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Grete Merrem-Nikisch
Margarete Karoline "Grete" Merrem-Nikisch (7 July 1887 – 12 March 1970) was a German Reich, German operatic soprano. Life Born in Düren, Merrem-Nikisch first studied with Rudolf Schulz-Dornburg in Cologne and then at the renowned University of Music and Theatre Leipzig, Königlichen Konservatorium in Leipzig, where she also made her debut in 1910 at the Leipzig Opera. One year later she gave her first guest performance at the Berlin Court Opera as a goose maid in Humperdinck's opera ''Königskinder''. In 1913 she was engaged by the Semperoper in Dresden and took part in several premieres there: in 1916 she played the slave Arsinoë in Albert's opera ''Die toten Augen'', in 1917 the title role in Hans Pfitzner's opera ''Das Christ-Elflein'', in 1926 the Lady in Hindemith's ''Cardillac''. During this time she occasionally performed abroad, for example at the Royal Opera House in Covent Garden, where she sang the role of Eva in Wagner's ''Die Meistersinger von Nürnberg'' in 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Meistersinger Von Nürnberg
(; "The Master-Singers of Nuremberg"), WWV 96, is a music drama, or opera, in three acts, by Richard Wagner. It is the longest opera commonly performed, taking nearly four and a half hours, not counting two breaks between acts, and is traditionally not cut. With Hans von Bülow conducting, it was first performed on 21 June 1868 at the National Theater in Munich, today home of Bavarian State Opera. The story is set in Nuremberg in the mid-16th century. At the time, Nuremberg was a free imperial city and one of the centers of the Renaissance in Northern Europe. The story revolves around the city's guild of '' Meistersinger'' (Master Singers), an association of amateur poets and musicians who were primarily master craftsmen of various trades. The master singers had developed a craftsmanlike approach to music-making, with an intricate system of rules for composing and performing songs. The work draws much of its atmosphere from its depiction of the Nuremberg of the era and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Tauber
Richard Tauber (16 May 1891 – 8 January 1948) was an Austrian tenor and film actor. Early life Richard Tauber was born in Linz, Austria, to Elisabeth Seifferth (née Denemy), a widow and an actress who played soubrette roles at the local theatre, and Richard Anton Tauber, an actor; his parents were not married and his father was reportedly unaware of the birth as he was touring North America at the time. The child was given the name Richard Denemy; he was sometimes known as arlRichard Tauber, and also used his mother's married name, Seiffert; but the claim by the ''Encyclopædia Britannica'' that he was ever known as Ernst Seiffert has no support from any of the 12 published books and monographs about him listed in Daniel O'Hara's comprehensive Richard Tauber Chronology. After he was adopted by his father in 1913, his legal name became Richard Denemy-Tauber. Tauber accompanied his mother on tour to theatres, but she found it increasingly difficult to cope, and left him with f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meta Seinemeyer
Meta Seinemeyer (September 5, 1895 – August 19, 1929) was a German opera singer with a spinto soprano voice. Seinemeyer was born in Berlin, where she studied at the Stern Conservatory with Ernst Grenzebach. She made her debut at the Deutsche Opernhaus in 1918. She joined the Dresden Semperoper in 1924, and began appearing at the Vienna State Opera in 1927. On the international scene, she sang at the Teatro Colón in Buenos Aires Buenos Aires ( or ; ), officially the Autonomous City of Buenos Aires ( es, link=no, Ciudad Autónoma de Buenos Aires), is the Capital city, capital and primate city of Argentina. The city is located on the western shore of the Río de la Plata ..., as Agathe in ''Der Freischütz'', Sieglinde in ''Die Walküre'', Elisabeth in ''Tannhäuser (opera), Tannhäuser'' and Eva in ''Die Meistersinger von Nürnberg'' in 1926, and at the Royal Opera House in London in 1929, as Eva, Elsa in ''Lohengrin (opera), Lohengrin'' and Sieglinde. Besides the great Wag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karin Branzell
Karin Branzell (24 September 189115 December 1974) was a Swedish operatic contralto (sometimes described as a mezzo-soprano), who had a prominent career at the Metropolitan Opera, New York, and in Europe. Her very wide range enabled her to sing both contralto roles and the occasional soprano role. She was particularly noted for her singing of the music of Richard Wagner, in roles such as Ortrud (''Lohengrin''), Venus (''Tannhäuser''), Erda (''Das Rheingold'' and ''Siegfried''), Brangäne (''Tristan und Isolde''), and Brunnhilde (''Die Walküre''). She was considered on a par with Margarete Klose and Kerstin Thorborg as a Wagnerian contralto. Amneris (''Aida''), Dalila (''Samson et Dalila''), Herodias (''Salome''), and Clytemnestra ('' Elektra'') were among her other renowned roles. Biography Karin Maria Branzell was born in Stockholm, Sweden, on 24 September 1891. She initially trained as an organist, and was engaged as assistant organist at the Hjorthagen Church in Stockholm f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne), M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Brandts-Buys
Jan Willem Frans Brandts Buijs ( Zutphen, 12 September 1868 – Salzburg, 7 December 1933) was a Dutch-Austrian composer who came from a long line of Dutch organists and composers of protestant church music. His father was an organ player in the town of Zutphen in the Netherlands, where Jan was born. He studied at the Raff Conservatory in Frankfurt and in 1892 settled in Vienna, where he got to know Johannes Brahms, who, along with Edvard Grieg, praised his early works. His piano concerto won an important international prize and such famous artists as Lilli Lehmann often included his songs on the same program with those of Franz Schubert. Work Brandts Buys' oeuvre comprises piano pieces, organ pieces, chamber music, orchestral music, songs, pieces for choir and cantatas, operas and many arrangements - such as piano arrangements of all the symphonies of Schubert and Beethoven). However, his reputation today mainly rests on his comic operas and operettas, such as ''The Tailor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Nozze Di Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, ''La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Giovanni
''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play '' El burlador de Sevilla y convidado de piedra''. It is a '' dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as '' opera buffa''). It was premiered by the Prague Italian opera at the National Theater (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the succ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Così Fan Tutte
(''All Women Do It, or The School for Lovers''), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote '' Le nozze di Figaro'' and ''Don Giovanni''. Although it is commonly held that was written and composed at the suggestion of the Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's contemporary Antonio Salieri tried to set the libretto but left it unfinished. In 1994, John Rice uncovered two terzetti by Salieri in the Austrian National Library. The short title, ''Così fan tutte'', literally means "So do they all", using the feminine plural ('' tutte'') to indicate women. It is usually translated into English as "Women are like that". The words are sung by the three men in act 2, scene 3, just before the finale; this melodic phrase is also quoted in the overture to the opera. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Merry Widow
''The Merry Widow'' (german: Die lustige Witwe, links=no ) is an operetta by the Austro-Hungarian composer Franz Lehár. The librettists, Viktor Léon and Leo Stein, based the story – concerning a rich widow, and her countrymen's attempt to keep her money in the principality by finding her the right husband – on an 1861 comedy play, (''The Embassy Attaché'') by Henri Meilhac. The operetta has enjoyed extraordinary international success since its 1905 premiere in Vienna and continues to be frequently revived and recorded. Film and other adaptations have also been made. Well-known music from the score includes the "Vilja Song", "" ("You'll Find Me at Maxim's"), and the "Merry Widow Waltz". Background In 1861, Henri Meilhac premiered a comic play in Paris, (''The Embassy Attaché''), in which the Parisian ambassador of a poor German grand duchy, Baron Scharpf, schemes to arrange a marriage between his country's richest widow (a French woman) and a Count to keep her mon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Fledermaus
' (, ''The Flittermouse'' or ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874. Background The original literary source for ' was ' (''The Prison''), a farce by German playwright Julius Roderich Benedix that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, ', loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. Meilhac and Halévy had provided several successful libretti for Offenbach and ''Le Réveillon'' later formed the basis for the 1926 silent film '' So This Is Paris'', directed by Ernst Lubitsch. Meilhac and Halévy's play was soon translated into German by Karl Haffner (1804–1876), at the instigation of Max Steiner, as a non-musical play for production in Vienna. The French custom of a New Year's Eve ''réveillon'', or supper part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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