863, which Bizet believed to be a folk song. When others told him he had used something written by a composer who had died ten years earlier,'' Grove's Dictionary of Music and Musicians'', 5th ed. 1954 he added a note about its derivation in the first edition of the vocal score which he himself prepared. Although the French libretto of the complete opéra comique was written by Henri Meilhac and Ludovic Halévy, the words of the habanera originated from Bizet. The Habanera was first performed by Galli-Marié at the Opéra-Comique on 3 March 1875. Bizet, h ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Havana
Havana (; ) is the capital and largest city of Cuba. The heart of La Habana Province, Havana is the country's main port and commercial center.Cuba ''The World Factbook''. Central Intelligence Agency. It is the most populous city, the largest by area, and the List of metropolitan areas in the West Indies, second largest metropolitan area in the Caribbean region. The population in 2012 was 2,106,146 inhabitants, and its area is for the capital city side and 8,475.57 km2 for the metropolitan zone. Its official population was 1,814,207 inhabitants in 2023. Havana was founded by the Spanish Empire, Spanish in the 16th century. It served as a springboard for the Spanish colonization of the Americas, Spanish conquest of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Musical Quarterly
''The Musical Quarterly'' is the oldest academic journal on music in America. Originally established in 1915 by Oscar Sonneck, the journal was edited by Sonneck until his death in 1928. Sonneck was succeeded by a number of editors, including Carl Engel (1930–1944), Gustave Reese (1944–45), Paul Henry Lang (1945–1973), Joan Peyser (1977–1984), and Eric Salzman (1984–1991). Since 1993, ''The Musical Quarterly'' has been edited by Leon Botstein, president of Bard College and principal conductor of the American Symphony Orchestra. Originally published by G. Schirmer, Inc., it is now published by Oxford University Press. References Further reading * External links * Articles published before 1923at the Internet Archive The Internet Archive is an American 501(c)(3) organization, non-profit organization founded in 1996 by Brewster Kahle that runs a digital library website, archive.org. It provides free access to collections of digitized media including ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Arias By Georges Bizet
In music, an aria (, ; : , ; ''arias'' in common usage; diminutive form: arietta, ; : ariette; in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, ('Aria del Gran Duca'). By the early 16th century, it was in common use as meaning a simple setting of strophic poetry; melodic madrigals, free of compl ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cassia (genus)
''Cassia'' is a genus of flowering plants in the legume family, Fabaceae, and the subfamily Caesalpinioideae. Species are known commonly as cassias. The genus includes 37 species and has a pantropical distribution.''Cassia'' L. ''Plants of the World Online''. Retrieved 14 August 2023. Species of the genera ''Senna (plant), Senna'' and ''Chamaecrista'' were previously included in ''Cassia''. ''Cassia'' now generally includes the largest species of the legume subtribe Cassiinae, usually mid-sized to tall trees. Cassia is also the English common name of some unrelated species in the genus ''Cinnamomum'' of the family Lauraceae. Ecology [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Musical Times
''The Musical Times'' was an academic journal of classical music edited and produced in the United Kingdom. It was originally created by Joseph Mainzer in 1842 as ''Mainzer's Musical Times and Singing Circular'', but in 1844 he sold it to Alfred Novello (who also founded '' The Musical World'' in 1836), and it was published monthly by Novello and Co. (also owned by Alfred Novello at the time). It first appeared as ''The Musical Times and Singing Class Circular'', a name which was retained until 1903. From the very beginning, every issue – initially just eight pages – contained a simple piece of choral music (alternating secular and sacred), which choral society members subscribed to collectively for the sake of the music. Its title was shortened to its present name from January 1904. Even during World War II it continued to be published regularly, making it the world's oldest continuously published periodical devoted to western classical music. In 1947 a two volume compila ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ernst Eulenburg (musical Editions)
Ernst Eulenburg the music publisher was established by Ernst Eulenburg in Leipzig in 1874. The firm started by publishing a series of studies by a Dresden piano teacher, and then expanded into light music and works for men's chorus, at first all non-copyright works. Origins of the miniature scores In 1891, Eulenburg acquired the company of Payne who had recently started to publish miniature scores of chamber works, thus effectively establishing the basis for the famous miniature scores which are what Eulenburg is famous for today. The catalogue was further expanded in 1908 by the acquisition of the catalogue of Donajowski, who published miniature scores of orchestral works in England. Later history of the company In 1905, Ernst's son Kurt began to work in the firm, a connection maintained until his retirement at age 90 in 1968. After Ernst died in 1926, Kurt took over and began to introduce important revisions of scores by leading musicologists such as Alfred Einstein (who ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. The dictionary was first published in 1992 by Macmillan Reference, London, and edited by Stanley Sadie. Christina Bashford was the managing editor. While some entries were based on their equivalent entry in ''The New Grove Dictionary of Music and Musicians'', most were specially commissioned. The work contains contributions from over 1,300 scholars, with 11,000 articles in total, covering over 2,900 composers and 1800 operas. The operas discussed range from the earliest operas in 16th century Italy to the 1992 Philip Glass work '' The Voyage''. The final volume includes four appendices: an index of principal role names in 850 notable operas; an index of incipits of arias and ensembles (first line only, no musical examples); a list of contributors; and illustration acknowledgements. In 1997, the diction ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hugh Macdonald (musicologist)
Hugh John Macdonald (born 31 January 1940 in Newbury, Berkshire) is an English musicologist chiefly known for his work within the music of the 19th century, especially in France. He has been general editor of the ''Hector Berlioz: New Edition of the Complete Works'' since its inception in 1967 and has been particularly active in the revival of interest in Berlioz's music. He is also the author of several entries within '' The Grove Dictionary of Music and Musicians''. Biography Macdonald studied under Raymond Leppard at the University of Cambridge from 1958 to 1966. He went on to pursue doctoral studies, earning a Ph.D. in 1969 from Cambridge, after researching the music of Berlioz for a dissertation consisting of a critical edition of ''Les Troyens''. He served on the faculty of music at Cambridge from 1966 to 1971 and on the music faculty at University of Oxford from 1971 to 1980. He became the Gardiner Professor of Music at Glasgow University in 1980, where he remained until 19 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tessitura
In music, tessitura ( , , ; ; ) is the most acceptable and comfortable vocal range for a given singer (or, less frequently, musical instrument). It is the range in which a given type of voice presents its best-sounding (or characteristic) timbre. This broad definition is often interpreted to refer specifically to the pitch range that most frequently occurs within a given part of a musical piece. Hence, in musical notation, ''tessitura'' is the ambitus, or a narrower part of it, in which that particular vocal (or less often instrumental) part lies—whether high or low, etc. However, the tessitura of a part or voice is not decided by the extremes of its range, but rather by the share of this total range which is most used. Hence, it is referred to as the "heart" of a range. For example, throughout the entirety of Wagner's '' Ring'', the music written for the tenor role of Siegfried ranges from C to C, but the tessitura is described as high because the phrases are most oft ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Scientific Pitch Notation
Scientific pitch notation (SPN), also known as American standard pitch notation (ASPN) and international pitch notation (IPN), is a method of specifying musical Pitch (music), pitch by combining a musical Note (music), note name (with accidental (music), accidental if needed) and a number identifying the pitch's octave. Although scientific pitch notation was originally designed as a companion to scientific pitch (see below), the two are not synonymous. Scientific pitch is a pitch standard—a system that defines the specific frequencies of particular pitches (see below). Scientific pitch notation concerns only how pitch names are notated, that is, how they are designated in printed and written text, and does not inherently specify actual frequencies. Thus, the use of scientific pitch notation to distinguish octaves does not depend on the pitch standard used. Nomenclature The notation makes use of the traditional tone names (A to G) which are followed by numbers showing which octav ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vocal Range
Vocal range is the range of pitches that a human voice can phonate. A common application is within the context of singing, where it is used as a defining characteristic for classifying singing voices into voice types. It is also a topic of study within linguistics, phonetics, and speech-language pathology, particularly in relation to the study of tonal languages and certain types of vocal disorders, although it has little practical application in terms of speech. Singing and the definition of vocal range While the broadest definition of "vocal range" is simply the span from the lowest to the highest note a particular voice can produce, this broad definition is often not what is meant when "vocal range" is discussed in the context of singing. Vocal pedagogists tend to define the vocal range as the total span of "musically useful" pitches that a singer can produce. This is because some of the notes a voice can produce may not be considered usable by the singer within performan ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |