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Guajiras
Guajira is a music genre derived from the punto cubano. According to some specialists, the punto cubano was known in Spain since the 18th century, where it was called "punto de La Habana", and by the second half of the 19th century it was adopted by the incipient Spanish Flamenco style, which included it within its "palos" with the name of guajira.Manuel, Peter: The guajira between Cuba and Spain: A study in continuity and change. Latin American Music Review, volume 25, No. 2, Fall/Winter, 2004. Guajira was utilized by Spanish Zarzuela composers, such as Ruperto Chapí, who included it in his well known play "La Revoltosa", from 1897. Two years later, in 1899, the Cuban composer Jorge Anckermann inaugurated a new genre with his song "El arroyo que murmura", the first Cuban guajira. This song became a model that was adopted by many other Cuban composers at a later time, and was frequently included in the Cuban Zarzuela and vernacular theater. The Cuban guajira preserved the cha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flamenco
Flamenco () is an art form based on the various folkloric music traditions of southern Spain, developed within the Gitanos, gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Region of Murcia, Murcia. In a wider sense, the term is used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani people, Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage. The oldest record of flamenco music dates to 1774 in the book ''Las Cartas Marruecas'' (The Moroccan Letters) by José Cadalso. The development of flamenco over the past two centuries is well documented: "the theatre movement of sainetes (one-act plays) and tonadillas, popular song books and song s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punto Cubano
Punto guajiro or ''punto cubano'' – or simply ''punto'' – is a sung genre of Music of Cuba, Cuban music, a poetic art with music. It became popular in the western and central regions of Cuba in the 17th century, and consolidated as a genre in the 18th century. It has Andalusian and Canary Islands origins, and it integrated African elements in Cuba. Description Punto is played by a group with various types of guitar: the Spanish guitar, the Cuban Tres (musical instrument), tres, the laúd and the tiple. The ''punto'' refers to the use of a pick (punteando), rather than strumming (rasgueado). There are three percussion instruments: the claves, clave, the güiro and the ''guayo'' (also a scraper, but of metal). Singers form themselves into teams, and improvise their lines. They sing, or chant, an unvarying melody, with intervals between stanzas to give the singers time to prepare the next verse. Early compositions were sometimes recorded in print, as were the names of som ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punto Guajiro
Punto guajiro or ''punto cubano'' – or simply ''punto'' – is a sung genre of Cuban music, a poetic art with music. It became popular in the western and central regions of Cuba in the 17th century, and consolidated as a genre in the 18th century. It has Andalusian and Canary Islands origins, and it integrated African elements in Cuba. Description Punto is played by a group with various types of guitar: the Spanish guitar, the Cuban tres, the laúd and the tiple. The ''punto'' refers to the use of a pick (punteando), rather than strumming (rasgueado). There are three percussion instruments: the clave, the güiro and the ''guayo'' (also a scraper, but of metal). Singers form themselves into teams, and improvise their lines. They sing, or chant, an unvarying melody, with intervals between stanzas to give the singers time to prepare the next verse. Early compositions were sometimes recorded in print, as were the names of some of the singer/composers. Beginning around 193 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Cuba
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music. Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world. For instance, the son cubano merges an adapted Spanish guitar (tres), melody, harmony, and lyrical traditions with Afro-Cuban percussion and rhythms. Almost nothing remains of the original native traditions, since the native population was exterminated in the 16th century. Since the 19th century, Cuban music has been hugely popular and influential throughout the world. It has been perhaps the most popular form of regional music since the introduction of recording technology. Cuban music has contributed to the development of a wide variety of genres and musical styles around the globe, most notably in Latin America, the Caribbean, West Africa, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hillbilly
''Hillbilly'' is a term historically used for White people who dwell in rural area, rural, mountainous areas in the United States, primarily in the Appalachian region and Ozarks. As people migrated out of the region during the Great Depression, the term spread northward and westward with them. The usage of the term ''hillbilly'' as a descriptor receives mixed perceptions, often in part due to the nature in which it is used. It may be used in in-groups as a point of pride, while others consider its usage derogatory, especially when used as an insult. The first known instances of ''hillbilly'' in print were in ''The Railroad Trainmen's Journal'' (vol. ix, July 1892), an 1899 photograph of men and women in West Virginia labeled "Camp Hillbilly", and a 1900 ''New York Journal'' article containing the definition: "a Hill-Billie is a free and untrammeled white citizen of Alabama, who lives in the hills, has no means to speak of, dresses as he can, talks as he pleases, drinks whiskey w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuba
Cuba, officially the Republic of Cuba, is an island country, comprising the island of Cuba (largest island), Isla de la Juventud, and List of islands of Cuba, 4,195 islands, islets and cays surrounding the main island. It is located where the northern Caribbean Sea, Gulf of Mexico, and Atlantic Ocean meet. Cuba is located east of the Yucatán Peninsula (Mexico), south of both Florida and the Bahamas, west of Hispaniola (Haiti/Dominican Republic), and north of Jamaica and the Cayman Islands. Havana is the largest city and capital. Cuba is the List of countries and dependencies by population, third-most populous country in the Caribbean after Haiti and the Dominican Republic, with about 10 million inhabitants. It is the largest country in the Caribbean by area. The territory that is now Cuba was inhabited as early as the 4th millennium BC, with the Guanahatabey and Taino, Taíno peoples inhabiting the area at the time of Spanish colonization of the Americas, Spanish colonization ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arawak Language
Arawak (, ), also known as Lokono (Lokono Dian, literally "people's talk" by its speakers), is an Arawakan language spoken by the Lokono (Arawak) Indigenous peoples of South America in eastern Venezuela, Guyana, Trinidad and Tobago, Suriname, and French Guiana. It is the eponymous language of the Indigenous Arawakan language family. Lokono is an active–stative language. History Lokono is a critically endangered language. The Lokono language is most commonly spoken in South America. Some specific countries where this language is spoken include Guyana, Suriname, French Guiana, and Venezuela. The percentage of living fluent speakers with active knowledge of the language is estimated to be 5% of the ethnic population. There are small communities of semi-speakers who have varying degrees of comprehension and fluency in Lokono that keep the language alive. It is estimated that there are around 2,500 remaining speakers (including fluent and semi-fluent speakers). The decline in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pete Seeger
Peter Seeger (May 3, 1919 – January 27, 2014) was an American singer, songwriter, musician, and social activist. He was a fixture on nationwide radio in the 1940s and had a string of hit records in the early 1950s as a member of The Weavers, notably their recording of Lead Belly's "Goodnight, Irene", which topped the charts for 14 weeks in 1950. Members of the Weavers were blacklisted during the McCarthyism, McCarthy Era. In the 1960s, Seeger re-emerged on the public scene as a prominent singer of protest song, protest music in support of nuclear disarmament, international disarmament, civil rights, workers' rights, Counterculture of the 1960s, counterculture, environmentalism, environmental causes, and ending the Vietnam War. Among the prolific songwriter's best-known songs are "Where Have All the Flowers Gone?" (with additional lyrics by Joe Hickerson), "If I Had a Hammer (The Hammer Song)" (with Lee Hays of the Weavers), "Kisses Sweeter than Wine" (also with Hays), and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseíto Fernández
José Fernández Díaz (September 5, 1908 – October 11, 1979), commonly known as Joseíto Fernández, was a Cuban singer and songwriter. He is the writer of well-known songs, including "Elige tú, que canto yo", "Amor de madre", "Demuéstrame tú", and "Así son, boncó", as well as the most famous " Guajira Guantanamera". , Pedro Quiroga Jiménez, Notinet del Cubaweb. Selected compositions * "Tu Misma Me Acostumbraste", Joseíto Fernández (words & music) * "Mi Madre y Mi Tierra", Joseíto Fernández (words & music) * " Guajira Guantanamera", Joseíto Fernández (words & music), based on a poem by |
Celina González
Celina González Zamora (16 March 1929 – 4 February 2015) was a Cuban singer-songwriter, who specialized in "música campesina", traditional music of the Cuban countryside. She is best known for co-authoring ''A Santa Bárbara'' with her partner Reutilio Domínguez. Her recording of it was a hit, as was Celia Cruz's version. González and Domínguez wrote "Yo soy el punto cubano": the recording was a hit in many countries throughout the world. González was born in Jovellanos, Matanzas. At age 16, she met Reutilio Domínguez in Santiago de Cuba. He became her singing partner and husband, resulting in a collaboration that lasted until his death in Guantanamo in 1971. In 1948 they began working with the famous guitarist and singer Ñico Saquito and gained increasing popularity on radio, film and television. They performed in New York with Beny Moré and Barbarito Diez. In 1964 the duo stopped performing together and González continued as a soloist. In later ye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guantanamera
"" (; ) is a Cuban patriotic song, which uses a poem from the collection ''Simple Verses'', by the Cuban poet José Martí, for the lyrics. It is an expression of love for Cuba and of solidarity with the poor people of the world. The official writing credits have been given to Joseíto Fernández, who first popularized the song on radio as early as 1929 (although it is unclear when the first release as a record occurred). In 1966, a version by American vocal group the Sandpipers, based on an arrangement by the Weavers from their May 1963 Carnegie Hall Reunion concert, became an international hit. The song has notably been covered or interpreted by Celia Cruz, Compay Segundo and Wyclef Jean. Music The music for the song is sometimes also attributed to Joseíto Fernández, who claimed to have written it at various dates (consensus puts 1929 as its year of origin), and who used it regularly in one of his radio programs. Some claim that the song's structure actually came from Hermi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bolero
Bolero is a genre of song which originated in eastern Cuba in the late 19th century as part of the trova tradition. Unrelated to the older Spanish dance of the same name, bolero is characterized by sophisticated lyrics dealing with love. It has been called the "quintessential Latin American romantic song of the twentieth century". Unlike the simpler, thematically diverse ''canción'', bolero did not stem directly from the European lyrical tradition, which included Italian opera and canzone, popular in urban centers like Havana at the time. Instead, it was born as a form of romantic folk poetry cultivated by a new breed of troubadour from Santiago de Cuba, the ''trovadores''. Pepe Sánchez is considered the father of this movement and the author of the first bolero, "Tristezas", written in 1883. Originally, boleros were sung by individual ''trovadores'' while playing guitar. Over time, it became common for trovadores to play in groups as ''dúos'', ''tríos'', ''cuartetos'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
