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Gridnik
Gridnik is a geometrical sans serif typeface designed by Dutch graphic designer Wim Crouwel in 1974. It is the digital version of the typewriter typeface ''Olivetti Politene''. History Around 1974, Crouwel was commissioned by typewriter manufacturer Olivetti to design a typeface for their new electric typewriters. The result was a sans serif monoline (all lines are of equal thickness) typeface. Olivetti called it ''Politene''. All characters are based on a square grid, with the 45-degree corners. Before Crouwel could finish the design, the interest for electric typewriters declined, so much so that they did not need the type design anymore. As a consequence, the copyrights of the design went back to Crouwel. At the same time they commissioned Crouwel, they asked Josef Müller-Brockmann to design a typeface as well. Number Postage Stamps The most notable use of Gridnik was on a series of Number Postage Stamps for the Dutch PTT, designed in the same period as the Olivetti commis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wim Crouwel
Willem Hendrik "Wim" Crouwel (; 21 November 1928 – 19 September 2019) was a Dutch graphic designer, type designer, and typographer. Early life and education Between 1947 and 1949, he studied Fine Arts at Academie Minerva in Groningen, the Netherlands. After graduating from a traditional art school, he served for two years in the military. Fresh out of the military, he was hired by an exhibition company in Amsterdam. During an interview in 2011, Crouwel said that his traditional art training hadn't taught him anything about typography, and that he eventually learned it by attending night classes in typography at what is now the Gerrit Rietveld Academie in Amsterdam. Career Crouwel began his career in 1955 creating exhibition, graphic, and product designs along with Kho Liang Ie. In 1963, he was one of the founders of the design studio Total Design (currently named Total Identity). From 1964 onwards, Crouwel was responsible for the design of the posters, catalogues and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Alphabet (typeface)
New Alphabet is a parametric typeface designed by Wim Crouwel, released in 1967. It embraced the limitations of the display technology that it was displayed on by only using horizontal and vertical strokes. This meant that some of the letters had little resemblance to the letters they were supposed to represent. New Alphabet was notably used on the cover of Joy Division's 1988 compilation album ''Substance''. History New Alphabet was a personal, experimental project of Crouwel. The typeface was designed to embrace the limitations of the cathode ray tube technology used by early data display screens and phototypesetting equipment, and thus only contains horizontal and vertical strokes. Conventional typefaces can suffer under these limitations, because the level of detail is not high enough, restricting legibility. Crouwel wanted to adapt his design to work for the new technologies, instead of adapting the technologies to meet the design. Since his letter shapes only contain hori ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fodor (typeface)
Fodor is a geometrical typeface designed by Dutch graphic designer and type designer Wim Crouwel, around 1973. History Fodor was designed for the covers of the magazine published by Museum Fodor in Amsterdam. The main text on the covers were set with an electric typewriter, and the monospaced typeface that it used created strong horizontal and vertical lines. Crouwel made these visible by using a regular pattern of pink dots on an orange background. He then used this grid to draw the letters ''fodor'' and a set of numbers. Later, a complete alphabet was developed from the wordmark.Jan Middendorp, ''Dutch Type'', 010 Publishers, Rotterdam (2004), p. 121. Digital Fodor The digital version of Fodor was made by the type foundry ''The Foundry'' in London. It is part of the '' 3 Crouwel'' collection. Other typefaces in this collection are ' Gridnik', ' New Alphabet', ' Stedelijk' and ' Catalogue'. Other typefaces by Crouwel * Gridnik * New Alphabet New Alphabet is a parametri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sans Serif
In typography and lettering, a sans-serif, sans serif (), gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. For the purposes of type classification, sans-serif designs are usually divided into these major groups: , , , , and . Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word , meaning "without" and "serif" of uncertain origin, possibly from the Dutch word meaning "line" or pen-stroke. In printed media, they are more commonly used for display use and less for body text. Before the term "sans-serif" became standard in English typography, a number of other terms had been used. One of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josef Müller-Brockmann
Josef Müller-Brockmann (9 May 1914 – 30 August 1996) was a Swiss graphic designer, author, and educator, he was a Principal at Muller-Brockmann & Co. design firm. He was a pioneer of the International Typographic Style. One of the main masters of Swiss design. Müller-Brockmann is recognized for his simple designs and his clean use of typography, shapes and colors which inspire many graphic designers in the 21st century. Early life and education Josef Müller was born May 9, 1914, in Rapperswil, Switzerland. He studied architecture, design and art history at both the University of Zurich at Gewerbeschule, and Zurich University of the Arts (also known as Kunstgewerbeschule Zürich), where he studied with Ernst Keller and Alfred Willimann. He apprenticed in design and advertising with Walter Diggelman. In 1936, he opened his Zürich design studio specializing in graphic design, exhibition design, and photography. In 1937, he joined the Swiss Werkbund (Swiss Association of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grid (graphic Design)
In graphic design, a grid is a structure (usually two-dimensional) made up of a series of intersecting straight (vertical, horizontal, and angular) or curved lines (grid lines) used to structure content. The grid serves as an armature or framework on which a designer can organize graphic elements (images, glyphs, paragraphs, etc.) in a rational, easy-to-absorb manner. A grid can be used to organize graphic elements in relation to a page, in relation to other graphic elements on the page, or relation to other parts of the same graphic element or shape. The less-common printing term "reference grid," is an unrelated system with roots in the early days of printing. History Antecedents Before the invention of movable type a system based on optimal proportions had been used to arrange handwritten text on pages. One such system, known as the Villard Diagram, was in use at least since medieval times. Evolution of the modern grid After World War II, a number of graphic designers, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boldface
In typography, emphasis is the strengthening of words in a text with a font in a different style from the rest of the text, to highlight them. It is the equivalent of prosody stress in speech. Methods and use The most common methods in Western typography fall under the general technique of emphasis through a change or modification of font: ''italics'', boldface and . Other methods include the alteration of LETTER CASE and as well as color and *additional graphic marks*. Font styles and variants The human eye is very receptive to differences in "brightness within a text body." Therefore, one can differentiate between types of emphasis according to whether the emphasis changes the " blackness" of text, sometimes referred to as typographic color. A means of emphasis that does not have much effect on blackness is the use of ''italics'', where the text is written in a script style, or '' oblique'', where the vertical orientation of each letter of the text is slanted to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Type Foundry
A type foundry is a company that designs or distributes typefaces. Before digital typography, type foundries manufactured and sold metal and wood typefaces for hand typesetting, and matrices for line-casting machines like the Linotype and Monotype, for letterpress printers. Today's digital type foundries accumulate and distribute typefaces (typically as digitized fonts) created by type designers, who may either be freelancers operating their own independent foundry, or employed by a foundry. Type foundries may also provide custom type design services. England In England, type foundries began in 1476, when William Caxton introduced the printing press, importing at least some of the type that he used in printing. Until William Caslon (1692–1766), English type generally had a poor reputation so the best type was imported from Holland. Only after Caslon had established his Caslon foundry in Chiswell Street, did the City of London become a major centre for the indus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Postal, Telegraph And Telephone Service
A postal, telegraph, and telephone service (or PTT) is a government agency responsible for postal mail, telegraph, and telephone services. Such monopolies existed in many countries, though not in North America, Japan or Spain. Many PTTs have been partially or completely privatised in recent years, though a few, such as Posta ve Telgraf Teşkilatı of Turkey, Myanma Posts and Telecommunications of Myanmar and Tusass of Greenland, continue to remain wholly government-owned. In many of said privatisations, the privatised corporation was completely renamed, such as KPN in the Netherlands, Orange S.A. in France (+ Orange Polska in Poland), BT Group in the United Kingdom, Eir in the Republic of Ireland, Swisscom in Switzerland, Telstra in Australia, Spark in New Zealand, Proximus Group in Belgium, A1 Telekom Austria Group in Austria, TDC Group in Denmark, Telia Company in Sweden and Finland, Telenor in Norway, Chunghwa Telecom in Taiwan and Singtel in Singapore; whereas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Typewriter
A typewriter is a Machine, mechanical or electromechanical machine for typing characters. Typically, a typewriter has an array of Button (control), keys, and each one causes a different single character to be produced on paper by striking an ink ribbon, inked ribbon selectively against the paper with a Sort (typesetting), type element. Thereby, the machine produces a legible written document composed of ink and paper. By the end of the 19th century, a ''person'' who used such a device was also referred to as a ''typewriter''. The first commercial typewriters were introduced in 1874, but did not become common in offices in the United States until after the mid-1880s. The typewriter quickly became an indispensable tool for practically all writing other than personal handwritten correspondence. It was widely used by professional writers, in offices, in business correspondence in private homes, and by students preparing written assignments. Typewriters were a standard fixture in m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Copyright
A copyright is a type of intellectual property that gives its owner the exclusive legal right to copy, distribute, adapt, display, and perform a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States and fair dealings doctrine in the United Kingdom. Some jurisdictions require "fixing" copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders. These rights normally include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution. Copyrights can be granted by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
