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Groove (drumming)
In drumming, a groove is a repeated phrase that sets and maintains the rhythm and tempo of the piece. Grooves and fills are the main components of the music played on a drum kit, and together with basic techniques or rudiments such as flams make up the curriculum for learning to play the drum kit. To a drummer, a groove is the drumming equivalent of a riff to a guitarist. Examples Traditional Africa *Bell pattern *Cross-rhythm * Djembe rhythms Asia *Dumbek *iqa' * Tala Europe *Jig *March *Polka *Waltz * Asymmetric or compound meter * Flamenco Palos Latin America * Bossa Nova * Cha-cha *Dembow * Merengue *Samba *Son Clave * Tresillo Contemporary Jazz music *Shuffle * Swing Rock music * Cut time * Four on the floor * Two-step Heavy metal music *Blast beat * Breakdown * Double bass drum pattern See also *Groove (music) In music, groove is the sense of an effect ("feel") of changing pattern in a propulsive rhythm or sense of "Swing (jazz performance style), swing". ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum
The drum is a member of the percussion group of musical instruments. In the Hornbostel–Sachs classification system, it is a membranophone. Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a percussion mallet, to produce sound. There is usually a resonant head on the underside of the drum. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years. Drums may be played individually, with the player using a single drum, and some drums such as the djembe are almost always played in this way. Others are normally played in a set of two or more, all played by one player, such as bongo drums and timpani. A number of different drums together with cymbals form the basic modern drum kit. Many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metre (music)
In music, metre (British spelling) or meter (American spelling) refers to regularly recurring patterns and accents such as bars and beats. Unlike rhythm, metric onsets are not necessarily sounded, but are nevertheless implied by the performer (or performers) and expected by the listener. A variety of systems exist throughout the world for organising and playing metrical music, such as the Indian system of '' tala'' and similar systems in Arabic and African music. Western music inherited the concept of metre from poetry, where it denotes the number of lines in a verse, the number of syllables in each line, and the arrangement of those syllables as long or short, accented or unaccented. The first coherent system of rhythmic notation in modern Western music was based on rhythmic modes derived from the basic types of metrical unit in the quantitative metre of classical ancient Greek and Latin poetry. Later music for dances such as the pavane and galliard consisted of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blast Beat
A blast beat is a type of drum beat that originated in hardcore punk and grindcore, and is often associated with certain styles of extreme metal, namely black metal, death metal and their respective subgenres,Adam MacGregor, '' PCP Torpedo'' by Agoraphobic Nosebleed review, ''Dusted'', 11 June 2006 Access date: 2 October 2008. "There is one uniformly present attribute in all examples of 'grindcore', that being the so-called 'blast-beat.'" and occasionally in metalcore. In Adam MacGregor's definition, "the blast-beat generally comprises a repeated, sixteenth-note figure played at a very fast tempo, and divided uniformly among the bass drum, snare, and ride, crash, or hi-hat cymbal." Blast beats have been described by ''PopMatters'' contributor Whitney Strub as, "maniacal percussive explosions, less about rhythm per se than sheer sonic violence". According to Brad Schlueter of '' Drum!'', Napalm Death is said to have coined the term, though this style of drumming had previo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Two-step (dance Move)
Two-step or two step may refer to: Dance * Two-step (dance move), a dance move used in a wide range of dancing genres * Country-western two-step, also known as the Texas Two-step * Nightclub Two Step, also known as the California Two-step * 2-step (breakdance move), an acrobatic maneuver used in breakdancing * Two step, a style of moshing which creates a running–in–place motion Music * "Two Step" (song), a single released by Dave Matthews Band in 1996 * "2 Step" (song), a single released by Unk in 2007 * "2step" (song), a song released by Ed Sheeran in 2021 * 2-step garage, a subgenre of UK garage music * "2 Step", a bonus track by Destiny's Child from their 2004 album ''Destiny Fulfilled'' Other * Two Step Cliffs * Two Step Inn, a country music festival located in Georgetown, Texas * Two-Step (comics) * ''Two Step'' (film), a 2014 American thriller film * Euro step, also known as two-step, a basketball move * Many-banded krait, a species of venomous snake native to Sout ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four On The Floor (music)
Four-on-the-floor (or four-to-the-floor) is a rhythm used primarily in dance genres such as disco and electronic dance music. It is a steady, uniformly accented beat in time in which the bass drum is hit on every beat (1, 2, 3, 4)."The Dance Music Manual: Tools, Toys and Techniques," Rick Snoman (2004) This was popularized in the disco music of the 1970s and the term ''four-on-the-floor'' was widely used in that era, since the beat was played with the pedal-operated, drum-kit bass drum. Four on the floor was common in jazz drumming until bebop styles expanded rhythmic roles beyond the basics in the 1940s. Garage rock bands of the 1960s such as the Troggs and the Seeds used four-on-the-floor on some of their hits. Many styles of electronic dance music use this beat as an important part of the rhythmic structure. Sometimes the term is used to refer to a 4/4 uniform drumming pattern for any drum. A form of four-on-the-floor is also used in jazz drumming. Instead of hittin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alla Breve
''Alla breve'' also known as cut time or cut common timeis a Meter (music), musical meter notated by the time signature symbol (a C) with a vertical line through it, which is the equivalent of . The term is Italian language, Italian for "on the breve", originally meaning that the beat was counted on the double whole note, breve (double whole note). ''Alla breve'' is a "Meter (music)#Simple meter, simple-duple meter with a half-note pulse (music), pulse".Duckworth, William (2009). ''A Creative Approach to Music Fundamentals'', p. 38. . The note denomination that represents one beat is the minim (music), minim or half-note. There are two of these per bar, so that the time signature may be interpreted as "two minim beats per bar". Alternatively this is read as two beats per measure, where the half note gets the beat. The name Time signature#common time, "common time" refers to , which has four beats to the bar, each of a quarter note (or crotchet). Modern usage In contempora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swing Time
In music, the term ''swing'' has two main uses. Colloquially, it is used to describe the propulsive quality or "feel" of a rhythm, especially when the music prompts a visceral response such as foot-tapping or head-nodding (see pulse). This sense can also be called "groove". The term swing feel, as well as ''swung note(s)'' and ''swung rhythm'', is also used more specifically to refer to a technique (most commonly associated with jazz but also used in other genres) that involves alternately lengthening and shortening the first and second consecutive notes in the two part pulse-divisions in a beat. Overview Like the term "groove", which is used to describe a cohesive rhythmic "feel" in a funk or rock context, the concept of "swing" can be hard to define. Indeed, some dictionaries use the terms as synonyms: "Groovy ... denotes music that really swings." The ''Jazz in America'' glossary defines ''swing'' as, "when an individual player or ensemble performs in such a rhythmically ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tresillo (rhythm)
Tresillo ( ; ) is a rhythmic pattern (shown below) used in Latin American music. It is a more basic form of the rhythmic figure known as the ''habanera''. : \new RhythmicStaff Tresillo is the most fundamental duple-pulse rhythmic cell in Cuban and other Latin American music. It was introduced in the New World through the Atlantic slave trade during the Colonial period. The pattern is also the most fundamental and most prevalent duple-pulse rhythmic cell in Sub-Saharan African music traditions. The cinquillo pattern is another common embellishment of tresillo. Cinquillo is used frequently in the Cuban contradanza (the "habanera") and the danzón. Triplet (formal usage) ''Tresillo'' is a Spanish word meaning " triplet"—three equal notes within the same time span normally occupied by two notes. In its formal usage, ''tresillo'' refers to a subdivision of the beat that does not normally occur within the given structure. Therefore, it is indicated by the number 3 between the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clave (rhythm)
The clave (; ) is a rhythmic pattern used as a tool for meter (music), temporal organization in Brazilian and Afro-Cuban music, Cuban music. In Spanish, ''clave'' literally means key, clef, code, or keystone. It is present in a variety of genres such as Abakuá music, Cuban rumba, rumba, conga (music), conga, son (music), son, mambo (music), mambo, Salsa music, salsa, songo music, songo, timba and Afro-Cuban jazz. The five-drum stroke, stroke clave pattern represents the structural core of many Cuban rhythms. The study of rhythmic methodology, especially in the context of Afro-Cuban jazz, Afro-Cuban music, and how it influences the Music and emotion, mood of a piece is known as clave theory. The clave pattern originated in sub-Saharan African music traditions, where it serves essentially the same function as it does in Cuba. In ethnomusicology, clave is also known as a ''key pattern'', ''guide pattern'', ''phrasing referent'', ''timeline'', or ''asymmetrical timeline''. The clav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samba
Samba () is a broad term for many of the rhythms that compose the better known Brazilian music genres that originated in the Afro-Brazilians, Afro Brazilian communities of Bahia in the late 19th century and early 20th century, It is a name or prefix used for several rhythmic variants, such as samba urbano carioca (''urban Carioca samba''), samba de roda (sometimes also called ''rural samba''), among many other forms of samba, mostly originated in the Rio de Janeiro (state), Rio de Janeiro and Bahia states. Having its roots in Brazilian mythology, Brazilian folk traditions, especially those linked to the primitive rural samba of the Colonial Brazil, colonial and Empire of Brazil, imperial periods, is considered one of the most important cultural phenomena in Brazil and one of the country symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Merengue Music
Merengue is a type of music and Merengue (dance), dance originating in present-day Dominican Republic which has become a very popular genre throughout Latin America, and also in several major cities in the United States with Latino communities. Merengue was inscribed on November 30, 2016, in the representative list of the Intangible Cultural Heritage of Humanity of UNESCO. Merengue was developed in the middle of the 1800s, originally played with European stringed instruments (bandurria and guitar). Years later, the stringed instruments were replaced by the accordion, thus conforming, together with the güira and the Tambora (Dominican drum), tambora, the instrumental structure of the typical merengue ensemble. This set, with its three instruments, represents the synthesis of the three cultures that made up the idiosyncrasy of Dominican culture. The European influence is represented by the accordion, the African by the Tambora, which is a two-head drum, and the Taino or aborigina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dembow Beat
The dembow beat or dembow riddim is a musical rhythm best known for its use as the core percussion element in reggaeton music, having taken its name from the 1990 dancehall song "Dem Bow" by Shabba Ranks. The rhythm, first developed by Jamaican and Afro-Panamanian producers in the early 1990s as reggaeton was beginning to form, employs the tresillo pattern that is common in Latin American music. Characteristics The dembow rhythm is usually employed as a loop, in line with reggaeton's mainly electronic production. Described as having a "bounce", it has a 3+3+2 (tresillo) cross-rhythm with a slight syncopation on every other half-beat. While dembow is the main building block of the reggaeton genre, similar modern rhythms can be found in Africa with the genres of afrobeats, on account of their common ancestry. There are also connections with Arabic music, credited to "cross-pollination" between Spain, the Arab world, and sub-Saharan Africa Sub-Saharan Africa is the area ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
