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Guercino - The Persian Sibyl - Google Art Project
Giovanni Francesco Barbieri (February 8, 1591 – December 22, 1666),Miller, 1964 better known as (il) Guercino (), was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style. Biography Giovanni Francesco Barbieri was born into a family of peasant farmers in Cento, a town in the Po Valley mid-way between Bologna and Ferrara.Mahon, 1937a Being cross-eyed, at an early age he acquired the nickname by which he is universally known, Guercino (a diminutive of the Italian noun , meaning 'squinter').Turner, 2003 Mainly self-taught, at the age of 16, he worked as apprentice in the shop of Benedetto Gennari, a painter of the Bolognese School. An early commission was for the decoration with frescoes (1615–1616) of Casa Pannini in Cento, where the naturalism ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cento
Cento (; Bolognese dialect, Northern Bolognese: ; Bolognese dialect, City Bolognese: ; Bolognese dialect, Centese: ) is a town and ''comune'' in the province of Ferrara, Emilia-Romagna, Italy. History The name Cento is a reference to the centuriation of the Po Valley. Cento's growth from its origin as a little fishing village in the marshes to an established farming town took place in the first few centuries in the second millennium. The Bishop of Bologna and the Abbot of Nonantola established the Partecipanza Agraria, an institution in which land would perpetually be redistributed every twenty years among the male heirs of the families who constituted the initial core of the community in the 12th century. In 1502, Pope Alexander VI took it away from the dominion of the Bishop of Bologna and made it part of the dowry of his daughter Lucrezia Borgia, betrothed to Duke Alfonso I d'Este. It was later returned to the Papal States in 1598. South-east of the city lies the small hist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferrara
Ferrara (; ; ) is a city and ''comune'' (municipality) in Emilia-Romagna, Northern Italy, capital of the province of Ferrara. it had 132,009 inhabitants. It is situated northeast of Bologna, on the Po di Volano, a branch channel of the main stream of the Po (river), Po River, located north. The town has broad streets and numerous palaces dating from the Renaissance, when it hosted the court of the House of Este. For its beauty and cultural importance, it has been designated by UNESCO as a World Heritage Site. History Antiquity and Middle Ages The first documented settlements in the area of the present-day Province of Ferrara date from the 6th century BC. The ruins of the Etruscan civilization, Etruscan town of Spina, established along the lagoons at the ancient mouth of Po river, were lost until modern times, when drainage schemes in the Valli di Comacchio marshes in 1922 first officially revealed a necropolis with over 4,000 tombs, evidence of a population centre that in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santi Gregorio E Siro
The church of Santi Gregorio e Siro is a Renaissance architecture, Renaissance-style Roman Catholic parish church on Via Montegrappa 15 in central Bologna, Italy. Initially this was the Church of San Gregorio, but when the nearby parish church of San Siro had been torn down, and the names were fused. History It was founded on grounds that had been expropriated by the Ghislieri family from the House of Bentivoglio, Bentivoglio. It was constructed by the canons of San Giorgio in Alga, an island in the lagoon of Venice; the architects were Tibaldo Tibaldi (Tibaldo Cristoforo di Tibaldi) and Giovanni Antonio, both from Milan. In 1676, it passed to the order of Clerics Regular ministering to the sick (Chierici Regolari Ministri degli Infermi). The earthquake of 1780 damaged the church, and it was rebuilt by the architect Angelo Venturoli. Over the entry is the heraldic shield of the Ghisilieri family, and the bell-tower was adapted from a medieval Towers of Bologna, tower from a famil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinacoteca Nazionale Di Bologna
The National Art Gallery of Bologna (''Pinacoteca Nazionale di Bologna'') is a museum in Bologna, Italy. It is located in the former Saint Ignatius Jesuit novitiate of the city's University district, and inside the same building that houses the Academy of Fine Arts. The museum offers a wide collection of Emilian paintings from the 13th to the 18th century and other fundamental works by artists who were in some way related to the city. History Accademia Clementina According to 18th-century Italian art historian Luigi Crespi, it was cardinal Prospero Lambertini, who would later become Pope Benedict XIV, the one who planned a Gallery for altarpieces in the churches of the city. The gallery's first nucleus of works came from the acquisition in 1762 by monsignor Francesco Zambeccari of eight early 15th-century altarpieces, salvaged from the demolition of Saint Mary Magdalene's church. Bought for the Istituto delle Scienze, the art pieces were to be preserved by the Accadem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Of Gellone
William of Gellone ( 755 – 28 May 812 or 814), the medieval William of Orange, was the second Duke of Toulouse from 790 until 811. In 804, he founded the abbey of Gellone. He was canonized a saint in 1066 by Pope Alexander II."William of Aquitaine, St." Encyclopedia.com. Retrieved on 2014-01-17. In the tenth or eleventh century, a Latin hagiography, the ''Vita sancti Willelmi'', was composed. By the twelfth century, William's legend had grown. He is the hero of an entire cycle of ''chansons de geste'', the earliest of which is the ''Chanson de Guillaume'' of about 1140. In the ''chansons'', he is nicknamed ''Fierabras (nickname), Fièrebrace'' (fierce or strong arm) due to his apparent strength and the ''marquis au court nez'' (margrave with the short nose) as the result of an injur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludovico Carracci
Ludovico (or Lodovico) Carracci ( , , ; 21 April 1555 – 13 November 1619) was an Italian early-Baroque painter, etcher, and printmaker from Bologna. His works are characterized by a strong mood invoked by broad gestures and flickering light that create spiritual emotion and are credited with reinvigorating Italian art, especially fresco art, which was subsumed with formalistic Mannerism. He died in Bologna in 1619. Biography Ludovico apprenticed under Prospero Fontana in Bologna and traveled to Florence, Parma, and Venice, before returning to his hometown. Together with his cousins Annibale and Agostino Carracci, Ludovico worked in Bologna on the fresco cycles depicting Histories of ''Jason and Medea'' (1584) in Palazzo Fava, and the ''Histories of Romulus and Remus'' (1590-1592) for the Palazzo Magnani. Their individual contributions to these works are unclear, although Annibale, the younger than Ludovico by 5 years had gained fame as the best of the three. This le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Country Concert
''Country Concert'' is an oil-on-canvas painting executed c. 1617 by the Italian artist Guercino. It is now in the Uffizi Gallery The Uffizi Gallery ( ; , ) is a prominent art museum adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of ... in Florence. It is considered a rare instance of pure pastoral landscape in his oeuvre. References 1617 paintings Landscape paintings Paintings by Guercino Paintings in the Uffizi {{1610s-painting-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moonlit Landscape
''Moonlit Landscape'' is a c. 1616 oil-on-canvas landscape painting by the Italian Baroque artist Guercino, a rare instance of pure landscape in his work. It is now in the Nationalmuseum in Stockholm, to which it was donated in 1936 by court official Gösta Stenman via the Nationalmusei Vänner. References [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Landscape Painting
Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent Composition (visual arts), composition. In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. Two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases. The recognition of a spiritual element in landscape art is present from its beginnings in East Asian art, drawing on Daoism and other philosophical traditions, but in the West only becomes explicit with Romanticism. L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realism (arts)
Realism in the arts is generally the attempt to Representation (arts), represent subject-matter truthfully, without artificiality, exaggeration, or speculative fiction, speculative or supernatural elements. The term is often used interchangeably with naturalism, although these terms are not necessarily synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a Realism (art movement), specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the commoner and the rise of leftist polit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bolognese School (painting)
The Bolognese school of painting, also known as the ''school of Bologna'', flourished between the 16th and 17th centuries in Bologna, which rivalled Florence and Rome as the center of painting in Italy. Its most important representatives include the Carracci family, including Ludovico Carracci and his two cousins, the brothers Agostino and Annibale Carracci. Later, it included other Baroque painters: Domenichino and Lanfranco, active mostly in Rome, eventually Guercino and Guido Reni, and Accademia degli Incamminati in Bologna, which was run by Lodovico Carracci. Certain artistic conventions, which over time became traditionalist, had been developed in Rome during the first decades of the 16th century. As time passed, some artists sought new approaches to their work that no longer reflected only the Roman manner. The Carracci studio sought innovation or invention, seeking new ways to break away from traditional modes of painting while continuing to look for inspiration f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benedetto Gennari
Benedetto Gennari (1563–1610) was an Italian painter of the early-Baroque period, active mainly in Ferrara and Cento. His birthplace is poorly recorded. He adopted a style influenced by Caravaggio, and by age 19, was working in the household of Mirandola in Cento. In that town, he helped decorate the Palazzo della communita and the church of Spirito Santo. Guercino became his apprentice in 1607.Griswold, William M. (Spring 1991). "Guercino". ''Metropolitan Museum of Art Bulletin''. 48(4): 6 His nephews Benedetto II Gennari and Cesare Gennari Cesare Gennari (12 December 1637 – 11 February 1688) was an Italian painter of the Baroque period. His ''Saint Mary Magdalene'' is in the Pinacoteca Civica di Cento. His ''Apparition of the Virgin to Saint Nicholas of Bari'' is at the Pinacotec ..., sons of his brother Ercole Gennari, were also painters. References * Italian Baroque painters 1563 births 1658 deaths Italian male painters People from Cento 16th-century Ital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
